This volume of the series Handbook of Zoology deals with the anatomy of the gastrointestinal digestive tract – stomach, small intestine, caecum and colon – in all eutherian orders and suborders. It presents compilations of anatomical studies, as well as an extensive list of references, which makes widely dispersed literature accessible. Introductory sections to orders and suborders give notice to biology, taxonomy, biogeography and food of the respective taxon. It is a characteristic of this book that different sections of the post-oesophageal tract are discussed separately from each other. Informations on form and function of organs of digestion in eutherians are discussed under comparative-anatomical aspects. The variability and diversity of anatomical structures represents the basis of functional differentiations.
Richie Adubato--one of basketball's most colorful characters and storytellers--chronicles his life in the game, from New Jersey high schools to head coach in both the NBA and the WNBA.
Carol Reed is one of the truly outstanding directors of British cinema, and one whose work is long overdue for reconsideration. This major study ranges over Reed’s entire career, combining observation of general trends and patterns with detailed analysis of twenty films, both acknowledged masterpieces and lesser-known works. Evans avoids a simplistic auteurist approach, placing the films in their autobiographical, socio-political and cultural contexts and relating these to the analysis of Reed’s art. The critical approach combines psychoanalysis, gender theory, and the analysis of form. Archival research is also relied on to clarify Reed’s relations with his creative team, financial backers and others. Films examined include Bank Holiday, A Girl Must Live, Odd Man Out, The Fallen Idol, The Third Man, Night Train to Munich, The Way Ahead, Outcast of the Islands, Trapeze and Oliver!.
In The Piano Tuner, Peter Meinke writes of the foreignness that awaits us when we go abroad and when we answer our own front door to admit a stranger, that confronts us in unfamiliar cities and villages and in the equally disquieting surroundings of our memories and regrets. Often in these stories, what seems a safe, comfortable environment turns suddenly threatening. In the title story, a writer's quiet existence amid his antiques and books is dismantled, piece by piece, by a demonic, beer-bellied piano tuner. In "The Ponoes," a man recalls how, as a young boy living in Brooklyn during World War II, he became a collaborationist in the brutal pranks of two Irish bullies. In "The Twisted River," the sedate collegiality of a Polish university is disrupted when an American on a Fulbright grant attempts to blackmail two faculty members. And in "The Bracelet," a young anthropology student doing field work in Africa finds herself drawn further and further into the role of a priestess of Oshun, into a life dictated by the configuration of cowry shells cast upon the floor. Meinke writes of a world where our control over our lives seldom exists across a border, and often extends no further than our fingertips. Attempts to bridge two cultures, two lives are sometimes successful, as when an actor finds love in the arms of a tough-talking barmaid, but more usually lead to disillusionment, as when a hard-drinking salesman's career is shattered after he is drunk under the table one night by a Polish engineer, or when an English father struggles to find common ground with his American son. Riveting, almost terrifying, the stories in The Piano Tuner tell of decent men and women caught in events that they could never have predicted, would never have chosen.
This critical Flora provides a definitive account of the native species, naturalised species, frequent garden escapes and casuals found in the British Isles. Full keys and descriptions should enable the user to name all plants occurring in the wild, plus some ornamental trees and shrubs. For the first time detailed accounts of all the large apomictic genera are given and many infraspecific variants included. Each species entry begins with the accepted latin name, synonyms and the common English name. A detailed description follows, with separate descriptions being given for infraspecific taxa. Information on status, ecology and distribution is also included. Clear black and white line drawings illustrate an extensive glossary and also illuminate the diagnostic features of a number of groups of plants.
Never Silent is a gorgeous book . . . Peter Staley has written an electrifying primer for anyone who's thinking/worrying/wondering about how to change/save the world." —Tony Kushner, Pulitzer Prize–winning playwright of Angels in America 2022 Lambda Literary Award Finalist The previously untold stories of the life of the leading subject in David France's How To Survive A Plague, Peter Staley, including his continuing activism In 1987, somebody shoved a flyer into the hand of Peter Staley: massive AIDS demonstration, it announced. After four years on Wall Street as a closeted gay man, Staley was familiar with the homophobia common on trading floors. He also knew that he was not beyond the reach of HIV, having recently been diagnosed with AIDS-Related Complex. A week after the protest, Staley found his way to a packed meeting of the AIDS Coalition To Unleash Power—ACT UP—in the West Village. It would prove to be the best decision he ever made. ACT UP would change the course of AIDS, pressuring the National Institutes of Health, the FDA, and three administrations to finally respond with research that ultimately saved millions of lives. Staley, a shrewd strategist with nerves of steel, organized some of the group's most spectacular actions, from shutting down trading on the floor of the New York Stock Exchange to putting a giant condom over the house of Senator Jesse Helms. Never Silent is the inside story of what brought Staley to ACT UP and the explosive and sometimes painful years to follow—years filled with triumph, humiliation, joy, loss, and persistence. Never Silent is guaranteed to inspire the activist within all of us.
