The distinguished RAF commander recounts his life of service and adventure from WWII to the Royal Household and encounters with unexplained phenomena. A decorated war hero and longtime associate of the Royal Family, Sir Peter Horsley led a uniquely fascinating life. In Sounds from Another Room, he chronicles the many formative—and transformative—experiences that shaped it. Horsley joined the Royal Air Force shortly after the outbreak of World War II. Shot down over the English Channel during the Normandy invasion, he not only survived but continued to serve in the RAF throughout the war and for decades afterward. Horsley also spent seven years as equerry to His Royal Highness Prince Philip. It was at Philip’s request that Horsley investigated numerous UFO sightings. He offers a candid account of that work, including a mysterious encounter with a Mr. Janus, who exhibited telepathic abilities and an intimate knowledge of extraterrestrial life.
The Crime Fiction Handbook presents a comprehensive introduction to the origins, development, and cultural significance of the crime fiction genre, focusing mainly on American British, and Scandinavian texts. Provides an accessible and well-written introduction to the genre of crime fiction Moves with ease between a general overview of the genre and useful theoretical approaches Includes a close analysis of the key texts in the crime fiction tradition Identifies what makes crime fiction of such cultural importance and illuminates the social and political anxieties at its heart. Shows the similarities and differences between British, American, and Scandinavian crime fiction traditions
According to the Nicene Creed, Christ died for us and for our salvation. But while all Christians agree that Christ's death and resurrection has saving significance, there is little unanimity in how and why that is the case. In fact, Christian history islittered with accounts of the redemptive value of Christ's death, and new models and motifs are constantly being proposed, many of which now stand in stark contrast to earlier thought. How then should contemporary articulations of the importance of the death of Christ be judged? At the heart of this book is the contention that Christian reflection on the atonement is faithful inasmuch as it incorporates the intention that Jesus himself had for his death. In a wide-reaching study, the author draws from both classical scholarship and recent work on the historical Jesus to argue that not only did Jesus imbue his death with redemptive meaning but that such meaning should impact expressions of the saving significance of the cross.
On May 8, 1977, at Barton Hall, on the Cornell University campus, in front of 8,500 eager fans, the Grateful Dead played a show so significant that the Library of Congress inducted it into the National Recording Registry. The band had just released Terrapin Station and was still finding its feet after an extended hiatus. In 1977, the Grateful Dead reached a musical peak, and their East Coast spring tour featured an exceptional string of performances, including the one at Cornell.Many Deadheads claim that the quality of the live recording of the show made by Betty Cantor-Jackson (a member of the crew) elevated its importance. Once those recordings—referred to as "Betty Boards"—began to circulate among Deadheads, the reputation of the Cornell '77 show grew exponentially.With time the show at Barton Hall acquired legendary status in the community of Deadheads and audiophiles.Rooted in dozens of interviews—including a conversation with Betty Cantor-Jackson about her recording—and accompanied by a dazzling selection of never-before-seen concert photographs, Cornell '77 is about far more than just a single Grateful Dead concert. It is a social and cultural history of one of America's most enduring and iconic musical acts, their devoted fans, and a group of Cornell students whose passion for music drove them to bring the Dead to Barton Hall. Peter Conners has intimate knowledge of the fan culture surrounding the Dead, and his expertise brings the show to life. He leads readers through a song-by-song analysis of the performance, from "New Minglewood Blues" to "One More Saturday Night," and conveys why, forty years later, Cornell '77 is still considered a touchstone in the history of the band.As Conners notes in his Prologue: "You will hear from Deadheads who went to the show. You will hear from non-Deadhead Cornell graduates who were responsible for putting on the show in the first place. You will hear from record executives, academics, scholars, Dead family members, tapers, traders, and trolls. You will hear from those who still live the Grateful Dead every day. You will hear from those who would rather keep their Grateful Dead passions private for reasons both personal and professional. You will hear stories about the early days of being a Deadhead and what it was like to attend, and perhaps record, those early shows, including Cornell '77.
This book offers a radical reassessment of the significance of the Oxford Movement and of its leaders, Newman, Keble, and Pusey, by setting them in the context of the Anglican High Church tradition of the preceding 70 years. No other study offers such a comprehensive treatment of the historical and theological context in which the Tractarians operated.
