An important task of theoretical quantum physics is the building of idealized mathematical models to describe the properties of quantum matter. This book provides an introduction to the arguably most important method for obtaining exact results for strongly interacting models of quantum matter - the Bethe ansatz. It introduces and discusses the physical concepts and mathematical tools used to construct realistic models for a variety of different fields, including condensed matter physics and quantum optics. The various forms of the Bethe ansatz - algebraic, coordinate, multicomponent, and thermodynamic Bethe ansatz, and Bethe ansatz for finite systems - are then explained in depth and employed to find exact solutions for the physical properties of the integrable forms of strongly interacting quantum systems. The Bethe ansatz is one of the very few methodologies which can calculate physical properties non-perturbatively. Arguably, it is the only such method we have which is exact. This means, once the model has been set up, no further approximations or assumptions are necessary, and the relevant physical properties of the model can be computed exactly. Furthermore, an infinite set of conserved quantities can be obtained. The quantum mechanical model under consideration is fully integrable. This makes the search for quantum models which are amenable to an exact solution by the Bethe ansatz, and which are quantum integrable, so important and rewarding. The exact solution will provide benchmarks for other models, which do not admit an exact solution. Bethe ansatz techniques provide valuable insight into the physics of strongly correlated quantum matter.
The civil rights era was a time of pervasive change in American political and social life. Among the decisive forces driving change were lawyers, who wielded the power of law to resolve competing concepts of order and equality and, in the end, to hold out the promise of a new and better nation. The Search for Justice is a look the role of the lawyers throughout the period, focusing on one of the central issues of the time: school segregation. The most notable participants to address this issue were the public interest lawyers of the NAACP’s Legal Defense Fund, whose counselors brought lawsuits and carried out appeals in state and federal courts over the course of twenty years. But also playing a part in the story were members of the bar who defended Jim Crow laws explicitly or implicitly and, in some cases, also served in state or federal government; lawyers who sat on state and federal benches and heard civil rights cases; and, finally, law professors who analyzed the reasoning of the courts in classrooms and public forums removed from the fray. With rich, copiously researched detail, Hoffer takes readers through the interactions of these groups, setting their activities not only in the context of the civil rights movement but also of their full political and legal legacies, including the growth of corporate private legal practice after World War II and the expansion of the role of law professors in public discourse, particularly with the New Deal. Seeing the civil rights era through the lens of law enables us to understand for the first time the many ways in which lawyers affected the course and outcome of the movement.
Charles Ives is famous for using borrowed material in his music. Almost two hundred individual works or movements, spanning his entire career and representing more than a third of his output, incorporate music by other composers or from his own previous work. In this book, the eminent Ives scholar J. Peter Burkholder identifies the different kinds of "quotations" in Ives's music, explores the complex musical, aesthetic, and psychological motivations behind the borrowings, and shows the purpose, techniques, and effects that characterize each one. Burkholder catalogues fourteen distinct ways that Ives borrowed, ranging from direct quotation to paraphrase, variation, collage, modeling, and stylistic allusion. Arguing that these borrowing procedures were compositional strategies, he provides a new perspective on Ives's process of composition. In addition, by tracing the development of Ives's borrowing practices through his career, he contributes to an understanding of the composer's stylistic evolution. And by showing how much of Ives's music uses borrowing procedures that are common to many composers, he reveals that Ives is not as far removed from the classic-romantic tradition as has been thought. Finally, Burkholder's comprehensive treatment of Ives's borrowing techniques offers a new perspective on the entire field of musical borrowing.
