Racing between Sydney, New York, Seville and London, The Burning Time is an intelligent, timely and fast-paced thriller for the twenty-first century. ⭐ A FINANCIAL TIMES Best New Thriller 2023 ⭐ READERS ARE GRIPPED BY THE BURNING TIME: 'A real page-turner. Fast-paced chapters take us around the globe as the story develops' ⭐⭐⭐⭐⭐ 'A gripping story of twists and surprises' ⭐⭐⭐⭐⭐ 'A dazzling blend of plausibility and excitement' ⭐⭐⭐⭐⭐ Australian inventor and geoengineer Clive Winner is the genius who brought the Great Barrier Reef back from the brink, yet his ambition goes well beyond that. He wants to save the planet. For the all-powerful fossil-fuel industry, Winner is their 'get out of jail free card'. If he can engineer a solution to climate change, business can continue as usual. When old-school journalist William Carver is tipped off by a trusted Whitehall source that climate scientists have begun to go missing in suspicious circumstances, his gut instinct tells him to follow the story. It rapidly becomes clear that scientists, green campaigners and well-intentioned politicians are in the firing line; William Carver and his colleagues must move fast to find out who is behind the disappearances. They know the journalist's job is to speak truth to power - but first you must uncover that truth and this time it's buried deeper than ever. H2PRAISE FOR THE BURNING TIME:H2 'Smart and topical' Financial Times 'A compelling, fast-paced thriller' Sun 'Deftly plotted . . . a propulsive read' Straits Times 'This adrenaline-laced adventure packs a mighty punch' Irish Independent 'A brilliant thriller with a timely and essential reminder of what journalism is supposed to be' James O'Brien, LBC
IF THE GOVERNMENT IS AGAINST YOU, WHO CAN YOU TRUST? 'Gripping' CHARLES CUMMING 'Tight, pacy and strong on atmosphere' MICHAEL PALIN 'Completely unputdownable' SEB EMINA 'Hugely accomplished' IRISH INDEPENDENT Veteran BBC reporter William Carver is in Cairo, bang in the middle of the Arab Spring. 'The only story in the world' according to his editor. But it isn't. There's another story, more significant and potentially more dangerous, and if no one else is willing to tell it, then Carver will - whatever the consequences. A Single Source tells two stories, which over a few tumultuous months come together to prove inextricably linked. There are the dramatic, world-changing events as protests spread across North Africa and the Middle East, led by a new generation of tech-savvy youngsters challenging the corrupt old order. And then there are two Eritrean brothers, desperate enough to risk everything to make their way across the continent to a better life in Europe. The world is watching, but its attention span is increasingly short. Carver knows the story is a complex one and, in the age of Facebook, Twitter and rolling news, difficult stories are getting harder to tell. If everyone is a reporter, then who do you believe? 'Draws you in from the first line and keeps you guessing until, literally, the very last' ALLAN LITTLE 'Thrilling' DAME ANN LESLIE 'The real deal' KIRSTY WARK 'Compulsive and terrifying in equal measure' KATE HAMER 'Gut-wrenching' EDWARD STOURTON 'A fast-moving tale of shifting loyalties and betrayal' CRIME REVIEW 'Written with skill and humanity' SHOTS MAG
A selection of plays by "one of the most original and biting comic writers working in Britain" (The Times) The Spirit of Man is "an ingenious triple-bill exploring Man's need for faith through three short satires based in medieval France, Protectorate England and nineteenth-century Eastern Europe" (Independent); Nobody Here But Us Chickens is a linked trilogy of satires on New Age, corporate and bedroom politics. Red Noses is a political satire about the plague and takes place in 1348. Set in medieval Italy during a crisis in the Church, Sunsets and Glories is "a work of the highest and most thrilling theatrical energy" (Independent on Sunday), whilst Bye Bye Columbus is a "highly entertaining" (Guardian) television play. "Peter Barnes is one of the unrecognised geniuses of the English theatre" (Plays and Players)
An intimate portrait of the brilliant actor, who has been dubbed the "sexiest man alive," traces his life and career, from his tumultuous childhood as an Irish outcast in England, to his rise to fame, detailing the many trials and tribulations that have molded him into the man he is today.
