Who writes the books we read about music that excites us, and why? Is ‘classical music’ all about class? Related questions underpin this partly polemical study, written by an academic who believes that the Humanities, to be really humane, must confront their methods and aims. Two recent studies of Benjamin Britten have specifically interested the author, who was educated in a world where the composer was a living subject of criticism and praise, his works reflecting values, worries and dramas that were not just about ‘music’. Franklin’s response is to question the recent writers, proposing that, like theirs, his own story conditioned when and how he experienced Britten. This he unfolds autobiographically in and around the discussion of specific works. Recalling his encounters with the composer as a schoolboy, as a student and opera-goer, and then as a teacher, he challenges recent assertions about Britten and modernism in the period.
This work constitutes the largest and most comprehensive research guide ever published about Benjamin Britten. Entries survey the most significant published materials relating to the composer, including bibliographies, catalogs, letters and documents, conference reports, biographies, and studies of Britten's music.
PETER PEARS's reputation as an outstanding and distinctive tenor is grounded in his interpretations of Benjamin Britten's works; their partnership of thirty years significantly shaped and defined musical developments not only in England but on a broader plane. Throughout their busy professional lives they travelled extensively, on concert tours and on holiday, finding fresh stimulus in change. Pear's twelve travel diaries, brought together in this volume, record much of that travel and provide valuable contextual material on the musical development of both Pears and Britten. The first diary dates from 1936, the year before his friendship with Britten began, when he went on tour to North America with the New English Singers. Other diaries record the five-month tour to the Far East and the important encounters (especially for Britten) with the gamelan music of Bali and the Japanese Noh theatre; visits to Russia as guests of Mstislav Rostropovich and his wife Galina Vishnevskaya, where they met significant figures from Russian musical life; and attendance at the Ansbach Bach Festival when Pears was at the height of his career. Also recorded are holidays in the Caribbean and Italy, a concert tour through the north of England, and accounts of the rehearsals and performances of the New York premieres of Billy Budd and Death in Venice.
This book examines and offers solutions to the challenges faced by schools in ensuring that all students are enjoying, participating and achieving in education.
This comprehensive guide to Britten's musical achievement discusses all the published compositions in subdivisions of genre and period, and devotes a separate chapter to each opera. With the help of over 300 music examples and diagrams, Evans demonstrates Britten's mastery of the art ofcomposition. Since this book's first appearance in 1979, Britten's publishers have made available a considerable number of works withheld during the composer's lifetime; some are juvenilia, but others date from as late as the Peter Grimes period. In a postscript to this edition, Peter Evansassesses the creative stature of these works and their significance in Britten's development. The catalogue of works now includes these additional titles, and the selective bibliography has been revised.
For Fans of Brian Panowich and Ron Rash. Southern Noir at its finest, The Devil Himself, sizzles with page-burning suspense and bewitching characters. Deep in the forest of South Georgia, barely eighteen-year-old Maya narrowly escapes a savage end. The victim of a vast human trafficking operation managed out of Mexico, Maya had the misfortune to discover the dark plans of a high-ranking client. Her fate seemed sealed, until Leonard Moye, a lonely eccentric who tolerates no one on his land, takes the young woman under his protection. Both having lived lives that have left deep scars, each consumed by anger, they soon develop a bond that makes them, as a pair, a formidable foe, even for hardened criminals and professional scumbags. Maya knows too much and the old man lives on land in the crosshairs of narco machinations. As the heavies seek to finish the job, they find they may be no match for the resourcefulness of a disturbed old man and a cunning young woman. Written with a skilled combination of breakneck pace and mind-searing detail, Farris has created a wicked and compassionate novel of redemption. First published in France with enormous critical acclaim and winning multiple literary awards, The Devil Himself will mark Peter Farris as a major crime writer in America as well.
The U.S. economy is wrapping up twenty-five years of some of the strongest, smoothest growth in its history-a performance so sweet economists have given it a name: "the Great Moderation." So why have so many of us, even those making hundreds of thousands of dollars, arrived at the new century with a gnawing sense that events are moving against our families and ourselves? The easy answer is that we're suffering a case of needless anxiety. But the easy answer is wrong. Drawing on interviews with hundreds of Americans and new statistics he developed, Peter Gosselin traces a quarter-century shift of economic risk from the broad shoulders of business and government to the backs of working people. It is a shift that has shaken the pillars of most families' lives-stable jobs, solid benefits, government protections. The change doesn't mean one can't prosper. But it does mean the benefits of growth come at greater peril and your financial fall will be steeper if you stumble. This threat to working Americans' security-and what to do about it-is a pressing concern to economists, policy-makers, and everyone who works for a living.
Who writes the books we read about music that excites us, and why? Is ‘classical music’ all about class? Related questions underpin this partly polemical study, written by an academic who believes that the Humanities, to be really humane, must confront their methods and aims. Two recent studies of Benjamin Britten have specifically interested the author, who was educated in a world where the composer was a living subject of criticism and praise, his works reflecting values, worries and dramas that were not just about ‘music’. Franklin’s response is to question the recent writers, proposing that, like theirs, his own story conditioned when and how he experienced Britten. This he unfolds autobiographically in and around the discussion of specific works. Recalling his encounters with the composer as a schoolboy, as a student and opera-goer, and then as a teacher, he challenges recent assertions about Britten and modernism in the period.
