The British Empire drew on the talents of many remarkable figures, whose lives reveal a wonderfully rich involvement with the crucial issues of the period. In many cases they left a legacy of travel writing, novels, biography and ethnography which made important contributions to our knowledge of other cultures."Writing, Travel and Empire" explores the lives and writings of eight such figures, including Sir George Grey, Gertrude Bell, Sir Hugh Clifford, and Roger Casement. All travelled the Empire - from Grey, the renowned colonial governor who undertook dangerous journeys to the interior of Australia, to Tom Harrisson, the emaciated polymath, war hero and Arctic explorer, whose time in the New Hebrides embraced both cannibalistic rituals and a meeting with film legend Douglas Fairbanks Sr, who sought Harrisson out for a Hollywood feature about savage life.All saw themselves as writers, despite their very different approaches and interests, and each was writing against a backdrop of the impending disappearance of indigenous cultures around the world. Writing from the margins of what was shortly to become the more formalised discipline of anthropology, their work yields interesting insights into both the issues of empire and the ways in which academic disciplines define the boundaries of their subject. Embracing themes such as gender and travel, racial science, the globalisation of 'native management' and the internal colonies, and with a geographical coverage that extends from South America to Russia via Africa and the South Seas, "Writing Travel and Empire" will engage all those with an interest in cultural geography, anthropology, history, postcolonial studies, biography and travel writing.
If Modernist poetry dominated the early twentieth century, what did it mean for British poets like Thomas Hardy, Edward Thomas and Wilfred Owen not to be Modernist? Peter Howarth has written an informative and inspiring account of the themes and debates that have shaped British poetry of the last century.
Provides an introduction to the life and works of Ezra Pound, a major modernist poet, theorist and literary critic. Throughout his life Pound was regarded by many to be a contentious and controversial figure, and since his death in 1972, theoretical, literary, political and biographical comentators have done much to perpetuate this view. Peter Wilson's survey, however, presents a balanced view of his life and work allowing the reader to judge for themselves. The major sections of the book offer introductions to the complex life and work of Pound, outlining the various cultural, political and literary issues which are important to a full understanding of his place in twentieth century English literature. Critical commentaries are then given on all of Pound's major poetry, adopting some analytical techniques from stylistics. Brief biographies of important figures in Pound's career, and in the development of literary modernism are provided. A gazeteer, glossary, and suggestions for further reading complete the book.
On June 22, 1954, teenage friends Juliet Hulme—better known as bestselling mystery writer Anne Perry—and Pauline Parker went for a walk in a New Zealand park with Pauline’s mother, Honora. Half an hour later, the girls returned alone, claiming that Pauline’s mother had had an accident. But when Honora Parker was found in a pool of blood with the brick used to bludgeon her to death close at hand, Juliet and Pauline were quickly arrested, and later confessed to the killing. Their motive? A plan to escape to the United States to become writers, and Honora’s determination to keep them apart. Their incredible story made shocking headlines around the world and would provide the subject for Peter Jackson’s Academy Award–nominated film, Heavenly Creatures. A sensational trial followed, with speculations about the nature of the girls’ relationship and possible insanity playing a key role. Among other things, Parker and Hulme were suspected of lesbianism, which was widely considered to be a mental illness at the time. This mesmerizing book offers a brilliant account of the crime and ensuing trial and shares dramatic revelations about the fates of the young women after their release from prison. With penetrating insight, this thorough analysis applies modern psychology to analyze the shocking murder that remains one of the most interesting cases of all time.
The citizens of the Marshall Islands have been told that climate change will doom their country, and they have seen confirmatory omens in the land, air, and sea. This book investigates how grassroots Marshallese society has interpreted and responded to this threat as intimated by local observation, science communication, and Biblical exegesis. With grounds to dismiss or ignore the threat, Marshall Islanders have instead embraced it; with reasons to forswear guilt and responsibility, they have instead adopted in-group blame; and having been instructed that resettlement is necessary, they have vowed instead to retain the homeland. These dominant local responses can be understood as arising from a pre-existing, vigorous constellation of Marshallese ideas termed "modernity the trickster": a historically inspired narrative of self-inflicted cultural decline and seduction by Euro-American modernity. This study illuminates islander agency at the intersection of the local and the global, and suggests a theory of risk perception based on ideological commitment to narratives of historical progress and decline.
