The quiet moments of global terrorism are over. They were silently on the move and highly motivated against the USA, first and foremost. To the radical extremist fascists international terrorists network, the USA was the easiest to infiltrate amongst the worlds super powers. Their ultimate target was the entertainment capital of the world, the city of sin and pleasure for the western free world. Assisted by human traffickers and smugglers, this time, thei suicidal martyr is a Woman of Mass Destruction (WMD). Westernized and American educated, desired by almost every man, a woman well adorned as well as scorned, the self appointed terrorist, the self declared jihadist, the self-anointed martyr is now ready to make her move. It all began in an island archipelago in the Pacific, where three young men who started out as childhood friends were separated by fate. One became the most wanted notorious non Christian rebel leader in that region, another became a hardened military combat zone officer and the third became an American. Noor was a casualty turned weapon against the Infidels. Her mission before she perishes was to inflict as much damage and pain to portions of the society that caused her miseries. To make their statement that the war against terrorism is not over, and will not be over, and will not be won by the Infidels. Noor was the networks ultimate weapon against the USA as the start of reviving the plan to totally disabling the US Mainland was initiated. She has been very well prepared for a self declared war compounded by ideological pressures from her own kind covering under the protection of religion. Learning is not compulsory. Neither is survival. W. Edwards Deming (1900-1993)
Through an examination of thirty-five major inquiries into child sexual abuse, the authors identify common themes with important implications for professional practice.
Although writers on film music frequently allude to specific parts of scores, comprehensive examinations of entire scores are rare. In addition, most analyses of scores composed for the screen are discussed outside their cinematic context. To best understand the role music plays in the production of a motion picture, however, it benefits the viewer to consider all of the elements that comprise the film experience. In The Synergy of Film and Music: Sight and Sound in Five Hollywood Films, Peter Rothbart considers the aural and visual aspects of five representative films: West Side Story, Psycho, Empire of the Sun, Altered States, and American Beauty. For each film, the author demonstrates how a variety of elements work together to create a singular experience. After reviewing the various roles that music can serve in a film, as well as providing an overview of the film scoring process, Rothbart looks at each film, examining them one musical cue at a time, so the reader can watch the film while reading about each cue. In these analyses, timecode markings from commercial DVDs are provided in the margins alongside the text, which allow the reader to correlate the on-screen drama to the second. Rothbart explains how music is used in a specific cue and why the decision was made to use that particular musical idea at that moment. Consequently, film music aficionados--as well as students and composers of film music--can gain real-world perspective of how music is used in conjunction with other elements. In this way, the author raises awareness of music's relationship to virtually every other aspect of cinema--dialogue, sound effects, costuming, set design, and cinematography--to deepen the viewer's experience. Written in a deliberately nontechnical way, this book is intended for anyone interested in film to easily follow along. At the same time, the information can benefit professional filmmakers or composers because they can see with great detail how each cue unfolds along with all of the visual elements of the film. This unique analysis makes The Synergy of Film and Music a fascinating and instructive volume that both casual viewers and students of cinema will appreciate.
For five decades, no American filmmaker has been as prolific—or as paradoxical—as Woody Allen. From Play It Again, Sam (1972) to Midnight in Paris (2011) and Blue Jasmine (2013), Allen has produced an average of one film a year; yet in many of these movies Allen reveals a progressively skeptical attitude toward both the value of art and the cultural contributions of artists. In this second edition Peter J. Bailey extends his classic study to consider Allen's work during the twenty-first century. He illuminates how the director's decision to leave New York to shoot in European cities such as London, Paris, Rome, and Barcelona has affected his craft. He also explores Allen's shift toward younger actors and interprets the evolving critical reaction to his films—authoritatively demonstrating why the director's lifelong project of moviemaking remains endlessly deserving of careful attention.
This intriguing collection of the author's stories includes the novella "I ? Rhinos" ("cos they keep on charging!"), which is about a very mixed group of people attending what is alleged to be "a marketing opportunity meeting." Short stories span locations from Zimbabwe to England. The themes range from the successes of an entrepreneurial woman, to the memories of a victim of a war-time bomb, to "The Trouble with Uncle George," as well as the title story about what happened to "That Guy What Kill Topsy." The collection features twenty-five main characters in at least seventeen different settings set during the past seventy years.
