Peter Godman presents the first intellectual history of Florentine humanism from the lifetime of Angelo Poliziano in the later fifteenth century to the death of Niccolo Machiavelli in 1527. Making use of unpublished and rare sources, Godman traces the development of philological and official humanism after the expulsion of the Medici in 1494 up to and beyond their restoration in 1512. He draws long overdue attention to the work of Marcello Virgilio Adriani--Poliziano's successor in his Chair at the Studio and Machiavelli's colleague at the Chancery of Florence. And he examines in depth the intellectual impact of Savonarola and the relationship between secular and religious and oral and print cultures. Godman shows a complex reaction of rivalry and antagonism in Machiavelli's approach to Marcello Virgilio, who was the leading Florentine humanist of the day. But he also demonstrates that Florentine humanists shared a common culture, marked by a preference for secular over religious themes and by constant anxiety about surviving and prospering in the city's dangerous political climate. The book concludes with an appendix, drawn from previously incaccessible archives, about the censorship of Machiavelli by the Inquisition and the Index. From Poliziano to Machiavelli adds new depth to the intellectual history of Forence during his most dynamic period in its history. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In the tension between competing ideas of authority and the urge to literary experiment, writers of the High Middle Ages produced some of their most distinctive achievements. This book examines these themes in the high culture of Western Europe during the eleventh and twelfth centuries, showing how the intimate links between the writer and the censor, the inquisitor and the intellectual developed from metaphors, at the beginning of the period, to institutions at its end. All Latin texts--from Peter Abelard to Bernard of Clairvaux, from the Archpoet to John of Salisbury and Alan of Lille--are translated into English, and discussed both in terms of their literary qualities and in relation to the cultural history of the High Middle Ages. Not a proto-Renaissance but part of a continuity that reached into the Reformation, the eleventh and twelfth centuries witnessed a transformation of the writer's role. With a combination of literary, philological, and historical methods, Peter Godman sets the work of major intellectuals during this period in a new light.
The opening of the archives of the Roman Inquisition and of the Index of Prohibited Books, in January 1998, enables us to think afresh about the history of two organisations more notorious than understood. Both have been considered, almost exclusively, from the perspective of their victims, such as Galileo Galilei. This book uses hitherto secret sources of the Inquisition and Index to reconstruct the history of Roman censorship in its first, formative years from the standpoint of Galileo's judge. Robert Bellarmine (1542-1621) was a censor for the Index and a "consultor" to the Holy Office, before becoming cardinal-inquisitor and (three centuries after his death) a saint and Doctor of the Church. His career provides a paradigm of how an intellectual could make his way to the top in Counter-Reformation Rome. Censored by Pope Sixtus V, Bellarmine responded by supressing the pontiff's version of the Vulgate and by repressing the Sistine Index of Prohibited Books. A new interpretation - including a revaluation of Galileo's first "trial"- of Roman censorship is offered in this book. Based on unpublished sources from the archives, which it edits and interprets for the first time, "The Saint as Censor" will alter our understanding of the Roman Inquisition and the Index.
The autobiographical and confessional writings of Abelard, Heloise and the Archpoet were concerned with religious authenticity, spiritual sincerity and their opposite - fictio, a composite of hypocrisy and dissimulation, lying and irony. How and why moral identity could be feigned or falsified were seen as issues of primary importance, and Peter Godman here restores them to the prominence they once occupied in twelfth-century thought. This book is an account of the relationship between ethics and literature in the work of the most famous authors of the Latin Middle Ages. Combining conceptual analysis with close attention to style and form, it offers a major contribution to the history of the medieval conscience.
This is the first monograph to be published about one of the most famous and least understood authors of the Latin Middle Ages. We know him by the pseudonym of Archpoet. Setting the Archpoet's world and works in their historical contexts, Peter Godman argues that they provide insight into a brilliant counter-culture of medieval Germany. Its subtlest exponent did not indulge in literary play but refashioned the political, social, and religious roles available to a twelfth-century thinker in order to create, for himself and his patron, an identity alternative to the norms of clerical conformity prevalent elsewhere in Europe. At a time when Germans were being decried as backward barbarians, he produced a manifesto of intellectual heterodoxy which wittily challenged the truth-claims made by humourless moralists. The Archpoet and Medieval Culture reconsiders the categories in which the literature of the Middle Ages is interpreted and suggests a less literal mode of reading the sources to historians.
