In Growing Up Guggenheim, Peter Lawson-Johnston—a Guggenheim himself, and the board president who oversaw the transformation of the renowned museum from a local New York institution to a global art venture—shares a personal memoir that includes intimate portraits of the five people principally responsible for the entire Guggenheim art legacy. In addition to first-hand biographical accounts of his grandfather Solomon Guggenheim (the museum’s founder), his cousin Harry (Solomon’s successor), and his famously rebellious cousin Peggy (whose magnificent Venice art collection he helped bring under New York Guggenheim management), the author tells the stories of long-time museum director Thomas Messer, who initiated the bold expansion of Frank Lloyd Wright’s original museum building, and current director Thomas Krens, whose controversial tenure has featured such innovations as the Guggenheim’s wildly successful first international outpost in Bilbao, Spain, and exhibits devoted to fashion and motorcycles. Lawson-Johnston also traces his own career, from his first job as sales manager of a remote feldspar mine, to his rapid ascent to the family summit, to his extension of the Guggenheim legacy in ways none of his predecessors could have envisioned. Despite his native and tangible humility, this evocative narrative makes clear Lawson-Johnston’s indispensable role as the loyal steward of one of America’s most famous family enterprises.
In Growing Up Guggenheim, Peter Lawson-Johnston—a Guggenheim himself, and the board president who oversaw the transformation of the renowned museum from a local New York institution to a global art venture—shares a personal memoir that includes intimate portraits of the five people principally responsible for the entire Guggenheim art legacy. In addition to first-hand biographical accounts of his grandfather Solomon Guggenheim (the museum’s founder), his cousin Harry (Solomon’s successor), and his famously rebellious cousin Peggy (whose magnificent Venice art collection he helped bring under New York Guggenheim management), the author tells the stories of long-time museum director Thomas Messer, who initiated the bold expansion of Frank Lloyd Wright’s original museum building, and current director Thomas Krens, whose controversial tenure has featured such innovations as the Guggenheim’s wildly successful first international outpost in Bilbao, Spain, and exhibits devoted to fashion and motorcycles. Lawson-Johnston also traces his own career, from his first job as sales manager of a remote feldspar mine, to his rapid ascent to the family summit, to his extension of the Guggenheim legacy in ways none of his predecessors could have envisioned. Despite his native and tangible humility, this evocative narrative makes clear Lawson-Johnston’s indispensable role as the loyal steward of one of America’s most famous family enterprises.
A fascinating dual biography proves that controversial Royal Family members are not necessarily only a feature of late 20th- or 21st-century lifeEdward VII (1841-1910) and his grandson Edward VIII (1894-1972) were born in different eras, but it is illuminating to compare the early and middle years of the two Princes of Wales as kings in waiting and discover how their youth informed their years on the British throne. The privileges of rank aside, they were heirs to an unenviable role, and this study presents a unique portrait of strained apprenticeships for which there was no satisfactory precedent. Theirs was an upbringing dictated by dogmatic prescription and the heavy weight of obligation. As they pursued their lives according to their distinct personalities, they were never relieved of parental strictures, especially with regard to Queen Victoria and her eldest son, who filled the void with shallow interests, a profligate style of living, and the delights of Parisian nightlife. Inevitably the two princes were consigned to filling much of their time with insubstantial engagements not best suited to their characters and which reveal a common vulnerability. In the case of the future Edward VIII, he took a jaundiced view of matters of state and preferred dance floors, riding to hounds, and the ministrations of lovers. This book is the story of the heirs' progress that provides often unexpected perspectives on two public figures better known through the history of their respective reigns. For readers in this era, the similar position of Prince Charles ensures that this survey is a timely as well as a surprisingly entertaining read.
Gathers caricatures and portraits depicting royalty, politicians, artists, lawyers, journalists, and sportsmen of Victorian England and includes notes on each subject's life
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