Washed-up Hollywood producer Charlie Berns has mailed in his updated obit and is about to suck his Mercedes tailpipe and fade to black when a miracle materializes: his nephew, a wannabe screenwriter from New Jersey, has scripted the life story of Queen Victoria's prime minister Benjamin Disraeli, which Charlie manages to turn into a hot property that reinstates him as a player. But as the deal heats up, a few conceptual changes morph the project into Lev Disraeli: Freedom Fighter, an action thriller with a black Jewish superstar, a Yugoslavian location, a mad Polish director, and even a real-life kidnapping. Is Charlie Berns being eaten alive by the system? Or is he giving the Hollywood hotshots a run for their money? Peter Lefcourt's hilarious satire proves the old adage that in Hollywood you're never quite as dead as people give you credit for.
Barely four years after winning an Oscar, Charlie has sunk into the ranks of Hollywood bottom-feeders -- reduced to living in his nephew's pool house, kiting checks and taking the bus to his weekly Debtors Anonymous meeting, where he meets a mysterious ex-CIA agent who proposes to resuscitate Charlie's foundering career -- in the beyond surreal world of reality TV. Charlie puts his tap shoes on to sell a show about a ruthless Uzbek warlord and his family ("think The Osbournes meets The Sopranos") to a rogue division of ABC, known as ABCD, which operates out of a skunkworks in Manhattan Beach, California, and whose mandate is to develop, under top secret cover like that for the Manhattan Project, extreme reality TV shows to bolster the network's ratings. Warlord becomes a breakout hit and results not only in causing one of America's largest entertainment conglomerates to go into full damage-control mode but also in shifting the balance of power in Central Asia and in proving that in show business it's not over till the mouse sings.
The best-hitting, best-fielding young shortstop in America, Randy Dreyfus is his country's hero, but when his affair with second baseman D.J. Pickett is discovered, nothing will ever be the same again.
The First Time I Got Paid for It is a one-of-a-kind collection of essays by more than fifty leading film and television writers, with a foreword by screenwriting legend William Goldman. Linked by the theme of a writer's "first time"—usually the first time he got paid for his work, but sometimes veering off into other, more unconventional, "first times"—these always entertaining (and sometimes hilarious) pieces share what it takes to succeed, what it takes to write well, and other aspects of maintaining creativity and integrity while striving for a career in Hollywood. Richard LaGravanese (The Fisher King, The Horse Whisperer, Living Out Loud) confesses that his first paid writing job was crafting phone-sex scripts. Nicholas Kazan (Reversal of Fortune, Matilda) explains why, in Hollywood, an oral "yes" often turns out to be a written "no." Peter Casey writes about the unparalleled pitch meeting for the award-winning series Frasier. Virtually every big-name writer in Hollywood has contributed to this collection, making it essential research material for anyone trying to make it in the entertainment industry, and a perfect read for movie and television buffs everywhere.
From the author of The Dreyfus Affair comes an uproariously funny love story about Princess Diana's affair with an American commoner. A fast, funny trip through the looking glass into an oddly engaging mix of royal family scandals and Hollywood derring-do.--Los Angeles Daily News.
Washed-up Hollywood producer Charlie Berns has mailed in his updated obit and is about to suck his Mercedes tailpipe and fade to black when a miracle materializes: his nephew, a wannabe screenwriter from New Jersey, has scripted the life story of Queen Victoria's prime minister Benjamin Disraeli, which Charlie manages to turn into a hot property that reinstates him as a player. But as the deal heats up, a few conceptual changes morph the project into Lev Disraeli: Freedom Fighter, an action thriller with a black Jewish superstar, a Yugoslavian location, a mad Polish director, and even a real-life kidnapping. Is Charlie Berns being eaten alive by the system? Or is he giving the Hollywood hotshots a run for their money? Peter Lefcourt's hilarious satire proves the old adage that in Hollywood you're never quite as dead as people give you credit for.
The Battle of the Line is infamous in Earth history as the climactic campaign in a long and bloody war between Humankind and the alien Minbari race. But how did this apocalyptic conflict erupt? And how did this fateful clash of two civilizations ultimately lead to the creation of the Babylon 5 space station? Here, at last, the great space epic unfolds--in a new novel based on the first full-length Babylon 5 television movie. Eager to expand their trade with other worlds, the people of planet Earth attempt to make contact with the mysterious Minbari, a race of proud and powerful warriors. But when communication turns to violence, Earth becomes the target of a latter-day holy war, waged by a civilization possessing vastly superior numbers and firepower. And the Minbari will stop at nothing short of the total extermination of its enemy: the Human race . . .
