Essential Cell Biology provides a readily accessible introduction to the central concepts of cell biology, and its lively, clear writing and exceptional illustrations make it the ideal textbook for a first course in both cell and molecular biology. The text and figures are easy-to-follow, accurate, clear, and engaging for the introductory student. Molecular detail has been kept to a minimum in order to provide the reader with a cohesive conceptual framework for the basic science that underlies our current understanding of all of biology, including the biomedical sciences. The Fourth Edition has been thoroughly revised, and covers the latest developments in this fast-moving field, yet retains the academic level and length of the previous edition. The book is accompanied by a rich package of online student and instructor resources, including over 130 narrated movies, an expanded and updated Question Bank. Essential Cell Biology, Fourth Edition is additionally supported by the Garland Science Learning System. This homework platform is designed to evaluate and improve student performance and allows instructors to select assignments on specific topics and review the performance of the entire class, as well as individual students, via the instructor dashboard. Students receive immediate feedback on their mastery of the topics, and will be better prepared for lectures and classroom discussions. The user-friendly system provides a convenient way to engage students while assessing progress. Performance data can be used to tailor classroom discussion, activities, and lectures to address students’ needs precisely and efficiently. For more information and sample material, visit http://garlandscience.rocketmix.com/.
The aspiration to relate the past 'as it really happened' has been the central goal of American professional historians since the late nineteenth century. In this remarkable history of the profession, Peter Novick shows how the idea and ideal of objectivity were elaborated, challenged, modified, and defended over the last century. Drawing on the unpublished correspondence as well as the published writings of hundreds of American historians from J. Franklin Jameson and Charles Beard to Arthur Schlesinger, Jr., and Eugene Genovese, That Noble Dream is a richly textured account of what American historians have thought they were doing, or ought to be doing, when they wrote history - how their principles influenced their practice and practical exigencies influenced their principles.
Peter Bogdanovich, known primarily as a director, film historian and critic, has been working with professional actors all his life. He started out as an actor (he debuted on the stage in his sixth-grade production of Finian’s Rainbow); he watched actors work (he went to the theater every week from the age of thirteen and saw every important show on, or off, Broadway for the next decade); he studied acting, starting at sixteen, with Stella Adler (his work with her became the foundation for all he would ever do as an actor and a director). Now, in his new book, Who the Hell’s in It, Bogdanovich draws upon a lifetime of experience, observation and understanding of the art to write about the actors he came to know along the way; actors he admired from afar; actors he worked with, directed, befriended. Among them: Lauren Bacall, Humphrey Bogart, James Cagney, John Cassavetes, Charlie Chaplin, Montgomery Clift, Marlene Dietrich, Henry Fonda, Ben Gazzara, Audrey Hepburn, Boris Karloff, Dean Martin, Marilyn Monroe, River Phoenix, Sidney Poitier, Frank Sinatra, and James Stewart. Bogdanovich captures—in their words and his—their work, their individual styles, what made them who they were, what gave them their appeal and why they’ve continued to be America’s iconic actors. On Lillian Gish: “the first virgin hearth goddess of the screen . . . a valiant and courageous symbol of fortitude and love through all distress.” On Marlon Brando: “He challenged himself never to be the same from picture to picture, refusing to become the kind of film star the studio system had invented and thrived upon—the recognizable human commodity each new film was built around . . . The funny thing is that Brando’s charismatic screen persona was vividly apparent despite the multiplicity of his guises . . . Brando always remains recognizable, a star-actor in spite of himself. ” Jerry Lewis to Bogdanovich on the first laugh Lewis ever got onstage: “I was five years old. My mom and dad had a tux made—I worked in the borscht circuit with them—and I came out and I sang, ‘Brother, Can You Spare a Dime?’ the big hit at the time . . . It was 1931, and I stopped the show—naturally—a five-year-old in a tuxedo is not going to stop the show? And I took a bow and my foot slipped and hit one of the floodlights and it exploded and the smoke and the sound scared me so I started to cry. The audience laughed—they were hysterical . . . So I knew I had to get the rest of my laughs the rest of my life, breaking, sitting, falling, spinning.” John Wayne to Bogdanovich, on the early years of Wayne’s career when he was working as a prop man: “Well, I’ve naturally studied John Ford professionally as well as loving the man. Ever since the first time I walked down his set as a goose-herder in 1927. They needed somebody from the prop department to keep the geese from getting under a fake hill they had for Mother Machree at Fox. I’d been hired because Tom Mix wanted a box seat for the USC football games, and so they promised jobs to Don Williams and myself and a couple of the players. They buried us over in the properties department, and Mr. Ford’s need for a goose-herder just seemed to fit my pistol.” These twenty-six portraits and conversations are unsurpassed in their evocation of a certain kind of great movie star that has vanished. Bogdanovich’s book is a celebration and a farewell.