Nearly 90 percent of the earth's land surface is directly affected by human infrastructure and activities, yet less than 5 percent is legally "protected" for biodiversity conservation--and even most large protected areas have people living inside their boundaries. In all but a small fraction of the earth's land area, then, conservation and people must coexist. Conservation is a resource for all those who aim to reconcile biodiversity with human livelihoods. It traces the historical roots of modern conservation thought and practice, and explores current perspectives from evolutionary and community ecology, conservation biology, anthropology, political ecology, economics, and policy. The authors examine a suite of conservation strategies and perspectives from around the world, highlighting the most innovative and promising avenues for future efforts. Exploring, highlighting, and bridging gaps between the social and natural sciences as applied in the practice of conservation, this book provides a broad, practically oriented view. It is essential reading for anyone involved in the conservation process--from academic conservation biology to the management of protected areas, rural livelihood development to poverty alleviation, and from community-based natural resource management to national and global policymaking.
This book presents the first scholarly study of the contribution of canals to Britain’s industrial revolution. Although the achievements of canal engineers remain central to popular understandings of industrialisation, historians have been surprisingly reticent to analyse the full scope of the connections between canals, transport and the first industrial revolution. Focusing on Manchester, Britain’s major centre of both industrial and transport innovation, it shows that canals were at the heart of the self-styled Cottonopolis. Not only did canals move the key commodities of Manchester’s industrial revolution –coal, corn, and cotton – but canal banks also provided the key sites for the factories that made Manchester the ‘shock city’ of the early Victorian age. This book will become essential reading for historians and students interested in the industrial revolution, transport, and the unique history of Manchester, the world’s first industrial city.
Exploring the politics of housing during 1890-1990, this fascinating study examines the interaction not only of national and local politics but also of local factors such as civic culture, key local players, local discourse and geographical and demographic problems. This book argues that increasingly, tenants acted as consumers of a public service, and it questions the way in which notions of consumerism shaped responses to the housing debate. An analysis of the impact of legislation on housing policy in different cities is provided, as well as a more detailed account of the politics of housing in Manchester, including the Victorian legacy, the emergence of local government intervention, post-war overspill estates, new system-built flats and their rapid deterioration, rising tenant anger and protests, and the beginning of a new approach based on consultation and partnerships. The book will be of value to anyone studying urban history, politics, governance, civic culture, social policy and society.
First published in 1990, Deconstructing America breaks new ground by locating the European discovery of America within the study of representations of Otherness. Peter Mason acknowledges that America was part of the European imagination before its discovery, but challenges the claim that the European vision of America is merely a distorted view of some extra-European reality. He relates the way in which Europe tended to see the inhabitants of South America as monstrous figures to a longstanding European tradition on the ‘Plinian’ human races, and goes on to point out that the existence of similar representations among contemporary Amerindian peoples calls into question the extent to which ethnocentrism is an exclusively European idea. Drawing on anthropological, literary and philosophical studies, he shows how European representations of America constitute a cultural monologue which tells more about the Old World than the New. This book will be a stimulating reading for all those working in the fields of symbolic and cultural anthropology, semiotics, cultural studies, Latin America, structuralism and deconstruction.
Putting Greek writer Nikos Kazantzakis's vast output into the context of his lifelong spiritual quest and the turbulent politics of twentieth-century Greece, Peter Bien argues that Kazantzakis was a deeply flawed genius--not always artistically successful, but a remarkable figure by any standard. This is the second and final volume of Bien's definitive and monumental biography of Kazantzakis (1883-1957). It covers his life after 1938, the period in which he wrote Zorba the Greek and The Last Temptation of Christ, the novels that brought him his greatest fame. A demonically productive novelist, poet, playwright, travel writer, autobiographer, and translator, Kazantzakis was one of the most important Greek writers of the twentieth century and the only one to achieve international recognition as a novelist. But Kazantzakis's writings were just one aspect of an obsessive struggle with religious, political, and intellectual problems. In the 1940s and 1950s, a period that included the Greek civil war and its aftermath, Kazantzakis continued this engagement with undiminished energy, despite every obstacle, producing in his final years novels that have become world classics.
Presents narratives of the poor in eighteenth-century Britain. This collection covers the period from the early eighteenth century through to the Poor Law Amendment Act of 1834 and includes transcriptions of hand-written first-hand representations of poverty to poor law officials.