The contemporary western mystery series follows the further adventures of a half Indian cattle inspector and “character of legendary proportions” (Ridley Pearson). Officially, Gabriel Du Pré is the cattle inspector for Toussaint, Montana, responsible for making sure no one tries to sell cattle branded by another ranch. Unofficially, he is responsible for much more than cows’ backsides. The barren country around Toussaint is too vast for the town’s small police force, and so, when needed, this hard-nosed Métis Indian lends a hand. In Gabriel Du Pré, “Bowen has taken the antihero of Hemingway and Hammett and brought him up to date . . . a fresh, memorable character” (The New York Times Book Review). The Stick Game: After a Native American boy turns up dead, Du Pré takes on a mining company that’s poisoning reservation children. Is there something more sinister than greed and indifference at work? “Wonderful . . . wise.” —The Washington Post Book World Cruzatte and Maria: While reluctantly serving as a consultant for a documentary about Lewis and Clark’s expedition up the Missouri River, Du Pré stumbles upon a national treasure: Meriwether Lewis’s lost journals. Then members of the film crew start dying . . . “A solid entry in a great series.” —Booklist Ash Child: In the midst of a drought in Toussaint, Montana, brushfires, meth dealers, and murder challenge the Métis Indian tracker and cattle investigator. “Compelling . . . plenty of action . . . a pleasure to read.” —Publishers Weekly
The Preposterous, Moving, Hilarious, and Frequently Terrifying Story of My Gilded Age Long Island Family, My Philandering Father, and the Homeless Stepbrother Who Shares My Name
The Preposterous, Moving, Hilarious, and Frequently Terrifying Story of My Gilded Age Long Island Family, My Philandering Father, and the Homeless Stepbrother Who Shares My Name
The fascinating true story of von Ziegesar's life of privilege mirrored by that of his half-brother of the same name, a homeless schizophrenic man and former violin prodigy. Woven through this remarkable memoir are memories of Peter's father, his experience of fatherhood, luxurious scenes from Peacock Point and the care he now gives to Little Peter.
A fantastic anthology of novellas that don't fit neatly in a box. Includes The Witch Girl and the Wobbly by Michael Cooney, Please Listen Carefully As Our Options Have Changed by Eric Aldrich, Hearts In the Dark by Christopher Woods, Allure by Ed Burke, Eternal Spring by Cora Tate, Shipped Off by Gordon Blitz, and Shangri La by Mark Williams.
For decades Peter O'Sullevan was one of the iconic sports commentators, providing the sound track for half a century of horseracing as he called home such legends of the sport as Arkle, Nijinsky, Red Rum and Desert Orchid. His rapid-fire commentary seemed to echo the sound of horses' hooves, and it was not long before he became known as 'The Voice of Racing'. But in addition to his legendary status as a TV personality, Peter O'Sullevan was also a notable journalist and much-admired writer, and it is a measure of his standing both within and beyond the world of racing that his compulsively readable autobiography Calling the Horses, first published in 1989 and reprinted eight times, reached the top of the SUNDAY TIMES non-fiction bestseller list. The most recent edition of Calling the Horses was published in 1994, and the twenty years since then have brought many fresh episodes in the ongoing Peter O'Sullevan story, including the last racing days of his great friend Lester Piggott in 1995, his commentary on the 'Bomb Scare' Grand National of 1997, and his retirement from the BBC. He also describes setting up the Sir Peter O'Sullevan Charitable Trust, which has raised over £3.5 million for animal welfare charities, as well as offering his appreciation of a new generation of racing heroes, including jockey AP McCoy, who has come to dominate jump racing in a manner unparalleled in any sport, and the wonder-horse Frankel. The heartening news for the legions of Peter O'Sullevan fans is that, despite his years, his enthusiasm for racing is undiminished, and so are the elegance, fluency and wit which infuse his writing style. This new and extensively updated edition of Calling the Horses is a very remarkable book by a very remarkable man.
