Born into one of England's best-known families, Samuel Sebastian Wesley (1810-76) was not only the foremost organist and church musician of his generation, but a vigorous campaigner for higher standards in cathedral music. He was also a troubled, difficult character, and accounts of his abrasive personality or anecdotes about his fishing exploits have tended to obscure his very real achievements as a composer.Peter Horton has drawn on a wide range of source material to produce a detailed account of Wesley's life and career as he moved from cathedral to cathedral in search of an unattainable ideal, his youthful idealism gradually giving way to the cynicism and disillusion familiar to those who encountered him late in life. He also examines his development as a composer and presents a study of his complete output (including the many non-church works) against the background of his restless career andin a wider European context. The book is illustrated by a generous selection of musical examples and plates, and includes the most detailed list of works to appear in print.
Gathers interviews with the Tennessee short story writer in which he discusses his career, writing, character development themes, settings, and growing older
Selected from papers given at the third biennial conference on Music in Nineteenth-Century Britain, this volume, in common with its two predecessors, reflects the interdisciplinary character of the topic. The introductory essay by Julian Rushton foregrounds some of the questions that are key to this area of study: what is the nineteenth century? what is British music? and did London influence the continent? The essays which follow are divided into broad thematic groups covering aspects of gender, church music, national identity, and local and national institutions. This collection illustrates that while nineteenth-century British music studies is still in its infancy as a field of research, it is one that is burgeoning and contributing to our understanding of British social and cultural life of the period.
From vessels, harbours and major seaports to Canadian troops in the Persian Gulf, the subjects of John M. Horton's paintings tell a story, and this exquisite book presents some of the artist's finest work, along with a revealing look at his life and professional development. Horton's work is second to none, and his paintings are prized by collectors all over the world. A member of the Canadian Society of Marine Artists, the Federation of Canadian Artists and The Honourable Company of Master Mariners of Canada, Horton is also an official Canadian naval war artist. Horton's marine art captures today and yesterday—people, places and events as we know and remember them. His paintings grace the walls of corporate offices, private homes, mansions, museums and even ships at sea. While there are many artists who paint marine scenes, few have Horton's ability to delineate accurately the architecture of a ship. And few compare when it comes to depicting the history of maritime events through their work. Horton's portrayals range from the Pacific voyages of discovery when captains Cook and Vancouver first anchored off British Columbia to contemporary settings on urban and rural waterfronts. He gives us glimpses of other parts of the world, of the military at work, of bustling ports and tranquil inlets. Celebrating the beauty of the land and the majesty of the sea, this collection of paintings, complemented by Horton's intimate observations, showcases the scope and vision of this talented artist.
Lieutenant General Sir Frank Berryman is one of the most important, yet relatively unknown officers in the history of the Australian Army. Despite his reputedly caustic personality and noted conflicts with some senior officers, Berryman was crucial to Australia's success during the Second World War. But did the man known as 'Berry the Bastard' deserve his reputation? Bold, calculating and talented, Berryman was at the forefront of operations that led to the defeat of the Japanese, and his operational planning secured Australia's victories at Bardia, Tobruk and in New Guinea during the Pacific War. With access to rare private papers, Peter Dean charts Berryman's special relationships with senior US and Australian officers such as MacArthur, Chamberlin, Blamey, Lavarack and Morshead, and explains why the man poised to become the next Chief of General Staff would never fulfil his ambition.
Learn how to program using the updated C++17 language. You'll start with the basics and progress through step-by-step examples to become a working C++ programmer. All you need are Beginning C++17 and any recent C++ compiler and you'll soon be writing real C++ programs. There is no assumption of prior programming knowledge. All language concepts that are explained in the book are illustrated with working program examples, and all chapters include exercises for you to test and practice your knowledge. Code downloads are provided for all examples from the text and solutions to the exercises. This latest edition has been fully updated to the latest version of the language, C++17, and to all conventions and best practices of so-called modern C++. Beginning C++17 also introduces the elements of the C++ Standard Library that provide essential support for the C++17 language. What You'll Learn Define variables and make decisions Work with arrays and loops, pointers and references, strings, and more Write your own functions, types, and operators Discover the essentials of object-oriented programming Use overloading, inheritance, virtual functions and polymorphism Write generic function templates and class templates Get up to date with modern C++ features: auto type declarations, move semantics, lambda expressions, and more Examine the new additions to C++17 Who This Book Is For Programmers new to C++ and those who may be looking for a refresh primer on the C++17 programming language in general.
Urban living has dramatically changed over the past generation, refashioning children’s relationships with the towns and cities in which they live, and the modes of living within them. Focusing on the global shift in urban planning towards sustainable urbanism - from master planned ‘sustainable communities’, to the green retrofitting of existing urban environments - Children Living in Sustainable Built Environments offers a critical analysis of the challenges, tensions and opportunities for children and young people living in these environments. Drawing upon original data, Children Living in Sustainable Built Environments demonstrates how the needs, interests and participation of children and young people often remain inferior to the design, planning and local politics of new urban communities. Considering children from their crucial role as residents engaging and contributing to the vitalities of their community, to their role as consumers using and understanding sustainable design features, the book critically discusses the prospects of future inclusion of children and young people as a social group in sustainable urbanism. Truly interdisciplinary, Children Living in Sustainable Built Environments forms an original theoretical and empirical contribution to the understanding of the everyday lives of children and young people and will appeal to academics and students in the fields of education, childhood studies, sociology, anthropology, human geography and urban studies, as well as policy-makers, architects, urban planners and other professionals working on sustainable urban designs.