The #1 New York Times bestselling author of Ghost Story and an American icon of horror explores the deepest, shadow-filled corners of his imagination in these sixteen stories. • "Straub's shorter fictions are like tiny novels you drown in: perfectly pitched, terrifyingly smart, big-hearted, dangerous, and even cruel.” —Neil Gaiman, bestselling author of The Sandman No one and no place is safe from the darkness that he reveals. In “Blue Rose,” an adolescent sociopath inflicts secret violence on his younger brother; in “Mr Clubb and Mr. Cuff,” a stern estate lawyer hires a pair of "Private Detectives Extraordinaire" to investigate and seek revenge on his unfaithful wife; and in “The Ballad of Ballard and Sandrine,” a man and his much younger lover explore their decadent and increasingly sinister fantasies aboard a luxurious yacht on the remotest stretch of the Amazon River. Interior Darkness is a thrilling and terrifying testament to Straub's unparalleled contribution to the world of horror.
The gripping new thriller in Peter Guttridge's highly acclaimed Brighton series. The truth will out. Thriller writer Victor Tempest is dead and his son, the disgraced ex-Chief Constable Bob Watts, is discovering what really happened in the unsolved Brighton Trunk Murder of 1934. At the same time, Detective Sergeant Sarah Gilchrist has a lead that may establish the truth about the Milldean Massacre. If she can stay alive long enough to follow it... Jimmy Tingley, once Special Air Service, now avenging angel, is in Europe on the trail of the Balkan gangsters who wreaked bloody havoc in Brighton. He's armed for World War III, but is that enough when he's his own most dangerous enemy?
Welcome to another kind of terror as Peter Straub leads us into the outer reaches of the psyche. Here the master of the macabre is at his absolute best in seven exquisite tales of living, dying, and the terror that lies in between. . . . AshputtleIsn’t It Romantic? “CHILLING.”“SKILLFULLY CONSTRUCTED.” –The New York Times–Kirkus Reviews (starred review) The Ghost VillageBunny Is Good Bread Winner of a World Fantasy Award“TERRIFYING.” “VERY, VERY SCARY.”–The Washington Post Book World –The Philadelphia Inquirer Porkpie HatHunger, An Introduction “DARK TWISTS AND“BRILLIANTLY SUBVERSIVE.” DARKER HUMOR.”–Locus –USA Today Mr. Clubb and Mr. Cuff Winner of a Bram Stoker Award “[A] TOUR-DE-FORCE . . . [THAT] WILL HAUNT READERS LONG AFTER THEY’VE CLOSED THE COVERS.” –The Denver Post “PETER STRAUB IS AN EXCELLENT WRITER. . . . HE MAKES US FEEL THE TERROR.” –The Philadelphia Inquirer
In America today, opera has never been more popular, and one reason for this is, no doubt, that American opera singers are fixtures on every leading opera stage throughout the world. In this lively and engrossing account, Peter G. Davis, music critic for New York magazine and a leading opera authority, tells the story of how these plucky, resilient and supremely talented American singers have transformed this venerable European-born art form and made it their own. Starting with opera's arrival in America in the early nineteenth century, Davis shows how American singers grew in sophistication and stature along with the country. From the nineteenth-century pioneers who crashed the gates of Europe's elite opera circles, to the glamorous singers of the early twentieth century who were also Hollywood stars and publicity magnets, to the highly professional singers since World War II who not only have gained European acceptance but now dominate the industry, this lively and highly readable account chronicles the extraordinary lives and adventures of these larger-than-life personalities. Included are Maria Callas, Beverly Sills, Richard Tucker, Leontyne Price, Marilyn Horne, Lawrence Tibbett, and a galaxy of others whose stories are as dramatic and compelling as the roles they sang on stage. Full of prima-donna antics, hilarious backstage anecdotes, and performance lore, The American Opera Singer will delight anyone who has felt the magic of opera, and will provide a new canon of American singing sure to provoke spirited debate among aficionados. Trained as a musician and composer, Peter G. Davis has been writing about music for over thirty years in such publications as the New York Times, The Times of London, High Fidelity, and Opera News. He is currently music critic for New York magazine and lives in New York City. Experience the artistry of America's supremely talented singers on RCA Victor Red Seal's The American Opera Singer, a companion 2-CD set to this book, now available in record stores.
This book represents the first complete and systematic guide to the virus-like particles (VLPs) and their applications as vaccines, therapeutic tools, nanomaterials, and nanodevices. The grouping of the VLPs follows the most recent virus taxonomy and the traditional Baltimore classification of viruses, which are based on the genome structure and mechanism of mRNA synthesis. Within each of the seven Baltimore classes, the order taxon serves as a framework of the chapter’s arrangement. The term "VLP" is used as a universal designation for the virus-, core-, or capsid-like structures, which became an important part of the modern molecular virology. The 3D structures, expression systems, and nanotechnological applications are described for VLPs in the context of the original viruses and uncover their evolving potential as novel vaccines and medical interventions. Key Features Presents the first full guide to the VLP nanotechnology, classified by current viral taxonomy Outlines specific structural properties and interconnection of the virions and VLPs Explains generation and characteristics of VLPs produced by various expression systems Offers up-to-date summary of VLPs designed as vaccines and delivery tools Unveils interconnection of VLPs with novel organic and inorganic nanomaterials
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.