The five sequences of Lift Your Right Arm are minimalist novels of sorts—thought-provoking, mostly deadpan prose that is often darkly humorous. From the stark relationship studies of "Bagatelles" and "Dirty Windows" to the wry observations of "Mr. Deadman" and "A Certain Clarence," the stars of these pieces are Peter Cherches’ unique takes on Everyman and Everywoman—dead or alive—navigating a world in which very little is what it seems.
In the quarter century following the Civil War, “star courses” brought people famous for diverse pursuits before American audiences as lecturers, transforming what had been a largely educational institution into a major form of mainstream popular entertainment. No longer reliant on a rhetoric of uplift that had characterized the more sedate antebellum American lyceum movement exemplified by Ralph Waldo Emerson, Gilded-Age lecture series presented a wider range of individuals—writers, humorists, preachers, actors, scientists, and political activists—to an American public yearning to see and hear the famous and the infamous of all stripes in the flesh. Borrowing the word “star” from the theater, these national lecture tours helped to solidify an already evolving notion of celebrity through emerging public relations techniques and an expanding transportation network that transformed the lecture platform into a pre-electronic form of mass media, prefiguring much of the content of television and radio. Among the lecturers discussed are Mark Twain, the superstar cleric Henry Ward Beecher, cartoonist Thomas Nast, and African explorer Henry Morton Stanley, as well as the 19th wife of Brigham Young. Based on extensive archival research and newspaper accounts of the time, Star Course recaptures a lost chapter in American popular performance history. “In the century before television brought stars into our living rooms, celebrities crisscrossed the nation, bringing entertainment and perspectives to towns large and small. Peter Cherches, through his careful research and engaging prose, brings the stars and impresarios of the nineteenth-century lecture circuit back from the dead and gives us a front-row seat. This is an important book.” – David T.Z. Mindich, author of Just the Facts: How “Objectivity” Came to Define American Journalism and chair of Temple University’s journalism department.
In the quarter century following the Civil War, “star courses” brought people famous for diverse pursuits before American audiences as lecturers, transforming what had been a largely educational institution into a major form of mainstream popular entertainment. No longer reliant on a rhetoric of uplift that had characterized the more sedate antebellum American lyceum movement exemplified by Ralph Waldo Emerson, Gilded-Age lecture series presented a wider range of individuals—writers, humorists, preachers, actors, scientists, and political activists—to an American public yearning to see and hear the famous and the infamous of all stripes in the flesh. Borrowing the word “star” from the theater, these national lecture tours helped to solidify an already evolving notion of celebrity through emerging public relations techniques and an expanding transportation network that transformed the lecture platform into a pre-electronic form of mass media, prefiguring much of the content of television and radio. Among the lecturers discussed are Mark Twain, the superstar cleric Henry Ward Beecher, cartoonist Thomas Nast, and African explorer Henry Morton Stanley, as well as the 19th wife of Brigham Young. Based on extensive archival research and newspaper accounts of the time, Star Course recaptures a lost chapter in American popular performance history. “In the century before television brought stars into our living rooms, celebrities crisscrossed the nation, bringing entertainment and perspectives to towns large and small. Peter Cherches, through his careful research and engaging prose, brings the stars and impresarios of the nineteenth-century lecture circuit back from the dead and gives us a front-row seat. This is an important book.” – David T.Z. Mindich, author of Just the Facts: How “Objectivity” Came to Define American Journalism and chair of Temple University’s journalism department.
The five sequences of Lift Your Right Arm are minimalist novels of sorts—thought-provoking, mostly deadpan prose that is often darkly humorous. From the stark relationship studies of "Bagatelles" and "Dirty Windows" to the wry observations of "Mr. Deadman" and "A Certain Clarence," the stars of these pieces are Peter Cherches’ unique takes on Everyman and Everywoman—dead or alive—navigating a world in which very little is what it seems.
This unique and encyclopedic reference work describes the evolution of the physics of modern shock wave and detonation from the earlier and classical percussion. The history of this complex process is first reviewed in a general survey. Subsequently, the subject is treated in more detail and the book is richly illustrated in the form of a picture gallery. This book is ideal for everyone professionally interested in shock wave phenomena.
