Etonians aren't exactly noted for their grey matter, but I've always found them perfectly adjusted to society. Jack, a possible paranoid schizophrenic with a Messiah complex, inherits the title of the 14th Earl of Gurney after his father passes away in a bizarre accident. Singularly unsuited to a life in the upper echelons of elite society, Jack finds himself at the centre of a ruthless power struggle as his scheming family strives to uphold their reputation. Bubbling with acerbic wit and feverish energy, Olivier Award-winning and Oscar-nominated-writer Peter Barnes's razor-sharp satire combines a ferocious mix of hilarity and horror whilst mercilessly exposing the foibles of the English nobility. This edition of the play is published to coincide with the first-ever revival of this classic cult comedy at the Trafalgar Studios, London, on 16 January 2015.
This book offers a cultural history of the travels of energy in the English language, from its origins in Aristotle’s ontology, where it referred to the activity-of-being, through its English usage as a way to speak about the inherent nature of things, to its adoption as a name for the mechanics of motion (capacity for work). A distinguished literature deals with energy as matter of science history. But this literature fails to adequately answer a historical question about the rise of the science of energy: How did the commonplace word ‘energy’ end up becoming a concept in science? This account differs in important ways from the history of the word in the Oxford English Dictionary. Discovering the origins and early travels of energy is essential for understanding how the word was borrowed into physics, and therefore a cultural history of energy is a necessary companion to the science history of the term. It is important that modern scholars in a variety of fields be aware that energy did not always have a scientific content. The absence of that awareness can lead to, have led to, anachronistic interpretations of energy in historical sources from before the 1860s. A History of the Cultural Travels of Energy will be useful for those interested in the history of science and technology, cultural history, and linguistics.
A New York Times Book Review Editor's Choice and Nominated for the 2017 PEN/Bograd Weld Prize for Biography A captivating exploration of A. E. Housman and the influence of his particular brand of Englishness A. E. Housman’s A Shropshire Lad made little impression when it was first published in 1896 but has since become one of the best-loved volumes of poetry in the English language. Its evocation of the English coun - tryside, thwarted love, and a yearning for things lost is as potent today as it was more than a century ago, and the book has never been out of print. In Housman Country, Peter Parker explores the lives of A. E. Housman and his most famous book, and in doing so shows how A Shropshire Lad has permeated English life and culture since its publication. The poems were taken to war by soldiers who wanted to carry England in their pockets, were adapted by composers trying to create a new kind of English music, and have influ - enced poetry, fiction, music, and drama right up to the present day. Everyone has a personal “land of lost content” with “blue remembered hills,” and Housman has been a tangible and far-reaching presence in a startling range of work, from the war poets and Ralph Vaughan Williams to Inspector Morse and Morrissey. Housman Country is a vivid exploration of England and Englishness, in which Parker maps out terrain that is as historical and emotional as it is topographical.
Ruling the World tells the story of how the largest and most diverse empire in history was governed, everywhere and all at once. Focusing on some of the most tumultuous years of Queen Victoria's reign, Alan Lester, Kate Boehme and Peter Mitchell adopt an entirely new perspective to explain how the men in charge of the British Empire sought to manage simultaneous events across the globe. Using case studies including Canada, South Africa, the Caribbean, Australia, India and Afghanistan, they reveal how the empire represented a complex series of trade-offs between Parliament's, colonial governors', colonists' and colonised peoples' agendas. They also highlight the compromises that these men made as they adapted their ideals of freedom, civilization and liberalism to the realities of an empire imposed through violence and governed in the interests of Britons.