A deputy discovers Meriwether Lewis’s journal in this modern-day mystery by an author who “writes about the rural West better than anyone” (Rocky Mountain News). When he’s asked to serve as a consultant for a documentary about the bicentennial of Lewis and Clark’s expedition up the Missouri River, Gabriel Du Pré’s impulse is to flee. Eastern Montana isn’t accustomed to getting much attention, and its residents prefer it that way. But the director of the film is dating Du Pré’s daughter Maria, so this hard-bitten fiddler’s hands are tied. The Métis Indian lawman agrees to act as a guide and help the filmmakers navigate the river, which is as deadly now as it was in 1805. The Missouri has claimed nine lives in the past three years—a suspiciously high death toll the FBI wants Du Pré to investigate. While trolling the riverbanks, Du Pré stumbles upon a national treasure: Meriwether Lewis’s lost journals, which the American government will do anything to get back. Meanwhile, when members of the film crew start dying, Du Pré begins to wonder if the locals hate outsiders so much they might be willing to kill to keep them out. “Bowen’s exuberant storytelling mines the rich cultural history of the West . . . [and features] delightfully extravagant characters” (Publishers Weekly). Cruzatte and Maria is the 8th book in The Montana Mysteries Featuring Gabriel Du Pré series, but you may enjoy reading the series in any order.
The Harmonica Encyclopedia is the most comprehensive book ever written on the instrument, offering over 900 articles on players, bands, techniques, resources and a discography of over 5,000 recordings by harmonica players. Originallyreleased in 1998, this new edition is profusely illustrated with over 150 photographs of the players who have made the harmonica the world's most popular musical instrument. This book has been critically acclaimed by readers in over 25 countries and is a must-have for any serious harmonica enthusiast
The stories in Allegiance and Betrayal are set in cars, on top of a water tower, in a bar, on a fishing boat, at a family farm, and at a swimming pool. Each story carries an aura of the mystery surrounding family relations, the enigma of love, the gaping rift between generations, the give-and-take between husbands and wives, and the inevitability of loss. The book begins with a suite of three stories about Tim Budney. In the first, he reluctantly leaves home and his beloved hot rod Ford to attend a small Catholic college; in the second, he experiences a conflict of allegiances—loyalty to a friend versus lying to his teacher and priest; in the third, he imagines that his uncle, a pool hustler, is in danger and returns to the uncle’s tavern where he witnesses something unforgettable. In other stories, a Yankee house painter trying to sell his car encounters a tricky, Bible-quoting southerner; a married couple hurtfully moves away from their friends of twenty years without saying goodbye or leaving an address; a near fatal scuba dive revives a friendship of many years; a family reunion turns ugly on the subject of religion; and a high school French teacher arranges an offshore fishing trip to settle a score with the football coach. With deft prose and a generous spirit, Makuck explores the deep but subtle range of human emotion. Humorous and tender, these stories offer rich portraits of individuals struggling to overcome failed dreams and searching for an answer to the question of what truly matters.
Peter Randall's first book, Adult Bullying, was one of the first books to examine the various situations in which adult bullying occurs, the forms it takes, and how it can be identified and dealt with more efficiently, particularly in workplace settings. Since that title was published, there has been more awareness of the extent of adult bullying. In Bullying in Adulthood: Assessing the Bullies and their Victims, other aspects of the problem are examined, such as research and clinical issues, and in particular, assessment of bullies and victims and the background factors to such behaviour. This has become increasingly important as the problem begins to be appreciated and addressed within therapeutic, social and legal arenas. A number of strategies are suggested both for dealing with bullying and victim behaviour and for monitoring situations, for example by employers to see if problems improve. To assist in this process Peter Randall proposes a model of adult bullying which enables clinicians and human resources specialists to determine which factors are influential in individual cases. This book will appeal to practitioners and researchers in clinical/counselling psychology, counsellors, managers/human resources staff and social workers.
Profiles one hundred top cinematic works available on DVD or video that are recommended for children, pairing each with a brief original essay that covers their aesthetic value as well as historical and cultural information.
An eloquent portrayal of a disappearing way of life of the Long Island fishermen whose voices--humorous, bitter and bewildered--are as clear as the threatened beauty of their once quiet shore.
Though we are surrounded by humanity's great potential for kindness and love, we can't help but be aware of the dark side of human existence. Disease, famine, wars, social and political injustice, and crimes against the decency of man. We celebrate the heroes, honor the victims, and condemn the agents of terror. We seek justice! And within all that, we wonder why it is that humanity is so divided. Why is it so difficult--we dare not say impossible--for the inhabitants of this earth to give way to goodness? Why, indeed, is there no intervention from above? What would we risk to seek justice and defend innocence?
Philip Seymour Hoffman (1967-2014) was an American film, television and stage actor, film producer, and film and stage director, best known for his memorable supporting roles in independent films. Considered one of the best actors of his generation, he died of a drug overdose at age 46 after years of sobriety. He won the Academy Award for Best Actor for his titular role in Capote (2005), and Best Supporting nominations for Doubt (2008) and The Master (2012). This biography covers his life and career and provides an appendix listing his film, television and stage appearances.
