This fully revised second edition of Bain and Howells' Monetary Economics provides an up-to-date examination of monetary policy as it is practised and the theory underlying it. The authors link the conduct of monetary policy to the IS/PC/MR model and extend this further through the addition of a simple model of the banking sector. They demonstrate why monetary policy is central to the management of a modern economy, showing how it might have lasting effects on real variables, and look at how the current economic crisis has weakened the ability of policymakers to influence aggregate demand through the structure of interest rates. The second edition: features a realistic account of the conduct of monetary policy when the money supply is endogenous provides a detailed and up-to-date account of the conduct of monetary policy and links this explicitly to a framework for teaching macroeconomics includes recent changes in money market operations and an examination of the problems posed for monetary policy by the recent financial crisis Monetary Economics is an ideal core textbook for advanced undergraduate modules in monetary economics and monetary theory and policy.
Combining biography, literary history, and gender studies, this book examines three profoundly influential and vastly different friendships in the life of Mark Twain.
With its clear and accessible style, Financial Markets and Institutions will help students make sense of the financial activity that is so widely and prominently reported in the media. Looking at the subject from the economist’s perspective, the book takes a practical, applied approach and theory is covered only where absolutely necessary in order to help students understand events as they happen in the real world. This fifth edition has been thoroughly updated to reflect the changes that have occurred in the financial system in recent years. Key Features · New! Chapter 12 Financial Market Failure and Financial Crisis puts forward arguments concerning for example, the ability of small firms to borrow, the problems of financial exclusion and inadequate long-term saving and the tendency in financial markets to bubbles and crashes. · New! Thoroughly updated to include new figures and recent legislative and regulatory changes. · Provides a comprehensive coverage of the workings of financial markets. · Contains sufficient theory to enable students to make sense of current events. · Up-to-date coverage of the role of central banks and the regulation of financial systems. · Focuses on UK and European financial activity, context and constraints. · Offers a wealth of statistical information to illustrate and support the text. · Extensive pedagogy includes revised boxes, illustrations, keywords/concepts, discussion questions, chapter openers, chapter summaries and numerous worked examples. · Frequent use of material from the Financial Times. · Regularly maintained and updated Companion Website containing valuable teaching and learning material. Financial Markets and Institutions will be appropriate for a wide range of courses in money, banking and finance. Students taking financial markets and institutions courses as part of accounting, finance, economics and business studies degrees will find this book ideally suited to their needs. The book will also be suitable for professional courses in business, banking and finance. Peter Howells is Professor of Monetary Economics at the University of the West of England. Keith Bain is formerly of the University of East London where he specialized in monetary economics and macroeconomic policy.
This is a book about American intellectuals as would-be social reformers and what happens to them in the arena of practical politics. Specifically, it examines the lives of ten highly idealistic Christian socialist and anarchist intellectuals of the 1890s who were profoundly influenced -- indeed inspired -- by the prophetic social messages and exemplary lives of Tolstoy, Mazzini, and Ruskin. The ten Americans -- including ministers, journalists, professors, and poets -- were constantly thwarted in their efforts to apply the Golden Rule and the ethics of Jesus not only to the socioeconomic institutions of their society, but to their own lives as well. These ten Christian knights rode high on clouds of words, carrying swords of good intentions, tilting at windmills often of their own despair. As a result, they paid the price (as Emerson said) of being "too intellectual." This is, indeed, a story of noble dreams, frustration, agonizing self-doubts and, ultimately, of failure. Peter J. Frederick develops his argument by comparing and contrasting the intellectuals in pairs, examining the many forms frustrated activism can take. His study emerges as a critique of the Social Gospel movement from a New Left perspective; implicitly, it is a critique of the contemporary New Left, approached with empathetic understanding. Ethical, decisive action, he concludes, is essential not only for effective reform but for the psychic well-being of the intellectual.
This is the first book-length survey of 20th -century British music for solo organ. Beginning with a discussion of British organ music in the last decades of the Victorian era, the book focuses on the pieces that the composers wrote, their musical style, possible influences on the composition of specific works, and the details of their composition. Arranged in chronological order according to date of birth are detailed studies on important composers that made especially significant contributions to organ music including Parry, Stanford, Healey Willan, Herbert Howells, Percy Whitlock, Francis Jackson, Peter Racine Fricker, Arthur Wills, and Kenneth Leighton. Composers' biographies, the role of organs and organ building developments, influential political and sociological events, and aesthetic aspects of British musical life are also discussed in detail. In the concluding chapter, the author discusses the major phases and achievements of the century and gauges what may lie ahead in the new millennium. A comprehensive Catalog of Works provides titles of works, dates of composition, details of publishers, and the dates of publication. More than 60 music examples, 12 black and white photos, and an up-to-date bibliography are included.