In this “dishy…superbly reported” (Entertainment Weekly) New York Times bestseller, Peter Biskind chronicles the rise of independent filmmakers who reinvented Hollywood—most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax Films an indie powerhouse. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind “takes on the movie industry of the 1990s and again gets the story” (The New York Times). Biskind charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. He follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell, are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman. Candid, controversial, and “sensationally entertaining” (Los Angeles Times) Down and Dirty Pictures is a must-read for anyone interested in the film world.
Consciousness Mattering presents a contemporary Buddhist theory in which brains, bodies, environments, and cultures are relational infrastructures for human consciousness. Drawing on insights from meditation, neuroscience, physics, and evolutionary theory, it demonstrates that human consciousness is not something that occurs only in our heads and consists in the creative elaboration of relations among sensed and sensing presences, and more fundamentally between matter and what matters. Hershock argues that without consciousness there would only be either unordered sameness or nothing at all. Evolution is consciousness mattering. Shedding new light on the co-emergence of subjective awareness and culture, the possibility of machine consciousness, the risks of algorithmic consciousness hacking, and the potentials of intentionally altered states of consciousness, Hershock invites us to consider how freely, wisely, and compassionately consciousness matters.
Juxtaposing "ecumenism" and "jihad", two words that many would consider strange and at odds with each other, Peter Kreeft argues that we need to change our current categories and alignments. We need to realize that we are at war and that the sides have changed radically: many of our former enemies (e.g. Muslims) are now our friends, and some of our former friends (e.g. humanists) are now our enemies. Documenting the spiritual and moral decay that has taken hold of modern society, Kreeft issues a wake-up call to all God-fearing Christian, Jews and Muslims to unite together in a "religious war" against the common enemy of godless secular humanism, materialism and immorality. Aware of the deep theological differences of these monotheistic faiths, Kreeft calls for a moratorium on our polemics against each other so that we can form an alliance to fight together to save western civilization. He cites numerous examples of today's Protestants, Jews, Catholics and Muslims working together to solve moral and spiritual problems. God is calling for this unity, Kreeft says, and if we respond, God will do something wonderful.
What causes poverty? Can poverty be eliminated? Why do we keep moving towards global government? Are world events controlled by a secret group of powerful insiders? What will our society be like two or three generations from now? The answers to all these questions are in this book. Take a lightning fast trip through 2400 years of history. Along the way youll discover why we live the way we do, and what your childrens future will be. Its an exciting ride, and this book takes you all the way from the beginning of civilization to its endwhich is just around the corner!
This text provides a detailed overview of mental health law and the socio-legal, historical, sociological, and cultural issues related to them. The role of the law and medical treatments in regulating and controlling deviance are explored alongside the fundamental rights and liberties of some of society's most vulnerable people.