Master the orthopaedic techniques preferred by today’s expert surgeons! The 3rd Edition of this highly regarded title remains your go-to resource for the most advanced and effective surgical techniques for treating traumatic, congenital, inflammatory, neoplastic, and degenerative conditions of the hand. More than 1,000 high-quality photographs and drawings guide you step by step through each procedure, and personal pearls from master surgeons provide operative tips that foster optimal outcomes. 13 new chapters bring you completely up to date with what’s new in the field.
Migrant Representations pairs twenty-four carefully selected histories in order to compare how migrants themselves – Irish labourer, Lithuanian refugee or Indian doctor – and their social investigators capture in words and images defining private and historical moments. These comparative case studies from the 1780s to the 2000s explore how migrants constructed their own narratives of mobility and settlement through procedures of reflecting, remembering and recording. Moreover, these studies examine how speech, writing, and picture were used, for instance, by a missionary, social scientist or activist to make ‘outside’ representations of the migrant. Such life-stories, social surveys, and pictures emerge as alternative archives. Leese’s transnational, cultural history considers life-story forms and their uses; the tension between external surveillance and self-observation; the power of narratives to afford legibility and acknowledgement. Leese argues that, historically and in the present, first-person migrant stories and outsider investigations create a continuous charged exchange of views where both migrant and observer negotiate position, authority, authenticity, and potential advantage. Within the history of migrant representations this exchange generates a persistent, subversive strain of opposition and critique. Such self-observations, observations of others, and images never settle.
Uncivil Warriors is an expansive and authoritative account of the central role of law and lawyers in the Civil War. Peter Hoffer shows battles over freedom, slavery, and the right to secession were all legal contests, and both sides relied on law to justify their war efforts. Uncivil Warriors is an essential account of the centrality of law in the war that irrevocably reshaped the nation.
PETER DONAHUE'S DEBUT NOVEL MADISON HOUSE, which won the Langum Prize for Historical Fiction 2005, chronicles turn-of-the-century Seattle's explosive transformation from frontier outpost to major metropolis. Maddie Ingram, owner of Madison House, and her quirky and endearing boarders find their lives inextricably linked when the city decides to re-grade Denny Hill and the fate of Madison House hangs in the balance--Maddie's albino handyman and furtive love interest, a muckraking black journalist who owns and publishes the Seattle Sentry newspaper, and an aspiring stage actress forced into prostitution and morphine addiction while working in the city's corrupt vaudeville theater, all call Madison House home. Had E.L. Doctorow and Charles Dickens met on the streets of Seattle, they couldn't have created a better book.
In 1978, the Social and Demographic Research Institute of the University of Massachusetts, Amherst, received a grant from the National Institute of Justice to undertake a comprehensive review of the literature on weapons, crime, and violence in the United States. The purpose of the project is best described as a "sifting and winnowing" of the claims and counterclaims from both sides of the Great American Gun War - the perennial struggle in American political life over what to do, if anything, about guns, about violence, and about crime. The review and analysis of the available studies consumed the better part of three years; the results of this work are contained in this volume.The intention of any review is to take stock of the available fund of knowledge in some topical area. Under the Gun is no different: our goal has been to glean from the volumes of previous studies those facts that, in our view, seem firmly and certainly established; those hypotheses that seem adequately supported by, or at least approximately consistent with, the best available research evidence; and those areas or topics about which, it seems, we need to know a lot more than we do. One of our major conclusions can be stated in advance: despite the large number of studies that have been done, many critically important questions have not been adequately researched, and some of them have not been examined at all.Much of the available research in the area of weapons and crime has been done by advocates for one or another policy position. As a consequence, the manifest intent of many "studies" is to persuade rather than to inform. We have tried to approach the topic from a purely agnostic point of view, treating as an open question what policies should be enacted with regard to gun, or crime, control. Thus, we have tried to judge each study on its own merits, on the basis of the routine standards normally applied to social-scientific research, and not on the basis of how effectively it argues for a particular policy direction. It would, of course, be presumptuous to claim that we have set aside all our own biases in conducting this study. Whether or not our treatment is fair and objective is clearly something for the reader, and not us, to decide.
