This book is an investigation of Arabic derivational morphology that focuses on the relationship between verb meaning and linguistic form. Beginning with the ground form, the book offers a comprehensive analysis of the most common verb patterns of Arabic from a lexical semantic perspective. Peter Glanville explains why verbs with seemingly unrelated meanings share the same phonological shape, and analyses sets of words that contain the same consonantal root to arrive at a common abstraction. He uses both contemporary and historical data to explore the semantics of reflexivity, symmetry, causation, and repetition, and argues that the verb patterns of Arabic that express these phenomena have come about as the result of grammaticalization and analogical processes that are common cross-linguistically. The book adopts an approach to morphology in which rule-based derivation has created word patterns and consonantal roots, with the result that in some derivations roots may be extracted from a source word and plugged in to a pattern. It illustrates the semantic relationship between a source word and its derivative, while also offering evidence to support the view of the consonantal root as a morphological object. The volume will be a valuable resource for advanced undergraduate and graduate students of Arabic language and linguistics who are interested in understanding the verb patterns of Arabic, the derivational relationships between words, and the construction of meaning in the mind. It will also appeal to researchers and students in morphology, semantics, historical linguistics, and cognitive linguistics.
This book is an investigation of Arabic derivational morphology that focuses on the relationship between verb meaning and linguistic form. Beginning with the ground form, the book offers a comprehensive analysis of the most common verb patterns of Arabic from a lexical semantic perspective. Peter Glanville explains why verbs with seemingly unrelated meanings share the same phonological shape, and analyses sets of words that contain the same consonantal root to arrive at a common abstraction. He uses both contemporary and historical data to explore the semantics of reflexivity, symmetry, causation, and repetition, and argues that the verb patterns of Arabic that express these phenomena have come about as the result of grammaticalization and analogical processes that are common cross-linguistically. The book adopts an approach to morphology in which rule-based derivation has created word patterns and consonantal roots, with the result that in some derivations roots may be extracted from a source word and plugged in to a pattern. It illustrates the semantic relationship between a source word and its derivative, while also offering evidence to support the view of the consonantal root as a morphological object. The volume will be a valuable resource for advanced undergraduate and graduate students of Arabic language and linguistics who are interested in understanding the verb patterns of Arabic, the derivational relationships between words, and the construction of meaning in the mind. It will also appeal to researchers and students in morphology, semantics, historical linguistics, and cognitive linguistics.
A century-old curse comes full circle... For a hundred years they have never forgiven, never forgotten. Now, the war between the Duffy and Macintosh dynasties will be brought to its stunning conclusion. Private Patrick Duffy was forced to flee Malaya as a child, and left orphaned when his mother died in Changi prison. Now, returning to fight a fearless enemy, he must confront the ghosts of his past if he is to find any hope for the future. Michael Macintosh is forging his own path to escape his mother's obsessive control. Sailor, soldier and mercenary, he will soon face war again, in the brutal jungles of Vietnam. Sarah Macintosh ruthlessly crushes anyone who gets in her way, and has vowed to destroy her sister-in-law, Jessica Duffy-Macintosh. Fixated on her own legacy, she has ignored her family's inheritance - a century-old curse, to be paid in blood... "Watt once again blends his multi-character saga with key moments of history. Fast-paced and exciting, this is a fine piece of Australian fiction" Canberra Weekly on While the Moon Burns
Cyril Tourneur was a significant Jacobean poet and dramatist, yet until now there has been now full scale interpretation of his works. Critics have perhaps hesitated to undertake such a study because much of Tourneur's writing has been regarded as neurotic self-expression rather than art, and almost nothing is known of his life. In this penetrating study, however, Peter B. Murray analyzes the art and relates them to the artistic conventions and the thought of their day. Murray finds that Tourneur was not a neurotic but an objective, artistic craftsman. In both techniques and themes, Tourneur emerges as a defender of Elizabethan ideals—a follower of Spenser and Shakespeare and a supporter of the Anglican center against the extremes of Puritanism and atheism. In his study of The Revenger's Tragedy, commonly attributed to Tourneur, Murray turns up new and possibly conclusive linguistic evidence that the play was written by Thomas Middleton and has therefore discussed it apart from Tourneur's work. Murray's examination of The Revenger's Tragedy shows that its author, like Middleton, is a detached ironist and not despairing and obsessed with vice as he has often been supposed to be.
