As European theatre directors become a familiar presence on international stages and a new generation of theatre makers absorbs their impulses, this study develops fresh perspectives on Regie, the Continental European tradition of staging playtexts. Leaving behind unhelpful clichés that pit, above all, the director against the playwright, Peter M. Boenisch stages playful encounters between Continental theatre and Continental philosophy. The contemporary Regie work of Thomas Ostermeier, Frank Castorf, Ivo van Hove, Guy Cassiers, tg STAN, and others, here meets the works of Friedrich Schiller and Leopold Jessner, Hegelian speculative dialectics, and the critical philosophy of Jacques Rancière and Slavoj Žižek in order to explore the thinking of Regie – how to think Regie, and how Regie thinks. This partial and ‘sideways look’ invites a wider reconsideration of the potential of ‘playing’ theatre today, of its aesthetic possibilities, and its political stakes in the global neoliberal economy of the twenty-first century.
Vaclav Havel, the first president of the Czech Republic, was quoted as saying, The problem with modern man is not that he knows less and less about the meaning of his own life, but that it bothers him less and less. Those who agree with the premise of his statement are then left to wonder why and, ultimately, to ponder the consequences. The Irresistible Nihilist begins at a caf in Paris on the day the Nazis marched into the city and tells the story of a modern-day search through the rubble with hope that all is not lost.
At the turn of the thirteenth century, a tolerant, wealthy, and cultured society blossomed in what is now southwestern France. Occitania was the domain of the Counts of Toulouse. Its people valued poetry, music, and literature over warfare. Their language Occitan, was the lingua franca of the courts of Europe. Their troubadours traveled widely and were popular sources of news and entertainment. Tragically, their success struck fear in the minds of the pope and kings, so a brutal crusade was launched to destroy a people that sought only peace. Seven hundred years later, as the battles raged on the Normandy beaches, a sleepy little town in the Limousin woke up to what they expected to be like any other. But this day they were to have unwelcome visitors, the Waffen SS. The Chrysalis of Oc is a sweeping historical tale that links thirteenth and twentieth century France and the bloody crusades that changed the course of the world forever.
The British crime fiction writer Peter Cheyney is the creator of the American FBI agent Lemmy Caution and the English detective Slim Callaghan. These characters were constructed as a British response to the hardboiled detectives of American fiction. In later years Cheyney’s style matured with the ‘Dark’ books, drawing wide praise during World War II for bringing more realism to espionage fiction. Although his works have suffered neglect in recent times, the fame of Cheyney’s novels in the post-war period cannot be underestimated, having sold over 5 million copies. For the first time in publishing history, this eBook presents Peter Cheyney’s complete works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Cheyney’s life and works * Concise introductions to the major texts * All 41 novels, with individual contents tables * The complete Lemmy Caution and Slim Callaghan books * Features rare novels and story collections * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Special chronological and alphabetical contents tables for the short stories * Rare uncollected tales appearing here for the first time in digital publishing * Easily locate the stories you want to read * Ordering of texts into chronological order and genres CONTENTS: The Lemmy Caution Novels This Man is Dangerous (1936) Poison Ivy (1937) Dames Don’t Care (1937) Can Ladies Kill? (1938) Don’t Get Me Wrong (1939) You’d be Surprised (1940) Your Deal, My Lovely (1941) Never a Dull Moment (1942) You Can Always Duck (1943) I’ll Say She Does! (1945) G-Man at the Yard (1946) The Slim Callaghan Stories The Urgent Hangman (1938) Dangerous Curves (1939) You Can’t Keep the Change (1940) It Couldn’t Matter Less (1941) Sorry You’ve Been Troubled (1942) They Never Say When (1944) Uneasy Terms (1946) Calling Mr. Callaghan (1953) The Dark Series Dark Duet (1942) The Stars are Dark (1943) The Dark Street (1944) Sinister Errand (1945) Dark Hero (1946) Dark Interlude (1947) Dark Wanton (1948) You Can Call It a Day (1949) Dark Bahama (1950) Lady, Behave! (1950) Ladies Won’t Wait (1951) Other Novels The Vengeance of Hop Fi (1928) The Curiosity of Etienne MacGregor (1928) The Gold Kimono (1931) Death Chair (1931) The Deadly Fresco (1932) The Sign on the Roof (1935) Another Little Drink (1940) Night Club (1945) Dance without Music (1947) Try Anything Twice (1948) One of Those Things (1949) The Short Story Collections You Can’t Hit a Woman (1937) Knave Takes Queen (1939) Mr. Caution — Mr. Callaghan (1941) Making Crime Pay (1944) No Ordinary Cheyney (1948) Velvet Johnnie (1952) The Adventures of Julia (1954) He Walked in Her Sleep (1954) The Mystery Blues (1954) Miscellaneous Stories The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order