This volume examines the aristocracy in Tuscany and in England across a period of two and a half centuries (1000-1250). It deals first with Tuscany, tracing the history of the aristocracy and illustrating its nature and evolution, and observing aristocratic behaviour and attitudes, and how aristocrats related to other members of society. Peter Coss then examines the history of England in the same periods. It is not, however, a comparative history, but employs Italian insights to look at the aristocracy in England and to move away from the traditional interpretation which revolves around Magna Carta and the idea of English exceptionalism. By offering a study of the aristocracy across a wide time-frame and with themes drawn from Italian historiography, Coss offers a new approach to studying aristocracy within its own contexts.
This book offers readers an alternative history of the origins of the discipline of International Relations. Conventional, western histories of the discipline point to 1919 as the year of the ‘birth of the discipline’ with two seminal initiatives – setting up of the first Chair of IR at Aberystwyth and the founding of the Institute of International Relations on the side-lines of the Paris Peace Conference. From these events, International Relations is argued to have been established as a path to create peace in the post-War era and facilitated through a scientific study of international affairs. International Relations was therefore, both a field of study and knowledge production and a plan of action. This pathbreaking book challenges these claims by presenting an alternative narrative of International Relations. In this book, we make three interconnected arguments. First, we argue that the natal moment in the founding of IR is not World War I – as is generally believed – but the Anglo Boer War. Second, we argue that the ideas, methods and institutions that led to the making of IR were first thrashed out in South Africa – in Johannesburg, in fact. Finally, this South African genealogy of IR, we show in the book, allows us to properly investigate the emergence of academic IR at the interstices of race, Empire and science.
An indispensable guide for parents from a leading expert on children's film For years Peter M. Nichols has been offering vital advice and information for parents about current movies in his regular "Taking the Children" column. But parents need the same kind of guidance when renting or buying videos and DVDs for their family. They may know that movies such as Toy Story and Chicken Run are good choices for their children, but Nichols helps parents go beyond the obvious choices to more unconventional movies like The African Queen and Some Like It Hot. From the classics of animation to a host of great comedies and dramas, Nichols provides a knowing and illuminating guide to one hundred great cinematic works. Each brief original essay not only explains why the children will enjoy the film but also allows Nichols to offer timely bits of film history and to discuss certain films in a larger cultural context. Nichols's knowledge and understanding of films is broad and deep, and many of his choices-especially of films that we might not have thought of as "children's films"-will surprise and delight readers.
In 1829, David Walker, a free black born in Wilmington, North Carolina, wrote one of America's most provocative political documents of the nineteenth century: An Appeal to the Colored Citizens of the World. Decrying the savage and unchristian treatment blacks suffered in the United States, Walker challenged his &"afflicted and slumbering brethren&" to rise up and cast off their chains. His innovative efforts to circulate this pamphlet in the South outraged slaveholders, who eventually uncovered one of the boldest and most extensive plans to empower slaves ever conceived in antebellum America. Though Walker died in 1830, the Appeal remained a rallying point for many African Americans for years to come. In this ambitious book, Peter Hinks combines social biography with textual analysis to provide a powerful new interpretation of David Walker and his meaning for antebellum American history. Little was formerly known about David Walker's life. Through painstaking research, Hinks has situated Walker much more precisely in the world out of which he arose in early nineteenth-century coastal North and South Carolina. He shows the likely impact of Wilmington's independent black Methodist church upon Walker, the probable sources of his early education, and&—most significant&—the pivotal influence that Denmark Vesey's Charleston had on his thinking about religion and resistance. Walker's years in Boston from 1825, his mounting involvement with the Northern black reform movement, and the remarkable underground network used to distribute the Appeal, all reconstructed here, testify to Walker's centrality in the development of American abolitionism and antebellum black activism. Hinks's thorough exegesis of the Appeal illuminates how this document was one of the most startling and incisive indictments of American racism ever written. He shows how Walker labored to harness the optimistic activism of evangelical Christianity and revolutionary republicanism to inspire African Americans to a new sense of personal worth and to their capacity to challenge the ideology and institutions of white supremacy. Yet the failure of Walker's bold and novel formulations to threaten American slavery and racism proved how difficult, if not impossible, it was to orchestrate large-scale and effective slave resistance in antebellum America. To Awaken My Afflicted Brethren fathoms for the first time this complex individual and the ambiguous history surrounding him and his world.