This book of empirical studies analyzes examples of televisual shared universes since the 1960s to understand how the nature of televised serial narratives and network corporate policies have long created shared storyworlds. While there has been much discussion about shared cinematic universes and comic book universes, the concept has had limited exploration in other media, such as those seen on the smaller screen. By applying convergence culture and other contemporary media studies concepts to television’s history, contributors demonstrate the common activities and practices in serial narratives that align older television with contemporary television, simultaneously bridging the gap between old media and new media studies. Scholars of film studies, media studies, and popular culture will find this book of particular interest.
Cultural geography is a major, vibrant subdiscipline of human geography. Cultural geographers have done some of the most important, exciting and thought-provokingly zesty work in human geography over the last half-century. This book exists to provide an introduction to the remarkably diverse, controversial, and sometimes-infuriating work of cultural geographers. The book outlines how cultural geography in its various forms provides a rich body of research about cultural practices and politics in diverse contexts. Cultural geography offers a major resource for exploring the importance of cultural materials, media, texts and representations in particular contexts and is one of the most theoretically adventurous subdisciplines within human geography, engaging with many important lines of social and cultural theory. The book has been designed to provide an accessible, wide-ranging and thought-provoking introduction for students studying cultural geography, or specific topics within this subdiscipline. Through a wide range of case studies and learning activities, it provides an engaging introduction to cultural geography.
From vessels, harbours and major seaports to Canadian troops in the Persian Gulf, the subjects of John M. Horton's paintings tell a story, and this exquisite book presents some of the artist's finest work, along with a revealing look at his life and professional development. Horton's work is second to none, and his paintings are prized by collectors all over the world. A member of the Canadian Society of Marine Artists, the Federation of Canadian Artists and The Honourable Company of Master Mariners of Canada, Horton is also an official Canadian naval war artist. Horton's marine art captures today and yesterday—people, places and events as we know and remember them. His paintings grace the walls of corporate offices, private homes, mansions, museums and even ships at sea. While there are many artists who paint marine scenes, few have Horton's ability to delineate accurately the architecture of a ship. And few compare when it comes to depicting the history of maritime events through their work. Horton's portrayals range from the Pacific voyages of discovery when captains Cook and Vancouver first anchored off British Columbia to contemporary settings on urban and rural waterfronts. He gives us glimpses of other parts of the world, of the military at work, of bustling ports and tranquil inlets. Celebrating the beauty of the land and the majesty of the sea, this collection of paintings, complemented by Horton's intimate observations, showcases the scope and vision of this talented artist.
How can the social sciences help us to understand the past, present and potential futures of cycling? This timely international and interdisciplinary collection addresses this question, discussing shifts in cycling practices and attitudes, and opening up important critical spaces for thinking about the prospects for cycling. The book brings together, for the first time, analyses of cycling from a wide range of disciplinary backgrounds, including history, sociology, geography, planning, engineering and technology. The book redresses the past neglect of cycling as a topic for sustained analysis by treating it as a varied and complex practice which matters greatly to contemporary social, cultural and political theory and action. Cycling and Society demonstrates the incredible diversity of contemporary cycling, both within and across cultures. With cycling increasingly promoted as a solution to numerous social problems across a wide range of policy areas in car-dominated societies, this book helps to open up a new field of cycling studies.
John M. Horton's marine art captures today and yesterday - people, places and events as we know and remember them. His paintings grace the walls of corporate offices, private homes, mansions, museums and even ships at sea. While there are many artists who paint marine scenes, few have Horton's ability to delineate accurately the architecture of a ship. And few compare when it comes to depicting the history of maritime events through their work." "Horton's portrayals range from the Pacific voyages of discovery when captains Cook and Vancouver first anchored off British Columbia to contemporary settings on urban and rural waterfronts. He gives us glimpses of other parts of the world, or the military at work, of bustling ports and tranquil inlets."--BOOK JACKET.
Step into colonial New England, 1752, and meet James Pyper: Farmer, Friend, Adventurer. With the death of his mother, eleven year old James has found himself helping his father keep the family farm running, but still manages to find time for exploration with his best friend, Benjamin Huckin. Their adventures and choices together will lead them in strange roles: as stowaways on a gundalow, befriending an Albanian warrior, and stuck in the mud at a local pig wrasslin contest. Full of period detail and interesting historical facts, Forgotten by Time celebrates the joys of a simpler time, while shedding light on some of the difficulties - revolution, oppression, poverty, disease - faced by the hardy families making their homes in colonial New England.
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