Beginning theory has been helping students navigate through the thickets of literary and cultural theory for over two decades. This new and expanded fourth edition continues to offer readers the best single-volume introduction to the field. The bewildering variety of approaches, theorists and technical language is lucidly and expertly unravelled. Unlike many books which assume certain positions about the critics and the theories they represent, Beginning theory allows readers to develop their own ideas once first principles and concepts have been grasped. The book has been updated for this edition and includes a new introduction, expanded chapters, and an overview of the subject ('Theory after "Theory"') which maps the arrival of new 'isms' since the second edition appeared in 2002 and the third edition in 2009.
This book sets out to determine the validity of an accusation made against Jacques Lacan by Noam Chomsky in an interview in 1989. He stated that Lacan was a “charlatan” – not that his ideas were flawed or wrong, but that his entire discourse was fraudulent, an accusation that has since been repeated by many other critics. Examining the arguments of key anti-Lacanian critics, Mathews weighs and contextualizes the legitimacy of Lacan’s engagements with structural linguistics, mathematical formalization, science, ethics, Hegelian dialectics, and psychoanalysis. The guiding thread is Lacan’s own recurrent interrogation of authority, which inhabits an ambiguous zone between mastery and charlatanry. This book offers a novel contribution to the field for students and scholars of psychoanalysis, philosophy, sociology, critical and literary theory.
This book analyses the legal and aesthetic discourses that combine to shape the image of the criminal, and that image's contemporary endurance. The author traces the roots of contemporary ideas about criminality back to legal, philosophical and aesthetic concepts originating in the nineteenth century. Building on the ideas of Foucault and Walter Benjamin, Hutchings argues that the criminal, as constructed in places such as popular crime stories or the law of insanity, became an obsession which haunted nineteenth century thought.
Accessible, refreshingly candid, but above all helpful, this pragmatic guide addresses a real need by dealing with the problems that face the new IT manager. By providing a number of practical recommendations and approaches including how to make the transition from technical professional to manager and dealing with people, to giving advice and guidance on organization structure, architecture and planning approaches, this book covers a whole raft of issues essential to managing an IT unit. If you have chosen to move from the safe haven of technology to the unpredictable world of management, this book could make the difference between success and failure. "The IT Manager's Survival Guide is well named. Aimed at the techie becoming an IT Manager it covers the many alligators of IT management - from legacy systems to managing vendors - in easy chunks with checklists. It also provides the new manager with help to get ahead of the game by including articles from experts on what is wrong with IT management and a set of short reviews of management theorists from Strassman to Mayo. I recommend this book for those who would like to buck the trend - the average tenure of an IT Manager is about 900 days - and run an IT outfit appreciated by customers and staff." Gill Ringland, Fellow of the British Computer Society and Member of the BCS Management Forum. Author of Scenario Planning: Managing for the Future.
Seven years earlier, France's top chef, Marc Fraysse, summoned the world's culinary press to his remote restaurant in central France to make an announcement that he said would cause shockwaves in the culinary community. Speculating that Fraysse's restaurant was about to lose one of his precious Michelin stars, the reporters were shocked to find instead that the great chef had been murdered. In the end, the media left without a clue about the message the chef intended to deliver or about who might have killed him. Continuing his string of investigations into stubborn cold cases, ex-forensics superstar Enzo Macleod takes on the case, diving into the big business and high stakes of French haute cuisine. Winter has settled in around the mountaintop restaurant, causing complications. And as he learns more about the complex web of relationships that surrounded the celebrated (if also mercurial) chef--a spurned lover, a jealous wife, an estranged brother, an embittered food critic--Macleod begins to see parallels with his own life and loves. In diving into this new case, he finds himself reopening old wounds of his own . . .