Handsomely illustrated and engagingly written, New York Modern documents the impressive collective legacy of New York's artists in capturing the energy and emotions of the urban experience.
Water covers some 75% of the earth’s surface, while land covers 25%, approximately. Yet the former accounts for less than 1% of world GDP, the latter 99% plus. Part of the reason for this imbalance is that there are more people located on land than water. But a more important explanation is that while land is privately owned, water is unowned (with the exception of a few small lakes and ponds), or governmentally owned (rivers, large lakes). This gives rise to the tragedy of the commons: when something is unowned, people have less of an incentive to care for it, preserve it, and protect it, than when they own it. As a result we have oil spills, depletion of fish stocks, threatened extinction of some species (e.g. whales), shark attacks, polluted and dried-up rivers, misallocated water, unsafe boating, piracy, and other indices of economic disarray which, if they had occurred on the land, would have been more easily identified as the result of the tragedy of the commons and/or government ownership and mismanagement. The purpose of this book is to make the case for privatization of all bodies of water, without exception. In the tragic example of the Soviet Union, the 97% of the land owned by the state accounted for 75% of the crops. On the 3% of the land privately owned, 25% of the crops were grown. The obvious mandate requires that we privatize the land, and prosper. The present volume applies this lesson, in detail, to bodies of water.
The most trusted name in law school outlines, Emanuel Law Outlines support your class preparation, provide reference for your outline creation, and supply a comprehensive breakdown of topic matter for your entire study process. Created by Steven Emanuel, these course outlines have been relied on by generations of law students. Each title includes both capsule and detailed versions of the critical issues and key topics you must know to master the course. Also included are exam questions with model answers, an alpha-list of cases, and a cross reference table of cases for all of the leading casebooks. Emanuel Law Outline Features: #1 outline choice among law students Comprehensive review of all major topics Capsule summary of all topics Cross-reference table of cases Time-saving format Great for exam prep
The International Conference on Compiler Construction provides a forum for presentation and discussion of recent developments in the area of compiler construction, language implementation and language design. Its scope ranges from compilation methods and tools to implementation techniques for specific requirements on languages and target architectures. It also includes language design and programming environment issues which are related to language translation. There is an emphasis on practical and efficient techniques. This volume contains the papers selected for presentation at CC '94, the fifth International Conference on Compiler Construction, held in Edinburgh, U.K., in April 1994.
The First Time I Got Paid for It is a one-of-a-kind collection of essays by more than fifty leading film and television writers, with a foreword by screenwriting legend William Goldman. Linked by the theme of a writer's "first time"—usually the first time he got paid for his work, but sometimes veering off into other, more unconventional, "first times"—these always entertaining (and sometimes hilarious) pieces share what it takes to succeed, what it takes to write well, and other aspects of maintaining creativity and integrity while striving for a career in Hollywood. Richard LaGravanese (The Fisher King, The Horse Whisperer, Living Out Loud) confesses that his first paid writing job was crafting phone-sex scripts. Nicholas Kazan (Reversal of Fortune, Matilda) explains why, in Hollywood, an oral "yes" often turns out to be a written "no." Peter Casey writes about the unparalleled pitch meeting for the award-winning series Frasier. Virtually every big-name writer in Hollywood has contributed to this collection, making it essential research material for anyone trying to make it in the entertainment industry, and a perfect read for movie and television buffs everywhere.
The bestselling author of Norco ’80 returns with a riveting story of mid-1980s San Diego that placed one young Black man at the center of a whirlwind of crime and punishment that profoundly altered Southern California March 31, 1985. Two white patrol officers in search of a gang member followed a pickup truck carrying seven young Black men up a dirt driveway in the Encanto neighborhood of Southeastern San Diego. Minutes later, gunshots rang out, and the truck’s driver, Sagon Penn, fled the scene in an officer’s patrol car. The incident stunned the city. What followed would change it forever. Penn was an idealist who believed in the power of Buddhist chants to bring about the oneness of humanity. The two police officers were rising stars in one of the most progressive police departments in the country, yet one that had suffered more officers killed in the line of duty than any other. While the facts of the case were never in dispute, what remained unresolved was what, if anything, could justify such a violent confrontation? For over two years, a determined prosecutor and a charismatic defense attorney engaged in a sensational courtroom drama that revolved around matters of mental health, racial biases, and the self-image of a once-sleepy beach town grappling with its transformation into a major metropolitan area. The Sagon Penn incident forever altered how San Diego would respond to incidents involving police and communities of color. Based on court transcripts, personal interviews, and archival police reports, Reap the Whirlwind is a gripping true-crime narrative set against the evocative backdrop of Southern California.