In Civil War, Peter Ackroyd continues his dazzling account of England's history, beginning with the progress south of the Scottish king, James VI, who on the death of Elizabeth I became the first Stuart king of England, and ends with the deposition and flight into exile of his grandson, James II. The Stuart dynasty brought together the two nations of England and Scotland into one realm, albeit a realm still marked by political divisions that echo to this day. More importantly, perhaps, the Stuart era was marked by the cruel depredations of civil war, and the killing of a king. Ackroyd paints a vivid portrait of James I and his heirs. Shrewd and opinionated, the new King was eloquent on matters as diverse as theology, witchcraft and the abuses of tobacco, but his attitude to the English parliament sowed the seeds of the division that would split the country in the reign of his hapless heir, Charles I. Ackroyd offers a brilliant – warts and all – portrayal of Charles's nemesis Oliver Cromwell, Parliament's great military leader and England's only dictator, who began his career as a political liberator but ended it as much of a despot as 'that man of blood', the king he executed. England's turbulent seventeenth century is vividly laid out before us, but so too is the cultural and social life of the period, notable for its extraordinarily rich literature, including Shakespeare's late masterpieces, Jacobean tragedy, the poetry of John Donne and Milton and Thomas Hobbes' great philosophical treatise, Leviathan. Civil War also gives us a very real sense of the lives of ordinary English men and women, lived out against a backdrop of constant disruption and uncertainty.
Examines the Stuart dynasty during a turbulent seventeenth century marked by civil war, the execution of Charles I, the rule of Oliver Cromwell, and the deposition and exile of James II.
This series of e-Books will chiefly be of interest to family historians with Devon ancestry. This ninth volume contains information about how the politics and trade of Devon may have affected our ancestors. It also contains information on Dartmoor and the semi-moorland parish of South Brent and genealogical charts and notes regarding the Trist families at South Brent.
The Seventh Sense is the definitive study of the aesthetic theory of the great eighteenth-century philosopher Francis Hutcheson, arguably the founder of the modern discipline of aesthetics, and one of the most important figures of the Scottish Enlightenment. This new edition brings Peter Kivy's seminal work back into print, substantially expanded by the addition of seven essays, which deal primarily with Hutcheson's relation to other thinkers, and his influence oneighteenth- and early nineteenth-century aesthetics.Part I of The Seventh Sense presents a detailed analysis of Hutcheson's aesthetic theory. Part II traces the considerable influence of Hutcheson's theory up to the early years of the nineteenth century. Part III is a new and substantial addition to the original work, collecting Peter Kivy's essays on this topic since the first edition appeared, which deal primarily with Hutcheson, David Hume, and Thomas Reid. Philosophers of art, historians of philosophy, and historians working oneighteenth-century European art and culture will find this new edition an invaluable resource.
The Stuart Age provides an accessible introduction to England's century of civil war and revolution, including the causes of the English Civil War; the nature of the English Revolution; the aims and achievements of Oliver Cromwell; the continuation of religious passion in the politics of Restoration England; and the impact of the Glorious Revolution on Britain. The fifth edition has been thoroughly revised and updated by Peter Gaunt to reflect new work and changing trends in research on the Stuart age. It expands on key areas including the early Stuart economic, religious and social context; key military events and debates surrounding the English Civil War; colonial expansion, foreign policy and overseas wars; and significant developments in Scotland and Ireland. A new opening chapter provides an important overview of current historiographical trends in Stuart history, introducing readers to key recent work on the topic. The Stuart Age is a long-standing favourite of lecturers and students of early modern British history, and this new edition is essential reading for those studying Stuart Britain.
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