Best known today for his novels, plays and short stories, but also an accomplished essayist, editor and journalist, Albert Camus was one of the most influential literary figures of the 20th century. He has gained widespread recognition for works such as The Stranger, Caligula, The Plague and Exile and the Kingdom. In 1957 Camus was awarded the Nobel Prize for Literature. In 1960 he was killed in a car accident, aged just 46. Since Camus’ untimely death, his work has been engaged by scholars in literature, politics, philosophy and many other fields. This volume is one of the first book-length studies of Camus with a specifically educational focus. Camus’ writings raise and address ethical and political questions that resonate strongly with current concerns and debates in educational theory, and the difficulties and dilemmas faced by his characters mirror those encountered by many teachers in school classrooms. This book will appeal to all who wish to consider the connections between education, ethics and the problem of human existence. This book was originally published as a special issue of Educational Philosophy & Theory.
Literate crime thrillers don't get much better than this." —Publishers Weekly (starred) on L'Assassin Peter Steiner has thoroughly impressed sophisticated thriller mavens everywhere with his critically acclaimed novels featuring ex-CIA operative Louis Morgon. Now, in what is indubitably Steiner's finest book to date, Louis attempts to solve a mystery with roots going back as far as World War II. When Louis purchases a rundown house in Saint-Leon-sur-Dême, he quickly goes to work fixing it up. However, during the renovations, he discovers evidence of a long forgotten crime hidden beneath the floorboards. Unable to leave a good mystery unsolved, he enlists the help of his friend Renard, a French cop, and sets out to discover exactly what happened in this small French village during the Nazi occupation. As Louis and Renard search for the answer to a decades-old question, they encounter an unforgettable cast of characters, including Simon, a Jew from Berlin who leads a French resistance cell, a Nazi colonel who is not at all what he seems, and Marie Piano, whose bravery is unmatched. Soon, Louis is pulled into the secrets and lies of the past as he begins to call into question the very nature of guilt and innocence in times of war. Compelling, arresting, and complex, The Resistance is a thriller that will appeal to fans of John le Carre and Graham Greene.
The history of mountaineering has long served as a metaphor for civilization triumphant. Once upon a time, the Alps were an inaccessible habitat of specters and dragons, until heroic men—pioneers of enlightenment—scaled their summits, classified their strata and flora, and banished the phantoms forever. A fascinating interdisciplinary study of the first ascents of the major Alpine peaks and Mount Everest, The Summits of Modern Man surveys the far-ranging significance of our encounters with the world’s most alluring and forbidding heights. Our obsession with “who got to the top first” may have begun in 1786, the year Jacques Balmat and Michel-Gabriel Paccard climbed Mont Blanc and inaugurated an era in which Romantic notions of the sublime spurred climbers’ aspirations. In the following decades, climbing lost its revolutionary cachet as it became associated instead with bourgeois outdoor leisure. Still, the mythic stories of mountaineers, threaded through with themes of imperialism, masculinity, and ascendant Western science and culture, seized the imagination of artists and historians well into the twentieth century, providing grist for stage shows, poetry, films, and landscape paintings. Today, we live on the threshold of a hot planet, where melting glaciers and rising sea levels create ambivalence about the conquest of nature. Long after Hillary and Tenzing’s ascent of Everest, though, the image of modern man supreme on the mountaintop retains its currency. Peter Hansen’s exploration of these persistent images indicates how difficult it is to imagine our relationship with nature in terms other than domination.