Fully revised edition of Peter Dickinson's acclaimed study of one of the great British composers of the twentieth century. Sir Lennox Berkeley (1903-1989) was one of the leading British composers of the mid-twentieth century and his music has unique qualities which will ensure its survival far beyond transient fashions. Peter Dickinson knew Berkeley for more than thirty years and this much enlarged book places the composer in the context of his extended study with Nadia Boulanger, his friendship with Britten, and the achievement of an independent voice of remarkable distinction. The new book now benefits from interviews with Lady Berkeley, Michael Berkeley, Julian Bream, Colin Horsley, Sir John Manduell, Nicholas Maw, Malcolm Williamson and the late Basil Douglas, Desmond Shawe-Taylor and Norman del Mar. There are photographs, a full list of works, bibliographies and over a hundred musical examples. PETER DICKINSON is Head of Music at the Institute of United States Studies at the University of London and an Emeritus Professor of the Universities of Keele and London.
This book paints a broad picture of musical life in Britain over the last three centuries, charting the rise of the celebrity composer, the opening of public halls and growth of music festivals, the rapid influx of composers, and new musical forms.
Violence, Inequality, and Human Freedom is a sociological introduction to the study of violence that looks at violence on three different levels—structural, institutional, and interpersonal. The third edition is updated throughout, including a new chapter on educational violence and revised sections on economic and international violence.
North American and European scholars of archaeology and theology explore the issue of how primary religious texts of the ancient Mediterranean world and artifactual evidence can be mutually supportive and illuminating. The essays are divided into those on early Christianity, late-antique Judaism, and the Greco-Roman world at large, and include studies on the placing of Jesus, celibacy and social deviancy in the Roman period, and epigraphic evidence for Jewish defectors. Canadian card order number: C00-930959-4. Annotation copyrighted by Book News, Inc., Portland, OR.
Cheek by Jowl, founded by Declan Donnellan and Nick Ormerod in 1981, is one of the world's most critically acclaimed classical theatre companies. Across seventeen productions of Shakespeare (as well as several by his contemporaries and other European dramatists), Cheek by Jowl's experiments with text, space, light and bodies have produced bold reinventions of canonical and lesser-explored plays. Despite the pre-eminence of the company, its multiple awards and central place in the European repertory, this is the first substantive study of the company's body of work. This book situates Cheek by Jowl's work within the key institutions and traditions that have shaped the company's development from low-budget beginnings at the Edinburgh Festival to international celebration, while also focusing specifically on the company's use of Shakespeare to drive forward its practice. Drawing on the company's work in English, Russian and French, the book uses key productions as case studies to interrogate the company's unique style and build an argument for the distinctive insights offered by Cheek by Jowl's approach. The book draws on new interviews with creative and administrative company members from the full span of Cheek by Jowl's history as well as a full appraisal of the Cheek by Jowl archives, offering the first scholarly overview of the company's work.
Most writers associated with the first generation of British Romanticism - Blake, Coleridge, Wordsworth, Southey, Thelwall, and others - wrote against the slave trade. This edition collects a corpus of work which reflects the issues and theories concerning slavery and the status of the slave.
The county's remarkable and richly varied military architecutre, from Hadrian's Wall to Warkworth, contrasts with monastic ruins buried deep in the valleys of the Coquet and the Aln or standing proudly by the sea at Holy Island and Tynemouth. Newcastle upon Tyne has the most elegant nineteenth-century city centre in England. Elsewhere the distinctive smaller towns include Alnwick, dominated by its castle, Hexham with its priory, brick-built Morpeth, and Berwick-upon-Tweed, ringed with exceptional sixteenth-century fortifications. Great country houses range from Vanbrugh's theatrical Seaton Delaval to Sir Charles Monck's austere Belsay and Norman Shaw's romantic Cragside. Monuments of a great industrial past, as well as a wealth of smaller buildings, such as bastle houses (peelhouses or stronghouses unique to the Border country), are all vividly described in this revised guide to Northumberland's architectural pleasures.