Peter Mathias’s subject is the creation in late eighteenth-century England of the industrial system – and thereby the present world. That unique conjuncture poses the sharpest questions about the nature of industrialization, social change and historical explanation, issues that are his principal scholarly concern. For many readers these collected studies will be as indispensable as the author’s general introduction, The First Industrial Nation, whether for the richness of their material or the freedom and subtlety of his analysis. These fascinating essays are divided into two groups: general themes, the ‘uniqueness’ in Europe of the industrial revolution, capital formation, taxation, the growth of skills, science and technical change, leisure and wages, diagnoses of poverty; and topics, the social structure, the industrialization of brewing, coinage, agriculture and the drink industries, advances in public health and the armed forces, British and American public finance in the War of Independence, Dr Johnson and the business world. This book was first published in 1979.
The first part of the landmark trilogy documenting modern-day Northern Ireland, by the author of Loyalists and Brits This work examines the Provos, from 1969, when the IRA was effectively dead and buried, to within a few short years, when it had resurrected to become the most feared and sophisticated terrorist organization in the world. The book is based on in-depth interviews with key personalities in the Army, Police, British and Irish governments, giving first-hand accounts of the key events. It contains material not included in the television series being broadcast on BBC 1 in autumn 1997. Never before has an outsider had such access to record the remarkable history of the provisional IRA and Sinn Fein, from their dramatic beginnings to the critical juncture they have reached today - on the brink of becoming part of the cabinet in the new government of Northern Ireland. An astonishing story, told as only Peter Taylor could. There are no images in this edition *PRAISE FOR PETER TAYLOR* 'Only a journalist of Peter Taylor's standing could have persuaded people from all sides in the conflict to cooperate in such a manner. The result was a first-rate piece of journalism. It was also first-rate history' Guardian
A personal history of Peter Wade-Martins archaeological endeavour in Norfolk set within a national context. It covers the writer’s early experiences as a volunteer, the rise of field archaeology as a profession and efforts to conserve archaeological heritage.
The global phenomenon of political consumerism is known through such diverse manifestations as corporate boycotts, increased preferences for organic and fairtrade products, and lifestyle choices such as veganism. It has also become an area of increasing research across a variety of disciplines. Political consumerism uses consumer power to change institutional or market practices that are found ethically, environmentally, or politically objectionable. Through such actions, the goods offered on the consumer market are problematized and politicized. Distinctions between consumers and citizens and between the economy and politics collapse. The Oxford Handbook of Political Consumerism offers the first comprehensive theoretical and comparative overview of the ways in which the market becomes a political arena. It maps the four major forms of political consumerism: boycotting, buycotting (spending to show support), lifestyle politics, and discursive actions, such as culture jamming. Chapters by leading scholars examine political consumerism in different locations and industry sectors, and in consideration of environmental and human rights problems, political events, and the ethics of production and manufacturing practices. This volume offers a thorough exploration of the phenomenon and its myriad dilemmas, involving religion, race, nationalism, gender relations, animals, and our common future. Moreover, the Handbook takes stock of political consumerism's effectiveness in solving complex global problems and its use to both promote and impede democracy.
How can we begin to make sense of the Great War now that over 100 years have passed since it ended with the defeat of Germany, Austria-Hungary, the Ottoman empire and Bulgaria, and the collapse of Tsarist Russia? The conflict had such a profound influence on world history that is it difficult to reconcile the different perspectives and draw clear conclusions. That is why this thought-provoking collection of original essays on the outcome of the war and its aftermath is of such value.It completes the trilogy of ground-breaking volumes conceived and edited by Peter Liddle which presents the latest scholarly thinking about the Great War from an international perspective. The first two volumes Britain Goes to War and Britain and the Widening War made this stimulating new writing accessible to a broad readership and this final volume has the same aim.A group of over twenty expert contributors reconsider the military reasons for the outcome of the fighting and look at the consequences for the principal nations involved. They explore the way the war and the peace settlement shaped the twentieth century and had an enduring impact within Europe and beyond.