This book is concerned with the aporias, or impasses, of forgiveness, especially in relation to the legacy of the crimes against humanity perpetrated by the Nazis and their collaborators during World War II. Banki argues that, while forgiveness of the Holocaust is and will remain impossible, we cannot rest upon that impossibility. Rather, the impossibility of forgiveness must be thought in another way. In an epoch of “worldwidization,” we may not be able simply to escape the violence of scenes and rhetoric that repeatedly portray apology, reconciliation, and forgiveness as accomplishable acts. Accompanied by Jacques Derrida’s thought of forgiveness of the unforgivable, and its elaboration in relation to crimes against humanity, the book undertakes close readings of literary, philosophical, and cinematic texts by Simon Wiesenthal, Jean Améry, Vladimir Jankélévitch, Robert Antelme and Eva Mozes Kor. These texts contend with the idea that the crimes of the Nazis are inexpiable, that they lie beyond any possible atonement or repair. Banki argues that the juridical concept of crimes against humanity calls for a thought of forgiveness—one that would not imply closure of the infinite wounds of the past. How could such a forgiveness be thought or dreamed? Banki shows that if today we cannot simply escape the “worldwidization” of forgiveness, then it is necessary to rethink what forgiveness is, the conditions under which it supposedly takes place, and especially its relation to justice.
Using the events of May '68 as a historical touchstone, this book examines the political ramifications of the literary, philosophical, and psychoanalytic work known as French theory.
By 1300, medieval men and women were beginning to measure multitude, counting, for example, numbers of boys and girls being baptized. Their mental capacity to grapple with population, to get its measure, was developing and this book describes how medieval people thought about population through both the texts which contained their thought and the medieval realities which shaped it. They found many topics, such as the history of population and variations between polygamy, monogamy and virginity, through theology. Crusade and travel literature supplied the themes of Muslim polygamy, military numbers, the colonization of the Holy Land,and the populations of Mongolia and China. Translations of Aristotle provided not only new themes but also a new vocabulary with which to think about population. In this innovative new study Peter Biller challenges the view that medieval thought was fundamentally abstract. He investigates medieval thought's capacity to deal with concrete contemporary realities, and sets academic discussions of population alongside the medieval facts of 'birth, and copulation, and death'.
An internationally recognized scientist presents his theories and associated technology for the coming generations of adaptive intelligent machines. In this extraordinary book, the pioneer of research in collective learning systems (an adaptive learning paradigm for artificial intelligence) describes the processes of cognition, postulates a fundamental adaptive building block for assembling very large scale collective learning systems (the learning cell), and proposes a design for the ultimate machine: a hierarchical network of 100 million learning cells that could exhibit the full range of cognitive capabilities of the human mind. The author predicts that using the classical "expert system" approach to create such a vast knowledge base would require thousands of years to program all the rules. As a feasible alternative, he explains how a massive collective learning system could achieve this goal in about 20 years, much as humans do. Based on natural biological precedents, a collective learning system acquires its knowledge through trial-and-error interaction with the real world. To put it all in proper perspective, the author introduces a theory of games for modeling the various processes of the universe, presents a futuristic glimpse of the creation of the first artificially cognitive being, and discusses the philosophical issues raised by the prospect of creating machines that exhibit human-like cognition. Two chapters are devoted to the design and evaluation of collective learning systems. The final chapter presents the remarkable results of an on-going international research project directed by the author, a parallel-processing collective learning system that simulates the sub-symbolic adaptive vision functions of the brain.
The mainstream view of the immune system is concerned with molecular and cellular details resulting in a picture of immense complexity. Many immunologists live with this complexity, hoping that a series of breakthroughs will eventually add up to a greater insight. However, the forest is ignored for the trees and a ‘Systems Approach’ is vital for a better understanding. Peter Bretscher develops here a unique perspective on how the immune system functions as an integrated organ, by taking account of observations and concepts at the ‘level of system’ that are often half forgotten or ignored. A colleague, on reading this book, wrote: “Those who have followed Peter’s work these past 50 years will recognize this book for what it really is — a rare achievement, a scientific masterpiece. It is a must read for all those Immunologists and Clinicians who want to find effective immunological cures for the many debilitating health issues that confront us. Peter Bretscher has produced a lucid and logical exposition of the rules governing how the adaptive immune system responds to all foreign antigens whether bacterial, viral or modifications of the self, which emerge in cancer or autoimmune conditions. This book is a testament to Louis Pasteur’s dictum that there is no applied science, just the application of basic science.” Rediscovering the Immune System is written in a jargon-free and accessible style. This personal perspective is an ideal guide to the immune system for students, researchers and the engaged, general reader alike.
