In this extraordinary and ambitious book, Peter Lake examines how different sections of sixteenth- and early seventeenth-century England - protestant, puritan and catholic, the press and the popular stage - sought to enlist these pamphlets to their own ideological and commercial purposes.".
The City of Your Final Destination is a touching, clever and wonderfully comic novel from Peter Cameron, now a major motion picture starring Anthony Hopkins, Laura Linney, and Charlotte Gainsbourg. Omar Razaghi posts a letter on September 13, 1995 that will change the course of his life forever. A doctoral student at the University of Kansas, he writes to the estate of the Latin American author Jules Gund, requesting permission to write Gund's authorized biography. His request is refused, but Omar has already accepted a fellowship from the university, and with his girlfriend's vehement encouragement, he goes in person to Uruguay to petition to Gund's three executors. Although Caroline Gund, Jules' wife, and Arden Langdon, Jules' mistress and mother of his child, are initially opposed to the idea of a biography, Omar has the support of Adam, Jules' older brother, and hopes to be able to persuade the two women. Omar's unexpected arrival in Uruguay reverberates through this odd and isolated little family group, and his stay in the languid, dreamy Ochos Rios makes him question his former life in Kansas, and his ability-even his desire-to write an "authorized" life.
The Planet Deorl had exploded; although the event was both predicted and expected, the timing was not. The final actions of politicians dictated that a fortunate few escaped. A small craft which survived the Planets destruction is limping through space; instruments severely damaged and fuel almost expended. The optimism and faith of its captain are also practically exhausted; the appearance of two planets presents an unexpected choice. A decision is made and they crash land on the first planet which initially appears to offer salvation and the opportunity to establish a colony. An introduction to the group of survivors and a number of highly personal situations, although outside of contemporary experience, contains sufficient familiarity to place the reader in situ and to perhaps question their own faith and morality.
A humorous, vampire-themed fantasy action novel, that shifts between the 17th century and today.Opening upon the high seas in the 17th century, the vampire pirate ship, Bloodcrow, ambushes a merchant vessel. The screams of the dying and the thunder of the cannons from the attack have barely stopped revebrating when Nicholas Arden discovers he is in a love triangle with his betrothed, Sarah, and his own cousin, the charming ship captain, John Foulkes. While brooding over his loss, the ship is wrecked amongst reefs in a violent storm. Thrown overboard, Arden washes ashore only to discover a mysterious substance that gives him the knowledge to enable revenge. Fuming in helpless rage, Foulkes adopts the name of his ship Bloodcrow as his nom de guerre and he vows revenge on Arden when they eventually meet again, ensuring that the ramifications of Arden’s decision will haunt the human race for eternity. Moving to the present day..... Arden is now called Starbuck and is part of an elite crack force that is sent to recuse the British Foreign Secretary and his Russian counterpart when they are abducted from high level talks... Could it be that Bloodcrow and the vampires are behind the abduction? The ensuring battles claim victims galore on both sides and Starbuck must finally defeat Bloodcrow once and for all.
English Drama before Shakespeare surveys the range of dramatic activity in English up to 1590. The book challenges the traditional divisions between Medieval and Renaissance literature by showing that there was much continuity throughout this period, in spite of many innovations. The range of dramatic activity includes well-known features such as mystery cycles and the interludes, as well as comedy and tragedy. Para-dramatic activity such as the liturgical drama, royal entries and localised or parish drama is also covered. Many of the plays considered are anonymous, but a coherent, biographical view can be taken of the work of known dramatists such as John Heywood, John Bale, and Christopher Marlowe. Peter Happé's study is based upon close reading of selected plays, especially from the mystery cycles and such Elizabethan works as Thomas Kyd's The Spanish Tragedy. It takes account of contemporary research into dramatic form, performance (including some important recent revivals), dramatic sites and early theatre buildings, and the nature of early dramatic texts. Recent changes in outlook generated by the publication of the written records of early drama form part of the book's focus. There is an extensive bibliography covering social and political background, the lives and works of individual authors, and the development of theatrical ideas through the period. The book is aimed at undergraduates, as well as offering an overview for more advanced students and researchers in drama and in related fields of literature and cultural studies.
