In 1967, Peter Bart, then a young family man and rising reporter for the New York Times, decided to upend his life and enter the dizzying world of motion pictures. Infamous Players is the story of Bart's whirlwind journey at Paramount, his role in its triumphs and failures, and how a new kind of filmmaking emerged during that time. When Bart was lured to Paramount by his friend and fellow newcomer, the legendary Robert Evans, the studio was languishing, its slate riddled with movies that were out of touch with the dynamic sixties. By the time Bart left Paramount, in 1975, the studio had completed a remarkable run, with films such as The Godfather, Rosemary's Baby, Harold and Maude, Love Story, Chinatown, Paper Moon, and True Grit. But this new golden era at Paramount was also fraught with chaos and company turmoil. Drugs, sex, runaway budgets, management infighting, and even the Mafia found their way onto the back lot, making Paramount surely one of the most unpredictable, even bizarre, studios in the history of the movie industry. Bart reflects on Paramount's New Hollywood era with behind-the scenes details and insightful analysis; here too are his fascinating recollections of the icons from that time: Warren Beatty, Steve McQueen, Robert Redford, Clint Eastwood, Jack Nicholson, Marlon Brando, Al Pacino, Francis Ford Coppola, Roman Polanski, and Frank Sinatra, among others. For over four decades, first on the inside as a studio executive and later as the longtime editor in chief of Variety, Peter Bart has viewed Hollywood from an incomparable vantage point. The stories he tells and the lessons we learn from Infamous Players are essential for anyone who loves movies.
Memo to: Filmmakers, Dealmakers, Scribes, Stars, Suits, and Readers Who killed Hollywood? Who's responsible for studios hellbent on assembly-line "event" pictures? Why are production costs so high that no one can take artistic risks? Who decided that the studios should be a development arm of them parks? What happened to putting actual stories with characters onscreen? And while we're at it, what happened to taste? Where are the believable human characters buried? Are all the execs out of control? How does so much money get spent for so little? Who Killed Hollywood? is a passionate love/hate letter to the film industry. In it, Peter Bart pulls together his best columns form Variety and GQ. He groups them, juxtaposes them, and interprets them, outlining in detail the history and inner workings of Hollywood. This could only be done by someone powerful enough to phone an star or head of studio and have his calls taken on the first ring. In story after story, Bart shows how the major studios have diverted their energies away from production of the shrewdly crafted pictures that once made the industry powerful. There isn't, for example, much range or innovation in the movies. There is only a handful of salable subjects-natural disasters, aliens, dinosaurs, ghosts, monsters, or any combination thereof. All the subjects easily parlayed into theme-park environments, action figures, video games, and clothing lines. Similarly, since Jaws twenty years ago, there's been a very short list of acceptable settings. The 1998 Academy Award nominations for best picture all went to films set in Elizabethan times or during World War II. A few years ago it looked as though Pulp Fiction and other independent films were going to save showbiz. Now independent producers like Miramax and New Line have been acquired by conglomerates. Who and what will resurrect Hollywood? Peter Bart has the answers.
A look at the new Hollywood by the longtime editor-in-chief of Variety. The ultimate insider follows the winners and losers of Hollywood's 1998 Summer Season. Welcome to Hollywood, where gambling is a way of life -- and the wagers run into the hundreds of millions of dollars. But in the summer of 1998 all bets are off. The man who knows every mover, shaker, and faker explains why no one can explain the surprising season. Peter Bart goes behind the scenes like no one can to track the summer movies from development through release. He will reveal why "Godzilla" could never live up to its hype; how intense rivals Robert Redford and Warren Beatty saw their worst nightmares come true when they went head-to-head at the box office; how Jim Carrey's "Truman Show" stole the show; and how Steven Spielberg regained his title of king of the summer in a season where sleepers upset would-be blockbusters. While asteroid movies were colliding with each other, a billionaire newcomer was making superhuman attempts to resuscitate a moribund Universal Studios. With interviews from studio executives, producers, directors, agents, and stars, Peter Bart unveils the winners and losers in the new Hollywood, where creativity and commerce hang in a precarious balance.
In the bestselling tradition of Indecent Exposure and Final Cut, Peter Bart--a production executive at MGM in 1983 and 1984--gives an inside r's account of how the once-great movie studio was destroyed by a Las Vegas financier and the series of incompetant studio heads he hired. 8-page photo insert.
Veteran Hollywood production designer Peter Wooley's hilarious account of his behind-the-scenes adventures with the likes of Katherine Hepburn, Mel Brooks, Robert Redford, & the movies.
In this "pathology of planning," Peter Hall briskly recounts the histories of five great planning disasters and two near-disasters and analyzes the decisions of the professional bureaucrats, community activists, and politicians involved in the planning process. He draws on an eclectic body of theory from political science, economics, ethics, and long-range future forecasting to suggest ways to forestall such grand mistakes in the future. For this edition, Hall has added a special introduction in which he reflects further on the sequels to these cautionary tales and on the morals planners and citizens should draw from them. Book jacket.
PI3K has become a very intense area of research, with over 2000 publications on PI3K in PubMed for 2009 alone. The expectations for a therapeutic impact of intervention with PI3K activity are high, and progress in the clinical arena is being monitored by many. However, targeted therapies almost invariably encounter roadblocks, often exposing unresolved questions in the basic understanding of the target
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.