Born into one of England's best-known families, Samuel Sebastian Wesley (1810-76) was not only the foremost organist and church musician of his generation, but a vigorous campaigner for higher standards in cathedral music. He was also a troubled, difficult character, and accounts of his abrasive personality or anecdotes about his fishing exploits have tended to obscure his very real achievements as a composer.Peter Horton has drawn on a wide range of source material to produce a detailed account of Wesley's life and career as he moved from cathedral to cathedral in search of an unattainable ideal, his youthful idealism gradually giving way to the cynicism and disillusion familiar to those who encountered him late in life. He also examines his development as a composer and presents a study of his complete output (including the many non-church works) against the background of his restless career andin a wider European context. The book is illustrated by a generous selection of musical examples and plates, and includes the most detailed list of works to appear in print.
In this volume, respected New Testament scholar Peter Oakes offers a translation and reading of Galatians as presenting a gospel of unity in diversity in Christ. He shows that Paul treats the Galatians' possible abandonment of his gospel as putting at stake their fidelity to Christ. As with other volumes in the Paideia series, this volume is conversant with contemporary scholarship, draws on ancient backgrounds, and attends to the theological nature of the text. Students, pastors, and other readers will appreciate the historical, literary, and theological insight offered in this practical commentary.
What was family life like in the early church? How did early Christians treat their parents? Would early Christian families have been admired or scorned by their neighbors? Did the relationships between early Christian children and their parents mirror those in the families around them? What characteristics were typical of the first few generations of followers of Jesus? Marshalling the evidence from both New Testament and nonbiblical texts, Peter Balla offers fresh insight into the first Christian families.
The Magic of a Name tells the story of the first 40 years of Britain's most prestigious manufacturer - Rolls-Royce. Beginning with the historic meeting in 1904 of Henry Royce and the Honourable C.S. Rolls, and the birth in 1906 of the legendary Silver Ghost, Peter Pugh tells a story of genius, skill, hard work and dedication which gave the world cars and aero engines unrivalled in their excellence. In 1915, 100 years ago, the pair produced their first aero engine, the Eagle which along with the Hawk, Falcon and Condor proved themselves in battle in the First World War. In the Second the totemic Merlin was installed in the Spitfire and built in a race against time in 1940 to help win the Battle of Britain. With unrivalled access to the company's archives, Peter Pugh's history is a unique portrait of both an iconic name and of British industry at its best.
Peter Bell grew up in Cairns in the 1960s, a few years after the town of Mount Mulligan had been abandoned. He went to school with members of the dispersed community, and he heard stories about the mine disaster that had happened in their grandparent's time.
This book considers the shifts in aesthetic representation over the period 1885-1930 that coincide both with the rise of literary Modernism and imperialism's high point. If it is no coincidence that the rise of the novel accompanied the expansion of empire in the eighteenth-century, then the historical conditions of fiction as the empire waned are equally pertinent. Peter Childs argues that modernist literary writing should be read in terms of its response and relationship to events overseas and that it should be seen as moving towards an emergent post-colonialism instead of struggling with a residual colonial past. Beginning by offering an analysis of the generational and gender conflict that spans art and empire in the period, Childs moves on to examine modernism's expression of a crisis of belief in relation to subjectivity, space, and time. Finally, he investigates the war as a turning point in both colonial relations and aesthetic experimentation. Each of the core chapters focuses on one key writer and discuss a range of others, including: Conrad, Lawrence, Kipling, Eliot, Woolf, Joyce, Conan Doyle and Haggard.
This book looks at how Newton's theories can be linked to modern day problems and solutions in physics. Newton created an abstract system of theorizing which has been applied to all aspects of the physical world, however he had difficulties in persuading his contemporaries of its unique merits. A detailed study of Newton's writings, published and unpublished, suggests that he had an almost archetypally powerful mode of thinking guaranteed to produce 'correct' results even in areas of physics where systematic study only began long after his time. Newton and Modern Physics investigates this phenomenon, looking at examples of where Newton's principles have relevance to modern day thinking — the study of Newton's work in both seventeenth century and present-day contexts helps to enhance our understanding of both.