Lords of the Sea revises our understanding of the epic political, economic, and cultural transformations of Japan’s late medieval period (ca. 1300–1600) by shifting the conventional land-based analytical framework to one centered on the perspectives of seafarers who, though usually dismissed as "pirates," thought of themselves as sea lords. Over the course of these centuries, Japan’s sea lords became maritime magnates who wielded increasing amounts of political and economic authority by developing autonomous maritime domains that operated outside the auspices of state authority. They played key roles in the operation of networks linking Japan to the rest of the world, and their protection businesses, shipping organizations, and sea tenure practices spread their influence across the waves to the continent, shaping commercial and diplomatic relations with Korea and China. Japan's land-based authorities during this time not only came to accept the autonomy of "pirates" but also competed to sponsor sea-lord bands who could administer littoral estates, fight sea battles, protect shipping, and carry trade. In turn, prominent sea-lord families expanded their dominion by shifting their locus of service among several patrons and by appropriating land-based rhetorics of lordship, which forced authorities to recognize them as legitimate lords over sea-based domains. By the end of the late medieval period, the ambitions, tactics, and technologies of sea-lord mercenary bands proved integral to the naval dimensions of Japan’s sixteenth-century military revolution. Sea lords translated their late medieval autonomy into positions of influence in early modern Japan and helped make control of the seas part of the ideological foundations of the state.
While paradigm-bound research has generated powerful insights in international relations, it has fostered a tunnel vision that hinders progress and widens the chasm between theory and policy. In this important new book, Sil and Katzenstein draw upon recent scholarship to illustrate the benefits of a more pragmatic and eclectic style of research.
It was one of the biggest scandals in New York University history. Professor John Buettner-Janusch, chair of the Anthropology Department, was convicted of manufacturing LSD and Quaaludes in his campus laboratory. He claimed the drugs were for an animal behavior experiment, but the jury found otherwise. B-J, as he was known, served two years in prison before being paroled, emerging to find his life and career in shambles. Four years later, he sought revenge by trying to kill the sentencing judge and others with poisoned Valentine’s Day chocolates. After pleading guilty to attempted murder, he was sentenced to twenty years in prison, where he died in mysterious circumstances. But before he was infamous at NYU, B-J, a scientific luminary, had also taught at Yale and Duke. One of the world’s foremost authorities on lemurs, our distant primate relatives on the remote island of Madagascar, he brought international attention to these endearing and endangered creatures. He cofounded the Duke Lemur Center in North Carolina and inspired a whole generation of scientists to study them and conservationists to save them and their habitat. His trials captured national headlines, but the mad scientist’s full story has never been told—until now.
Examining the legal structure of the mental health system, this book explains the legal principles. It places them in the context of their practical application, the realities of patient life, and the complexities of organising care. This edition gives an analysis of the Mental Capacity Act, 2005 and the Draft Mental Health Bill.
A “wide-ranging and sophisticated anthology” comparing theaters of war to wars in the movie theater (Dennis Showalter, author of Patton and Rommel). Why We Fought makes a powerful case that film can be as valuable a tool as primary documents for improving our understanding of the causes and consequences of war. A comprehensive look at war films, from depictions of the American Revolution to portrayals of September 11 and its aftermath, this volume contrasts recognized history and historical fiction with the versions appearing on the big screen. The text considers a selection of the pivotal war films of all time, including All Quiet on the Western Front, Sands of Iwo Jima, Apocalypse Now, Platoon, and Saving Private Ryan—revealing how film depictions of the country’s wars have shaped our values, politics, and culture, and offering a unique lens through which to view American history. Named as a Choice Outstanding Academic Title
Can scientists and engineers replicate Nature and develop systems that operate in extreme environments? Bio-inspiration is an established concept which is developing to meet the needs of the many challenges we face particularly in defence and security. This book explores the potential of bio-inspired materials and sensing systems together with examples of how they are being implemented. It is not an exhaustive study of the subject but provides an overview of how bio-inspired or -derived approaches can be used to enhance components, systems and systems of systems for defence and security applications. Readers will gain an awareness of the complexity and versatility of bio-inspired components as well as an understanding of how these technologies can be applied in a variety of operational scenarios. Consideration is given to using a conceptual model that can be deployed in distributed or autonomous operations. Using this model, bio-inspiration with behavioural science plays a major role in identification, movement, searching strategies and pattern recognition for chemical and biological detection. Examples focus on both learning new things from nature that have application to the defence and security areas and adapting known discoveries for practical use by these communities. This graduate level monograph provides an increased awareness of the need for more sophisticated, networked sensors and systems in the defence and security communities and will be of interest to both specialists in this area and science and technology generalists.