Fundamentals of Clinical Psychopharmacology provides up-to-date, evidence-based and unbiased information about psychopharmacology. It spans the range of the discipline, from mode of action and side effects of drugs to meta-analyses of clinical trials. It is anchored to practice guidelines produced by the UK National Institute for Health and Care Ex
A comprehensive guide to project management and its interaction with other management systems and strategies The Wiley Guides to the Management of Projects address critical, need-to-know information that will enable professionals to successfully manage projects in most businesses and help students learn the best practices of the industry. They contain not only well-known and widely used basic project management practices but also the newest and most cutting-edge concepts in the broader theory and practice of managing projects. This first book in the series, The Wiley Guide to Project, Program & Portfolio Management, is based on the "meta" level of management, which, simply stated, asserts that project management must be integrated throughout an organization in order to achieve its full potential to enhance the bottom line. This book will show you how to fully understand and exploit the strategic management of projects, portfolios, and program management and their linkage with context and strategy in other concepts and processes, such as quality management, concurrent engineering, just-in-time delivery, systems management and engineering, teams, and statistical quality control. Featuring contributions from experts all around the world, this invaluable resource book offers authoritative project management applications for industry, service businesses, and government agencies. Complete your understanding of project management with these other books in The Wiley Guides to the Management of Projects series: * The Wiley Guide to Project Control * The Wiley Guide to Project Organization & Project Management Competencies * The Wiley Guide to Project Technology, Supply Chain & Procurement Management
Since Cuba's Esteban Bellan made his debut for the Troy Haymakers of the National Association in 1871, Latin Americans have played a large role in the major leagues. Nearly 15 percent of big league rosters are made up of Latinos, while the region's colorful and competitive winter leagues have been a proving ground for up-and-coming major league players and managers. Early Latin American stars were barred purely because of the color of their skin from playing in the major leagues. Players such as Jose Mendez and Martin Dihigo (the only player elected to the U.S., Cuban and Mexican halls of fame) made their marks on the Negro Leagues, turning the leagues' barnstorming tours into major attractions in many Caribbean countries. This history of the players and events that make up the rich tradition of Latin American baseball gives a unique insight to this long-neglected area of baseball.
A description, reconstruction and discussion of the repertory of an exceptional musical source, the French manuscript made at Lyons c. 1520-1525 as the private collection of a music copyist. The book contains 280 compositions, sacred and secular, from the period 1450-1524 with Loyset, Compère, Alexander Agricola, Antoine de Févin, Claudin de Sermisy and Clément Janequin as the prominent composers. Besides discussing the many-faceted repertory, the book studies the circulation of music in the early sixteenth century and the relationships between popular songs and courtly chansons and between provincial music and the music of the musical centres. -- The manuscript has been in the Royal Library of Copenhagen since 1921. This is the first comprehensive study of it.
Few operas have had more written about them than The Magic Flute, yet few are as often exposed to misguided comment - or to idiosyncratic productions. This book sets out to provide a straightforward account of Mozart's last opera, exposing the half-truths and legends that have proliferated since its first production in 1791. In the first chapter a hitherto unsuspected source for the opening scene is presented and Branscombe reveals the complex relationship between the stories, essays and stage-works on which the plot is based. The second chapter studies the intellectual background, with special attention to Freemasonry. A detailed synopsis follows, then the history of the composition, based on documentary evidence and, in the case of the autograph score, the paper-types used. Chapter 5 examines the identity of the librettist and the qualities of his work, and chapter 6 is a detailed study (by Erik Smith) of Mozart's music and more generally of his late style. Chapter 7 covers the first performance, the cast, early reception, and then the rapid growth in the opera's fame; an outline history of productions concludes the chapter. Anthony Besch discusses the nature of the challenge to the director presented by Die Zauberflöte and suggests how the problems can be overcome. The book contains illustrations, a synopsis, bibliography and discography and will be of interest to music students, scholars and opera-goers.
One hundred years ago, the world suffered a brutal and destructive conflict. The Great War, World War I, or the War to End All Wars, by whatever name, cost the lives and the fortunes of millions of people. The modern world, now concerned with its own problems and conflicts, has pushed the memory of it deep into the recesses of collective memory. The veterans and the war dead are honored and memorialized annually; however, the ongoing destructive influence of this time on the personal lives, fates, and fortunes of individuals and families is forgotten. Liebe Kck! A German Soldiers Story from the Great War is based on the letters Vice Feldwebel (Staff Sergeant) Alwin Ficke of the Seventy-Fourth Reserve German Infantry, stationed on the Western Front of the War, wrote home to his wife and family from August 1914 until his death in France in February 1915. Sergeant Fickes viewpoint was contrary to the popularized media reports of German military actions in Belgium and the Champagne Valley. This ugly war is best understood not through popularized media reports but as it is seen though the personal wars of soldiers and their families. His is the story of the journey taken from home to battle representing the struggles and turmoil in the lives of legions of others.
Mentalizing - the ability to understand oneself and others by inferring mental states that lie behind overt behaviour - develops within the context of attachment relationships. It is crucial to self-regulation and constructive, intimate relationships, both of which are impaired in personality disorders because of sensitivity to losing mentalizing at times of anxiety and attachment stress. Loss of mentalizing leads to interpersonal and social problems, emotional variability, impulsivity, self-destructive behaviours, and violence. This practical guide on mentalization-based treatment (MBT) of personality disorders outlines the mentalizing model of borderline and antisocial personality disorders and how it translates into clinical treatment. The book, divided into four parts - the mentalizing framework, basic mentalizing practice, mentalizing and groups, and mentalizing systems - covers the aims and structure of treatment, outlines how patients are introduced to the mentalizing model so that their personality disorder makes sense to them, explains why certain interventions are recommended and others are discouraged, and systematically describes the process of treatment in both group and individual therapy to support more stable mentalizing. People with personality disorders commonly have comorbid mental health problems, such as depression and eating disorders, which complicate clinical treatment. Therefore, the book advises the clinician on how to manage comorbidity in treatment. In addition, mentalizing problems in families and social systems, for example, schools and mental health services are also covered. A families and carers training and support guide is provided as families and others are often neglected during the treatment of people with personality disorder. The book is a valuable guide for all mental health workers on how to effectively treat personality disorders.