Britain is blessed with remarkable scenery and a wealth of history, and there is no better way to explore it than on foot. Although long distance walking is easy for the young and fit, for others it may not be so. This is a story of how a group of walkers, the majority of whom were in their seventh decade, walked from Hampshire to Iona, and what they discovered about this spectacular island along the way. The book is lavishly illustrated with photographs, most of which were taken during the walk. The walk was accomplished over one week in May every year for 5 years. Timings and routes are detailed and both the human and natural history of the places visited is explored. Starting in Hampshire, the walkers headed northwest, along the Thames, through the Cotswolds and into the Midlands. Then they followed the Pennines through the Peak District, Yorkshire Dales and the Northumbrian hinterland. From Lindisfarne the walkers headed to Scotland, traversing in turn the Borders, Southern Uplands, Glasgow, Western Highlands and over to Iona via Mull. All were amazed at how much ground could be covered and all returned with a much deeper understanding of Britain than when they had
He argues that despite recent influential historicizations of English Renaissance literature, we still need a nuanced understanding of the ways in which "degree," the structure of social distinctions in Renaissance England, was symbolized in the period's literature.
First published in 1990, the aim of this book is to reveal the William Shakespeare whose life has been obscured by centuries of literary mythology. It unravels a series of strands in order to understand the man and the major influences which shaped his life and writing. The first part advances the thesis that his relationship with his father directly influenced the character of Falstaff — helping to not only explain key events in his father’s life but also critical events in his own biography. This thesis not only illuminates the Falstaff plays but also a number of other works such as Hamlet. The second part focuses on Shakespeare’s own life, and includes much original research particularly on the tradition that he was a poacher of deer, discussing the influence this incident had on his later life and writings. In addition, a sociological approach has been used which illuminates a number of key areas, including questioning the view his background was narrow and provincial — which has often been used to dispute his authorship of plays of such cosmopolitan appeal.
From the acclaimed author of Last Train to Memphis, this is the definitive biography of Sam Cooke, one of most influential singers and songwriters of all time. Sam Cooke was among the first to blend gospel music and secular themes -- the early foundation of soul music. He was the opposite of Elvis: a black performer who appealed to white audiences, who wrote his own songs, who controlled his own business destiny. No biography has previously been written that fully captures Sam Cooke's accomplishments, the importance of his contribution to American music, the drama that accompanied his rise in the early days of the civil rights movement, and the mystery that surrounds his death. Bestselling author Peter Guralnick tells this moving and significant story, from Cooke's childhood as a choirboy to an adulthood when he was anything but. With appearances by Martin Luther King Jr., Malcolm X, James Brown, Harry Belafonte, Aretha Franklin, Fidel Castro, The Beatles, Sonny and Cher, Bob Dylan, and other central figures of this explosive era, Dream Boogie is a compelling depiction of one man striving to achieve his vision despite all obstacles -- and an epic portrait of America during the turbulent and hopeful 1950s and 1960s. The triumph of the book is the vividness with which Peter Guralnick conveys the astonishing richness of the black America of this era -- the drama, force, and feeling of the story.
This is the first comprehensive study of Brecht's Mother Courage. Peter Thomson locates the sources of the play in Brecht's own experience and heritage, and provides a detailed account of Brecht's own production with the newly formed Berliner Ensemble in 1949. Thomson then explores how the play has been transmitted in the English-speaking theatre from Joan Littlewood's production with the Theatre Workshop Company in 1956 to the Royal National Theatre, with Diana Rigg as Mother Courage, in 1995. The book also examines such influential interpretations as those by William Gaskill, Judi Dench, and Glenda Jackson in the English theatre, and by Herbert Balu and Richard Schechner in America. Seminal productions in France and the Germanies are also discussed. A final chapter highlights the new urgency of the text in light of the wars in the former Yugoslavia, and closes with an account of a triumphant staging in Uganda.
A TIMES LITERARY SUPPLEMENT BEST BOOK OF THE YEAR Drawing on an exceptional combination of skills as literary biographer, novelist, and chronicler of London history, Peter Ackroyd surely re-creates the world that shaped Shakespeare--and brings the playwright himself into unusually vivid focus. With characteristic narrative panache, Ackroyd immerses us in sixteenth-century Stratford and the rural landscape–the industry, the animals, even the flowers–that would appear in Shakespeare’s plays. He takes us through Shakespeare’s London neighborhood and the fertile, competitive theater world where he worked as actor and writer. He shows us Shakespeare as a businessman, and as a constant reviser of his writing. In joining these intimate details with profound intuitions about the playwright and his work, Ackroyd has produced an altogether engaging masterpiece.
