As an influential and well-connected composer, Johannes Brahms (1833-1897) had encountered, befriended, and collaborated with hundreds of people over his significant career. In Brahms and His World: A Biographical Dictionary, author Peter Clive provides extensive and up-to-date information on the composer's personal and professional association with some 430 persons. These persons include relatives, friends, acquaintances, and physicians; fellow musicians and composers whom Brahms particularly admired and in the editions of whose works he was involved; conductors, instrumentalists, and singers who took part in notable or first performances of his works; poets whose texts he set to music; publishers and artists; and even the rulers of certain German states with whom he had significant contact. Offering information not usually available in Brahms biographies, this volume combines findings from both primary and secondary sources, giving insights into Brahms' character, his life, and his career, and shedding light on the educated middle and upper class culture of the nineteenth century. A comprehensive chronology of Brahms' life, a bibliography, and two indexes round out this important reference guide.
This volume brings together 18 individual studies by scholars of different specialist disciplines (musicology, theology, German studies and historical science) on the four oratorios of Louis Spohr (1784-1859). All of Spohr's contributions to different genres are examined in terms of their origins, textual basis and music. The studies on the composer's works are complemented by contributions on further aspects of the theory, cultivation and publication of oratorios in the first half of the 19thcentury. Altogether the volume provides an in-depth insight into Spohrs oratorios and how the individual works related to contemporary trends in politics, theology and literature.
This is the second volume in a two-volume set which was compiled and published in author Rick Hautala's memory. An anthology of works by writers and artists who were either friends of Rick's, or who had not known him but had admired his contribution to horror literature.
Ryan Parish PI is engaged by lawyer Maggie Clark to investigate her client’s claim that he’s being framed for murdering a sex worker. The police case looks watertight to Ryan, but he doesn’t let that stop him spending their client’s money to see if there is a possibility he could be telling the truth.
Bringing together one of the most important bodies of research into people's working practices, this volume outlines the specific character of the ethnomethodological approach to work, providing an introduction to the key conceptual resources ethnomethodology has drawn upon in its studies, and a set of substantive chapters that examine how people work from a foundational perspective. With contributions from leading experts in the field, including Graham Button, John Hughes and Wes Sharrock, Ethnomethodology at Work explores the contribution that ethnomethodological studies continue to make to our understanding of the ways in which people actually accomplish work from day to day. As such, it will appeal not only to those working in the areas of ethnomethodology and conversation analysis, but also to those with interests in the sociology of work and organisations.
A Murderer's Legacy' is a sensational thriller with exciting and unpredictable twists and turns leading to a tense climax. The death of a Columbian drug lord leads to a series of deadly events across London and southern England. A senior Metropolitan police officer risks everything when she sees an opportunity to enrich her life. A routine surveillance operation results in a gruesome assassination. The Foreign Office is implicated in shady dealings with individuals for whom murder is no obstacle. Scotland Yard is drawn into the fray. Using unorthodox methods, maverick detective John Whiles sets about untangling the web of greed, corruption and murder.
The application of evidence-based veterinary medicine (EBVM) can assist in improving and optimising the diagnosis, prognosis, control, treatment and ultimately the welfare of animals. It can also provide the user with a methodology for appropriate, patient orientated life-long, self-directed, learning. To practise evidence-based veterinary medicine we require a range of skills that we may not have. This book explains what evidence-based veterinary medicine is and shows how it can be applied to veterinary practice to improve the quality of care for patients and provide informed choices for owners. It provides the reader with a toolkit of skills necessary to practise evidence-based veterinary medicine. This book is aimed at practitioners but will be of interest to veterinary surgeons at any stage of their training or career wishing to learn about EBVM.