The British crime fiction writer Peter Cheyney is the creator of the American FBI agent Lemmy Caution and the English detective Slim Callaghan. These characters were constructed as a British response to the hardboiled detectives of American fiction. In later years Cheyney’s style matured with the ‘Dark’ books, drawing wide praise during World War II for bringing more realism to espionage fiction. Although his works have suffered neglect in recent times, the fame of Cheyney’s novels in the post-war period cannot be underestimated, having sold over 5 million copies. This eBook presents Cheyney’s collected works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Cheyney’s life and works * Concise introductions to the major texts * All 29 novels available in the US public domain, with individual contents tables * Features rare novels and story collections * The complete short stories * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Special chronological and alphabetical contents tables for the short stories * Rare uncollected tales appearing here for the first time in digital publishing * Easily locate the stories you want to read * Ordering of texts into chronological order and genres Please note: due to US copyright restrictions, 12 novels cannot appear in this edition. When new works enter the public domain, they will be added to the collection as a free update. CONTENTS: The Lemmy Caution Novels This Man is Dangerous (1936) Poison Ivy (1937) Dames Don’t Care (1937) Can Ladies Kill? (1938) Don’t Get Me Wrong (1939) You’d be Surprised (1940) Never a Dull Moment (1942) You Can Always Duck (1943) G-Man at the Yard (1946) The Slim Callaghan Stories The Urgent Hangman (1938) Dangerous Curves (1939) You Can’t Keep the Change (1940) It Couldn’t Matter Less (1941) Sorry You’ve Been Troubled (1942) Calling Mr. Callaghan (1953) The Dark Series Dark Duet (1942) The Stars are Dark (1943) The Dark Street (1944) Dark Hero (1946) Dark Bahama (1950) Ladies Won’t Wait (1951) Other Novels The Vengeance of Hop Fi (1928) The Curiosity of Etienne MacGregor (1928) The Gold Kimono (1931) Death Chair (1931) The Deadly Fresco (1932) The Sign on the Roof (1935) Another Little Drink (1940) Night Club (1945) The Short Story Collections You Can’t Hit a Woman (1937) Knave Takes Queen (1939) Mr. Caution — Mr. Callaghan (1941) Making Crime Pay (1944) No Ordinary Cheyney (1948) Velvet Johnnie (1952) The Adventures of Julia (1954) He Walked in Her Sleep (1954) The Mystery Blues (1954) Miscellaneous Stories The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order
In this in-depth analysis, Peter Muir argues that Gordon Matta-Clark?s Conical Intersect (1975) is emblematic of Henri Lefebvre?s understanding of art?s function in relation to urban space. By engaging with Lefebvre?s theory in conjunction with the perspectives of other writers, such as Michel de Certeau, Jacques Derrida, and George Bataille, the book elicits a story that presents the artwork?s significance, origins and legacies. Conical Intersect is a multi-media artwork, which involves the intersections of architecture, sculpture, film, and photography, as well as being a three-dimensional model that reflects aspects of urban, art, and architectural theory, along with a number of cultural and historiographic discourses which are still present and active. This book navigates these many complex narratives by using the central ?hole? of Conical Intersect as its focal point: this apparently vacuous circle around which the events, documents, and other historical or theoretical references surrounding Matta-Clark?s project, are perpetually in circulation. Thus, Conical Intersect is imagined as an insatiable absence around which discourses continually form, dissipate and resolve. Muir argues that Conical Intersect is much more than an ?artistic hole.? Due to its location at Plateau Beaubourg in Paris, it is simultaneously an object of art and an instrument of social critique.
