Certain of these poems first appeared in Poetry, Blast, Others, The Little Review, and Art and Letters. Contents: Gerontion; Burbank with a Baedeker: Bleistein with a Cigar; Sweeney Erect; A Cooking Egg; Le Directeur; Melange adultere de tout; Lune de Miel; The Hippopotamus; Dans le Restaurant; Whispers of Immortality; Mr. Eliot's Sunday Morning Service; Sweeney Among the Nightingales; The Love Song of J. Alfred Prufrock; Portrait of a Lady; Preludes; Rhapsody on a Windy Night; Morning at the Window; The Boston Evening Transcript; Aunt Helen; Cousin Nancy; Mr. Apollinax; Hysteria; Conversation Galante; La Figlia Che Pianga.
Peter Elkind presents an in-depth look at the ambitious career and sudden disgrace of former New York governor Eliot Spitzer. The result is a gripping narrative of one man's noble intentions and fatal flaws and the powerful forces that destroyed him.
This carefully chosen selection of 9 classic works comes from the archives of Athlone Press, one of the most distinguished publishers of English criticism in the period 1950-2000. The volumes in this subset include criticism of the work of T.S. Eliot (three titles), Aldous Huxley, Dylan Thomas, Yeats, Beckett, Ionesco, Genet, Plath and Pinter. Authors include David Holbrook, Peter Bowering, Donald J. Childs and Katharine Worth. All titles are in cased library bindings and are presented as complete facsimile editions; ebook versions are also available.
This book presents a reading of T. S. Eliot's poetry, prose, criticism, and drama, with particular reference to the nature of his response to the influence of Percy Shelley in his own work. Not just a book on literary criticism, this book is also an insightful study of Eliot's spiritual life. It focuses on Eliot's Christian faith and the role it played in molding his responses to the writers who shaped his early works. Previous studies have ascribed Eliot's subsequent repudiation of Romantic style and subject matter to a Bloomian 'anxiety of influence', and asserted that the highly classical style of his later work was a conscious renunciation of earlier models. This book, however, introduces Eliot's Christian faith as a means of approaching the issue. In doing so, Peter Lowe opens up a field of Eliot studies not previously explored to the depth it deserves. Christian Romanticism is a valuable contribution to the field of Eliot studies-it sheds light on a case of poetic influence that has been largely overlooked in previous criticism of arguably the foremost poet of the Twentieth Century.
This is a book about the end of childhood. Much of it is drawn directly from a diary the author kept while he was a bright but insecure freshman at Harvard in the 1950s. From these pages emerges a precise description of the raw, half-understood experience of late adolescence-the anguish and arguments, the rivalry and anxiety about sex, the facile cynicism and desperate fumblings for purpose, the bull sessions held late at night-just as Peter Prescott recorded them only hours after the event. These diary excerpts are contained in a narrative that examines that freshman experience from a vantage point of twenty years. Thus, we are able to look at the past with a double perspective: The exact record, unclouded by memory or nostalgia, of what was said and done is set in a structure that reveals the form of the experience. The result is an ironic, witty, and often moving book. Writing with some compassion and even more asperity, Peter S. Prescott not only captures the conflicts and emotions of a single year, but probes beneath the surface of memory to explore certain tribal customs and rites of passage as they are played out in the classrooms and living quarters of the college. A few famous people-T. S. Eliot and Edith Sitwell among them-play brief parts in this chronicle, but young Prescott's attention was primarily engaged in his struggle with his extravagant roommates and an assortment of eccentric undergraduates.
The Ground of Our Beseeching: Metaphor and the Poetics of Meditation describes the signature styles of meditation in three American poets, and shows how each generated language out of spiritual yearning. The author's inquiry in this area grew out of an interest in the interplay of creativity, language, and religion, and a need to know, as both critic and practicing poet, how metaphor arises, particularly in the context of poetry which hearkens after the sacred. How far, in other words, has metaphor taken some of our central poets - T. S. Eliot, Wallace Stevens, and Theodore Roethke - in matters of belief? No other critique of American poetry, prior to this study, has systematically linked the idea of the sacred with the practice of metaphor. Nor has a compelling case been made, until now, for viewing meditation, a style of thinking close to prayer, as the source or "ground" of these poets."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
From the daily lives of wild herdsmen and the drama of predator kills to the field biologists investigating Africa's wild creatures and the anthropologists seeking humanity's origins in the rift valley, this National Book Award finalist is a classic of journalistic observation.
The uncertainty of ones life and the inevitability of death is a dilemma that has tormented the human mind in all ages. One way of resolving the conundrum has been to imagine, if not firmly believe, that the individual self is immortal and deathless, notwithstanding the fact that the physical body must perish. If nothing, it weans one away from the fear of death towards an earnest hope in a blissful afterlife. Living in Death is a scholarly critique on the death poetry of Emily Dickinson and T. S. Eliot. By deftly comparing their styles, diction, and motifs, Dr. T. D. Peter unravels the beauty of contemplating and courting the compelling presence of death as an unshakeable ontological reality. The author looks through the mirror of the death poetry of two signature poets of the nineteenth and twentieth centuriesthe former, an inimitable and indwelling poetic genius who defies classification and transcends time and trends; the latter, a trail-blazing and celebrated scion of modern classical poetry who impresses with his erudition and edification, imagism, and symbolism. He finds more by way of contrast than similarity in their strikingly opposite life lines and, no less, to their varying allegiance to faith and reason, religion and spirituality.
Building upon his earlier book The Death of the German Cousin (1986), renowned author Peter Edgerly Firchow focuses Strange Meetings on major modern British writers from Eliot to Auden and explores the development of British conceptions and misconceptions of Germany and Germans from 1910 to 1960.
Traces the career and downfall of the former New York governor, describing his dramatic successes as a prosecutor and attorney general and was a promising politician before the scandal that ended his gubernatorial career.
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