Any law school graduate will tell you that when picking your outline tool you need to pick the best because your outlines are the most important study tool you will use throughout your law school career. Developed by legendary study aid author Steve Emanuel, Emanuel® Law Outlines (ELOs) are the #1 outline choice among law students. An ELO ensures that you understand the concepts as you learn them in class and helps you study for exams throughout the semester. Here's why you need an ELO from your first day of class right through your final exam: ELOs help you focus on the concepts and issues you need to master to succeed on exams. They are easy to understand: Each ELO contains comprehensive coverage of the topics, cases, and black letter law found in your specific casebook, but is explained in a way that is understandable. The Quiz Yourself and Essay Q&A features help you test your knowledge throughout the semester. Exam Tips alert you to the issues and fact patterns that commonly pop up on exams. The Capsule Summary provides a quick review of the key concepts covered in the full Outline—perfect for exam review!
When the attack on Pearl Harbor occurs, sixth-grader David is a Japanese child who has been raised Christian in America. Suddenly, many people view David and his family as the enemy. Japanese Americans found themselves sent to evacuation centers. They could bring only what they could carry, and most of their belongings were either sold or stolen in their absence. David could hardly believe it was happening; wasnt America supposed to be the land of the free? Davids family was sent to Poston I, where 10,000 people dwelled in barracks surrounded by barbed wire and secured by armed guards. The living space was minimal, and privacy was nonexistent. Even so, there was a sense of hope, as people found time to laugh and attend church. The church brought Christians together from all across the West Coast, and David made friends that would last long after the evacuation centers closed. Following Davids familys stay in Americas makeshift Japanese prison, they moved to Chicago, where Davids true path to adulthood began. Surrounded by gang fights consisting of white versus black, the Japanese new kid had nowhere to goexcept to God, who would find a way to show David how to live a life of peace amidst chaos, love within hate, and ultimately salvation in the depths of damnation.
For one hundred years, Heart of Darkness has been among the most widely read and taught novels in the English language. Hailed as an incisive indictment of European imperialism in Africa upon its publication in 1899, more recently it has been repeatedly denounced as racist and imperialist. Peter Firchow counters these claims, and his carefully argued response allows the charges of Conrad's alleged bias to be evaluated as objectively as possible. He begins by contrasting the meanings of race, racism, and imperialism in Conrad's day to those of our own time. Firchow then argues that Heart of Darkness is a novel rather than a sociological treatise; only in relation to its aesthetic significance can real social and intellectual-historical meaning be established. Envisioning Africa responds in detail to negative interpretations of the novel by revealing what they distort, misconstrue, or fail to take into account. Firchow uses a framework of imagology to examine how national, ethnic, and racial images are portrayed in the text, differentiating the idea of a national stereotype from that of national character. He believes that what Conrad saw personally in Africa should not be confused with the Africa he describes in the novel; Heart of Darkness is instead an envisioning and a revisioning of Conrad's experiences in the medium of fiction.
When Steven Soderbergh exploded onto movie screens with sex, lies, and videotape in 1989, it represented more than the arrival of an important new director--it heralded the arrival of an entire generation of important new directors. Quentin Tarantino (Pulp Fiction), Kevin Smith (Dogma), David Fincher (Fight Club), M. Night Shyamalan (The Sixth Sense), Ben Stiller (Reality Bites), Michael Bay (Pearl Harbor), and dozens of others are all members of Generation X, the much talked about but much misunderstood successors to baby boomers. This book is a critical study of the films directed by Gen Xers and how those directors have been influenced by their generational identity. While Generation X as a whole sometimes seems to lack direction, its filmmakers have devoted their careers to making powerful statements about contemporary society and their generation's role in it. Each section of the book deals with an aspect of Gen X filmmaking, including the influence of popular culture, postmodern narrative devices, "slackerdom" and the lack of direction, disenfranchisement and nihilism, the ever-evolving role of technology, gender issues and sexuality, the question of race, the influence of older filmmakers, and visions of the future.