When his novel Killing Mister Watson was published in 1990, the reviews were extraordinary. It was heralded as "a marvel of invention . . . a virtuoso performance" (The New York Times Book Review) and a "novel [that] stands with the best that our nation has produced as literature" (Los Angeles Times Book Review). Now Peter Matthiessen brings us the second novel in his Watson trilogy, a project that has been nearly twenty years in the writing. A story of epic scope and ambition, Lost Man's River confronts the primal relationship between a dangerous father and his desperate sons and the ways in which his death has shaped their lives. Lucius Watson is obsessed with learning the truth about his father. Who was E. J. Watson? Was he a devoted family man, an inspired farmer, a man of progress and vision? Or was he a cold-blooded murderer and amoral opportunist? Were his neighbors driven to kill him out of fear? Or was it envy? And if Watson was a killer, should the neighbors fear the obsessed Lucius when he returns to live among them and ask questions? The characters in this tale are men and women molded by the harsh elements of the Florida Everglades--an isolated breed, descendants of renegades and pioneers, who have only their grit, instinct, and tradition to wield against the obliterating forces of twentieth-century progress: Speck Daniels, moonshiner and alligator poacher turned gunrunner; Sally Brown, who struggles to escape the racism and shame of her local family; R. B. Collins, known as Chicken, crippled by drink and rage, who is the custodian of Watson secrets; Watson Dyer, the unacknowledged namesake with designs on the remote Watson homestead hidden in the wild rivers; and Henry Short, a black man and unwilling member of the group of armed island men who awaited E. J. Watson in the silent twilight. Only a storyteller of Peter Matthiessen's dazzling artistry could capture the beauty and strangeness of life on this lawless frontier while probing deeply into its underlying tragedy: the brutal destruction of the land in the name of progress, and the racism that infects the heart of New World history.
In the Planet Earth Year 3400pc the Earth Federation dispatched Spaceship Odysseus on a galactic exploration mission intended to locate viable planets suitable for the resettlement of Planet Earth's surplus populations. Two years later, at the edge of the stagnant zone, Planet Cimarron appeared to be an ideal location, but all was not what it seemed. Crew personality conflicts and accidents intervened to bring disaster and rewards as the survivors established themselves and refused to be rescued.
“Pushes urban fantasy noir to its logical extreme by casting the resurrected body of Christ—now called Cross—as an angel-slaying, wise-cracking antihero.” —Publishers Weekly For thousands of years, Cross has wandered the earth, a mortal soul trapped in the undying body left behind by Christ. He’s been a thief, a con man, a soldier, and a drunkard. He’s fought as a slave in the Colosseum and as a knight at King Arthur’s side. But now he must play the part of reluctant hero, as an angel comes to him for help finding the Mona Lisa—the real Mona Lisa that inspired the painting. Cross’s quest takes him into a secret world within our own, populated by characters just as strange and wondrous as he is. Haunted by memories of Penelope—the only woman he truly loved—he wants to avenge her death at the hands of his ancient enemy, Judas, a forgotten god from an ancient time. The angel promises to deliver Judas to Cross, but nothing is ever what it seems when Judas is involved, and when a group of renegade angels looking for a new holy war show up, things truly go to hell. “A deliriously unhinged roller coaster of a novel, blending fantasy, history, horror and humour with the aplomb of an overfull blender, but all of it smarter than it, truly, has any right—or need—to be.” —National Post “Sweeps you up with its gallows humour, whether you’re revelling in the pleasures of two-fisted, angel-punching action or the cleverly rendered language.” —Quill & Quire “Takes urban fantasy to a different level with this tale of conspiracy and confession.” —Library Journal
*ONE OF 40 BOOKS FOR SUMMER* 'gripping'- iNews 'A panoramic thriller ...chockful of vivid characters' THE SUNDAY TIMES 'An intriguing, timely and unsettling new thriller' SAM BOURNE 'Catapults you from first word to last... pacy, sinister and timely read' ALAN JUDD 'Another page-turner from a writer who can take you into gripping worlds, real and virtual.' MISHAL HUSAIN 'The dark world of private cyber-surveillance crackles off the page - full of jeopardy and suspense.' ALLAN LITTLE KNOWLEDGE IS POWER. AND THEY KNOW EVERYTHING. The tech company Public Square believes in 'doing well by doing good'. It's built a multi-billion dollar business on this philosophy and by getting to know what people want. They know a lot. But who else can access all that information and what are they planning to do with it? Radio reporter William Carver is an analogue man in a digital world. He isn't the most tech-savvy reporter, he's definitely old school, but he needs to learn fast - the people he cares most about are in harm's way. From the Chilean mines where they dig for raw materials that enable the tech revolution, to the streets of Hong Kong where anti-government protesters are fighting against the Chinese State, to the shiny research laboratories of Silicon Valley where personal data is being mined everyday - A Cursed Place is a gripping thriller set against the global forces that shape our times. 'A true page turner - highly recommended'. TORTOISE
SMALL time journalists with big time ambitions weave a trail of distress, mayhem, double standards, dirty tricks and binge drinking through the community they serve. The Knock is a work of fiction, set in the north of England, extrapolated from the realities of the work of front line regional newspaper news reporters and the sort of situations they face on a daily basis and the sort of people they are, and can become, when dealing with these situations.
