ASCENT PRESS, a project of the Center for African American Policy (CAAP) at the University of Denver, introduces "Standing in the Gap â Leadership in the 21st Century" by Peter C. Groff, Esq. and Michael B. Hancock. Groff is executive director of CAAP and President Pro Tem of the Colorado State Senate. Hancock is a Denver City Councilman. Standing in the Gap will serve as a fresh, 101-style guide on leadership in American politics, with a primary emphasis on African American political history. This book covers five fundamental characteristics: vision, legacy, spirituality, ideology and conveyance. "Groff and Hancock's vision provide the roadmap to guide leaders in the 21st Century and beyond. I recommend this book to every serious student and practitioner of leadership." Gregory Vaughn Easton, Senior Pastor Flipper Temple A.M.E. Church (Atlanta, GA) ###
A unique introductory guide to the rich, complex and diverse tradition of Islamic philosophy. Islamic Philosophy A-Z comprises over a hundred concise entries, alphabetically ordered and cross-referenced for easy access. All the essential aspects of Islamic philosophy are covered here: key figures, schools, concepts, topics, and issues. Articles on the Peripatetics, Isma'ilis, Illuminationists, Sufis, kalam theologians and later modern thinkers are supplemented by entries on classical Greek influences as well as Jewish philosophers who lived and worked in the Islamic world. Topical entries cover various issues and key positions in all the major areas of philosophy, making clear why the central problems of Islamic philosophy have been, and remain, matters of rational disputation. This book will prove an indispensable resource to anyone who wishes to gain a better understanding of this fascinating intellectual tradition.
Inspired by the ancient and medieval genre, A Nietzschean Bestiary gathers essays treating the most vivid and lively animal images in one of the philosophic tradition's greatest bodies of work. Leading scholars treat specific animals—such as the prowling beast of prey, Zarathustra's laughing lions, and the notorious blond beast—to ingeniously reveal how these creatures play a prominent role in the development of Nietzsche's philosophy. Numerous essays explore the nature of human animality and our relations to other animals. Contributors shed new light on Nietzsche's conception of power, freedom, and meaning. Research tools, including discussions of Nietzsche's influence on important twentieth-century philosophers and the most extensive index of animal references in Nietzsche's corpus, make this an essential volume for scholars and students alike.
Vikkan Lantry, a pianist with more talent than ambition, is content with his job at an upscale cocktail lounge until a request from reclusive soprano draws him grudgingly back into the world of classical music. Her mysterious past ushers him into an intrigue that begins with a song cycle composed by Schumann and ends in a grisly double murder.
In his major investigation into the nature of humans, Peter Sloterdijk presents a critique of myth - the myth of the return of religion. For it is not religion that is returning; rather, there is something else quite profound that is taking on increasing significance in the present: the human as a practising, training being, one that creates itself through exercises and thereby transcends itself. Rainer Maria Rilke formulated the drive towards such self-training in the early twentieth century in the imperative 'You must change your life'. In making his case for the expansion of the practice zone for individuals and for society as a whole, Sloterdijk develops a fundamental and fundamentally new anthropology. The core of his science of the human being is an insight into the self-formation of all things human. The activity of both individuals and collectives constantly comes back to affect them: work affects the worker, communication the communicator, feelings the feeler. It is those humans who engage expressly in practice that embody this mode of existence most clearly: farmers, workers, warriors, writers, yogis, rhetoricians, musicians or models. By examining their training plans and peak performances, this book offers a panorama of exercises that are necessary to be, and remain, a human being.
In this short book Peter Sloterdijk offers a genealogy of the concept of freedom from Ancient Greece to the present day. This genealogy is part of a broader theory of the large political body, according to which Sloterdijk argues that political communities arise in response to a form of anxiety or stress. Through a highly original reading of Rousseaus late Reveries of a Solitary Walker, Sloterdijk shows that, for Rousseau, the modern subject emerges as a subject free of all stress, unburdened by the cares of the world. Most of modern philosophy, and above all German Idealism, is an attempt to reign back Rousseaus useless and anarchical subject and anchor it in the cares of the world, in the task of having to produce both the world and itself. In the light of this highly original account, Sloterdijk develops his own distinctive account of freedom, where freedom is conceptualized as the availability for the improbable. This important text, in which Sloterdijk develops his account of freedom and the modern subject, will be of great interest to students and scholars in philosophy and the humanities and to anyone interested in contemporary philosophy and critical theory.
While ancient civilizations worshipped strong, active emotions, modern societies have favored more peaceful attitudes, especially within the democratic process. We have largely forgotten the struggle to make use of thymos, the part of the soul that, following Plato, contains spirit, pride, and indignation. Rather, Christianity and psychoanalysis have promoted mutual understanding to overcome conflict. Through unique examples, Peter Sloterdijk, the preeminent posthumanist, argues exactly the opposite, showing how the history of Western civilization can be read as a suppression and return of rage. By way of reinterpreting the Iliad, Alexandre Dumas's Count of Monte Cristo, and recent Islamic political riots in Paris, Sloterdijk proves the fallacy that rage is an emotion capable of control. Global terrorism and economic frustrations have rendered strong emotions visibly resurgent, and the consequences of violent outbursts will determine international relations for decades to come. To better respond to rage and its complexity, Sloterdijk daringly breaks with entrenched dogma and contructs a new theory for confronting conflict. His approach acknowledges and respects the proper place of rage and channels it into productive political struggle.