The Twilight Zone explores the possibilities inhering in the ordinary. A Twilight Zone episode can move us by being poignant and intimate, rambunctious or thought provoking. It can also be orchestrated as a set of intertwined plot developments or as a serial progression. But regardless of whether it takes place on an asteroid, in a city pool room, or in the backwoods, it will usually convey both a folklorist's eye for detail and the born raconteur's sense of pace. Rod Serling, the show's founder, main scriptwriter, and artistic director, knew how much burden he could place on his rhetorical and dramatic gifts. Deservedly celebrated as a pioneer in TV science fiction, he also writes about history and loyalty, the grip of everyday reality, and the dangers of both forgetting about one's ghosts and giving them the upper hand.
In its heyday, Colorado had more than 175 ski areas operating on the slopes of the Rocky Mountains, and while many of those resorts have shut down, their runs still shelter secret stashes of snow. Pristine slopes await backcountry powder hounds out to discover these chutes and steeps, bunny hills and bumps. Chronicling the history of more than 35 of these lost resorts, Powder Ghost Towns provides the beta for how to ski and board these classic runs today, with comprehensive information on trailheads, where to skin up, and the best descents. Coverage ranges from southern Wyomings Medicine Bow Mountains to the Colorado-New Mexico border, including famous old resorts like Hidden Valley in Rocky Mountain National Park
Bringing the major current insights in implementation research and theory together, Public Policy, Implementation and Governance reviews the literature on public policy implementation, relating it to contemporary developments in thinking about governance. The text stresses the continuing importance of a focus upon implementation processes and explores its central relevance to the practice of public administration. In light of the changing nature of governance, Hill and Hupe suggest strategies for both future research on and management of public policy implementation. Their basic approach is two-fold: firstly, to understand the process of implementation and secondly, to address how one might control and affect this process. Re-exploring the state of the art of the study of implementation as a sub-discipline of political science and public administration, this book will be essential reading for students and researchers in public policy, social policy, public management, public adminstration and governance. `This is an excellent and much needed book. Hill and Hupe have provided a well written and highly accessible account of the development of implementation studies which will be immensely valuable to everyone concerned with understanding implementation in modern policy making.' - Professor Wayne Parsons, University of London
“It is an easy thing to rule by fear.” It’s been years since the tidal wave of ex-humans washed over the world. Since then, thanks to St George and his fellow heroes, the community known as the Mount has been the last known outpost of safety, sanity, and freedom left to humanity. But even for the Mount, survival still balances on a razor’s edge—and after a disaster decimates the town’s food supply, the heroes must make a risky gamble to keep its citizens from starving. And then the news arrives of a strange, man-made island in the middle of the Pacific. An island populated not just by survivors, but by people who seem to be farming, raising children, living—people who, like the heroes, have somehow managed to keep the spark of civilization alive. Paying this place a visit should be a simple goodwill mission, but as the island reveals itself to be a sinister mirror-image of what the heroes have built at the Mount, the cost of their good intentions becomes dangerously high.
Now in paperback, from a leading historian and writer, a delightful exploration of the great English tradition of treading the boards. The English Actor charts the uniquely English approach to stagecraft, from the medieval period to the present day. In thirty chapters, Peter Ackroyd describes, with superb narrative skill, the genesis of acting—deriving from the Church tradition of Mystery Plays—through the flourishing of the craft in the Renaissance, to modern methods following the advent of film and television. Across centuries and media, The English Actor also explores the biographies of the most notable and celebrated British actors. From the first woman actor on the English stage, Margaret Hughes, who played Desdemona in 1660; to luminaries like Laurence Olivier, Peter O’Toole, Maggie Smith, Judi Dench, and Helen Mirren; to contemporary multihyphenates like Gary Oldman, Kenneth Branagh, Sophie Okonedo, and Chiwetel Ejiofor, Ackroyd gives all fans of the theater an original and superbly entertaining appraisal of how actors have acted, how audiences have responded, and what we mean by the magic of the stage.