Drawing from interviews with Malcolm X and the recollections of his friends and associates, the author illuminates the struggles of the Black leader during his last years and the events surrounding his assassination.
The Death and Life of Malcolm X provides a dramatic portrait of one of the most important black leaders of the twentieth century. Focusing on Malcolm X's rise to prominence and the final year of his life, the book details his rift with the Nation of Islam and its leader, Elijah Muhammad, leading to death threats and eventually assassination at the hands of a death squad. In a new preface for this edition, Peter Goldman reflects on the forty years since the book's first publication and considers new information based on FBI surveillance that has since come to light.
THE STORY: The scene is the set where Anthony J. Lefcourt, writer and director, is rehearsing his new play, a classic whodunit (in which all the characters are named Butler) with which he hopes to regain the success that has eluded him in recent
In this masterful follow-up to Peter Spiegelman’s stunning debut Black Maps, private investigator John March finds himself drawn into a web of corruption that extends from the halls of high finance to the dark underworld of organized crime. Gregory Danes, a Wall Street analyst has gone missing, and his ex-wife, a fashionable painter, calls March to track him down. She just wants him to sign her alimony checks, but as March soon discovers, she’s not the only one looking for him. Danes was once an industry hot shot, but has lost his touch. His biggest gains lately, it seems, had been in enemies–including a few members of the Russian mob. When March receives a threat upon his own family, he realizes Danes had been involved in something far more dangerous than insider trading.
“Doggett’s encyclopaedic account of Sixties counter-culture is a fascinating history of pop’s relationship with politics.” —The Independent Between 1965 and 1972, political activists around the globe prepared to mount a revolution. While the Vietnam War raged, calls for black power grew louder and liberation movements erupted everywhere from Berkeley, Detroit, and Newark to Paris, Berlin, Ghana, and Peking. Rock and soul music fueled the revolutionary movement with anthems and iconic imagery. Soon the musicians themselves, from John Lennon and Bob Dylan to James Brown and Fela Kuti, were being dragged into the fray. From Mick Jagger’s legendary appearance in Grosvenor Square standing on the sidelines and snapping pictures, to the infamous incident during the Woodstock Festival when Pete Townshend kicked yippie Abbie Hoffman off the stage while he tried to make a speech about an imprisoned comrade, Peter Doggett unravels the truth about how these were not the “Street Fighting Men” they liked to see themselves as and how the increasing corporatization of the music industry played an integral role in derailing the cultural dream. There’s a Riot Going On is a fresh, definitive, and exceedingly well-researched behind-the-scenes account of this uniquely turbulent period when pop culture and politics shared the world stage with mixed results. “A fresh and near-definitive slant on a subject you might have thought had been picked clean by journalists and historians.” —Time Out London “An extraordinary book . . . Doggett emerges triumphant. Grab a copy—by any means necessary.” —Mojo
In Baseball Rebels Peter Dreier and Robert Elias examine the key social challenges—racism, sexism and homophobia—that shaped society and worked their way into baseball’s culture, economics, and politics. Since baseball emerged in the mid-1800s to become America’s pastime, the nation’s battles over race, gender, and sexuality have been reflected on the playing field, in the executive suites, in the press box, and in the community. Some of baseball’s rebels are widely recognized, but most of them are either little known or known primarily for their baseball achievements—not their political views and activism. Everyone knows the story of Jackie Robinson breaking baseball’s color line, but less known is Sam Nahem, who opposed the racial divide in the U.S. military and organized an integrated military team that won a championship in 1945. Or Toni Stone, the first of three women who played for the Indianapolis Clowns in the previously all-male Negro Leagues. Or Dave Pallone, MLB’s first gay umpire. Many players, owners, reporters, and other activists challenged both the baseball establishment and society’s status quo. Baseball Rebels tells stories of baseball’s reformers and radicals who were influenced by, and in turn influenced, America’s broader political and social protest movements, making the game—and society—better along the way.
THE STORY: The scene is the set where Anthony J. Lefcourt, writer and director, is rehearsing his new play, a classic whodunit (in which all the characters are named Butler) with which he hopes to regain the success that has eluded him in recent
This text challenges the quantitative, social science perspective on intercultural communication by examining critical issues from diverse perspectives. Key topics include historical and religious perspectives; racial and ethnic issues; cross-cultural adaptation; and methods of researching 'other' cultures. The book: * takes a more criticalltural worldview of intercultural communication * includes some of the major thinkers of the contemporary times, including Molefi Kete Asante, Ama Mazama, Anthony Monteiro, and Ali Mazrui * is constructed so that professors and students of any cultural group might use it
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