This unique and beautiful book captures an overlooked but vital aspect of Lincoln: his face. Taken across a span of nearly 20 years, from 1846 to 1865, these images provide a wide range of Lincolns, from wise and bemused to melancholic and homely.
In honor of the bicentennial of Abraham Lincoln's birth comes this sequel to the enormously successful "Lincoln: An Illustrated Biography." This work picks up where the previous book left off, and examines how the 16th president's legend came into being.
This illustrated biography of the 16th president of the United States was originally a companion volume to a historic television documentary. It includes recreated images of Lincoln and his contemporaries from photographs, daguerreotypes, prints and cartoons of the day.
This volume explores the making of Gordon Parks' first photographie essay for Life magazine in 1948, "Harlem Gang Leader". After gaining the trust of one particular group of gang members and their leader, Leonard "Red" Jackson, Parks produced a series of photographs that are artful, poignant, and, at times, shocking. From this large body of work (Parks made hundreds of negatives) the editors at Life selected twenty-one pictures to print in the magazine, often cropping or enhancing details in the pictures. Gordon Parks : The .Making of an Argument traces this editorial process and parses out the various voices and motives behind the production of the picture essay. This volume. together with an exhibition of the same name at the New Orleans Museum of Art (NOMA), considers Parks' photographic practice within a larger discussion about photography as a narrative device. Featuring vintage photographs, original issues of Life magazine, contact sheets, and proof prints, Gordon Parks : The Making of an Argument raises important questions about the role of photography in addressing social concerns, its use as a documentary tool, and its function in the world of publishing. The book includes contributions from Susan M Taylor, The Montine McDaniel Freeman Director of the New Orleans Museum of Art ; Péter W Kunhardt, Jr., Executive Director of The Gordon Parks Foundation ; and Irvin Mayfield, Artistic Director of the New Orleans Jazz Orchestra.
In honor of the bicentennial of Abraham Lincoln's birth comes this sequel to the enormously successful "Lincoln: An Illustrated Biography." This work picks up where the previous book left off, and examines how the 16th president's legend came into being.
This unique and beautiful book captures an overlooked but vital aspect of Lincoln: his face. Taken across a span of nearly 20 years, from 1846 to 1865, these images provide a wide range of Lincolns, from wise and bemused to melancholic and homely.
In her 60-year career, Joanne Woodward has been a film, television and stage actress, television producer and director, stage director, and film director. She won the Best Actress Academy Award for her performance in The Three Faces of Eve and was nominated for Rachel, Rachel, Summer Wishes, Winter Dreams and Mr. & Mrs. Bridge. She also won the Best Actress Emmy Award for See How She Runs and Do You Remember Love. This book is the first to be solely devoted to Woodward's life and career, which were often overshadowed by the successes of her late husband, Paul Newman.
Did you know President John Quincy Adams had a pet alligator? He kept it in a bathtub in the East Room of the White House. But President Adams wasn't the only commander-in-chief with an unusual pet. Along with a menagerie of dogs, cats, horses and birds, presidents and their families also had pet snakes, raccoons, bears, cows, mice, and more. Meet Thomas Jefferson's mockingbird, Dick, who ate from the president's mouth; Warren Harding's dog, Laddie Boy, who was served a birthday cake made of dog biscuits; and Teddy Roosevelt's pony, Algonquin, who rode up the White House elevator.President Adams' Alligator teaches children about the presidency through pets of the presidents, from George Washington to Barack Obama.
A biography of the sixteenth president which focuses on the issue of slavery and the importance it had throughout Lincoln's life from his early days as a lawyer through his presidency.
They Lie, We Lie is an attempt by an experienced fieldworker to engage recent critiques in ethnography, that is the writing of culture, made both from within anthropology and from such disciplines as cultural studies and post-colonial theory. This is necessary because there has been a polarization within anthropology between those who react dismissively to what Marshall Sahlins calls 'afterology' and those who find the critiques so crippling as to make it hard to get on with anthropology at all. Metcalf bridges this divide by analyzing the contradictions of fieldwork in connection with a particular 'informant', a formidable old lady who tried for twenty years to control what he would and would not learn. At each stage, the author draws out the general implications of his predicament by making comparisions to the most famous of all fieldwork relationships, that between Victor Turner and Muchona. The result is an account that is accessible to those unfamiliar with the current critiques of ethnography, and helpful to those who are only too familiar to them. His discussion shows, not how to evade the critiques, but how in fact anthropologists have coped with the existential dilemmas of fieldwork.
