A trip back through time to Cardiff at a pivotal moment in pop culture history, and forward to that historical moment's afterlife: this is a vivid and engaging read that breathes new life into some great old music." – Sarah Hill "Written with the passion of a lifelong enthusiast on a deep grounding of knowledge. It brings the sights, sounds and smells of Americana back home and predicts a future that cherishes the live at the expense of the recorded." – Record Collector Peter Finch follows the trail of twentieth century popular music from a 1950s valve radio playing in a suburban Cardiff terrace to the reality of the music among the bars of Ireland, the skyscrapers of New York, the plains of Tennessee, the flatlands of Mississippi and the mountains of North Carolina. The Roots of Rock from Cardiff to Mississippi and Back mixes musical autobiography with an exploration of the physical places from which this music comes. It is a demonstration of the power of music to create a world for the listener that is simultaneously of and beyond the place in which it is heard. It also considers how music has changed during this time, from the culture-shaping (revolutionising) 50s and 60s to the present day, where it has evolved from the hard black vinyl of albums to the invisible digital mp3 file waiting to be summoned by mouse click. Along the way Finch gives us sharp-eyed accounts of gigs from Champion Jack Dupree to the Garth Mountain Boys, muses on the importance of the Dansette record player, ponders why Elvis never came to Wales (except multiply in Porthcawl's legendary Elvis Festival), visits musical shrines and theme parks – Dollywood, Grand Ole Opry, Graceland, Stax, rides along with singing cowboys and recalls his attempt to form a band, The Blueswailers. Add in music in Ireland and Wales (and in Welsh), the Bible Belt, Sister Rosetta Tharpe, Etta James, Ray Charles, Bert Jansch, Taylor Swift, Alan Stivell, Chet Atkins, the Appalachian Mountains and Pigeon Forge and Finch's world of music is as broad as the last six decades allows. Each chapter is accompanied by a multi-track play list to help the reader have the full flavour of what Finch's musical experiences and bring alive the many sharp witted stories and thoughtful cultural connections. The result is an entertaining, informative book from which the reader will learn much and hear more.
This is a guide to 'true' finches and sparrows illustrating all the species, many races and most sex and age variations, with almost 950 portraits. The maps accompanying the illustrations show breeding and wintering ranges for all species. Although the guide is not primarily intended for cagebird enthusiasts, it will also be useful for those wishing to know more about the species encountered in captivity.
After his famous visit to the Galápagos Islands, Darwin speculated that "one might fancy that, from an original paucity of birds in this archipelago, one species had been taken and modified for different ends." This book is the classic account of how much we have since learned about the evolution of these remarkable birds. Based upon over a decade's research, Grant shows how interspecific competition and natural selection act strongly enough on contemporary populations to produce observable and measurable evolutionary change. In this new edition, Grant outlines new discoveries made in the thirteen years since the book's publication. Ecology and Evolution of Darwin's Finches is an extraordinary account of evolution in action. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The period covered by this volume, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history. Much has been done recently to revise this view, though research still tends to focus on London as the commercial and cultural hub of the British Isles. It is becoming increasingly clear, however, that by the mid-eighteenth century musical activity outside London was highly distinctive in terms of its reach, the way it was organized, and its size, richness, and quality. There was an extraordinary amount of musical activity of all sorts, in provincial theatres and halls, in the amateur orchestras and choirs that developed in most towns of any size, in taverns, and convivial clubs, in parish churches and dissenting chapels, and, of course, in the home. This is the first book to concentrate specifically on musical life in the provinces, bringing together new archival research and offering a fresh perspective on British music of the period. The essays brought together here testify to the vital role played by music in provincial culture, not only in socializing and networking, but in regional economies and rivalries, demographics and class dynamics, religion and identity, education and recreation, and community and the formation of tradition. Most important, perhaps, as our focus shifts from London to the regions, new light is shed on neglected figures and forgotten repertoires, all of them worthy of reconsideration.
The Birds of Turkey is the first avifauna to document this country's amazing ornithological diversity. Turkey - ornithologically one of the most fascinating countries in the Western Palearctic - lies not only at the crossroads between Europe and Asia, but also at the meeting point of a variety of biomes. The extensive semi-deserts of the Middle East reach their northernmost limit in southeastern Turkey, while the Pontic Mountains, which dominate much of the north of the country, support a principally European fauna, along with near-endemics such as Caucasian Grouse, Green Warbler, Caspian Snowcock and Krüper's Nuthatch. In Central Turkey, huge saline lakes hold colonies of flamingos, pelicans and Pygmy Cormorants, while the surrounding semi-steppe supports populations of Montagu's Harrier, Great Bustard and abundant lakes. The book looks in detail at every species ever reported in the country - breeding birds, passage migrants, winter visitors and vagrants - with a review of status and distribution, accurate distribution maps, and discussions of breeding biology and the latest taxonomic revisions. Introductory chapters provide overviews of Turkey's major biomes and the history or ornithology in the country, and a discussion of future research objections. The book also contains stunning colour photography by a number of leading Turkish ornithologists. Indispensable for anyone interested in the Turkish avifauna, The Birds of Turkey will remain the standard work on this key ornithological region for many years to come.