One of the first men of this century' is how Heine described himself when he claimed to have been born in the early hours of 1800. It was typical of Heine to create this humorous doubt - he was in fact born in 1797. He was a restless and homeless poet, a Jew among Germans, a German in Paris, a rebel among the bourgeoisie and always, as his famous doppelgänger poems show, a man divided against himself. This selection, with the German originals accompanied by English prose translations, provides the perfect introduction to Heine. He can be magnificent as an acute, irreverent commentator on politics and current events, though his genius most often strikes home in the poems filled with despair, or sensuality, or sweetness, or self-mockery, in which he draws out the whole gamut of emotions provoked by love and immanent death.
A critical reading of both literary and non-literary German texts published between 1490 and 1540 exposes a populist backlash against perceived social and political disruptions, the dramatic expansion of spatial and epistemological horizons, and the growth of global trade networks. These texts opposed the twin phenomena of pluralization and secularization, which promoted a Humanist tolerance for ambiguity, boosted globalization and spatial expansion around 1500, and promoted new ways of imagining the world. Part I considers threats to the political order and the protestations against them, above all a vigorous defense of the common good. Part II traces the intellectual and epistemological upheaval triggered by the spatial discoveries and the new methods of visual and verbal representation of space. Part III examines the nationalistic backlash triggered by the rising global trade and related abusive trading practices and by perceived undue foreign influences. It is the basic premise of this book that the texts examined here protested the observed disruptions of the status quo and sought to reestablish a stable imperial order in the face of political and social upheaval and of the felt cultural decline of the German nation.
This is the story of a forgotten Giant--the man Baseball Magazine called in 1930 "baseball's greatest first baseman"--Bill Terry. Brought up from proverty and the obscurity of semipro ball in the South by the famed "Little Napoleon," manager John McGraw of the Giants, Terry developed into the team's key player in the 1920s. As America battled the Depression, the no-nonsense Terry replaced McGraw as manager of the Giants and led the team to three pennants and a world championship. In When the Giants Were Giants, author Peter Williams looks at the end of an era--a time before television, night baseball, player strikes, or free agents--through the lense of this Hall-of-Famer's career as a player and coach. Exclusive interviews with Bill Terry and other players bring to life the rich and color tapestry of Golden Age baseball when the big New York baseball teams were the biggest names in sports.
This book offers something new, a full-length study of printing Anglo-Saxon (Old English) from 1566 to 1705, combining analysis of content and form of production. It starts from the end-product and addresses the practical issues of providing for printing Anglo-Saxon authentically, and why this was done. The book tells a story that is largely Cambridge-orientated until Oxford made an impact, largely thanks to Franciscus Junius from Leiden. There is a catalogue of all books containing Anglo-Saxon, with full details of their use of manuscript or printed sources. This information allows us to see how knowledge of Anglo-Saxon grew and developed.
Adding new results that have appeared in the last 15 years, Dictionary of Inequalities, Second Edition provides an easy way for researchers to locate an inequality by name or subject. This edition offers an up-to-date, alphabetical listing of each inequality with a short statement of the result, some comments, references to related inequalities, an
In Cataloging beyond the Notes: Annotating Bibliographic Records for Music Effectively in RDA, authors Ralph Hartsock and Peter Lisius present examples illustrating the effective use of notes in the description of music, and this is especially important with RDA. Since RDA has increased granularity in the description of music, whether in score, recording, video, or data formats, the expert direction offered in Cataloging beyond the Notes makes it a key reference for music cataloging. Bibliographic records are presented using MARC21. An essential resource for practicing music catalogers, Cataloging beyond the Notes begins with a comprehensive introduction, including instructions on how to use the book, and presents examples of the granular data that informs users about specific details. In addition, the examples are augmented by the authors’ commentary, so that the result is expert guidance in a single, highly accessible publication. More than that, navigation to and from the newer RDA format is facilitated by an appendix keyed to specific RDA details. Frequently used and related terms are also covered in a glossary specific to this volume. Taken as a whole, Cataloging beyond the Notes belongs in every music library and on each cataloger’s desk.