For centuries, the existence of reincarnation has been a firmly held belief of millions that crosses races, religions, and cultures. In Past Lives, Dr. Peter Fenwick and Elizabeth Fenwick examine this extraordinary phenomenon by attempting to determine whether people are experiencing actual memories, or thoughts and ideas based on imagination. Featuring more than 100 firsthand accounts from those who believe they can recall their previous existences, this insightful exploration of reincarnation may change the way you think—and challenge your views of life itself. • A World War II veteran relives the moment of his death—in the cockpit of a bi-plane during the first World War. • A hypnotized woman starts speaking with an Irish brogue about her life in Ireland although she’s never visited there. • While vacationing in Egypt, a woman correctly describes a temple she was once worshipped in—without ever having been inside.
The extent of John Ruskin's influence has long been acknowledged, though his impact on the development of Anglo-American modernism has received little systematic attention. In this volume, published to mark the centenary of Ruskin's death, a group of international scholars consider what is often an awkward and conflicted relation. Ruskin's voluminous writings are seen to shelter an incipient modernism whose antipathy to a degraded modernity, powerfully predicts a major current within the work of the new century.
Foul Deeds and Suspicious Deaths Around Crewe - True Crime BookFoul Deeds Around Crewe takes the reader on a fascinating journey through centuries of local crime and conspiracy, meeting villains of all sorts along the way - casual killers and robbers, murderous husbands and lovers, prostitutes and poisoners. This revealing book recalls many grisly events and sad or unsavoury individuals whose conduct throws a harsh light on the history of Crewe and the surrounding countryside. Among the many acts of wickedness the authors recall are shocking crimes from the recent past - the daughter who poisoned her father, a murder in a stately home, two brothers who conspired to kill their father, a mysterious ritual drowning and the killing of a policeman. But they also cover in vivid detail the early criminal history of the area - the theft of sheep, cattle and horses, crop-wrecking, rural assaults, land-disputes, poaching and highway robbery. The ruthless punishments meted out to convicted criminals - public humiliation, imprisonment, the death penalty - are an essential part of the story.This chronicle of Crewe's hidden history - the history the town would prefer to forget - will be compelling reading for anyone who is interested in the dark side of human nature.Peter Ollerhead started working at Rolls-Royce, then became a teacher and a second-hand bookseller. He broadcasts regularly on Premier Christian Radio, is secretary of the Crewe Historical Society and chair of the district's Historical Association. He has lived in Crewe for most of his life and has researched deeply into the town's origins and development. In addition to writing many articles for journals, he has published Making Cars at Crewe, a social history of Rolls-Royce in Crewe, and Crewe: A History and Guide. Susan Chambers is a keen student of the history of Cheshire and the Crewe area in particular, and she is the author of Crewe: A History.
Imagism was a brief, complex yet influential poetic movement of the early 1900s, a time of reaction against late nineteenth-century poetry which Ezra Pound, one of the key imagist poets, described as ‘a doughy mess of third-hand Keats, Wordsworth ... half-melted, lumpy’. In contrast, imagist poetry, although riddled with conflicting definitions, was broadly characterized by brevity, precision, purity of texture and concentration of meaning: as Pound stated, it should ‘use no superfluous word, no adjective, which does not reveal something ... it does not use images as ornaments. The image itself is the speech’. It was this freshness and directness of approach which means that, as Peter Jones says in his invaluable Introduction, ‘imagistic ideas still lie at the centre of our poetic practice’.
The period covered by this volume, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history. Much has been done recently to revise this view, though research still tends to focus on London as the commercial and cultural hub of the British Isles. It is becoming increasingly clear, however, that by the mid-eighteenth century musical activity outside London was highly distinctive in terms of its reach, the way it was organized, and its size, richness, and quality. There was an extraordinary amount of musical activity of all sorts, in provincial theatres and halls, in the amateur orchestras and choirs that developed in most towns of any size, in taverns, and convivial clubs, in parish churches and dissenting chapels, and, of course, in the home. This is the first book to concentrate specifically on musical life in the provinces, bringing together new archival research and offering a fresh perspective on British music of the period. The essays brought together here testify to the vital role played by music in provincial culture, not only in socializing and networking, but in regional economies and rivalries, demographics and class dynamics, religion and identity, education and recreation, and community and the formation of tradition. Most important, perhaps, as our focus shifts from London to the regions, new light is shed on neglected figures and forgotten repertoires, all of them worthy of reconsideration.