This is a book about American intellectuals as would-be social reformers and what happens to them in the arena of practical politics. Specifically, it examines the lives of ten highly idealistic Christian socialist and anarchist intellectuals of the 1890s who were profoundly influenced -- indeed inspired -- by the prophetic social messages and exemplary lives of Tolstoy, Mazzini, and Ruskin. The ten Americans -- including ministers, journalists, professors, and poets -- were constantly thwarted in their efforts to apply the Golden Rule and the ethics of Jesus not only to the socioeconomic institutions of their society, but to their own lives as well. These ten Christian knights rode high on clouds of words, carrying swords of good intentions, tilting at windmills often of their own despair. As a result, they paid the price (as Emerson said) of being "too intellectual." This is, indeed, a story of noble dreams, frustration, agonizing self-doubts and, ultimately, of failure. Peter J. Frederick develops his argument by comparing and contrasting the intellectuals in pairs, examining the many forms frustrated activism can take. His study emerges as a critique of the Social Gospel movement from a New Left perspective; implicitly, it is a critique of the contemporary New Left, approached with empathetic understanding. Ethical, decisive action, he concludes, is essential not only for effective reform but for the psychic well-being of the intellectual.
A collection of prefaces, reviews and articles by Americans on American and European fiction. Charted in these three volumes, which span 1776 to 1900, is the movement from anxious defences of the novel as a necessary vehicle of truth and morality to fully-fledged theoretical exfoliations.
A delightfully informed path through the complexities of composition, publishing history, and the textual discontinuities that characterize so many of Twain's stories."—Journal of American Studies
By mid-career, many successful writers have found a groove and their readers come to expect a familiar consistency and fidelity. Not so with Henry Green (1905-1973). He prefers uncertainty over reason and fragmentation over cohesion, and rarely lets the reader settle into a nice cozy read. Evil, he suggests, can be as instructive as good. Through Green's use of paradoxical and ambiguous language, his novels bring texture to the flatness of life, making the world seem bigger and closer. We soon stop worrying about what Hitler's bombs have in store for the Londoners of Caught (1943) and Back (1946) and start thinking about what they have in store for each other. Praised in his lifetime as England's top fiction author, Green is largely overlooked today. This book presents a comprehensive analysis of his work for a new generation of readers.
This is the first book-length survey of 20th -century British music for solo organ. Beginning with a discussion of British organ music in the last decades of the Victorian era, the book focuses on the pieces that the composers wrote, their musical style, possible influences on the composition of specific works, and the details of their composition. Arranged in chronological order according to date of birth are detailed studies on important composers that made especially significant contributions to organ music including Parry, Stanford, Healey Willan, Herbert Howells, Percy Whitlock, Francis Jackson, Peter Racine Fricker, Arthur Wills, and Kenneth Leighton. Composers' biographies, the role of organs and organ building developments, influential political and sociological events, and aesthetic aspects of British musical life are also discussed in detail. In the concluding chapter, the author discusses the major phases and achievements of the century and gauges what may lie ahead in the new millennium. A comprehensive Catalog of Works provides titles of works, dates of composition, details of publishers, and the dates of publication. More than 60 music examples, 12 black and white photos, and an up-to-date bibliography are included.
This book is the first full-length treatment of Walter Hussey's work as a patron between 1943 and 1978, first for the Anglican parish church of St Matthew in Northampton, and then at Chichester Cathedral. He was responsible for the most significant sequence of works of art commissioned for the British churches in the twentieth century. They included music by Benjamin Britten, Leonard Bernstein and William Walton, visual art by Henry Moore, Graham Sutherland and Marc Chagall, and poetry by W. H. Auden. Placing Hussey in theological context and in a period of rapid cultural change, it explores the making and reception of the commissions, and the longer-term influence of his work, still felt today. As well as contributing to the religious and cultural history of Britain, and of Anglo-Catholicism and the cathedrals in particular, the book will be of interest to all those concerned with the relationship between theology and the arts, and to historians of music and the visual arts.
One of the most popular novelists of the twentieth century, winner of a Pulitzer and Nobel Prize for Literature and an active social and political campaigner, particularly in the field of women's issues and Asian-American relations, Pearl Buck has, until now, remained 'hidden in public view'. Best known, perhaps, as the prolific author of The Good Earth, Buck led a career which extended well beyond her eighty works of fiction and non-fiction and deep into the public sphere. In this critically acclaimed biography, Peter Conn retrieves Pearl Buck from the footnotes of literary and cultural history and reinstates her as a figure of compelling and uncommon significance in twentieth-century literary, cultural and political history.
A tribute to the work of Peter Egelstaff. Talks include topics from the physics of noble gas fluids to the latest work on the structures induced by solvated electrons, and phase transitions in binary hard-sphere systems.
Challenge and inspire your teenage learners to think beyond language. Think is a fresh, vibrant and upbeat course designed to engage teenage learners and make them think. As well as building students' language skills, it offers a holistic approach to learning: developing their thinking skills, encouraging them to reflect on values and building self-confidence. Topics are chosen to appeal to and challenge teenagers, firing their imagination and ensuring effective learning. This split combo edition includes 4 Students' Book and Workbook units combined plus access to the online learning management platform with extra resources interactive activities. Teachers can use the platform to track students' progress and ensure more effective learning.
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