CONTENIDO: Basic - Linear Programming Prerequisites - Nonlinear Programming Prerequisites - Single-Stage SLP models - Models involving probability functions - Quantile functions, Value at Risk - Models based on expectation - Models built with deviation measures - Modeling risk and opportunity - Risk measures - Multi-stage SLP models - The general SLP with recourse - The two-stage SLP - The multi-stage SLP - Algorithms - Single-stage models with separate probability functions - Single-stage models with joint probability functions - Single-stage models based on expectation - Single-stage models involving VaR - Single-stage models with deviation measures - Two-stage recourse models - Multistage recourse models - Modeling systems for SLP.
When Lenore de Quincy's father gives her the key to a bank box containing a fortune in cash and then dies, she realizes she is no longer under constraints to remain unhappily married. She abandons her husband, taking her daughter, Angela, with her from a provincial town in western Pennsylvania to the bright lights of Manhattan. A PLACE TO CALL HOME is a novel inspired by true stories set against the First World War, The Roaring Twenties, and the Great Depression. It centers around two well-to-do families joined by an arranged marriage. The action is seen through Angela's eyes as she struggles with the effects on her life of her parents' divorce, a thing viewed in the 1920's as scandalous and tragic. Her travels between New York City and her father's nurturing family in a coal-belt town near Pittsburgh provide humorous and nostalgic anecdotes about growing up in the America of that era. Mary Ellen Stelling was born in Pittsburgh, PA in 1915 and lived in New York, Florida, North Carolina and Texas before settling in 1946 in Atlanta. For five years a feature columnist on the Women's Page of the Atlanta CONSTITUTION, she was a member of the Georgia Poetry Society and the Poetry Society of Texas. During the 1950's and 1960's, her work appeared in poetry journals in almost every state of the Union, and most newspapers of the time which featured verse published her poems. She was the wife of a successful retail executive and a dedicated mother who did all the usual time-consuming things to support her son's activities. Behind the scenes she worked as time allowed to create a richly humorous prose document portraying her childhood experiences. Those sketches written in the 1950's totaling about a hundred pages were the seeds which inspired this book. Mrs. Stelling passed away at the age of 82 in 1998. Peter James Stelling was born in Charlotte, NC, in 1943 and has spent most of his life in Atlanta. A graduate of Washington and Lee University and Grady College of the University of Georgia, he spent four years in advertising in New York before returning home to work for the Atlanta Symphony Orchestra and for two different firms specializing in Group Incentive Sales Travel and Meeting Planning. One of his most memorable work experiences was serving as road manager for a traveling symphony orchestra during the early years of Robert Shaw's tenure as their Music Director. Now a contentedly retired father of two and grandfather of four, he is grateful for having had the luxury of time to complete this unique family document. He remains an active supporter of the Atlanta Symphony Orchestra, the Atlanta Opera, Trinity Presbyterian Church, and serves on the Board of Governors of the Vinings Club in suburban Atlanta.
Over the past few decades, the book series Linguistische Arbeiten [Linguistic Studies], comprising over 500 volumes, has made a significant contribution to the development of linguistic theory both in Germany and internationally. The series will continue to deliver new impulses for research and maintain the central insight of linguistics that progress can only be made in acquiring new knowledge about human languages both synchronically and diachronically by closely combining empirical and theoretical analyses. To this end, we invite submission of high-quality linguistic studies from all the central areas of general linguistics and the linguistics of individual languages which address topical questions, discuss new data and advance the development of linguistic theory.
Nuclear structure physics is undergoing a major revival, full of activities and excitement. On the experimental side, this is being made possible by advances in detector technology and accelerator capabilities that give access to data and nuclei (especially exotic nuclei far from stability) never before accessible. On the theoretical side, new concepts, ideas and computational techniques are advancing our understanding of effective interactions, nucleonic correlations, and symmetries of structure.This volume covers a broad range of topics on nuclear structure, including collective excitations, proton-neutron excitation modes, phase transitions, signatures of structure, isospin, structure at both high and low angular momenta, recent developments in nuclear theory, the vast new realm of exotic nuclei far from the valley of stability, and the latest technological advances of detectors and facilities which will lead this branch of physics into the future.
Both an original contribution and a lucid introduction to mathematical aspects of fluid mechanics, Navier-Stokes Equations provides a compact and self-contained course on these classical, nonlinear, partial differential equations, which are used to describe and analyze fluid dynamics and the flow of gases.