Antiquarian, lawyer, and cat lover Nicolas Fabri de Peiresc (1580–1637) was a “prince” of the Republic of Letters and the most gifted French intellectual in the generation between Montaigne and Descartes. From Peiresc’s study in Aix-en-Provence, his insatiable curiosity poured forth in thousands of letters that traveled the Mediterranean, seeking knowledge of matters mundane and exotic. Mining the remarkable 70,000-page archive of this Provençal humanist and polymath, Peter N. Miller recovers a lost Mediterranean world of the early seventeenth century that was dominated by the sea: the ceaseless activity of merchants, customs officials, and ships’ captains at the center of Europe’s sprawling maritime networks. Peiresc’s Mediterranean World reconstructs the web of connections that linked the bustling port city of Marseille to destinations throughout the Western Mediterranean, North Africa, the Levant, and beyond. “Peter Miller’s reanimation of Peiresc, the master of the Mediterranean, is the best kind of case study. It not only makes us appreciate the range and richness of one man’s experience and the originality of his thought, but also suggests that he had many colleagues in his deepest and most imaginative inquiries. Most important, it gives us hope that their archives too will be opened up by scholars skillful and imaginative enough to make them speak to us.” —Anthony Grafton, New York Review of Books
There are few more sensitive or important policy areas in the world today, and that means this book is a hugely relevant and timely one. Written by practice-oriented political scientists from various universities in Europe and the rest of the world, this book is a testimony to both policy and the evolution of policy analyses over the last 25 years. On the basis of empirical observations all contributions have attempted to develop new conceptual perspectives for environmental policy analyses which furthermore can be generalized and applied to other policy fields.
Contains thirty-three papers, twelve with illustrations, by leading scholars in Medieval Codicology and Iconography, in Humanist Translations and in Medieval French, Early English, and Medieval Irish Literatures. Each throws new light on particular problems in a specialism.
This closely focused study of the inner movements, dynamic tensions and tactile richness of an intensely sensual but deeply searching poetry, is the first full-length monograph devoted to one of France’s foremost contemporary woman poets. Marie-Claire Bancquart’s work explores, primarily through the vulnerabilities and sensitivities of the body (hence this book’s ‘carnal’ title), the possibility of releasing a cry: a salvation of language and spirit from indifference, abstraction and dehumanisation, a celebration of a moment’s reunion with the recreative vitality of the physical universe, an act of love in its most private yet cosmic expression. Bancquart has described her language as a ‘braille of the living’: minimal, interrupted and riddled with obscurities and gaps of the unsayable, but apprehending the world and composing its significance in a singularly tactile translation. This study will appeal to those keen to discover one of the most original voices of present-day European poetry, the distinctive poetic resonances of one of its most self-aware and vibrant female sensibilities, and the provocative orientations of ‘new writing’ traversed by the dilemmas and paradoxes of our own era.
Surveying the current state of knowledge on the international monetary system, this volume contains essays on the behaviour of exchange rates, current account adjustment, international debt, European monetary union, capital mobility, the reform of former planned economies, and more.
En France, tout finit par des chansons' is the well-known phrase which sums up the importance of chanson for the French. A song tradition that goes back to the Middle Ages and troubadours of the twelfth and thirteenth centuries, chanson is part of the texture of everyday life in France - a part of the national identity and a barometer of popular taste. In this first study of chanson in English, Peter Hawkins examines the background to the genre and the difficulties in defining what is and what is not chanson. The focus then moves to the development of the singer-songwriter of chanson from 1880 to the present day. This period saw the emergence of national icons from Aristide Bruant at the end of the nineteenth century through to internationally recognized musicians such as Jacques Brel and Serge Gainsbourg. Each of these figures used chanson to express the particular moral dilemmas, tragic situations and moments of euphoria particular to themselves and their times. The book provides bibliographies, discographies and details of video recordings for each of the singer-songwriters that it discusses. It is both an essential reference guide to the genre and a useful case history of the adaptation of an ancient form to the demands of the modern mass media.
Peter Partner is an established scholar, qualified by his research on The Papal State Under Martin Vand The Lands of St. Peterto write this general book on Renaissance Rome. The titles of the chapters of the book are tantalizing, and they indicate the breadth of issues under review: politics, economics, population, "noble life" and "daily life", and, finally, "the spirit of a city and the spirit of an age." No similar, recent study exists for Rome, and Partner's book responds to a genuine need. The book is written with wit and good style, and it contains a great deal of information . . . "--John W. O'Malley, University of Detroit, Canadian Journal of History, 13(1), pp. 115 - 116.
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