Peter Gould, a prominent, award-winning geographer who admits to having a low threshold for boredom, offers a collection of essays that reflect his eclectic research and provocative thinking. The topics range widely and include the diffusion of AIDS, mental maps, development themes in Africa, postmodernism, and the practices of teaching and writing. Becoming a Geographer expands on Gould's influential ideas and contributions to the field. Gould values the kind of independent thought and scholarship now often frowned upon by university administrators. He has written eighteen books and more than one hundred sixty articles that have appeared in more than seventy-six different journals during his forty-year career in research and higher education—his "lifetime sabbatical"—much of it spent teaching at Penn State. A witty, graceful, engaging writer, Could situates geography in a wider social context. In this book, he brings a fresh perspective to developments in the field including the quantitative and mathematical revolution in geography in the 1960s and 1970s. He writes with directness and clarity about the use and misuse of mathematics in illuminating social and geographical reality. His thoughts are especially valuable for what geography offers the world of learning and its capacity to help resolve urgent problems of the day.
In The Great Gould, the first book to be published in co-operation with the Glenn Gould Estate, Peter Goddard draws on Gould’s unpublished writings, interviews, and never-before-seen photographs, to present a startling new portrait of Gould, the man and the musician.
In this acclaimed biography, the late Peter Ostwald--himself an accomplished violinist and longtime personal friend of Gould's--raises many questions about Gould and his music, and lays bare the energy and contradiction behind his brilliance. Photos. NPR feature.
This book charts the developments in the discipline of geography from the 1950s to the 1980s, examining how geography now connects with urban, regional and national planning, and impacts on areas such as medicine, transport, agricultural development and electoral reform. The book also discusses how technical and theoretical advancements have generated a renewed sense of philosophic reflection – a concern closely linked with the critical examination and development of social theory.
Just one month after his 21st birthday, Peter Rudiak-Gould moved to Ujae, a remote atoll in the Marshall Islands located 70 miles from the nearest telephone, car, store, or tourist, and 2,000 miles from the closest continent. He spent the next year there, living among its 450 inhabitants and teaching English to its schoolchildren. At first blush, Surviving Paradise is a thoughtful and laugh-out-loud hilarious documentation of Rudiak-Gould’s efforts to cope with daily life on Ujae as his idealistic expectations of a tropical paradise confront harsh reality. But Rudiak-Gould goes beyond the personal, interweaving his own story with fascinating political, linguistic, and ecological digressions about the Marshall Islands. Most poignant are his observations of the noticeable effect of global warming on these tiny, low-lying islands and the threat rising water levels pose to their already precarious existence. An Eat, Pray, Love as written by Paul Theroux, Surviving Paradise is a disarmingly lighthearted narrative with a substantive emotional undercurrent.
(Amadeus). Morton Gould (1913-1996) was a dominant force in American music throughout most of the 20th century. This phenomenally talented composer, conductor, arranger, and pianist worked in vaudeville and on radio, from Tin Pan Alley to Broadway, all the while churning out jingles, symphonies, and everything in between. His popularity, however, may have been the reason that he never received due recognition for his concert music. Peter Goodman began working on this biography with Gould himself more than a year before his death and was allowed full access by the family to all of Gould's diaries and files.
In The Great Gould, the first book to be published in co-operation with the Glenn Gould Estate, Peter Goddard draws on Gould’s unpublished writings, interviews, and never-before-seen photographs, to present a startling new portrait of Gould, the man and the musician.
Based on research by a leading geographer and specialist in diffusion theory, The Slow Plague discloses the geographic dimension of the AIDS pandemic. It provides a lucid description of the HIV, its origins, and the extent to which it has now permeated our lives. The author shows how the virus jumps from city to city, creating regional epicenters from which it spreads into surrounding areas. Four case studies at different geographic scales demonstrate the devastating effects of the disease. In Africa the situation is catastrophic, in Thailand it is rapidly becoming so. In the US there are over 300,000 people with AIDS and more than one million infected by the HIV. The relationships between poverty, drugs and HIV infection are brought out poignantly in a chapter about the Bronx. The author argues that a real understanding of AIDS has been hampered by conscious or unconscious beliefs that those affected are, and will continue to be, confined to specific minority groups and to parts of the Third World. He shows that such views have led to fundamental misconceptions about the pattern of the spread of the disease and about those who will be most at risk, now and in the immediate future.
Presenting the compelling story of life on earth, this book brings together the latest findings in evolutionary science. The drawings include reconstructions of creatures long extinct, seen in their own habitat. The contributors include Peter Andrews, a leading palaeontologist at the Natural History Museum; Michael Benton, a leading expert on mammal evolution; Christopher Stringer, an expert on mammal evolution and Jack Sepkoski, who teaches and researches early life forms at Chicago.
(Amadeus). Morton Gould (1913-1996) was a dominant force in American music throughout most of the 20th century. This phenomenally talented composer, conductor, arranger, and pianist worked in vaudeville and on radio, from Tin Pan Alley to Broadway, all the while churning out jingles, symphonies, and everything in between. His popularity, however, may have been the reason that he never received due recognition for his concert music. Peter Goodman began working on this biography with Gould himself more than a year before his death and was allowed full access by the family to all of Gould's diaries and files.
Peter G. Gould seeks to identify the success factors associated with economic development projects within communities adjacent to archaeological or heritage sites, a growing interest among archaeologists and heritage managers. Typically, the success of site museums, tourism businesses, or crafts cooperatives is rarely reported on in scholarly literature or subjected to systematic study. This book addresses that gap. Gould argues that the success of community projects is inextricably linked to the mechanisms community members use to govern their project activities, and provides a much-needed assessment of the issues relating to community governance. Drawing together insights from economic analysis, political science, tourism scholarship, complexity scholarship, and the governance of non-profit enterprises, Gould suggests a model for community governance and illustrates the workings of that model through four case studies. Armed with this book's theoretical foundation, heritage professionals will have practical approaches to consider when designing community economic development projects.
The citizens of the Marshall Islands have been told that climate change will doom their country, and they have seen confirmatory omens in the land, air, and sea. This book investigates how grassroots Marshallese society has interpreted and responded to this threat as intimated by local observation, science communication, and Biblical exegesis. With grounds to dismiss or ignore the threat, Marshall Islanders have instead embraced it; with reasons to forswear guilt and responsibility, they have instead adopted in-group blame; and having been instructed that resettlement is necessary, they have vowed instead to retain the homeland. These dominant local responses can be understood as arising from a pre-existing, vigorous constellation of Marshallese ideas termed "modernity the trickster": a historically inspired narrative of self-inflicted cultural decline and seduction by Euro-American modernity. This study illuminates islander agency at the intersection of the local and the global, and suggests a theory of risk perception based on ideological commitment to narratives of historical progress and decline.
In this acclaimed biography, the late Peter Ostwald--himself an accomplished violinist and longtime personal friend of Gould's--raises many questions about Gould and his music, and lays bare the energy and contradiction behind his brilliance. Photos. NPR feature.
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