Bath, England. When his life drawing model disappears without trace, painter-sleuth Chris Honeysett uncovers evidence of a dangerous conspiracy. Henry Blinkhorn drowned when his boat capsized in the Severn estuary. So how come his photograph appears on the front cover of The Angler six years later? The insurers who paid out a small fortune on his death have asked private investigator Chris Honeysett to track down the elusive Mr Blinkhorn and prove he’s still alive. But Honeysett is sidetracked from the investigation by the sudden disappearance of his life drawing model, Verity Lake. Commandeering a narrowboat and heading down the Kennet & Avon canal, he hopes to kill two birds with one stone, by tracking down Henry Blinkhorn and also discovering what’s happened to Verity. But it soon becomes clear that someone else is on Honeysett’s trail. Who are they ... and what are they really after?
DI Liam McLusky, freshly transferred from Southampton to Bristol and just recovered from an injury in the line of duty, has no time to settle in before catching a major case. Everyday objects that have been transformed into explosive devices are being left across Bristol, maiming or killing those who pick them up. McLusky must figure out who the killer is, while navigating the fraught internal politics of his new post. Meanwhile, an ex-partner moves into the city to study—and keep tabs on him.
Heavy snow, and it’s still only November. DI McLusky has settled into his new job in Bristol but the severe weather shows an unfamiliar side to the city. After the conviction of a drug baron earlier in the year a new kingpin secures the hub of drug crime in Bristol. But how secure does he feel? A series of seemingly unconnected murders, accidents and dying drug users, investigated by McLusky and his team, slowly reveal the web of violence that spreads across the city. Narrow strips of a cut-up photograph arriving piecemeal at the Bristol Herald’s office may hold vital clues, but will the completed puzzle reach McLusky in time to prevent more deaths? The private lives of both McLusky and his rival, DI Kat Fairfield, take unexpected turns too, making the atmosphere at Albany Road station, already considerably cooled by the failed heating, icier still. From the Hardcover edition.
In this series debut, an art school teaching gig turns into a high-stakes murder investigation and a “fun-filled romp through the art-strewn countryside” (Booklist). Against his better judgement, laidback painter and private investigator Chris Honeysett has accepted a role as tutor at the Bath Arts Academy and agreed to take part in an exhibition. But preparations are disrupted by a series of peculiar events: a naked, wild-haired figure is glimpsed running through the woods; strange symbols are carved onto trees and gateposts; a metal sculpture takes on a mysterious life of its own. The incidents, which are initially assumed to be student pranks, escalate in menace, until one of Honeysett’s fellow exhibitors lies dead—and Honeysett finds himself the prime murder suspect. It’s clear that someone is trying to frame him. But who? And why? Full charming local color and eccentric yet believable characters, Indelible is a “suspenseful, well-plotted” chapter in a British cozy mystery series that’s “a lot of fun” (Publishers Weekly). “A jam-packed Hieronymus Bosch canvas filled with the good, the bad and the just plain wacky.” —Kirkus Reviews
For Chris Honeysett, artist and private investigator, autumn threatens to bring down more than just the roof of his studio. A stormy October in the City of Bath forms the backdrop to Aqua Investigation's strangest case yet. When Chris downs brushes to take on what looks like a simple surveillance job he soon finds himself in a frightening world of murder, abduction and blackmail. Dark times often require extraordinary solutions, why else would Honeysett suddenly find himself on the wrong side of the law? Unexpected cracks are beginning to show in his private life too, just when the triangle that is Chris, Tim and Annis should be working together to keep them all out of jail. In Rainstone Fall first impressions count for nothing and all appearances are deceptive.
The case of a missing supermarket employee takes the British PI and penniless artist from Bath to the Island of Corfu in this “puzzling . . . dizzy” mystery (Publishers Weekly). Chris Honeysett, an uninspired artist and lone proprietor of Aqua Investigations, leaps at the chance to leave his cold and damp rural cottage in Bath, England for the cozy warmth of Corfu, Greece. The job comes at the behest of a supermarket magnate whose most valued team member, Kyla Biggs, has disappeared while on holiday on the sunny Greek island. All Honeysett has to do is bring his lightest Mediterranean summer wear, learn a little Greek, and find her. What could possibly go wrong? For starters, he looks up his old art teacher, Morva, who seems to have a stalker intent on killing her. On top of that, locals go strangely quiet when it comes to Kyla. For Honeysett, this all-expense-paid “vacation” is looking more dangerous by the minute. But for readers—“who wouldn’t want to spend a fortnight in Corfu with the droll Honeysett and his chums?” (Kirkus Reviews).
The English PI with “a biting wit” returns to dig up the dirty secrets of a celebrity archaeologist in this delightful mystery series (Kirkus Reviews). Being a bodyguard isn’t Chris Honeysett’s thing. He’s more of a destitute artist type. But he’s also an out-of-work private investigator working from a tiny cottage in Bath. So when he’s offered a gig babysitting Guy Middleton, he figures a check is a check. Famous for his archaeology-based reality show, Middleton has been receiving death threats. And his latest shoot—uncovering the treasures of a local historic mansion—might give his stalker fans easier access than normal. Could someone really want him dead? As Honeysett gets to the know the haughty, disagreeable star, he begins to wonder who wouldn’t. But the menace only escalates when more than Roman remains are unearthed on the mansion grounds. Now it’s Honeysett’s job to connect the crimes of the past with those promised for the near future.