The voices of birds have always been a source of fascination. Nature's Music brings together some of the world's experts on birdsong, to review the advances that have taken place in our understanding of how and why birds sing, what their songs and calls mean, and how they have evolved. All contributors have strived to speak, not only to fellow experts, but also to the general reader. The result is a book of readable science, richly illustrated with recordings and pictures of the sounds of birds. Bird song is much more than just one behaviour of a single, particular group of organisms. It is a model for the study of a wide variety of animal behaviour systems, ecological, evolutionary and neurobiological. Bird song sits at the intersection of breeding, social and cognitive behaviour and ecology. As such interest in this book will extend far beyond the purely ornithological - to behavioural ecologists psychologists and neurobiologists of all kinds.* The scoop on local dialects in birdsong* How birdsongs are used for fighting and flirting* The writers are all international authorities on their subject
The period covered by this volume, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history. Much has been done recently to revise this view, though research still tends to focus on London as the commercial and cultural hub of the British Isles. It is becoming increasingly clear, however, that by the mid-eighteenth century musical activity outside London was highly distinctive in terms of its reach, the way it was organized, and its size, richness, and quality. There was an extraordinary amount of musical activity of all sorts, in provincial theatres and halls, in the amateur orchestras and choirs that developed in most towns of any size, in taverns, and convivial clubs, in parish churches and dissenting chapels, and, of course, in the home. This is the first book to concentrate specifically on musical life in the provinces, bringing together new archival research and offering a fresh perspective on British music of the period. The essays brought together here testify to the vital role played by music in provincial culture, not only in socializing and networking, but in regional economies and rivalries, demographics and class dynamics, religion and identity, education and recreation, and community and the formation of tradition. Most important, perhaps, as our focus shifts from London to the regions, new light is shed on neglected figures and forgotten repertoires, all of them worthy of reconsideration.
Described by Richard Sherwin of New York Law School as the law and film movement's 'founding text', this text is a second, heavily revised and improved edition of the original Film and the Law (Cavendish Publishing, 2001). The book is distinctive in a number of ways: it is unique as a sustained book-length exposition on law and film by law scholars; it is distinctive within law and film scholarship in its attempt to plot the parameters of a distinctive genre of law films; its examination of law in film as place and space offers a new way out of the law film genre problem, and also offers an examination of representations of an aspect of legal practice, and legal institutions, that have not been addressed by other scholars. It is original in its contribution to work within the wider parameters of law and popular culture and offers a sustained challenge to traditional legal scholarship, amply demonstrating the practical and the pedagogic, as well as the moral and political significance of popular cultural representations of law. The book is a valuable teaching and learning resource, and is the first in the field to serve as a basic guidebook for students of law and film.
Charles Darwin's experiences in the Galápagos Islands in 1835 helped to guide his thoughts toward a revolutionary theory: that species were not fixed but diversified from their ancestors over many generations, and that the driving mechanism of evolutionary change was natural selection. In this concise, accessible book, Peter and Rosemary Grant explain what we have learned about the origin and evolution of new species through the study of the finches made famous by that great scientist: Darwin's finches. Drawing upon their unique observations of finch evolution over a thirty-four-year period, the Grants trace the evolutionary history of fourteen different species from a shared ancestor three million years ago. They show how repeated cycles of speciation involved adaptive change through natural selection on beak size and shape, and divergence in songs. They explain other factors that drive finch evolution, including geographical isolation, which has kept the Galápagos relatively free of competitors and predators; climate change and an increase in the number of islands over the last three million years, which enhanced opportunities for speciation; and flexibility in the early learning of feeding skills, which helped species to exploit new food resources. Throughout, the Grants show how the laboratory tools of developmental biology and molecular genetics can be combined with observations and experiments on birds in the field to gain deeper insights into why the world is so biologically rich and diverse. Written by two preeminent evolutionary biologists, How and Why Species Multiply helps to answer fundamental questions about evolution--in the Galápagos and throughout the world.
Milwaukee hasn't earned a reputation as a launching pad for hopeful rock stars, but for generations it has had the perfect acoustics for the garage band rock scene. Of course, the whole point of garage rock is that every place has the perfect acoustics, but just try telling that to the folks who heard "Blitzkrieg Over Kenosha" for the first time. With dual citizenship in the research library and the basement show, Peter Roller follows Milwaukee's garage rockers everywhere they haul their amps, observing bands like the Stilettos, the Angry Daisies, the Palmettos, the Chevelles and the Violent Femmes in their natural habitat.
Biologists searching for a resource that explores all of the exciting changes that have occurred recently in the field will turn to this eighth edition. It offers insight into the multidisciplinary nature of the field, presenting a sound historical base, up-to-date coverage, and a look at the latest controversies. The authors evaluate conflicting theories and provide a reasoned judgment as to which is preferable. In a new chapter the authors examine marine biogeography, so that biologists can compare and analyze the data, patterns and problems arising from continental, marine and island biogeography.