A survey in 1776 recorded almost 2,000 parish workhouses operating in England, while the number in Wales was just nineteen. The New Poor Law of 1834 proved equally unattractive in much of Wales – some parts of the country resisted providing a workhouse until the 1870s, with Rhayader in Radnorshire being the last area in the whole of England and Wales to do so. Our image of these institutions has often been coloured by the work of authors such as Charles Dickens, but what was the reality? Where exactly were these workhouses located – and what happened to them? People are often surprised to discover that a familiar building was once a workhouse. Revealing locations steeped in social history, Workhouses of Wales and the Welsh Borders is a comprehensive and copiously illustrated guide to the workhouses that were set up across Wales and the border counties of Cheshire, Shropshire, Herefordshire and Gloucestershire. It provides an insight into the contemporary attitudes towards such institutions as well as their construction and administration, what life was like for the inmates, and where to find their records today.
Herod: King of the Jews and Friend of the Romans examines the life, work, and influence of this controversial figure, who remains the most highly visible of the Roman client kings under Augustus. Herod’s rule shaped the world in which Christianity arose and his influence can still be seen today. In this expanded second edition, additions to the original text include discussion of the archaeological evidence of Herod’s activity, his building program, numismatic evidence, and consideration of the roles and activities of other client kings in relation to Herod. This volume includes new maps and numerous photographs, and these coupled with the new additions to the text make this a valuable tool for those interested in the wider Roman world of the late first century BCE at both under- and postgraduate levels. Herod remains the definitive study of the life and activities of the king known traditionally as Herod the Great.
The debate over scientists' social responsibility is a topic of great controversy today. Peter J. Kuznick here traces the origin of that debate to the 1930s and places it in a context that forces a reevaluation of the relationship between science and politics in twentieth-century America. Kuznick reveals how an influential segment of the American scientific community during the Depression era underwent a profound transformation in its social values and political beliefs, replacing a once-pervasive conservatism and antipathy to political involvement with a new ethic of social reform.
This book's findings are rich and intriguing: In his death, Jesus--the chief architect in the production of space in the Christian realm--founds an alternative community that reorders space and creates a new reality for believers. This new community, which dwells in this radical new space, successfully resists the domination of oppressive regimes and mindsets, such as the Roman Empire. Suffering is transformed here. Many recent biblical studies have utilized various methodologies and historical-critical viewpoints, which have been helpful. However, drawing on theories of space and postcolonial approaches, Dr. Ajer breaks new ground in Johannine studies, a new terrain that will yield much fruit. The new understandings of "space" provide a key with which we may unlock more of the mysteries of the Fourth Gospel, as Ajer here demonstrates with powerful new discoveries and insights into John's Passion narrative.
This long-standing series provides the guild of religion scholars a venue for publishing aimed primarily at colleagues. It includes scholarly monographs, revised dissertations, Festschriften, conference papers, and translations of ancient and medieval documents. Works cover the sub-disciplines of biblical studies, history of Christianity, history of religion, theology, and ethics. Festschriften for Karl Barth, Donald W. Dayton, James Luther Mays, Margaret R. Miles, and Walter Wink are among the seventy-five volumes that have been published. Contributors include: C. K. Barrett, Francois Bovon, Paul S. Chung, Marie-Helene Davies, Frederick Herzog, Ben F. Meyer, Pamela Ann Moeller, Rudolf Pesch, D. Z. Phillips, Rudolf Schnackenburgm Eduard Schweizer, John Vissers
In mid-19th-century Australia, like its counterparts in California and Chile, there was a focus on the rush for gold. Given the sobriquet "diggers," men arrived in the tens of thousands from all points of the globe. In often remote bush settings, makeshift towns quickly sprouted in the foothills, valleys, and plateaus leading to the Blue Mountains and the Australian Alps. Focusing on the counterplay with this influx of fortune seekers, there also emerged a nascent global entertainment industry.Champagne from Six to Six is a short history of the pastimes of these diggers on the gold fields at Beechworth and the Ovens of northeast Victoria. This illustrated text, based on eyewitness accounts, newspaper reports, and histories written on this period, gives a lively recreation of what were initially the findings of an academic research project, now available to readers everywhere. Music, dance, sports, theater, opera, magic shows, trapeze artists, wax works, the circus, and even the first types of "moving pictures" toured these diggings
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