Building upon his earlier book The Death of the German Cousin (1986), renowned author Peter Edgerly Firchow focuses Strange Meetings on major modern British writers from Eliot to Auden and explores the development of British conceptions and misconceptions of Germany and Germans from 1910 to 1960.
The half Indian cattle inspector and “character of legendary proportions” is back—in this beloved contemporary western mystery series (Ridley Pearson). Officially, Gabriel Du Pré is the cattle inspector for Toussaint, Montana, responsible for making sure no one tries to sell cattle branded by another ranch. Unofficially, he is responsible for much more than cows’ backsides. The barren country around Toussaint is too vast for the town’s small police force, and so, when needed, this hard-nosed Métis Indian lends a hand. In Gabriel Du Pré “Bowen has taken the antihero of Hemingway and Hammett and brought him up to date . . . a fresh, memorable character” (The New York Times Book Review). Badlands: When a mysterious cult takes over a cattle ranch, the people of Toussaint try to ignore their suspicious behavior. But when Du Pré gets a tip from an FBI contact that seven Host of Yahweh defectors were recently shot to death, he takes another look at the glassy-eyed conclave. Behind their peaceful smiles, evil lurks. “Gripping and humorous . . . truly riveting.” —Publishers Weekly The Tumbler: A few years back, Du Pré led a documentary film crew down the Missouri River to commemorate the bicentennial of the Lewis and Clark expedition. Rumor now has it that the Montana fiddler is in possession of the long-lost writings of Meriwether Lewis, and an unscrupulous billionaire has kidnapped two of Du Pré’s friends to get his hands on the journals. “[Du Pré’s] moral center is unshakable. Another wonderful adventure in a great series.” —Booklist Stewball: When his aunt Pauline’s latest husband turns up shot, execution-style, Du Pré goes undercover to infiltrate a cabal of wealthy gamblers who pass their time racing horses in the barren Montana brush, among other nefarious activities. “[The] fast-paced narrative offers ample doses of local color, evenly spaced bursts of violence and an unforced laid-back style.” —Publishers Weekly
Modernist movements radically transformed the late nineteenth- and early twentieth-century literary establishment, and their effects are still felt today. Modernism introduces and analyzes what amounted to nothing less than a literary and cultural revolution. In this fully updated, expanded, and revised third edition, charting modernism in its global and local contexts, Peter Childs: details the origins of modernism and the influence of thinkers such as Darwin, Marx, Freud, Nietzsche, Saussure and Einstein explores the radical changes which occurred in the arts, literature, drama, and film of the period traces 'modernism at work' in literature, especially in writings by a range of British, Irish, American and other Anglophone authors including James Joyce, Virginia Woolf, Samuel Beckett, Nella Larsen, Gertrude Stein, Katherine Mansfield, T. S. Eliot, and many others explains recent critical interest in the culture and worldwide impact of modernism reflects upon the shift from modernism to postmodernism. At once accessible and critically informed, Modernism guides readers from first steps in the field to an advanced understanding of one of the most important cultural phenomena of the last centuries.
In Whitman, Melville, Crane, and the Labors of American Poetry, Peter Riley confronts our enduring and problematic investment in poetic vocation--a myth, he argues, that continues to inform how all our multifarious labors are understood, valued, and exploited. The book seeks to challenge a dominant cultural logic that frames contingent, non-vocational labor as a necessary sacrifice that frustrates the righteous progress towards realizing that seemingly purest of callings: Poet. Incorporating the often overlooked or excluded workaday ephemera of three canonical US Romantic poets--Walt Whitman, Herman Melville, and Hart Crane--this volume offers new archival insights that call for a re-examination of celebrated literary careers and disputes their status as renowned or tragic icons of creative vocation. The poetry of Whitman the real estate dealer, Melville the customs inspector, and Crane the copywriter, Riley contends, does not constitute the formal inscription of an antagonistic or discreet poetic labor struggling against quotidian work towards the fulfilment of exceptional individual callings. Instead, the distracted forms of their poetry are always already intermingled with a variety of apparently lesser labors. Ousting poetic production from its default sanctuary of privileged exemption or transcendent repose, the volume refigures the work of the poet as a living sensuous activity that transgresses labor's various divisions and hierarchies. It consequently recasts the poet as a figure who actually unfastens the 'right of passage' vocational logic that does so much to secure and reproduce the current neoliberal paradigm.