* Chronicles all three of Mallory's Everest expeditions * Illuminates how Mallory reconciled his ambitions on Everest with his unquestioned love for his wife and family Since the discovery in 1999 of George Mallory's body on Everest, controversy has raged over whether Mallory and Andrew Irvine could have summitted the mountain. Every detail of the climb has been dissected and Mallory's skill as a mountaineer has been hotly debated. Observing the debate, Peter and Leni Gillman felt that the essence of who Mallory was as an individual had been lost. In The Wildest Dream they offer the most comprehensive biography ever written about one of the 20th century's most intriguing personalities. Exploring Mallory's early years, the Gillmans take the reader to Cambridge and Bloomsbury where Mallory consorted with some of the most colorful literary and artistic figures of Edwardian England: Rupert Brooke, James and Lytton Strachey, Maynard and Geoffrey Keynes, and Duncan Grant, among others. The Wildest Dream moves on to examine exactly what Mallory accomplished as a climber, evaluating the quality of his routes and skills within the context of climbing in the early 1900s. At the heart of this biography, and of Mallory's life, is his wife, Ruth. The letters they exchanged during the many separations caused by World War I and three Everest expeditions reveal the depth of their commitment to each other and the unwavering support and strength Ruth offered George. The Everest expeditions are also insightfully rendered, offering perspective on criticisms levied at Mallory after the 1921 and 1922 attempts. The authors examine how Mallory, a dedicated husband and father, arrived at his fateful decision to participate in the doomed 1924 expedition and why he continued to press for a summit attempt when the odds seemed stacked against him. As Mallory once declared, a climber was what he was, and this is what climbers did; this was how they fulfilled their wildest dreams.
In Anarchy! An Anthology of Emma Goldman's Mother Earth, Peter Glassgold brings to the page political activist and anarchist Emma Goldman's most radical contribution, Mother Earth, a monthly journal about social science and literature. Glassgold has compiled Mother Earth's most provocative articles, with thematic categories ranging from "The Woman Question" to "The Social War" and features a diverse selection of writers, such as Leo Tolstoy, Margaret Sanger, Peter Kropotkin, and Alexander Berkman. Mother Earth was published from 1906 to 1918, when birth control, the labor movement, sexual freedom, and the arts where common subjects. The supporters of the journal helped form what was the "radical left" in the United States at the turn of the century. Goldman was imprisoned and ultimately deported to her native Russia. This new edition includes the transcripts from the trial and the summations of both Alexander Berkman and Goldman. With a new preface by the editor, this book offers historical grounding to many of our contemporary political movements, from libertarianism to the Occupy! actions. Anarchy! provides unprecedented access to Goldman's beliefs, offering insight to the political activism that existed at the time.
The best, the worst and the most memorable moments from Australia's best-known sports commentators. "I love this book" Peter FitzSimons Without doubt, we Aussies love our sport. We've got passionate opinions about the contest, the players, the refs and umpires - and about the commentators. Love 'em or loathe 'em, their calling of a game or race can lift something ordinary into the extraordinary, while their quick-thinking asides are often as timeless as the event itself. In Back to the Studio, Peter Meares talks to more than 40 of Australia's leading commentators to find out just what it's like on their side of the mike. It's all here: snappy quips, classic one-liners, first calls, funniest memories, best moments - and most embarrassing gaffes. Sure to delight every sports fan who's ever thought they'd like a crack at the job and wondered what it takes to make it to the top.
They shared a name, of course, and their physical resemblance was startling. And both Frank Thrings were huge figures in the landscape of twentieth-century Australian theatre and film. But in many ways they could hardly have been more different. Frank Thring the father (1882–1936) began his career as a sideshow conjuror, and he wheeled, dealed and occasionally married his way into becoming the legendary ‘F.T.’ — impresario, speculator and owner of Efftee Films, Australia’s first ‘talkies’ studio. He built for himself an image of grand patriarchal respectability, a sizeable fortune, and all the makings of a dynasty. Frank Thring the son (1926–1994) squandered the fortune and derailed the dynasty in the course of creating his own persona — a unique presence that could make most stages and foyers seem small. He won fame playing tyrants in togas in Hollywood blockbusters, then, suddenly, came home to Melbourne to play perhaps his finest role — that of Frank Thring, actor and personality extraordinaire. Central to this role was that Frank the son was unapologetically and outrageously gay. Peter Fitzpatrick’s compelling dual biography tells the story of two remarkable characters. It’s a kind of detective story, following the tracks of two men who did all they could to cover their tracks, and to conceal ‘the self’: Frank the father used secrecy and sleight-of-hand as strategies for self-protection; Frank the son masked a thoroughly reclusive personality with flamboyant self-parody. It’s also the tale of a lost relationship — and of the power a father may have had, even over a son who hardly knew him.
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