Unconventional Detective Inspector Liam McLusky is plunged into a major murder investigation in this gritty police procedural series. On his first day back at work following his suspension, DI McLusky finds himself in the midst of a major murder enquiry when a body is discovered in the canal at Netham Lock. Chained, weighted down, tied to a buoy by the neck, it has all the hallmarks of a premeditated, ritualistic killing. As he questions those who knew the victim in an attempt to uncover the dead woman’s secrets, McLusky’s investigations are disrupted by the discovery of a second body. Bound and gagged like the first – but there are differences. If McLusky could only work out what connects the victims, he would be one step closer to catching the killer – and preventing more deaths. Meanwhile, his rival DI Kat Fairfield is pursuing a routine investigation which takes a decidedly sinister turn ...
A seemingly open-and-shut case becomes increasingly complicated for Detective Inspector Liam McLusky in this intriguing police procedural. It all seemed so simple: a murder; an obvious suspect; a shaky alibi: DI McLusky never had it so good. Until a second killing challenges all his earlier assumptions. With every new piece of evidence McLusky brings to light, the case becomes more complicated. Does it have its roots in a disappearance eighteen years earlier, or is it firmly based in the present? Meanwhile, DI Kat Fairfield and DS Jack Sorbie are tasked with finding the daughter of a prominent Italian politician, who has disappeared while on a student exchange programme at Bristol University. Neither is overjoyed to be lumbered with a routine missing person’s case while McLusky heads a high-profile murder investigation. Until they find a dead body of their own...
In (Don’t) Stop Me If You’ve Heard This Before, Peter Turchi combines personal narrative and close reading of a wide range of stories and novels to reveal how writers create the fiction that matters to us. Building on his much-loved Maps of the Imagination: The Writer as Cartographer, Turchi leads readers and writers to an understanding of how the intricate mechanics of storytelling—including shifts in characters’ authority, the subtle manipulation of images, careful attention to point of view, the strategic release of information, and even digressing from the (apparent) story—can create powerful effects. Using examples from Dickens, Chekhov, and Salinger, and Twain to more contemporary writers including Toni Morrison, Alice Munro, E. L. Doctorow, Jenny Erpenbeck, Adam Johnson, Mohsin Hamid, Jai Chakrabarti, Yoko Ogawa, Richard Powers, Deborah Eisenberg, Olga Tokarczuk, Rachel Cusk, and Colson Whitehead, Turchi offers illuminating insights into the inner workings of fiction as well as practical advice for writers looking to explore their craft from a fresh angle beyond the fundamentals of character and setting, plot, and scene. While these essays draw from decades of teaching undergraduate and graduate students, they also speak to writers working on their own. In “Out of the Workshop, into the Laboratory,” Turchi discusses how anyone can make the most of discussions of stories or novels in progress, and in “Reading Like a Writer” he provides guidelines for learning from writing you admire. Perhaps best of all, these essays by a writer the Houston Chronicle has called “one of the country’s foremost thinkers on the art of writing” are as entertaining as they are edifying, always reminding us of the power and pleasure of storytelling.
Why were the American POWs imprisoned at the “Hanoi Hilton” so resilient in captivity and so successful in their subsequent careers? This book presents six principles practiced within the POW organizational culture that can be used to develop high-performance teams everywhere. The authors offer examples from both the POWs’ time in captivity and their later professional lives that identify, in real-life situations, the characteristics necessary for sustainable, high-performance teamwork. The book takes readers inside the mind of James Stockdale, a fighter pilot with a degree in philosophy, who was the senior ranking officer at the Hanoi prison. The theories Stockdale practiced become readily understandable in this book. Drawing parallels between Stockdale’s guiding philosophies from the Stoic Epictetus and the principles of modern sports psychology, Peter Fretwell and Taylor Baldwin Kiland show readers how to apply these principles to their own organizations and create a culture with staying power. Originally intending their book to focus on Stockdale’s leadership style, the authors found that his approach toward completing a mission was to assure that it could be accomplished without him. Stockdale, they explain, had created a mission-centric organization, not a leader-centric organization. He had understood that a truly sustainable culture must not be dependent on a single individual. At one level, this book is a business school case study. It is also an examination of how leadership and organizational principles employed in the crucible of a Hanoi prison align with today’s sports psychology and modern psychological theories and therapies, as well as the training principles used by Olympic athletes and Navy SEALs. Any group willing to apply these principles can move their mission forward and create a culture with staying power—one that outlives individual members.
Morality plays were the main form of theatre in England between about 1400 and 1600. They usually portrayed a representative Christian figure locked in spiritual conflict. They have recently been revived as early examples of living theatre.
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