This long-standing series provides the guild of religion scholars a venue for publishing aimed primarily at colleagues. It includes scholarly monographs, revised dissertations, Festschriften, conference papers, and translations of ancient and medieval documents. Works cover the sub-disciplines of biblical studies, history of Christianity, history of religion, theology, and ethics. Festschriften for Karl Barth, Donald W. Dayton, James Luther Mays, Margaret R. Miles, and Walter Wink are among the seventy-five volumes that have been published. Contributors include: C. K. Barrett, Francois Bovon, Paul S. Chung, Marie-Helene Davies, Frederick Herzog, Ben F. Meyer, Pamela Ann Moeller, Rudolf Pesch, D. Z. Phillips, Rudolf Schnackenburgm Eduard Schweizer, John Vissers
In this rich collection, a leading historian argues that in order to fully understand the Civil War, we need to grasp the relationship between American national identity and the values of Northern society. Northerners shaped nationalism into an ideology to justify and sustain a war against the South. Parish explores politics and religion as sinews that connected Northerners to the Union cause.
Pathology of Sharp Force Trauma illustrates and details sharp force trauma as seen in forensic pathology case work as well as in the clinical setting, outlining how one informs the other in interpreting such trauma for medico-legal purposes. For the purposes of discussion, the author defines sharp force trauma as: "The application of force to produce an injury which results in a clear division or separation of the skin and underlying tissues". Sharp force trauma may be caused by all manner of implements with a sharp edge and/or pointed end, whether or not they have been produced for use as a weapon, and includes knives, broken glass, scissors and many others, to name but a few. Certain tools, such as axes or machetes, combine a sharp edge with heavy weight and produce injuries with both sharp and blunt impact elements. In many countries, with the exception of those where firearms are readily available, sharp force trauma—particularly the use of knives—is the most common method of homicide and a frequent source of morbidity seen in emergency departments. Also, there has recently been an alarming upsurge in the use of knives in gang-related assaults and in terrorist incidents. As such, the book takes a comprehensive approach in explaining the different aspects of such trauma, most importantly the manner in which the victim has died. This includes cases of homicide, suicide or accident, indicating the type of weapon responsible, explaining how it was used, and presenting other such information to the investigation of such cases. Features: • Includes over 400 full-color graphic and illustrative images throughout • Addresses all aspects of the investigation including trauma, crime scene findings, post-mortem examination, characteristics of injuries and categorization into homicide, suicide or accident • Covers the biomechanics of knife trauma and tool mark examination techniques to identify implements used • Illustrates penetrating injuries caused by pointed implements which have linear components, such as arrows, nails, spears, stakes and others • Details cutting, penetrating, and other sharp force injuries resulting from medical intervention in a healthcare environment, such as might occur during surgical procedures • Examines sharp injuries caused by domesticated and wild animals • Written by one of the premier forensic pathologists in the world with over 40 years of first-hand case experience Pathology of Sharp Force Trauma is the first substantive book published in English to look exclusively at this subject. Although primarily intended for pathologists and clinicians who are involved in the examination of such injuries in the post-mortem room or in a hospital environment, it will also be of interest to medical examiners, police and criminal investigators, attorneys and legal professionals, personnel in other forensic disciplines, and all doctors and medical students with an interested in trauma and its management.
The written and verbal traces of the past have been extensively studied by historians, but what about the nonverbal traces? In recent years, historians have expanded their attention to other kinds of sources, but seldom have they taken into account the most vital and omnipresent nonverbal aspect of life – body language. Silent History explores the potential of early photography to uncover the structure and nature of everyday body language in the late nineteenth and early twentieth centuries. Through a close study of street photography by pioneering photographers who were the first to document urban everyday life with hidden cameras, Peter Andersson examines a key period of history in a new light. By focusing on a number of body poses and gestures common to the nonverbal communication of the fin de siècle, he reveals the identifications and connotations of daily social interaction beyond the written word. Andersson also depicts a broader picture of the body and its relationship to popular culture by placing photographic analysis within a context of magazine illustration, caricature, music-hall entertainment, and the elusive urban subcultures of the day. Studying archival photographs from Austria, England, and Sweden, Silent History provides a clear picture of the emergence of the modern bodily conventions that still define us.
An engaging and illuminating biography focused on the formative and highly influential early years of “rock’s first supergroup” (Rolling Stone) Crosby, Stills, Nash, and Young—when they were the most successful, influential, and politically potent band in America. After making their marks in popular bands such as the Hollies and the Byrds, David Crosby, Stephen Stills, and Graham Nash released their first album in May 1969. By the time they arrived at Woodstock a few months later, Neil Young had joined their ranks and together, their transcendent harmonies and evocative lyrics channeled all the romantic idealism and radical angst of their time. Now, music journalist Peter Doggett chronicles these legendary musicians and the movement they came to represent at the height of their popularity and influence: 1969 to 1974. Based on interviews with the band and colleagues, along with exclusive access to CSNY’s archive, Doggett provides new insights into their incredible catalog, from their delicate acoustic confessionals like “Suite: Judy Blue Eyes” to their timeless classics such as “Our House.” Doggett also uncovers plenty of new stories and perspectives on the four tenacious and volatile songwriters’ infamously reckless, hedonistic, and often combative lifestyles that led to their continuous breakups and behaviors—extreme even by rock star standards. “A must for CSNY fans and anyone who remembers the era when it ruled the pop charts” (Kirkus Reviews, starred review), CSNY is a quintessential and definitive account of one of the biggest bands of the Woodstock generation.
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