This story moves around Aunt Emily, a farm lady (that would become a well known fashion designer after she moved to New York) and Phelps Durham, a writer of romance novels. In due course the two would wed. First, everybody remembers how Phelps Durham, the famous writer of romance novels, looked like in reality, not as he appeared in the yellowish pictures that Aunt Emily kept around the house: a 6:10 ft. tattooed Yankee – too tall to be a serious writer - who couldn’t fit in a normal door frame, or in a rolling door, and who could start a storm with his deep breath and crush a brick without utensils, with his bare hands or feet, if you gave him the idea that he could do it. He looked funny when Aunt Emily, who was 5.2 feet, was around. His head was like an egg decorated with a fresh crew haircut. Aunt Emily’s head was round and her face was pale. Also Phelps’ and Aunt Emily’s personalities were opposite: Aunt Emily was docile, she would listen to everybody’s talk and always make concessions, while Phelps was one of those men that thought that only his opinion was right and who could convince anybody in a couple of seconds that whatever he was saying was the only truth that there was The first chapter is dedicated to Phelps Durham only, to his passion for writing and his love for an actress Maggie – his first major flame, which he married shortly after they met in a fish market in downtown New York. Very soon their marriage fell apart. Maggie got increasingly troubled by a strange trembling (she called it “tremolo”) of her both hands. In her miserable state of mind she told Phelps one day that she didn’t want to have sex anymore, that she had enough of it. As Phelps and Maggie decided to divorce Phelps knew that he was dishonest, given that he was running away from a woman that was more than ever in need of somebody to take care of her. Chapter two is dedicated to Aunt Emily: “People ask me all the time how was Aunt Emily Wagner in reality. I confess that I don’t know everything about Aunt Emily’s family. The way I describe her in this story is how I felt she was. I began seeing her more often after her family moved and lived on a farm next to ours. When I think of Aunt Emily there are two hypostases that are very distinctive and irreconcilable. First, when she was fifteen (I was seven at that time), her beauty was like a “peach flower whispering to a spring breeze”. I found the above quotation in a small book called “How to impress a young lady with versatile poetry”. First I thought that versatile was the name of a poet. Her beauty, Aunt Emily’s, made me feel happy and also uncomfortable. I’d stand next to her and pinch her arm. I was in love with her, nobody would doubt that. As opposed to Phelps that had a modest background and worked very hard to make a living from his writing, Aunt Emily was born wealthy. Her dad used to collect vintage cars, among them a precious Rolls Royce that belonged to Winston Churchill.
From his early rise to fame to battles with his health, this revelatory memoir by legendary guitarist Peter Frampton celebrates the life of a rock icon. Do You Feel Like I Do? is the incredible story of Peter Frampton's positively resilient life and career told in his own words for the first time. His monu-mental album Frampton Comes Alive! spawned three top-twenty singles and sold eight million copies the year it was released (more than seventeen million to date), and it was inducted into the Grammy Hall of Fame in January 2020. Frampton was on a path to stardom from an early age, first as the lead singer and guitarist of the Herd and then as cofounder—along with Steve Marriott—of one of the first supergroups, Humble Pie. Frampton was part of a tight-knit collective of British '60s musicians with close ties to the Rolling Stones, the Beatles, and the Who. This led to Frampton playing on George Harrison's solo debut, All Things Must Pass, as well as to Ringo Starr and Billy Preston appearing on Frampton's own solo debut. By age twenty-two, Frampton was touring incessantly and finding new sounds with the talk box, which would become his signature guitar effect. Frampton remembers his enduring friendship with David Bowie. Growing up as schoolmates, crossing paths throughout their careers, and playing together on the Glass Spider Tour, the two developed an unshakable bond. Frampton also shares fascinating stories of his collaborative work with Harry Nilsson, Stevie Wonder, B. B. King, and members of Pearl Jam. He reveals both the blessing and curse of Frampton Comes Alive!, opening up about becoming the cover boy he never wanted to be, his overcoming sub-stance abuse, and how he has continued to play and pour his heart into his music despite an inflammatory muscle disease and his retirement from the road. Peppered throughout his narrative is the story of his favorite guitar, the Phenix, which he thought he'd lost in a fiery plane crash in 1980. But in 2011, it mysteriously showed up again—saved from the wreckage. Frampton tells of that unlikely reunion here in full for the first time, and why the miraculous reappearance is emblematic of his life and career as a quintessential artist.
About a house of discord, a husband who is a tactless philistine, a wife, cultured and artistic, and a son, afraid of his father and too dependent on his mother.
This book deploys a long-term account of political corruption in Britain to explain the phenomenon of corruption as it resides within the state and the contemporary problem of corruption denial among members of the political class. It aims to satisfy the concern about corruption and identify potential causes and significance. The book provides and account of definitions of corruption and how those definitions have changed over time. Throughout the succeeding chapters it discusses public life and how ethical considerations for public office holders have evolved over time. This book argues that corruption is not just a concern about politics and understanding corruption requires a multi-disciplinary approach: history; political science; sociology; anthropology and urban ethnography.
Following a routine interview with an MEP, Sean McManus is drawn into a world of power struggles and deception; a place where loyalties are fluid and murder is just a tool. Suddenly fighting for a cause that he’s not sure he believes in, or fully understands, Sean confronts 1930’s German ideology… in a 21st century setting, and sacrifices everything he’s ever dreamt of… for the love of a child.
