In 1565, the young Spaniard Juan de Guaras receives an exquisite brooch in the shape of a Maltese cross from his parents to commemorate his becoming a Knight in the Order of St. John. But within four months de Guaras dies in the defense of Fort St. Elmo against the Ottoman Turks during the Great Siege of Malta; and the brooch meant for his beloved, Maria, and their son-is lost to history. By chance, 450 years after the siege, watercolors commissioned by the Order in the 17th century for their ledger are on display for the first time in the Museum of Fine Arts in Valletta. Kiyoko Bartolo, a professor from the University of Tokyo who specializes in jewelry of the European Renaissance, recognizes the drawing of de Guaras' brooch. Famous throughout history not only for its magnificent gems, but as a key to the wealth that de Guaras had obtained as a corsair raiding the richly laden merchant ships of the sultan, Suleiman, the Magnificent. Kiyoko learns that it was last recorded in 1923 when the Communist Party inventoried the jewelry belonging to the Russian royal family that was held in the Hermitage. Twenty years later, during the German Siege of Leningrad in World War Two, it mysteriously disappears. Kiyoko, determined to locate the Maltese brooch, enlists European colleagues she's befriended during Renaissance seminars to assist her in her search. However, the closer they come to finding the brooch, the more resistance and violence they meet from unknown parties who want the brooch, and its secrets, for themselves.
In 1565, the young Spaniard Juan de Guaras receives an exquisite brooch in the shape of a Maltese cross from his parents to commemorate his becoming a Knight in the Order of St. John. But within four months de Guaras dies in the defense of Fort St. Elmo against the Ottoman Turks during the Great Siege of Malta; and the brooch meant for his beloved, Maria, and their son-is lost to history. By chance, 450 years after the siege, watercolors commissioned by the Order in the 17th century for their ledger are on display for the first time in the Museum of Fine Arts in Valletta. Kiyoko Bartolo, a professor from the University of Tokyo who specializes in jewelry of the European Renaissance, recognizes the drawing of de Guaras' brooch. Famous throughout history not only for its magnificent gems, but as a key to the wealth that de Guaras had obtained as a corsair raiding the richly laden merchant ships of the sultan, Suleiman, the Magnificent. Kiyoko learns that it was last recorded in 1923 when the Communist Party inventoried the jewelry belonging to the Russian royal family that was held in the Hermitage. Twenty years later, during the German Siege of Leningrad in World War Two, it mysteriously disappears. Kiyoko, determined to locate the Maltese brooch, enlists European colleagues she's befriended during Renaissance seminars to assist her in her search. However, the closer they come to finding the brooch, the more resistance and violence they meet from unknown parties who want the brooch, and its secrets, for themselves....
This text presents the most important and influential social psychological theories and research programs in contemporary sociology. Original chapters by the scholars who initiated and developed these theoretical perspectives provide full descriptions of each theory, its background, development, and future. The first four chapters cover general approaches, organized around fundamental principles and issues--symbolic interaction, social exchange, distributive justice, and rational choice. The following chapters focus on specific research programs and theories, examining identity, affect, comparison processes, power and dependence, social exchange, status construction, and legitimacy. A concluding chapter provides an analysis of and commentary on the state of the theoretical programs in sociological social psychology. Contributors: Peter J. Burke, Joseph Berger, Coye Cheshire, Karen S. Cook, Pamela Emanuelson, Alexandra Gerbasi, Karen A. Hegtvedt, Michael A. Hogg, Guillermina Jasso, Edward J. Lawler, Michael W. Macy, George J. McCall, Linda D. Molm, Cecilia L. Ridgeway, Dawn T. Robinson, Lynn Smith-Lovin, Jan E. Stets, Jonathan H. Turner, Murray Webster Jr., David Willer, and Morris Zelditch, Jr.
The dynamic Peter G. Mott is in true form, capturing the hearts and minds of all that read "First Peter: The Poetic Revolution"--an awesome book of Holy Spirit-anointed poetry guaranteed to reconstruct, renew, and revitalize readers' thoughts and change their lives inside-out.
This book's underlying claim is that English Renaissance tragedy addresses live issues in the experience of readers and spectators today: it is not a genre to be studied only for aesthetic or “heritage” reasons. The book considers the way in which tragedy in general, and English Renaissance tragedy in particular, addresses ideas of freedom, understood both from an individual and a sociopolitical perspective. Tragedy since the Greeks has addressed the constraints and necessities to which human life is subject (Fate, the gods, chance, the conflict between state and individual) as well as the human desire for autonomy and self-direction. In short, English Renaissance Tragedy: Ideas of Freedom shows how the tragic drama of Shakespeare's age addresses problems of freedom, slavery, and tyranny in ways that speak to us now.
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