First published in 1974. Routledge is an imprint of Taylor & Francis, an informa company. Graham Balfour, in a lecture delivered in February 1921, first drew attention to the growing importance of the elementary school manager in the system of educational administration during the period with which this study is concerned: “Local administrators of education, other than trustees a hundred years ago, there were none. Indeed it is very curious how imperceptibly that important figure of the latter half of the nineteenth century, the School Manager, steals into existence.
This book challenges the commonly held theory that American workers had a far superior standard of living than their European counterparts in the early twentieth century. Peter R. Shergold bases his study on the cities of Pittsburgh, Pennsylvania and Birmingham, England, and compares statistical data on wage rates, labor hours, family income, retail prices, diet and budgets. He also presents information from medical investigators, travelers, charity workers, business organizations, diaries, speeches and a wide variety of other sources to breathe human life into his statistical data. Shergold reveals that skilled Americans did earn higher wages than the British, yet unskilled workers did not, while Americans worked longer hours, with a greater chance of injury, and had fewer social services.
NATIONAL BOOK AWARD WINNER • “Altogether gripping, shocking, and brilliantly told, not just a tour de force in its stylistic range, but a great American novel, as powerful a reading experience as nearly any in our literature.”—Michael Dirda, The New York Review of Books Killing Mister Watson, Lost Man’s River, and Bone by Bone—Peter Matthiessen’s great American epic about Everglades sugar planter and notorious outlaw E. J. Watson on the wild Florida frontier at the turn of the twentieth century—were originally conceived as one vast, mysterious novel. Now, in this bold new rendering, Matthiessen has marvelously distilled a monumental work while deepening the insights and motivations of his characters with brilliant rewriting throughout. Praise for Shadow Country “Magnificent . . . breathtaking . . . Finally now we have [this three-part saga] welded like a bell, and with Watson’s song the last sound, all the elements fuse and resonate.”—Los Angeles Times “Peter Matthiessen has done great things with the Watson trilogy. It’s the story of our continent, both land and people, and his writing does every justice to the blood fury of his themes.”—Don DeLillo “The fiction of Peter Matthiessen is the reason a lot of people in my generation decided to be writers. No doubt about it. Shadow Country lives up to anyone’s highest expectations for great writing.” —Richard Ford “Shadow Country, Matthiessen’s distillation of the earlier Watson saga, represents his original vision. It is the quintessence of his lifelong concerns, and a great legacy.”—W. S. Merwin “[An] epic masterpiece . . . a great American novel.”—The Miami Herald
“Wonderfully entertaining . . . This distinctive first novel goes down like a chocolate milkshake but boasts the sharpness and finesse of a complex wine” (Publishers Weekly). Gilbert Grape is a twenty-four-year-old grocery store clerk stuck in Endora, Iowa, where the population is 1,091 and shrinking. After the suicide of Gilbert’s father, his family never fully recovered. Once the town beauty queen, Gilbert’s mother is now morbidly obese and planted eternally in front of the TV; his younger sister has recently turned both boy-crazy and God-fearing, while his older sister sacrifices everything for her family. And then there’s Arnie, Gilbert’s younger brother with special needs. With no one else to care for Arnie, Gilbert becomes his brother’s main parent, and all four siblings must tend to the needs of their helpless, grieving mother. So Gilbert is in a rut—until a mysterious new girl named Becky arrives in this small town. As his family gathers for Arnie’s eighteenth birthday, Gilbert finds himself at a crossroads . . . This “completely original” portrait of a family (The New York Times), “charged with sardonic intelligence” (The Washington Post Book World), was the basis for a film starring Johnny Depp and Leonardo DiCaprio, and stands as one of the most memorable novels of recent decades. “Sometimes funny, sometimes sad . . . and always engaging.” —The Atlantic “By the book’s exhilaratingly luminous ending . . . we have already been mesmerized.” —The Philadelphia Inquirer “A funny, touching, caring first novel whose characters are familiar and moving in spite of (or perhaps because of) their peculiarities.” —Booklist