Go to sleep. Save the world. .whether it needs it or not. What if those myths about dreams are true? What if a separate, equally real world exists in dreams? What if one person could transfer the limitless creativity of dreams to the physical realm, making earthly reality as flexible as his dreams? And what if this dream-manifesting neo-Merlin is a sociopath bent on shaping the world to his tattered ideals? Dive into a realm where dreams and reality seamlessly intertwine! Join suburbanite widower Alex Creaux, his best friend Rudy and dream-sprite Max on their rollercoaster ride through dream and waking-life events that uproot Alex's notions of reality. Alex's dimension-busting adventures explore the depths of dreams, power, guilt, betrayal, and love, while answering questions that he had never thought to ask. Anyone who wishes they could alter reality at the blink of a dream will call this book home. Anyone who fears those who make such wishes will call this book a must-read.
Born of the poetry wars of inner Melbourne An explosive story - of twisted mentalities and lost souls 'Irresistible. Compelling' - Millie Dickens an arc of fugitive players cast across Australia and the capitals of Europe, the US, Asia The Elsewhere Variations is a series of poems by Peter Bakowski and Ken Bolton in which themes develop, are abandoned, resurface, where poems answer, continue or oppose each other. The usual thrills of collaborative projects. But these are unusual and will get attention just on that basis - and they are variously funny, mysterious, and occasionally moving. There are eight sets of six: forty-eight poems. They begin with a lightly fictionalised account of the poetry wars of inner Melbourne - but from there they undertake a survey of human happiness, ambition and acceptance.
1. The Last Man On Earth. A comedy about a scientist who’s experiment malfuntions. It creates a shockwave that turns everyman on Earth into a homosexual. 2. Darkroom. The shockwave hits Newcastle. Photographer Clive Maxwell soon discovers that he can absorb the life force of anyone, simply by taking a photograph of them. 3. Retina. The shockwave hits Birmingham. This time it only effects 1 cctv monitor. The night shift security guard discovers if it’s tuned correctly, he can see through the eyes of a local serial killer. 4. Brink. The shockwave hits London. Now if Raylene Kaur see’s a person in black and white it means they have less than an hour to live. 5. Re - Unleashed. The shockwave is no more, that is until a terrorist attack on an underground goverment base, Creates a second wave.
Peter Stansky paints a picture of the changing world in which the Bloomsbury set moved as the watershed to a new and more open society where for example E.M. Forster could write about love between men, and new artforms were in full bloom.
This is a great American novel. However, the story of Hector's Juice starts long before America was a country. In fact it starts long before any history was written about anything. It starts at the very beginning of time and fast forwards to evolution and the beginnings of mankind. But evolution also has a spiritual side and that's where Spencer the very first guardian angel comes in. He will take you from the beginnings of man in the Great Rift Valley of Africa to the lime colored gas chamber of San Quentin State Penitentiary in California. From the beginnings of surfing (not in Hawaii) to the gunfight at the OK Corral this is a great American novel that is neither restricted to time or space.
An action adventure novel set in the late Middle Ages, The Wonderful Travels of Drake follows the journey of a young boy, Drake, who accompanies his father and uncle on a trade expedition from their home in Naples to the mysterious land of Cathay, present-day China. His taste for adventure and glory is satisfied on the journey, as he experiences the wonders of seeing foreign, exotic lands, and battles with strange creatures and hostile people that he and his party encounter. In the end, Drake becomes older and wiser, and acquires recognition of some of the wonders and perils of the world, and of life. With colorful companions ranging from monks to ship captains to revloutionaries and fierce foes such as a pack of desert jackals and a vast Mongol horde, Drakes adventures are gripping and amazing. The Wonderful Travels of Drake is an excellent tale that uses the metaphor of a fantastic journey to symbolize the deeper meaning, which is the a young boys transition from being a boy to a man.
Did the Labour Party, in Morgan Phillips' famous phrase, owe 'more to Methodism than Marx'? Were the founding fathers of the party nurtured in the chapels of Nonconformity and shaped by their emphases on liberty, conscience and the value of every human being in the eyes of God? How did the Free Churches, traditionally allied to the Liberal Party, react to the growing importance of the Labour Party between the wars? This book addresses these questions at a range of levels: including organisation; rhetoric; policies and ideals; and electoral politics. It is shown that the distinctive religious setting in which Labour emerged indeed helps to explain the differences between it and more Marxist counterparts on the Continent, and that this setting continued to influence Labour approaches towards welfare, nationalisation and industrial relations between the wars. In the process Labour also adopted some of the righteousness of tone of the Free Churches. This setting was, however, changing. Dropping their traditional suspicion of the State, Nonconformists instead increasingly invested it with religious values, helping to turn it through its growing welfare functions into the provider of practical Christianity. This nationalisation of religion continues to shape British attitudes to the welfare state as well as imposing narrowly utilitarian and material tests of relevance upon the churches and other social institutions. The elevation of the State was not, however, intended as an end in itself. What mattered were the social and individual outcomes. Socialism, for those Free Churchmen and women who helped to shape Labour in the early twentieth century, was about improving society as much as systems.
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