Abba Ahimeir (1897 –1962) writer, journalist and historian began his public life as a socialist, but subsequently moved toward the rightward extreme of Zionist ideology. One of the earliest opponents of the British Mandate, in 1930 he founded a radical organization called Brit Habiryonim (the Union of Zionist Rebels). This was a clandestine, self-declared fascist faction of the Revisionist Zionist Movement (ZRM) in Palestine whose official ideology was Maximalist Revisionism, an ideology for which Ahimeir is now most well-known. Ahimeir's career as a political activist came to an early end, when he was arrested in connection with the murder of the Labour Zionist leader, Chaim Arlosoroff. Although acquitted, Ahimeir nonetheless went to prison for his involvement as a political activist. This is the first intellectual biography of one of the most influential figures on the Zionist Right. Based on much unseen primary source material from the Ahimeir archive in Ramat Gan and the Jabotinsky Institute in Tel Aviv, as well as Ahimeir's newspaper articles, the author provides a rigorous analysis of Ahimeir's ideological development. The book positions him more accurately within the contexts of the Israeli right and the Zionist movement in general, updates common misunderstanding about this period of history and revises Israeli collective memory.
A collection of work that attempts to reflect the diversity of travel literature from the late 18th and early 19th centuries. This literature often reveals something of the cultural and gender difference of the travellers, as well as ideas on colonialism, anthropology and slavery.
The crucial importance of biodiversity law to future human welfare is only now being fully appreciated. This wide-ranging Handbook presents a range of perspectives from leading international experts reflecting up-to-date research thinking on the vital subject of biodiversity and its interaction with law. Through a rigorous examination of the principles, procedures and practices that characterise this area of law, this timely volume effectively highlights its objectives, implementation, achievements, and prospects. More specifically, the work addresses the regulatory challenges posed by the principal contemporary threats to biological diversity, the applicable general principles of international environmental law and the visions, values and voices that are shaping the development of the law. Presenting thematic rather than regime-based coverage, the editors demonstrate the state-of-the-art of current research and identify future research needs and directions. This comprehensive and authoritative Handbook will be an indispensable resource for legal scholars, students and practitioners alike.
From the author of the highly acclaimed and prize-winning The Broken Shore comes another extraordinary achievement. Truth is about a man, a family, a city. It is about violence, murder, love, corruption, honour, deceit — and truth. PETER TEMPLE moves into the territory of The Bonfire of the Vanities and J.M. Coetzee's Disgrace with a masterpiece of modern fiction. At the close of a long day, Inspector Stephen Villani stands in the bathroom of a luxury apartment high above the city. In the glass bath, a young woman lies dead, a panic button within reach. So begins Truth, the sequel to Peter Temple's bestselling masterpiece, The Broken Shore, winner of the Duncan Lawrie Dagger for Best Crime Novel. Villani's life is his work. It is his identity, his calling, his touchstone. But now, over a few sweltering summer days, as fires burn across the state and his superiors and colleagues scheme and jostle, he finds all the certainties of his life are crumbling.
Witty, direct and articulate, Peter Barry illustrates the key elements of poetry at work, covering many different kinds of verse, from traditional forms to innovative versions of the art, such as ‘concrete’ poetry, minimalism and word-free poems. The emphasis is on meanings rather than words, looking beyond technical devices like alliteration and assonance so that poems are understood as dynamic structures creating specific ends and effects. The three sections cover progressively expanding areas – ‘Reading the lines’ deals with such basics as imagery, diction and metre; ‘Reading between the lines’ concerns broader matters, such as poetry and context, and the reading of sequences of poems, while ‘Reading beyond the lines’ looks at ‘theorised’ readings and the ‘textual genesis’ of poems from manuscript to print. Reading poetry is for students, lecturers and teachers looking for new ways of discussing poetry, and all those seriously interested in poetry, whether as readers or writers.
In works by Kipling and Forster, Lawrence and Shaw, Mansfield and Conrad, the Germans were transformed from peaceful country cousins into bloodthirsty Huns. The author's aim is to present what Lukacs calls extreme situations, which radiate a symbolic force far beyond their relatively narrow confines.
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