Now in its 7th edition, Communication in History reveals how media has been influential in both maintaining social order and as powerful agents of change. Thirty-eight contributions from a wide range of voices offer instructors the opportunity to customize their courses while challenging students to build upon their own knowledge and skill sets. From stone-age symbols and early writing to the Internet and social media, readers are introduced to an expansive, intellectually enlivening study of the relationship between human history and communication media.
The period from the late eighteenth century to the first part of the nineteenth century was characterised by change: rapid industrial change, the agricultural revolution, political, economic and social reform. Yet there was also continuity, which led to tensions between improvement and resistance, modernity and tradition, rich and poor. Revolution, Radicalism and Reform provides a foundation for the study of the political, economic and social developments of the period. Topics covered include: Pitt and Liverpool, the French wars, the age of Peel, economy and industrialisation, poverty and Chartism. Revolution, Radicalism and Reform is part of the Cambridge Perspectives in History series. The book matches the requirements of the OCR examination specifications. It is suitable for all Advanced Subsidiary (AS) students, as well as students and undergraduates needing an introduction to the period. The book also contains a document study section on the condition of England at that time.
The third revised and enlarged edition contains discussions of British, Irish and American literary works up to 2020. Focussing on outstanding writings in prose, poetry, drama and non-fiction, the book covers the time from the Anglo-Saxon period to the 21st century. The feature that makes this literary history unique among its rivals is the coverage of television/web series as a particular form of postmodern drama. The chapters on recent drama now contain detailed analyses of the development of TV and web series from Britain, Ireland and America, with extensive discussions of those series now considered classics. In addition, there are several major innovative features. To begin with, each century is introduced by a survey of the socio-political and cultural backgrounds in which the literary works are embedded. Furthermore, extensive visual material (more than 160 engravings, cartoons and paintings) has been integrated. This visual aspect as well as the introductory sections on art for each century give the reader an excellent idea of the symbiosis between visual and literary representations. Further innovative aspects include - discussions of non-fictional works from literary criticism and theory, travel writing, historiography, and the social sciences - analyses of such popular genres as crime fiction, science fiction, fantasy, the Western, horror fiction, and children’s literature - footnotes explaining technical and historical terms and events - a detailed glossary of literary terms - chronological tables for British/Anglo-Irish and American literatures an updated (cut-off date 2020), extensive bibliography containing suggestions for further reading
A chronological collection of brief biographies on important figures for social justice in American history, including Franklin D. Roosevelt, Fannie Lou Hamer, and Bob Dylan.
Pathology of the Human Placenta has become the gold standard in the field for pathologists and obstetrician-gynecologists. Completely up-to-date, this fifth edition continues to be the essential reference for professionals in the field and includes many revised features such as a more detailed index; 700 total illustrations (350 color illustrations); and updated tables.
The first close look at an innovative architect and inventor who held that traditional styles could be successfully adapted for modern times. In the final decade of the nineteenth century and the early twentieth century, the United States experienced exponential growth and a flourishing economy, and with it, a building boom. Grosvenor Atterbury (1869–1956) produced more than one hundred major projects, including an array of grand mansions, picturesque estates, informal summer cottages, and farm groups. However, it was his role as town planner and civic leader and his work to create model tenements, hospitals, workers’ housing, and town plans for which he is most celebrated. His Forest Hills Gardens, designed in association with the Olmsted Brothers, is lauded as one of the most highly significant community planning projects of its time. As an inventor, Atterbury was responsible for one of the country’s first low-cost, prefabricated concrete construction systems, introducing beauty and inexpensive good design into the lives of the working classes. The Architecture of Grosvenor Atterbury is the first book to showcase the rich and varied repertoire of this prolific architect whose career spanned six decades and whose work affected the course of American architecture, planning, and construction. Illustrated with Jonathan Wallen’s stunning color photographs and over 250 historic drawings, plans, and photographs, it also includes a catalogue raisonné and an employee roster. It is the definitive source on an architect who made an indelible imprint on the American landscape.
This is a completely new, second edition of the classic reference which has been out of print since 1984. It is the most comprehensive work available on placental pathology, which has recently gained importance in clinical medicine, and includes discussion of legal aspects dealing with the relation between placenta and perinatal damage.
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