A powerful case for why anthropology should study outsiders of thought and their speculative ideas What sort of thinking is needed to study anomalies in thought? In this trenchantly argued and beautifully written book, anthropologist Peter Skafish explores this provocative question by examining the writings of the medium and “rough metaphysician” Jane Roberts (1929–1984). Through a close interpretation of her own published texts as well as those she understood herself to have dictated for her cohort of channeled personalities—including one, named “Seth,” who would inspire the New Age movement—Skafish shows her intuitive and dreamlike work to be a source of rigorously inventive ideas about science, ontology, translation, and pluralism. Arguing that Roberts’s writings contain philosophies ahead of their time, he also asks: How might our understanding of speculative thinking change if we consider the way untrained writers, occult visionaries, and their counterparts in other cultural traditions undertake it? What can outsider thinkers teach us about the limitations of even our most critical intellectual habits? Rough Metaphysics is at once an ethnography of the books of a strange and yet remarkable writer, a commentary on the unlikely philosophy contained in them, and a call for a new way of doing (and undoing) philosophy through anthropology, and vice versa. In guiding the reader through Roberts’s often hallucinatory “world of concepts,” Skafish also develops a series of original interpretations of thinkers—from William James to Claude Lévi-Strauss to Paul Feyerabend—who have been vital to anthropologists and their fellow travelers. Seductively written and surprising in its turns of thought, Rough Metaphysics is a feast for anyone who wants to learn how to think something new, especially about thought.
Vancouver Island and the Gulf Islands are home to over two dozen active lighthouses. For over a century, these coastal beacons have guided ships through the fog and represented hope for countless mariners. Today, the lighthouses on BC’s southern islands are ideal destinations for day trippers and coastal explorers of all ages who are looking for historical sites in spectacular maritime settings. To the Lighthouse: An Explorer’s Guide to the Island Lighthouses of Southwestern BC offers a comprehensive and fascinating look at these remarkable landmarks, blending practical information on location and accessibility with riveting facts, local lore, and gorgeous photography. From Fisgard Lighthouse, a National Historic Site at the mouth of Esquimalt Harbour, to the remote west coast sentinels of Cape Beale and Pachena Point, and from the isolated Cape Mudge beacon on Quadra Island to the community-supported restoration project at Sheringham Point, this book celebrates a unique culture of public service passed down through generations. To the Lighthouse is a travelling companion like no other.
The Prisoner in Hell: A True Story," written by Peter Evans, is the fascinating account of the author's nine years of incarceration in the state of Texas. Originally from the United Kingdom, the author ran afoul of the law and was remanded to a penitentiary. Immediately following the beginning of serving his time, the author fiercely contends that those of nefarious intentions subjected him to a daily onslaught of emotional and psychological torture. Contending that these overtures were not made by other prisoners. Mr.Evans staunchly believes that an out of control consortium of prison officials and government leaders conspired to break his spirit. Composed primarily in a captivating narrative, the text flows at a brisk tempo which should maintain the reader's interest throughout.While those who have been fortunate enough to not have been sentenced to prison may find many of the author's assertions to be difficult to fully fathom.
The Man Who Sold the World is a critical study of David Bowie's most inventive and influential decade, from his first hit, "Space Oddity," in 1969, to the release of the LP Scary Monsters (and Super Creeps) in 1980. Viewing the artist through the lens of his music and his many guises, the acclaimed journalist Peter Doggett offers a detailed analysis—musical, lyrical, conceptual, social—of every song Bowie wrote and recorded during that period, as well as a brilliant exploration of the development of a performer who profoundly affected popular music and the idea of stardom itself. Dissecting close to 250 songs, Doggett traces the major themes that inspired and shaped Bowie's career, from his flirtations with fascist imagery and infatuation with the occult to his pioneering creation of his alter-ego self in the character of Ziggy Stardust. What emerges is an illuminating account of how Bowie escaped his working-class London background to become a global phenomenon. The Man Who Sold the World lays bare the evolution of Bowie's various personas and unrivaled career of innovation as a musician, singer, composer, lyricist, actor, and conceptual artist. It is a fan's ultimate resource—the most rigorous and insightful assessment to date of Bowie's artistic achievement during this crucial period.
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