“First class . . . a book that helps the reader to understand just what the ordinary soldier thought about his lot in the Great War.” —The Western Front Association This is a most unusual chronicle of the events of one man during the Great War. A professional soldier at the outbreak, Edward Roe was one of the first to cross over to France in 1914 and as such fought in the early battles of the war and took part in the Retreat from Mons. He was there for the crossing of the Marne and Aisne, the dreadful fighting at Ploegsteert and for the extraordinary events during the first Christmas. Remarkably he witnessed the debacle at Gallipoli and was part of the rear-guard of the Army during the re-embarkation and evacuation of the Peninsula. Thereafter the scene shifts to Mesopotamia and the Tigris Corps in the attempt to relieve General Townshend at Kut. Wounded he returned for the final campaign that captured Baghdad. “The author of these unique and extraordinarily moving diaries, which are supported by excellent maps and footnotes, was Edward Roe, an Irishman who had already served nine years with the British Army by the outbreak of the first world war.” —The Times
Among the finest examples of European craftsmanship are the clocks produced for the luxury trade in the eighteenth century. The J. Paul Getty Museum is fortunate to have in its decorative arts collection twenty clocks dating from around 1680 to 1798: eighteen produced in France and two in Germany. They demonstrate the extraordinary workmanship that went into both the design and execution of the cases and the intricate movements by which the clocks operated. In this handsome volume, each clock is pictured and discussed in detail, and each movement diagrammed and described. In addition, biographies of the clockmakers and enamelers are included, as are indexes of the names of the makers, previous owners, and locations.
AUTHOR'S NOTE: This book is unconventional. A self-conscious experiment in form that draws together two vernaculars: anthropological thought and the pop culture of my youth. It is a fraught exercise. I write as a White guy about angst and alienation in the privileged spaces of anthropology and higher education. I appreciate the irony. I hope nonetheless that my experiences with and critical perspectives on social conventions, the culture of liberalism, and ableism in academia might be useful. I seek to expand possibilities of anthropological representation while challenging epistemological, aesthetic, and professional norms in my discipline. It bothers me that anthropology can be so sanctimonious. I take aim at the ableist conceit that anthropologists are non-characters studying a messy world. Much of my life has been a mess. My work has been undertaken amid struggles with pregnancy loss, bipolar disorder, and drug addiction. I have deep regrets about my participation in an exploitative field. I have deep regrets about many things. I have hurt people and been hurt by people. I hope my stories and reflections add to what others have already written about a more open, honest, and self-deprecating anthropology"--
The Science of Freedom completes Peter Gay's brilliant reinterpretation begun in The Enlightenment: The Rise of Modern Paganism. In the present book, he describes the philosophes' program and their views of society. His masterful appraisal opens a new range of insights into the Enlightenment's critical method and its humane and libertarian vision.
Exploring Shakespeare's intellectual interest in placing both characters and audiences in a state of uncertainty, mystery, and doubt, this book interrogates the use of paradox in Shakespeare's plays and in performance. By adopting this discourse-one in which opposites can co-exist and perspectives can be altered, and one that asks accepted opinions, beliefs, and truths to be reconsidered-Shakespeare used paradox to question love, gender, knowledge, and truth from multiple perspectives. Committed to situating literature within the larger culture, Peter Platt begins by examining the Renaissance culture of paradox in both the classical and Christian traditions. He then looks at selected plays in terms of paradox, including the geographical site of Venice in Othello and The Merchant of Venice, and equity law in The Comedy of Errors, Merchant, and Measure for Measure. Platt also considers the paradoxes of theater and live performance that were central to Shakespearean drama, such as the duality of the player, the boy-actor and gender, and the play/audience relationship in the Henriad, Hamlet, As You Like It, Twelfth Night, Antony and Cleopatra, The Winter's Tale, and The Tempest. In showing that Shakespeare's plays create and are created by a culture of paradox, Platt offers an exciting and innovative investigation of Shakespeare's cognitive and affective power over his audience.