Gothrin was not yet ten when he was made aware that he was no ordinary child, but the prophesied Redeemer, a sorcerer who one day would destroy the necromancer Kotor. Kotor had risen once more to destroy the land and enslave all the races, and all that stands in his way is a young man, uncertain of his powers, and uncertain how to use the magic staff endowed upon him by the prophecy. Forced to flee from Kotor’s wraiths through storm and flood, he loses Odra’s magic staff in the flooded canyon. Alone and with no idea what to do next, Gothrin finally stumbles across an imp-like race, who help to find the staff and fight off a wraith determined to take possession of it. These people point the way to where he will find what he seeks, the guardian of the relic made from the Stone of Athelas. Chased by bands of renegades and Kotor’s wraiths, Gothrin and his new companion Bellatrix finally reach the town and the guardian of the ring. Bonded to the staff during a ceremony, the ring endows it with immense magic, a weapon worthy to challenge the necromancer. Still hounded by Kotor’s minions, Gothrin and his companions continue the quest. Travelling over hill and dale, through moorland and forest, they are continually confronted by one crisis after another until they finally reach their objective the Land of Nath, where Gothrin finally overcomes his doubts and finds the allies to help him defeat the necromancer.
The opening of the archives of the Roman Inquisition and of the Index of Prohibited Books, in January 1998, enables us to think afresh about the history of two organisations more notorious than understood. Both have been considered, almost exclusively, from the perspective of their victims, such as Galileo Galilei. This book uses hitherto secret sources of the Inquisition and Index to reconstruct the history of Roman censorship in its first, formative years from the standpoint of Galileo's judge. Robert Bellarmine (1542-1621) was a censor for the Index and a consultor to the Holy Office, before becoming cardinal-inquisitor and (three centuries after his death) a saint and Doctor of the Church. His career provides a paradigm of how an intellectual could make his way to the top in Counter-Reformation Rome. Censored by Pope Sixtus V, Bellarmine responded by supressing the pontiff's version of the Vulgate and by repressing the Sistine Index of Prohibited Books. A new interpretation - including a revaluation of Galileo's first "trial"- of Roman censorship is offered in this book. Based on unpublished sources from the archives, which it edits and interprets for the first time, The Saint as Censor will alter our understanding of the Roman Inquisition and the Index.
A destiny in the sunken Nail al Zaurack lands compels Gothrin northwards. Riding with the fierce Riders of Nath Earl as escort, the band flees Kotor’s pursuing forces, seeking Nath sanctuary. But peril dogs their heels. After skirmishes and brushes with death, the group arrives to their comrade, a sorcerer, gravely wounded. While foraging for healing herbs, Yanak’s party confronts Kotor’s men; in a blur of steel, they retreat to sanctuary – now with the army chasing close behind. Separated into groups, two routes remain: the twisting bowels of the Zaurack Halls. The nightmarish labyrinth had long defeated searchers of the fabled Nair. Blood marks the companions’ descent through cave and maze, the stone itself seemingly against them. Survivors emerge to an unexpected find: a potent new ally lurking Nair’s brooding forests. Yet this is a brief respite... for the true battle is yet to come. Will Gothrin and his stalwart band crush Kotor’s forces and brave Nair’s further dangers to find this prize – the mythic Stone of Athelas?
Why Were the Teachings of the Original Christians Brutally Suppressed by the Roman Church? • Because they portray Jesus and Mary Magdalene as mythic figures based on the Pagan Godman and Goddess • Because they show that the gospel story is a spiritual allegory encapsulating a profound philosophy that leads to mythical enlightenment • Because they have the power to turn the world inside out and transform life into an exploration of consciousness Drawing on modern scholarship, the authors of the international bestseller The Jesus Mysteries decode the secret teachings of the original Christians for the first time in almost two millennia and theorize about who the original Christians really were and what they actually taught. In addition, the book explores the many myths of Jesus and the Goddess and unlocks the lost secret teachings of Christian mysticism, which promise happiness and immortality to those who attain the state of Gnosis, or enlightenment. This daring and controversial book recovers the ancient wisdom of the original Christians and demonstrates its relevance to us today.
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