One can rightly say of Peter Sloterdijk that each of his essays and lectures is also an unwritten book. That is why the texts presented here, which sketch a philosophical physiognomy of Martin Heidegger, should also be characterized as a collected renunciation of exhaustiveness. In order to situate Heidegger's thought in the history of ideas and problems, Peter Sloterdijk approaches Heidegger's work with questions such as: If Western philosophy emerged from the spirit of the polis, what are we to make of the philosophical suitability of a man who never made a secret of his stubborn attachment to rural life? Is there a provincial truth of which the cosmopolitan city knows nothing? Is there a truth in country roads and cabins that would be able to undermine the universities with their standardized languages and globally influential discourses? From where does this odd professor speak, when from his professorial chair in Freiburg he claims to inquire into what lies beyond the history of Western metaphysics? Sloterdijk also considers several other crucial twentieth-century thinkers who provide some needed contrast for the philosophical physiognomy of Martin Heidegger. A consideration of Niklas Luhmann as a kind of contemporary version of the Devil's Advocate, a provocative critical interpretation of Theodor Adorno's philosophy that focuses on its theological underpinnings and which also includes reflections on the philosophical significance of hyperbole, and a short sketch of the pessimistic thought of Emil Cioran all round out and deepen Sloterdijk's attempts to think with, against, and beyond Heidegger. Finally, in essays such as "Domestication of Being" and the "Rules for the Human Park," which incited an international controversy around the time of its publication and has been translated afresh for this volume, Sloterdijk develops some of his most intriguing and important ideas on anthropogenesis, humanism, technology, and genetic engineering.
Displaying the distinctive combination of narration and philosophy for which he is well known, this new book by Peter Sloterdijk develops a radically new account of globalization at the beginning of the twenty-first century. The author takes seriously the historical and philosophical consequences of the notion of the earth as a globe, arriving at the thesis that what is praised or decried as globalization is actually the end phase in a process that began with the first circumnavigation of the earth Ð and that one can already discern elements of a new era beyond globalization. In the end phase of globalization, the world system completed its development and, as a capitalist system, came to determine all conditions of life. Sloterdijk takes the Crystal Palace in London, the site of the first world exhibition in 1851, as the most expressive metaphor for this situation. The palace demonstrates the inevitable exclusivity of globalization as the construction of a comfort structure Ð that is, the establishment and expansion of a world interior whose boundaries are invisible, yet virtually insurmountable from without, and which is inhabited by one and a half billion winners of globalization; three times this number are left standing outside the door.
The core of what we refer to as ‘the project of modernity’ is the idea that human beings have the power to bring the world under their control, and hence it is based on a ‘kinetic utopia’: the movement of the world as a whole reflects the implementation of our plans for it. But as soon as the kinetic utopia of modernity is exposed, its seemingly stable foundation cracks open and new problems appear: things don’t happen according to plan because as we actualize our plans, we set in motion other things that we didn’t want as unintended side-effects. We watch with mounting unease as the self-perpetuating side-effects of modern progress overshadow our plans, as a foreign movement breaks off from the very core of the modern project supposedly guided by reason and slips away from us, spinning out of control. What looked like a steady march towards freedom turns out to be a slide into an uncontrollable and catastrophic syndrome of perpetual mobilization. And precisely because so much comes about through our actions, these developments turn out to have explosive consequences for our self-understanding, as we begin to realize that, so far from bringing the world under our control, we are instead the agents of our own destruction. In this brilliant and insightful book Sloterdijk lays out the elements of a new critical theory of modernity understood as a critique of political kinetics, shifting the focus of critical theory from production to mobilization and shedding new light on a world facing the growing risk of humanly induced catastrophe.
When we look back from the vantage point of the 21st century and ask ourselves what the previous century was all about, what do we see? Our first inclination is to focus on historical events: the 20th century was the age of two devastating world wars, of totalitarian regimes and terrible atrocities like the Holocaust – “the age of extremes,” to use Hobsbawm’s famous phrase. But in this new book, the philosopher Peter Sloterdijk argues that we will never understand the 20th century if we focus on events and ideologies. Rather, in his view, the predominant motif of the 20th century is what Badiou called a passion for the real, which manifests itself as the will to actualize the truth directly in the here and now. Drawing on his Spheres trilogy, Sloterdijk interprets the actualization of the real in the 20th century as a passion for economic and technological “antigravitation”. The rise of consumerism and the easing of the burdens of human life by the constant deployment of new technologies have killed off the kind of radicalism that was rooted in the belief that power would rise from a material base of production. If the 20th century can still inspire us today, it is because the fundamental shift that it brought about opened the way for a critique of extremist reason, a post-Marxist theory of enrichment and a general economy of energy resources based on excess and dissipation. While developing his highly original interpretation of the 20th century, Sloterdijk also addresses a series of related topics including the meaning of the Anthropocene, the domestication of humans and the significance of the sea. The volume also includes major new pieces on Derrida and on Heidegger’s politics. This work, by one of the most original thinkers today will appeal to students and scholars across the humanities and social sciences, as well as anyone interested in philosophy and critical theory.