Includes full set lists not included in the physical edition. In this final installment of his internationally bestselling three-part memoir—including The Hacienda and Unknown Pleasures—British rocker Peter Hook focuses on the 1980s New Wave and Dance Punk scene and the rise of one of the most influential bands of the Second British Invasion: New Order. 1980. Resurrected from the ashes of Joy Division after the suicide of its lead singer, Ian Curtis, New Order would become one most critically acclaimed and important bands of the decade and beyond. With their hits "Bizarre Love Triangle", "Perfect Kiss", and "Blue Monday"—the biggest-selling 12-inch single of all time—Peter Hook and company quickly rose to the top of the alternative music scene. Widely regarded as the godfathers of electronic dance music, their sound would influence Moby, The Chemical Brothers, The Postal Service, The Killers, and other acts that followed in their wake. Hook tells the complete, unvarnished story of New Order’s founding and evolution; the band’s experiences in the New York City club scene and rapid rise to international fame, its impact on house music, techno, and rave; and its eventual rancorous dissolution. Full of Hook’s "gleefully profane" (Entertainment Weekly) humor and vivid, witty storytelling, Substance is the most important and certainly the most controversial part of his story, emanating with drugs, booze, and sex. Complete with timelines, discographies, gigographies and track-by-track analysis, and exclusive photographs and archival images from Hook’s personal collection, it is the definitive, comprehensive history of New Order and a compelling snapshot of the '80s cultural scene in all its neon-hued glory.
From the earliest days of the sport, when Humpy often used his fists to keep order, to NASCAR's transition to a multi-billion-dollar business, Humpy's life has paralleled American stock car racing.
In 1978, the Social and Demographic Research Institute of the University of Massachusetts, Amherst, received a grant from the National Institute of Justice to undertake a comprehensive review of the literature on weapons, crime, and violence in the United States. The purpose of the project is best described as a "sifting and winnowing" of the claims and counterclaims from both sides of the Great American Gun Warâthe perennial struggle in AmeriÂcan political life over what to do, if anything, about guns, about violence, and about crime. The review and analysis of the available studies consumed the better part of three years; the results of this work are contained in this volume. The intention of any review is to take stock of the available fund of knowledge in some topical area. Under the Gun is no different: our goal has been to glean from the volumes of previous studies those facts that, in our view, seem firmly and certainly established; those hypotheses that seem adequately supported by, or at least approximately consistent with, the best available research evidence; and those areas or topics about which, it seems, we need to know a lot more than we do. One of our major conclusions can be stated in advance: despite the large number of studies that have been done, many critically important questions have not been adequately researched, and some of them have not been examined at all. Much of the available research in the area of weapons and crime has been done by advocates for one or another policy position. As a consequence, the manifest intent of many "studies" is to persuade rather than to inform. We have tried to approach the topic from a purely agnostic point of view, treating as an open question what policies should be enacted with regard to gun, or crime, control. Thus, we have tried to judge each study on its own merits, on the basis of the routine standards normally applied to social-scientific research, and not on the basis of how effectively it argues for a particular policy direction. It would, of course, be presumptuous to claim that we have set aside all our own biases in conducting this study. Whether or not our treatment is fair and objective is clearly something for the reader, and not us, to decide.
This biographical dictionary of some 3,000 photographers (and workers in related trades), active in a vast area of North America before 1866, is based on extensive research and enhanced by some 240 illustrations, most of which are published here for the first time. The territory covered extends from central Canada through Mexico and includes the United States from the Mississippi River west to, but not including, the Rocky Mountain states. Together, this volume and its predecessor, Pioneer Photographers of the Far West: A Biographical Dictionary, 1840-1865, comprise an exhaustive survey of early photographers in North America and Central America, excluding the eastern United States and eastern Canada. This work is distinguished by the large number of entries, by the appealing narratives that cover both professional and private lives of the subjects, and by the painstaking documentation. It will be an essential reference work for historians, libraries, and museums, as well as for collectors of and dealers in early American photography. In addition to photographers, the book includes photographic printers, retouchers, and colorists, and manufacturers and sellers of photographic apparatus and stock. Because creators of moving panoramas and optical amusements such as dioramas and magic lantern performances often fashioned their works after photographs, the people behind those exhibitions are also discussed.
