A “wide-ranging and sophisticated anthology” comparing theaters of war to wars in the movie theater (Dennis Showalter, author of Patton and Rommel). Why We Fought makes a powerful case that film can be as valuable a tool as primary documents for improving our understanding of the causes and consequences of war. A comprehensive look at war films, from depictions of the American Revolution to portrayals of September 11 and its aftermath, this volume contrasts recognized history and historical fiction with the versions appearing on the big screen. The text considers a selection of the pivotal war films of all time, including All Quiet on the Western Front, Sands of Iwo Jima, Apocalypse Now, Platoon, and Saving Private Ryan—revealing how film depictions of the country’s wars have shaped our values, politics, and culture, and offering a unique lens through which to view American history. Named as a Choice Outstanding Academic Title
Eclectic criticism and insightful observations from “one of the most respected cultural historians working today” (Ronald A. Wells, Professor of History Emeritus, Calvin College). “From cowboy philosopher Will Rogers to popular perceptions of two world wars and Vietnam, from the history of language to the language of film and television, Peter Rollins has devoted his career to exploring the intriguing ways in which the creative impulse both shapes and reflects American culture. His observations are fresh, illuminating and of enduring value.” —John E. O’Connor, co-founder/editor of Film & History: An Interdisciplinary Journal of Film and Television Studies “Examines the roles of language, satire, and film in reflecting the American consciousness through such diverse sources as Orestes Brownson, Benjamin Lee Whorf, Will Rogers, and Hollywood. Readers of America Reflected are in for a delightful voyage as they travel through American history and culture with Peter Rollins as their guide providing personal and scholarly insights into the shaping of the American mind.” —Ron Briley, editor of The Politics of Baseball: Essays on the Pastime and Power at Home and Abroad “Even those who have known and admired Peter Rollins’s acclaimed works will here find enlightening surprises. Epistemology, language theory, war’s polemics, filmed history, and an array of significant creators of American culture are all elegantly displayed. This book will make you a wiser person and charm you while it does it.” —John Shelton Lawrence, Emeritus Professor of Philosophy, Morningside College “Two decades ago I was privileged to work on a book, America Observed, with Alistair Cooke. Now we have America Reflected by Peter Rollins . . . Not only does Rollins make good observations about our lives and times, his reflections on a diverse set of subjects helps us to see the meanings of our observations.” —Ronald A. Wells, Professor of History Emeritus, Calvin College “Rollins gathers together glimpses of our shared worlds, so that we may observe their interconnections across media, genres, and time. From down-home values and front-porch philosophy, to tales of wars and chronicles of lives, the subjects considered here are all part of the stories we tell about ourselves and our social worlds.” —Cynthia J. Miller, President, Literature/Film Association
Freddie Maas's revealing memoir offers a unique perspective on the film industry and Hollywood culture in their early days and illuminates the plight of Hollywood writers working within the studio system. An ambitious twenty-three-year-old, Maas moved to Hollywood and launched her own writing career by drafting a screenplay of the bestselling novel The Plastic Age for ""It"" girl Clara Bow. On the basis of that script, she landed a staff position at powerhouse MGM studios. In the years to come, she worked with and befriended numerous actors and directors, including Norma Shearer, Joan Crawford, and Eric von Stroheim, as well as such writers and producers as Thomas Mann and Louis B. Mayer. As a professional screenwriter, Fredderica quickly learned that scripts and story ideas were frequently rewritten and that screen credit was regularly given to the wrong person. Studio executives wanted well-worn plots, but it was the writer's job to develop the innovative situations and scintillating dialogue that would bring to picture to life. For over twenty years, Freddie and her friends struggled to survive in this incredibly competitive environment. Through it all, Freddie remained a passionate, outspoken woman in an industry run by powerful men, and her provocative, nonconformist ways brought her success, failure, wisdom, and a wealth of stories, opinions, and insight into a fascinating period in screen history.
Updated to keep pace with the latest data and statistics, Drugs and Society, Thirteenth Edition, contains the most current information available concerning drug use and abuse. Written in an objective and user-friendly manner, this best-selling text continues to captivate students by taking a multidisciplinary approach to the impact of drug use and abuse on the lives of average individuals.
Updated to keep pace with the latest data and statistics, Drugs and Society, Thirteenth Edition, contains the most current information available concerning drug use and abuse. Written in an objective and user-friendly manner, this best-selling text continues to captivate students by taking a multidisciplinary approach to the impact of drug use and abuse on the lives of average individuals.
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