Rich selection of 40 charming works includes celebrated title song plus Don Juan's Serenade, Mignon's Song, Night of Stars, Serenade, Song of the Gipsy Girl, and other exquisite pieces for voice and piano.
The literature on inequalities is vast-in recent years the number of papers as well as the number of journals devoted to the subject have increased dramatically. At best, locating a particular inequality within the literature can be a cumbersome task. A Dictionary of Inequalities ends the dilemma of where to turn to find a result, a related inequality, or the references to the information you need. It provides a concise, alphabetical listing of each inequality-by its common name or its subject-with a short statement of the result, some comments, references to related inequalities, and a list of sources for further information. The author uses only the most elementary of mathematical terminology and does not offer proofs, thus making an interest in inequalities the only prerequisite for using the text. The author focuses on intuitive, physical forms of inequalities rather than their most general versions, and retains the beauty and importance of original versions rather than listing their later, abstract forms. He presents each in its simplest form with other renditions, such as for complex numbers and vectors, as extensions or under different headings. He has kept the book to a more manageable size by omitting inequalities in areas-such as elementary geometric and trigonometric inequalities-rarely used outside their fields. The end result is a current, concise, reference that puts the essential results on inequalities within easy reach. A Dictionary of Inequalities carries the beauty and attraction of the best and most successful dictionaries: on looking up a given item, the reader is likely to be intrigued and led by interest to others.
In Ellis Island to Ebbets Field, Peter Levine vividly recounts the stories of Red Auerbach, Hank Greenberg, Moe Berg, Sid Luckman, Nat Holman, Benny Leonard, Barney Ross, Marty Glickman, and a host of others who became Jewish heroes and symbols of the difficult struggle for American success.From settlement houses and street corners, to Madison Square and Fenway Park, their experiences recall a time when Jewish males dominated sports like boxing and basketball, helping to smash stereotypes about Jewish weakness while instilling American Jews with a fierce pride in their strength andability in the face of Nazi aggression, domestic anti-Semitism, and economic depression. Full of marvelous stories, anecdotes, and personalities, Ellis Island to Ebbets Field enhances our understanding of the Jewish-American experience as well as the struggles of other American minoritygroups.
This book, first published in 1984, brings together three essays written by specialists in German history of the sixteenth and seventeenth centuries whose important work is little known to English-speaking historians. Peter Blickle argues for a strong connection between the theology of the Reformation and the ideologies of the social protest movements of the period. Hans-Christoph Rublack takes a wider theme of the political and social norms in urban communities in the Holy Roman Empire and emphasises the ideas of justice, peace and unity held within the community despite the upheavals of revolution and protest. Winfried Schulze provides a comparative assessment of early modern peasant resistance within the Holy Roman Empire.
The story of modern architecture is told here through the lives and works of three men who changed the face of the cities we live in. Le Corbusier gave to modern design a sure and brilliant sense of form; Mies brought an almost Gothic discipline of structure; and Wright heralded a new and dramatic concept of space and freedom. Through this triple focus, Peter Blake provides a perspective on the entire range of twentieth-century architecture.
La Pietra 1996 : Conference on Differential Equations Marking the 70th Birthdays of Peter Lax and Louis Nirenberg, July 3-7, 1996, Villa La Pietra, Florence, Italy
La Pietra 1996 : Conference on Differential Equations Marking the 70th Birthdays of Peter Lax and Louis Nirenberg, July 3-7, 1996, Villa La Pietra, Florence, Italy
The 11 papers discuss analysis, partial differential equations, applied mathematics, and scientific computing, focusing on the work of Peter Lax and Louis Nirenberg, whose 70th birthdays occasioned the conference. Specific topics include viscosity solutions for the porous medium equation, holomorphic curves in contact dynamics, and minimizing volume among Lagrangian submanifolds. No index. Member prices are $31 for institutions and $23 or individuals. Annotation copyrighted by Book News, Inc., Portland, OR.
One of the most expressive and versatile of the great nineteenth-century Romantic composers, Peter Ilyitch Tchaikovsky brought a sense of intimacy and emotional power to all of his music — whether for orchestra, opera, ballet, or art song. Grove's Dictionary of Music and Musicians remarks on the characteristic charm of Tchaikovsky's songs, noting their "penetrating sweetness and sadness" as well as their "vocal excellence." In addition to the celebrated title work, this collection presents a rich selection of 40 enchanting melodies, including Don Juan's Serenade, Mignon's Song, Night of Stars, Serenade, Song of the Gipsy Girl, and other exquisite pieces for voice and piano. Featured texts by Goethe, Heine, Tolstoy, and other great poets appear in English and either German or French.
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