BLAKE EDWARDS Blake Edwards: Film Director as Multitalented Auteur is the first critical analysis to focus on the dramatic works of Blake Edwards. Best known for successful comedies such as The Pink Panther series with Peter Sellers, Blake Edwards wrote, produced, and directed serious works in radio, television, film, and theater for seven decades. Although hit films such as Breakfast at Tiffany’s and ‘10’ remain popular, many of Edwards’s dramas have been forgotten or marginalized. In this unique book, William Luhr and Peter Lehman draw on original research from numerous set visits and personal interviews with Edwards and many of his creative and business collaborators to explore his dramas, radio and television work, theatrical productions, one-man art shows, and unproduced screenplays. In-depth chapters analyze non-comedic films including Experiment in Terror, Days of Wine and Roses, and The Tamarind Seed, the theatrical feature film Gunn and the made-for-television film Peter Gunn, the musical adaptation of Victor/Victoria, and lesser-known films written but not directed by Edwards, such as Drive a Crooked Road. Throughout the book, the authors apply contemporary film theory to auteur criticism of different works while sharing original insights into how Edwards worked creatively in disparate genres and media using composition, editing, sound, and visual motifs to shape his films and radio and television series. A one-of-a-kind examination of one of the most influential film directors of his generation, Blake Edwards: Film Director as Multitalented Auteur is an excellent supplementary text for university courses in American cinema, genres, auteurs, and film criticism, and a must-read for critics, scholars, and general readers interested in the works of Blake Edwards.
They call him "America's Mayor." But to blacks that title sugarcoats Rudy Giuliani's real reputation as one of the most racially divisive leaders in the nation. Peter Noel's book puts Giuliani's often-ignored record of oppressing the "other New York" front and center in the 2008 presidential race. Noel was a witness to "Giuliani time" in New York. As the race beat journalist for The Village Voice, he reported exclusively on the police brutality that rained down on blacks, and the denigration of black leadership by Giuliani. In this collection of his exposés, Noel provides stunning insights into the most notorious events of Giuliani's tenure, including the execution-style killing of Amadou Diallo and the sadistic torture of Abner Louima. Both men-like many black victims of Giuliani's stop-and-frisk policing-were innocent of any wrongdoing. This brutality sparked a new black activist movement. Scores, including Jesse Jackson, were arrested-and Peter Noel was there to cover it. No journalist was more insightful about the rise of Al Sharpton, Khallid Muhammad's "Million Youth March," and Giuliani's demonization of David Dinkins, the city's first black mayor. There are interviews with major political players, inside accounts of the shifting alliances and violent conflicts between ethnic groups, and a stinging critique of the white-dominated media. And then there is Peter Noel's interview with Giuliani, which took the form of a street fight in Harlem. In these eloquent, often searing pieces, written in an outraged and authentic voice, Peter Noel spoke truth to the power of an "Afriphobic" mayor. In this revealing book, he still does.
Originally arriving in Hollywood to pursue an acting career, James Bridges went on to write and direct such popular films as The Paper Chase, The China Syndrome and Urban Cowboy. This book tells the story of his life and career, helped by new interviews with friends and collaborators; it also offers a detailed analysis of each of Bridges' eight feature films, including his lesser-known cult classics September 30, 1955 and Mike's Murder.
Follow the adventures of one of the greatest superheroes of all time in the official novelization of the major motion picture! Two years have passed, and Peter Parker struggles to cope with the demands of life as a college student, a Daily Bugle photographer, and a crime-fighting superhero. But it hasn’t gotten any easier. Condemned by the press, tormented by secrets he can never reveal, forced to give up the girl of his dreams—at times the lonely burden of Spider-Man seems almost too great to bear . . . and the temptation to give up grows stronger by the hour. Enter the archfiend Doc Ock, armed with a lethal invention powerful enough to destroy half the city. If Spider-Man tries to stop Doc Ock, he’ll be placing the lives of those closest to him in mortal danger. If he doesn’t, it could be the end of the Big Apple. With millions of lives hanging in the balance, high about Manhattan’s glittering skyline, Spider-Man confronts his destiny, his fiercest enemy, and himself.
The vascular flora of New Zealand contains an estimated 2400 species of indigenous plant, of which a staggering 83% are endemic. Nevertheless, despite the 244 years of botanical exploration there are still many flowering plants left to formally describe from New Zealand. In this issue of PhytoKeys the diversity of the endemic Cook’s Scurvy grass (Lepidium oleraceum) is subjected to a modern taxonomic treatment, recognising in the process ten new endemic species, and accepting six others described by past workers. This issue includes detailed descriptions for all 16 Lepidium species and discusses their ecology, ethnobotany and conservation status. A dichotomous key to the naturalised and indigenous Lepidium of the New Zealand archipelago is also provided.
A comprehensive handbook designed for and by a stay-at-home dad that addresses many of the issues that fathers face when they become primary caregivers.
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