A groundbreaking study of every aspect of Van Morrison's artistic career - his influences, lyrical themes, vocal performances, his relationship with America, and more.
The third revised and enlarged edition contains discussions of British, Irish and American literary works up to 2020. Focussing on outstanding writings in prose, poetry, drama and non-fiction, the book covers the time from the Anglo-Saxon period to the 21st century. The feature that makes this literary history unique among its rivals is the coverage of television/web series as a particular form of postmodern drama. The chapters on recent drama now contain detailed analyses of the development of TV and web series from Britain, Ireland and America, with extensive discussions of those series now considered classics. In addition, there are several major innovative features. To begin with, each century is introduced by a survey of the socio-political and cultural backgrounds in which the literary works are embedded. Furthermore, extensive visual material (more than 160 engravings, cartoons and paintings) has been integrated. This visual aspect as well as the introductory sections on art for each century give the reader an excellent idea of the symbiosis between visual and literary representations. Further innovative aspects include - discussions of non-fictional works from literary criticism and theory, travel writing, historiography, and the social sciences - analyses of such popular genres as crime fiction, science fiction, fantasy, the Western, horror fiction, and children’s literature - footnotes explaining technical and historical terms and events - a detailed glossary of literary terms - chronological tables for British/Anglo-Irish and American literatures an updated (cut-off date 2020), extensive bibliography containing suggestions for further reading
This book's underlying claim is that English Renaissance tragedy addresses live issues in the experience of readers and spectators today: it is not a genre to be studied only for aesthetic or “heritage” reasons. The book considers the way in which tragedy in general, and English Renaissance tragedy in particular, addresses ideas of freedom, understood both from an individual and a sociopolitical perspective. Tragedy since the Greeks has addressed the constraints and necessities to which human life is subject (Fate, the gods, chance, the conflict between state and individual) as well as the human desire for autonomy and self-direction. In short, English Renaissance Tragedy: Ideas of Freedom shows how the tragic drama of Shakespeare's age addresses problems of freedom, slavery, and tyranny in ways that speak to us now.
This book examines the recent controversy between international trade and environmental policies. It analyses the use of environmentally-motivated trade policies, national environmental policies, and their relationships with the rules governing trade, critically examining proposals rule reform. A theoretical framework is provided for a consideration of the efficiency of environmental trade policies and an evaluation made of empirical links between environmental policy differences and trade flows. Concerns of developing countries over environmentally-motivated market access restrictions are highlighted in considering international trade rules and the agreements reached at UNCED.
In addition to the thirty-six plays of the First Folio, some eighty plays have been attributed in whole or part to William Shakespeare, yet most are rarely read, performed or discussed. This book, the first to confront the implications of the 'Shakespeare Apocrypha', asks how and why these plays have historically been excluded from the canon. Innovatively combining approaches from book history, theatre history, attribution studies and canon theory, Peter Kirwan unveils the historical assumptions and principles that shaped the construction of the Shakespeare canon. Case studies treat plays such as Sir Thomas More, Edward III, Arden of Faversham, Mucedorus, Double Falsehood and A Yorkshire Tragedy, showing how the plays' contested 'Shakespearean' status has shaped their fortunes. Kirwan's book rethinks the impact of authorial canons on the treatment of anonymous and disputed plays.
Originally published in 1929, this book contains an examination of Shakespeare's three-part Henry VI and its 'sequel', Richard III. Alexander addresses a number of questions regarding the integrity of the texts of both plays, whether or not Shakespeare wrote them in collaboration with another author, and possible interpolations from other plays. This book will be of value to anyone with an interest in Shakespeare, particularly his histories.
In a land of mythical creatures, Byron Thorn, a satyr, is sent to invite the dwarf king to re-establish the dwarf people in their forgotten ancestral home.
From the #1 New York Times bestselling author of Ghost Story—the terrifying, “electrifying” novel (Stephen King) about a man who flees the wreckage of his life to face the ghosts of his past, only to encounter a sinister force, ready to kill. One summer night in 1955, a boy and his cousin plunge naked into the moonlit waters of a rural quarry. Only one of them emerges. Just as he had promised he would on that fateful night two decades earlier, Miles Teagarden—now divorced and a struggling writer—returns to his family home in Arden, Wisconsin. But the landscape he once knew so well has turned eerie and threatening. In the small town, his erstwhile friends and rivals, even his blood relatives, view him with suspicion. Their paranoia seems justified when another beautiful blonde teenage girl goes missing—much as his cousin Alison did all those years ago. Miles feels a dark force is at work, gathering strength. As the anniversary of the tragic night approaches, he begins to fear that Alison will find a way to make their date . . .