Eclectic criticism and insightful observations from “one of the most respected cultural historians working today” (Ronald A. Wells, Professor of History Emeritus, Calvin College). “From cowboy philosopher Will Rogers to popular perceptions of two world wars and Vietnam, from the history of language to the language of film and television, Peter Rollins has devoted his career to exploring the intriguing ways in which the creative impulse both shapes and reflects American culture. His observations are fresh, illuminating and of enduring value.” —John E. O’Connor, co-founder/editor of Film & History: An Interdisciplinary Journal of Film and Television Studies “Examines the roles of language, satire, and film in reflecting the American consciousness through such diverse sources as Orestes Brownson, Benjamin Lee Whorf, Will Rogers, and Hollywood. Readers of America Reflected are in for a delightful voyage as they travel through American history and culture with Peter Rollins as their guide providing personal and scholarly insights into the shaping of the American mind.” —Ron Briley, editor of The Politics of Baseball: Essays on the Pastime and Power at Home and Abroad “Even those who have known and admired Peter Rollins’s acclaimed works will here find enlightening surprises. Epistemology, language theory, war’s polemics, filmed history, and an array of significant creators of American culture are all elegantly displayed. This book will make you a wiser person and charm you while it does it.” —John Shelton Lawrence, Emeritus Professor of Philosophy, Morningside College “Two decades ago I was privileged to work on a book, America Observed, with Alistair Cooke. Now we have America Reflected by Peter Rollins . . . Not only does Rollins make good observations about our lives and times, his reflections on a diverse set of subjects helps us to see the meanings of our observations.” —Ronald A. Wells, Professor of History Emeritus, Calvin College “Rollins gathers together glimpses of our shared worlds, so that we may observe their interconnections across media, genres, and time. From down-home values and front-porch philosophy, to tales of wars and chronicles of lives, the subjects considered here are all part of the stories we tell about ourselves and our social worlds.” —Cynthia J. Miller, President, Literature/Film Association
A collection of work that attempts to reflect the diversity of travel literature from the late 18th and early 19th centuries. This literature often reveals something of the cultural and gender difference of the travellers, as well as ideas on colonialism, anthropology and slavery.
A SUNDAY TIMES THRILLER OF THE MONTH 'HANINGTON EXCELS... THERE ARE NODS TO LE CARRE, BUT HIS IMPRESSIVE DEBUT IS HIS OWN THING' The Sunday Times 'THOUGHTFUL, ATMOSPHERIC AND GRIPPINGLY PLOTTED' Guardian 'IMPRESSIVE... HANINGTON HAS TRUE TALENT' The Times 'TREMENDOUS' William Boyd 'ENTHRALLING' Michael Palin 'AMAZINGLY GRIPPING' Melvyn Bragg 'A BELTING GOOD READ' A.L. Kennedy 'I LOVED EVERY MINUTE IN THIS BOOK'S COMPANY' Fi Glover 'A NATURAL STORYTELLER' John Humphrys 'DEEPLY INTELLIGENT' Will Gompertz Kabul, Afghanistan. In a brilliantly plotted contemporary thriller with echoes of Graham Greene and John le Carré, William Carver, a veteran but unpredictable BBC hack, is thrown into the unknown when a bomb goes off killing a local official. Warned off the story from every direction, Carver won't give in until he finds the truth. Patrick, a young producer, is sent out on his first foreign assignment to control the wayward Carver, but as the story unravels it looks like the real story lies between the shadowy corridors of the BBC, the perilous streets of Kabul and the dark chambers of Whitehall. Set in a shadowy world of dubious morality and political treachery, A Dying Breed is a gripping novel about journalism in a time of war, about the struggle to tell the stories that need to be told - even if it is much easier not to. *And William Carver returns in Peter Hanington's A Single Source and A Cursed Place - out now*
The third revised and enlarged edition contains discussions of British, Irish and American literary works up to 2020. Focussing on outstanding writings in prose, poetry, drama and non-fiction, the book covers the time from the Anglo-Saxon period to the 21st century. The feature that makes this literary history unique among its rivals is the coverage of television/web series as a particular form of postmodern drama. The chapters on recent drama now contain detailed analyses of the development of TV and web series from Britain, Ireland and America, with extensive discussions of those series now considered classics. In addition, there are several major innovative features. To begin with, each century is introduced by a survey of the socio-political and cultural backgrounds in which the literary works are embedded. Furthermore, extensive visual material (more than 160 engravings, cartoons and paintings) has been integrated. This visual aspect as well as the introductory sections on art for each century give the reader an excellent idea of the symbiosis between visual and literary representations. Further innovative aspects include - discussions of non-fictional works from literary criticism and theory, travel writing, historiography, and the social sciences - analyses of such popular genres as crime fiction, science fiction, fantasy, the Western, horror fiction, and children’s literature - footnotes explaining technical and historical terms and events - a detailed glossary of literary terms - chronological tables for British/Anglo-Irish and American literatures an updated (cut-off date 2020), extensive bibliography containing suggestions for further reading
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