This new textbook series is ambitious in scope. It will provide concise and lucid introductions to major works of world literature from classical antiquity to the twentieth century. It is not confined to any single literary tradition or genre, and will cumulatively form a substantial library of textbooks on some of the most important and widely read literary masterpieces. Each book is devoted to a single work and provides a close reading of that text, as well as a full account of its historical, cultural, and intellectual background, a discussion of its influence, and a guide to further reading. The contributors to the series give full consideration to the linguistic issues raised by each text, and, within the overall framework of the series, are given complete freedom in the choice of their critical method. Where the text is written in a language other than English, full account is taken of readers studying the text in English translation. While critical jargon is avoided, important technical terminology is fully explained and thus this series will be genuinely accessible to students at all levels and to general readers.
First published in 1966, this book chronicles a full eight centuries of the Carmelite tradition, from the order’s beginnings as a group of lay hermits on Mount Carmel through St. Teresa of Avila’s Discalced Carmelite Reform in the 16th century, to Carmel’s rich diversity today. Since the appearance of this work, important new discoveries in the study of Carmelite history have come to the fore. New scholarly research, for example, would call for a revision of some sections of this book, notably the account of the origins of the Carmelites and related dates and figures, as well a more nuanced picture of the beginnings of the Teresian Reform. In the meantime, Journey to Carith remains unsurpassed as a concise and readable overview both of the origins of the order and of the Discalced Carmelites in particular. It is a fascinating account of one of the oldest religious families in the Christian West, with a uniquely important spiritual tradition.
Wait..Gypsy didn't win the Tony for Best Musical?" That's a question that gets asked over and over again, every time a new Rose takes to the runway in the Broadway classic "Gypsy". In "Strippers, Showgirls and Sharks", the popular syndicated theatre critic Peter Filichia chronicles the history of the American musical by looking at those shows that did not win the Tony Award for Best Musical. It happens every spring: The American Theatre Wing bestows its annual awards. Only those shows that have reached Broadway are nominated and while all Tony Awards are created equal in height, width and depth, the universally acknowledged biggest prize is the Best Musical Tony. The envelope is opened. The winner is announced and, then, the screeching begins. "Oh no! They gave it to that?" Did the best musical always win the Best Musical prize? Were there other factors that kept a more deserving show from copping the prize? Peter Filichia answers all these questions and more in "Strippers, Showgirls and Sharks" as he looks at many of the 153 previous Best Musical Nominees that didn't win the big prize. What were the biggest omissions? "Gypsy" had the distinct displeasure of not being either the first or second choice of the committee. In 1959 when Ethel Merman and a variety of strippers took the stage, the Tony for Best Musical was a tie between "The Sound of Music" and "Fiorello". In 1971, Stephen Sondheim's "Follies" and its ghostly showgirls lost to a "groovy" re-tuning of "Two Gentlemen of Verona" that hasn't passed the test of time. And, in 1957, "West Side Story", its Jets and Sharks, were bested by the fine people of River City Iowa singing their Americana hearts out in "The Music Man". If you love Broadway, scratch your head on Tony Award night and still can't figure out how a show you loathed won the Tony for Best Musical, you will love riding through the years with Peter Filichia, one of America's most respected and popular theatre critics.
Compose originellement en grec vers la fin du IIIe ou le debut du IVe siecle, probablement a Alexandrie, ce traite reflete des traditions mythologiques qui sont exposees de facon plus ample et plus precise dans les textes appartenant au groupe des textes sethiens platonisants, notamment Allogene et Zostrien. La maniere dont Marsanes reprend ces traditions mythologiques permet de le situer au terme de l'evolution litteraire attestee par ces textes. Marsanes est l'un des plus mal preserves des cinquante-quatre traites de la bibliotheque de Nag Hammadi. L'intention du traite est d'etablir l'autorite de Marsanes comme prophete, voyant et chef spirituel de sa communaute, et de presenter un enseignement detaille sur les principes premiers de la theologie sethienne, notamment sur la nature et la destinee de l'ame. Ce qui est particulier a Marsanes, c'est son souci de reveler les 'appellations' correctes des anges et des dieux, ainsi que des puissances planetaires et cosmiques qui controlent la destinee de l'ame, d'ou un interet tres grand pour les categories grammaticales et astrologiques. D'autre part, le traite est parseme d'exhortations qui montrent bien la relation etablie par l'auteur entre la connaissance qu'il communique a ses auditeurs et leur acces au salut. Le traite Marsanes presente une dette tres grande envers la tradition grecque, qu'il s'agisse des theories grammaticales, des speculations astrologiques et arithmologiques ou de la philosophie. Sur ce dernier plan, Marsanes se revele etonnament proche de philosophes neoplatoniciens comme Jamblique et Theodore d'Asinee. Le present volume offre une introduction developpee au traite Marsanes, un texte copte nouvellement etabli, une traduction francaise, le premier commentaire a etre consacre a cet ouvrage, ainsi qu'un 'index verborum' complet.