THE STORY: Made up of eighteen monologues and divided into six segments (fantasies, nightmares, hallucinations, sweet dreams, broken reveries and visions), the play uses the voices of real people to convey, with striking effectiveness, a sense of w
In Formulated Experiences, Peter L. Rudnytsky continues his quest for a "re-vision" of psychoanalysis by coupling his revival of the unjustly neglected figure of Erich Fromm with his latest groundbreaking research on Ferenczi and Groddeck. Committed at once to a humanistic and to a literary psychoanalysis, Rudnytsky explores the subjective roots of creativity and critiques the authoritarianism that has been a tragic aspect of Freud’s legacy. Through his clinically informed interpretations he brings out both "hidden realities" and "emergent meanings" of the texts and authors he examines, including Shakespeare’s Othello and Macbeth, as well as Milton’s Paradise Lost. A preeminent scholar of the history and theory of psychoanalysis, Rudnytsky displays an interdisciplinary expertise that makes Formulated Experiences truly sui generis and unlike any existing book. Bridging the artificial divide between the academic and clinical worlds, his eloquent championing of the interpersonal and relational traditions will captivate contemporary psychoanalysts and psychotherapists, while his insightful close readings provide a model for psychoanalytic literary critics.
Exploring Shakespeare's intellectual interest in placing both characters and audiences in a state of uncertainty, mystery, and doubt, this book interrogates the use of paradox in Shakespeare's plays and in performance. By adopting this discourse-one in which opposites can co-exist and perspectives can be altered, and one that asks accepted opinions, beliefs, and truths to be reconsidered-Shakespeare used paradox to question love, gender, knowledge, and truth from multiple perspectives. Committed to situating literature within the larger culture, Peter Platt begins by examining the Renaissance culture of paradox in both the classical and Christian traditions. He then looks at selected plays in terms of paradox, including the geographical site of Venice in Othello and The Merchant of Venice, and equity law in The Comedy of Errors, Merchant, and Measure for Measure. Platt also considers the paradoxes of theater and live performance that were central to Shakespearean drama, such as the duality of the player, the boy-actor and gender, and the play/audience relationship in the Henriad, Hamlet, As You Like It, Twelfth Night, Antony and Cleopatra, The Winter's Tale, and The Tempest. In showing that Shakespeare's plays create and are created by a culture of paradox, Platt offers an exciting and innovative investigation of Shakespeare's cognitive and affective power over his audience.
Best Places to Raise Your Family: Experts Choose 100 Top Communities That You Can Afford provides timely facts and expert in-depth analysis on 100 U.S. neighborhoods in an accessible and friendly format. Whether you're mulling over the idea of relocating your family, trying to decide where to live once you have a family, or just curious about how your hometown stacks up, you’ll be intrigued by Best Places to Raise Your Family. In addition to providing population statistics, each city is ranked on a number of essential factors such as: education, standard of living, health and safety, and lifestyle. Easy-to-use tables help you put this wealth of information to work to find the place that best suits your family's special needs and interests.
James Ellroy's prose, in many ways as complex as any in the Western literary canon, strung together sensational stories of crime and catastrophe. The significance of his writing to Western culture has yet to be fully explored. Author Peter Wolfe offers us the first book-length study of Ellroy in English.
A masterful, highly engaging analysis of how Shakespeare’s plays intersected with the politics and culture of Elizabethan England With an ageing, childless monarch, lingering divisions due to the Reformation, and the threat of foreign enemies, Shakespeare’s England was fraught with unparalleled anxiety and complicated problems. In this monumental work, Peter Lake reveals, more than any previous critic, the extent to which Shakespeare’s plays speak to the depth and sophistication of Elizabethan political culture and the Elizabethan imagination. Lake reveals the complex ways in which Shakespeare’s major plays engaged with the events of his day, particularly regarding the uncertain royal succession, theological and doctrinal debates, and virtue and virtù in politics. Through his plays, Lake demonstrates, Shakespeare was boldly in conversation with his audience about a range of contemporary issues. This remarkable literary and historical analysis pulls the curtain back on what Shakespeare was really telling his audience and what his plays tell us today about the times in which they were written.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.