Is East Asia heading towards war? This text makes a case for a new theoretical approach (called 'analytical eclecticism' by the authors) to the study of Asian security.
Since the unexpected end of the Cold War, standard arguments about power politics can no longer be adopted uncritically. This has led to a renewed interest in Japan’s unusually peaceful security policy. Japan’s championing of "comprehensive security" is central to this collection. Peter J. Katzenstein’s essays explore this concept which not only encompasses traditional military concerns but also domestic aspects of security. The book's focus on counter-terrorism and national security highlights a policy approach which, over decades, Japan has developed with political patience and diplomatic finesse. These essays advocate an eclectic approach that helps in recognizing new questions and that seek to combine elements from different analytical perspectives in the exploration of novel lines of argument. Additionally, the book features an entirely new, substantial introduction that explores and elaborates the themes of the collection while bringing it up to date. This collection will be of significant interest to students and scholars of Japanese politics, security studies and international relations.
Behold the Rolling Stones: run-ins with the law, chart-topping successes, and now the World's Greatest Continually Operating Rock and Roll Band. 50 Licks tells the story of the Stones, right from its very origins. On July 12, 1962, London's Marquee Club debuted a new act, a blues-inflected rock band named after a Muddy Waters song-the Rolling Stones. They were a hard-edged band with a flair for the dramatic, styling themselves as the devil's answer to the sainted Beatles. A young, inexperienced producer named Andrew Loog Oldham first heard the band at a session he remembers with four words: "I fell in love." Though unfamiliar with such basic industry practices as mixing a recording, he made a brilliant decision-he pitched the band to a studio that had passed on the Beatles. Afraid to make the same mistake twice, they signed the Stones, and began a history-making career. This is just one of the fifty classic stories that make up 50 Licks, each named for a different Stones song. Many are never before told, some are from exclusive interviews-including with elusive bassist Bill Wyman-and all are told by the people who lived them. Part oral history, part memorabilia, this fiftieth anniversary book is the Stones album every collector will need to have.
LabStudio: Design Research between Architecture and Biology introduces the concept of the research design laboratory in which funded research and trans-disciplinary participants achieve radical advances in science, design, and applied architectural practice. The book demonstrates to natural scientists and architects alike new approaches to more traditional design studio and hypothesis-led research that are complementary, iterative, experimental, and reciprocal. These originate from 3-D spatial biology and generative design in architecture, creating philosophies and practices that are high-risk, non-linear, and design-driven for often surprising results. Authors Jenny E. Sabin, an architectural designer, and Peter Lloyd Jones, a spatial biologist, present case studies, prototypes, and exercises from their practice, LabStudio, illustrating in hundreds of color images a new model for seemingly unrelated, open-ended, data-, systems- and technology-driven methods that you can adopt for incredible results.
The great American Westerns can be profoundly meaningful when read metaphorically. More than mere shoot 'em up entertainment, they are an essential part of a vibrant, evolving national mythology. Like other versions of the archetypal Hero's Journey, these films are filled with insights about life, love, nature, society, ethics, beauty and what it means to be human, and are key to understanding American culture. Part film guide, part historical survey, this book explores the mythic and artistic elements in 52 great Westerns--some orthodox, some subversive--from the genre's first half-century. Each film is given detailed critical analysis, from the earliest silent movies to Golden Age classics like Red River (1948), High Noon (1952) and Shane (1953).
This book is about American jazz history and a very special place in San Francisco that was called Earthquake McGoon's, which was one of the longest running jazz clubs in America. Included in Meet Me At McGoon's are some 860 photos and illustrations, a complete index and an updated list of Turk Murphy recordings at the time of writing this book.
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