In Behold the Pierced One, Joseph Ratzinger recounts how the composition of a 1981 paper on the Sacred Heart of Jesus had led him to "consider Christology more from the aspect of its spiritual appropriation" than he had done previously. Upon realizing that this same year was the 1300th anniversary of the Third Council of Constantinople, he decided to study the pronouncements of this Council, and came to believe "that the achievement of a spiritual Christology had also been the Council's ultimate goal." Ratzinger's conclusion in attempting to define a spiritual Christology was that "the whole of Christology--our speaking of Christ--is nothing other than the interpretation of his prayer: the entire person of Jesus is contained in his prayer." The spiritual Christology subsequently developed by Ratzinger is one of communio. Indeed, it is one of theosis. Through a personal and ecclesial participation in the prayer of Jesus, exercised in purity of heart, and consummated in the eucharistic celebration, one comes into communion with Jesus Christ and all the members of his Body, so that eventually one can say truly, "It is no longer I who live, but Christ who lives in me" (Gal 2:20).
The third and final entry of the Bertie Prince of Wales mystery series, featuring future King Edward VII, Albert Edward, as an amateur sleuth solving suspicious murders in Victorian England. Bertie, amateur sleuth and the Crown Prince of Wales, loves food and women. This is why Bertie enjoys his frequent trips to Paris, a city that is known not only as the City of Lights, but also as the city of romance and fine cuisine. In 1891, however, Bertie’s yearly Paris vacation becomes much more eventful than he had anticipated when, soon after his arrival, he learns that the future son-in-law of his old friend, Jules d’ Agincourt, was recently murdered at the Moulin Rouge. Unable to resist practicing his detective skills, Bertie resolves to assist the Sûreté, the French police force, in solving the ongoing case. He enlists the help of the reluctant Sarah Bernhardt, renowned actress and Bertie’s long-time friend, and together, Bertie and Sarah travel around Paris following possible leads, questioning witnesses, and even apprehending the murder weapon. When the Sûreté discovers that the victim’s fiancée has a much older lover who was present at the scene of the murder, they immediately arrest him on the suspicion that the murder was a crime of passion. Bertie’s instincts tell him that this man is innocent, but the Sûreté is convinced he is the killer. With the threat of the guillotine looming over the innocent man’s head, it is up to Bertie to find the real killer and close the case before it is too late.
For thousands of years, art has interpreted the experience of war_its methods, human costs, and moral ambiguities_and has offered historians a wealth of testimony that is only beginning to be systematically explored. In this wide-ranging study, Peter Paret discusses forty-seven paintings and prints as complex documents of war in Europe since the Renaissance and as examples of the artist's use of war as a metaphor for the human condition. The images include works by such major artists as Uccello, Géricault, and Dix as well as academic history paintings and popular prints. By setting each in its historical environment and analyzing it from the perspective of the wars of its time, illuminates the place of war in Western consciousness and expands our understanding of works that are too often approached with little concern for the reality they depict or symbolically transform. Perhaps the most significant of the themes he traces over five centuries is the gradual change from the prince or general to the common soldier and civilian victim as central figures in the interpretation of war in art.
The eighteenth century Enlightenment marks the beginning of the modern age when the scientific method and belief in reason and progress came to hold sway over the Western world. In the twentieth century, however, the Enlightenment has often been judged harshly for its apparently simplistic optimism. Here a master historian goes back to the sources to give us both a more sophisticated and intriguing view of the philosophes, their world and their ideas.
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