«Crítica de la razón cínica es una de las obras más provechosas e inteligentes aparecidas en Alemania.» (Fernando Savater) . «Desde 1983 Peter Sloterdijk cuenta entre los filósofos más importantes de la Alemania de posguerra. De un día para otro se hizo famoso con su Crítica de la razón cínica, un libro que conmovió al gran público como casi ninguna otra obra de diagnóstico filosófico del tiempo desde La decadencia de Occidente de Oswald Spengler. [Éste] simpatizaba con los césares [...]. El patrono de Sloterdijk, por el contrario, era el Diógenes del barril, el burlón y el irónico. [...] Crítica de la razón cínica cuenta cómo [...] la conciencia moderna tomó conciencia de sí, y cómo ahora, con correcta conciencia, obra sin embargo incorrectamente.»(Rüdiger Safranski) . «El cinismo es la falsa conciencia ilustrada. Es la moderna conciencia infeliz sobre la que la Ilustración ha trabajado tanto con éxito como en vano.» (Peter Sloterdijk)
Peter Sloterdijk’s reputation as one of the most original thinkers of our time has grown steadily since the early 1980s. This volume of over thirty conversations and interviews spanning two decades illuminates the multiple interconnections of his life and work. In these wide-ranging dialogues Sloterdijk gives his views on a variety of topics, from doping to doxa, design to dogma, media to mobility and the financial crisis to football. Here we encounter Sloterdijk from every angle: as he expounds his ideas on the philosophical tradition and the latest strands of contemporary thought, as he analyses the problems of our age and as he provides a new and startling perspective on everyday events. Through exaggeration, Sloterdijk draws our attention to crucial issues and controversies and makes us aware of their implications for society and the individual. Always eager to share his knowledge and erudition, he reveals himself equally at home in ancient Babylon, in the channels of the mass media and on the ethical and moral terrain of religion, education or genetic engineering. Appealing both to the seasoned reader of Sloterdijk and to the curious newcomer, these dialogues offer fresh insight into the intellectual and political events of recent decades. They also give us glimpses of Sloterdijk’s own life story, from his early passionate love of reading and writing to his journeys in East and West, his commitment to Europe and his acceptance and enjoyment of the role of a public intellectual and philosopher in the twenty-first century.
Aceasta este uimitoarea poveste adevărată a omului de știință Peter Scott-Morgan: el a devenit prima persoană din lume care, îmbinând umanitatea cu robotica, s-a transformat în cyborg uman: Peter 2.0. Peter, strălucit om de știință, află că va pierde tot ce iubește. Soțul. Familia. Prietenii. Posibilitatea de a călători. Toate vor dispărea. Însă nu renunță. Jură că nu va lăsa să se întâmple asta și caută un nou început… Peter are boala neuronală motorie, o afecțiune despre care află că-i va distruge celulele nervoase și îi va pune capăt vieții. Însă, folosindu-și cunoștințele științifice, mânat de speranță și dragoste, își învinge teama și disperarea și pornește pe un nou drum, care-i permite nu numai să supraviețuiască, ci și să facă progrese uluitoare. Cercetările sale în domeniul roboticii demonstrează că un diagnostic terminal este negociabil, lucru care va rescrie cu siguranță viitorul. Și va schimba lumea. „Povestea lui Peter este una dintre cele mai convingătoare pe care le vei auzi vreodată. Îi îndemn pe toți să o citească." – Stephen Fry „Scott-Morgan este cu adevărat unic. În felul în care își povestește dragostea, mai degrabă decât în detaliile tehnice ale transformării lui în cyborg, stă reușita cărții sale." – The Times „Sunt uluitoare optimismul, curajul și capacitatea lui Peter de a găsi soluții radicale la probleme care au pus în încurcătură cele mai strălucite minți din Marea Britanie." – Daily Telegraph „Fascinant și extrem de emoționant." – Sun
The Indian-Casino scandal has exposed the corruption and arrogance that runs through parts of the Washington lobbying community and the Republican party. At the centre of this drama is Jack Abramoff, the former movie producer with ties to Republican heavyweights and the Bush administration, who has cheated several Indian tribes out of millions of dollars and bought influence in Washington. With more criminal charges expected, this paperback edition includes all-new information from ex-presidential candidate John McCain, a central figure in the scandal.
BBC R4 Book of the Week ‘Brilliant’ Guardian ‘Fascinating and often delightful’ The Times What if intelligent life on Earth evolved not once, but twice? The octopus is the closest we will come to meeting an intelligent alien. What can we learn from the encounter?
A chronicle of the frontline photographers of World War II recounts the sometimes harrowing exploits of the American Military Photographers, men armed with cameras who accompanied the Army, Marines, Air Force, and Navy into battle.
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