Cheek by Jowl, founded by Declan Donnellan and Nick Ormerod in 1981, is one of the world's most critically acclaimed classical theatre companies. Across seventeen productions of Shakespeare (as well as several by his contemporaries and other European dramatists), Cheek by Jowl's experiments with text, space, light and bodies have produced bold reinventions of canonical and lesser-explored plays. Despite the pre-eminence of the company, its multiple awards and central place in the European repertory, this is the first substantive study of the company's body of work. This book situates Cheek by Jowl's work within the key institutions and traditions that have shaped the company's development from low-budget beginnings at the Edinburgh Festival to international celebration, while also focusing specifically on the company's use of Shakespeare to drive forward its practice. Drawing on the company's work in English, Russian and French, the book uses key productions as case studies to interrogate the company's unique style and build an argument for the distinctive insights offered by Cheek by Jowl's approach. The book draws on new interviews with creative and administrative company members from the full span of Cheek by Jowl's history as well as a full appraisal of the Cheek by Jowl archives, offering the first scholarly overview of the company's work.
To fight a war you know you cannot win; to accept only the few, small victories along the way, because that is all you can get; to advance boldly into a future, when you have already seen what that devastated future will be; to put one more foot in front of the other, when you feel that you can't go on, and you do it because you believe you can save just one more person—then, my friend, you are a hero. So it is with our young protagonist, Daniel French, and his friends. It is the spring of 1929. The stock market hasn't crashed yet, but in the agrarian South a severe depression has been running rampant since the end of the Great War. In order to view this misery first-hand, Daniel and his friends visit with legendary financier and presidential advisor Bernard Baruch in South Carolina. In this Southern state alone, 647 banks have failed, farms have been foreclosed on, families have been evicted and displaced, and hope has vanished. After this revelatory visit, Daniel is prepared to describe to any audience what the future portends when the economy collapses. People listen to the twelve-year-old Daniel, but they don't want to hear the message. Why should they? The experts say the economy is sound. But Daniel persists, believing that if he convinces only one person every time he speaks, he is at least saving someone from potential financial disaster. Some mock him because of his age and stature. Others attack him verbally and even physically. He makes long-term enemies, and he’s over-extended to the point of exhaustion. But when Harvard University invites him to speak, Daniel doesn’t feel he can decline...though in addressing some of the greatest minds in America...he’ll face his greatest challenges yet.
USSA: The Past is Another Country is about what might have been as seen through the eyes of 17 year old Alex Nurov, son of a prominent Russian father and a beautiful American mother. Growing up on a barrier island near Charleston, S.C., Alex has to deal with his dual ancestry in a world in which Russian snobbery views Americans as lazy and parasitic. Alexs unquestioning view of the world gradually unravels when he discovers something he calls The Book. He soon realizes this is not one of the mysteries he loves to readit is the lunatic ravings of Father Piotr Babulieski who presents an entirely different and dangerous history of the Great Uprising that produced socialist America. And who is this Jesus Christ? A general? USSA: The Past is Another Country takes place in vividly described locales in coastal South Carolina and the mountains of North Carolina. Near Charleston, the Nurov family lives on a barrier island on which Alex and his beautiful, enigmatic mother swim and share long walks. On the islands northern end is a huge dunethe tops of giant oaks rise from it like the green plume from an extinct volcanowhich is 17 year old Alexs secret place where he reads his mysteries and daydreams far from the prying eyes of student block commander Gregorov. Alex attends school in the old city of Charleston which is used by Alexs history teacher Brownsky as the example of pre Great Uprising America in which the decadent rich exploited the workers and slaves whose toil was converted into luxurious homes for a handful of capitalists. Near the Nurovs mountain house Alexs discovers what he calls The Book. Alexs knows he should turn The Book over to his father. Or at least destroy it. Instead this discovery turns Alex into one of the detectives he admires, drawing him into a dangerous quest to prove that The Book is full of liesor that everything he has been taught is a lie. There are three women in Alexs life Alexs American mother envisions a great future for her son and expects him to pursue the destiny she has earned for him through marriage. She is willing to use her beauty and almost mystical charm to make sure her hopes cometo fruition. Alex is infatuated with a fellow student, the athletic and gorgeous Martina Antipova, a true Russian and the epitome of socialist womanhood. Dedicated, unquestioning and intelligent she is certainly the right choice. While Alexs curiosity about The Book grows, he encounters Celeste, a wispy young American woman. Easy and indifferent to the strict morality that governs Martina Antipova, she introduces Alex to the seamy underbelly of old Charleston and more
Drawing on research and scores of interviews with those who knew him, the author delves into Tommy Dorsey's famously eccentric lifestyle and his oversized appetite for drink, women, and perfection.
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