HAVE YOU EVER WANTED TO? Sit at the edge of the waters of Mormon Cross the river Sidon at the city and valley of Gideon Climb mount Antipas Follow the path Coriantumr used to attack the city of Zarahemla Journey to the city of Judea in Manti with the 2000 stripling soldiers Explore the land of the Nephite kings, Zeniff, Noah and Limhi Stand where king Benjamin spoke to the people from the tower Visit the shores of the east sea and west sea at the narrow neck Waters of Mormon - NC Mount Antipas - NC East sea near the narrow neck - NY You can now. The search for the lands of the Book of Mormon has been an object of interest and conjecture ever since it was published in 1830. Many serious and well researched studies have been conducted for locations from South America, to Central America, to North America and beyond. Substantive theories have been generated and extensive academic treatises and books have been written and websites created to promote a wide range of models attempting to address the sites and locations of where the events took place. Each model has its proponents and its detractors, and each has credible scriptural, scientific and archaeological evidence to support elements of each model. The North America Model for the Book of Mormon, From Jerusalem to Cumorah, locates events, not just generally, but with specificity in many cases. It is based on the contemporarily written word, the preferred source for historical research. Since the Book of Mormon is true, what better source would there be? It is time to unravel the geography of the Book of Mormon from Jerusalem to Cumorah that has been hidden in plain sight since 1830. The North America Model indicates how close the historical and geographical footprint of the wars, contentions and travels of the Nephites and Lamanites may have facilitated the actual founding and preservation of the United States of America in the prophesied land of promise through the paths and trails that the ancient peoples who inhabited the land created and which were used not only by the colonists during the Revolutionary War but also in the course of the Civil War. The legacy of the Book of Mormon is more intimately intertwined with the United States of America, the promised land of liberty, than originally thought. Miamisburg Mound, Ohio - Hopewell Mound Builder Culture 1000/200 B.C. to 4-500 A.D.
At the end of the century, much criticism has become devoted to `last things': the end of history, the end of the subject, the end of the novel, the end, even, of the end. Literature and the Contemporary, in contrast, aims to provide through twelve essays evidence of the way in which the literature of the 1990s is constantly engaging in questions of memory and history and the representation of time in the present day. The essays in the book survey theories of temporality from various cultural and philosophical standpoints, and represent critics writing from feminist, postcolonial and `queer' perspectives discussing literature in `our time'. The collection addresses such central issues as the politics of memory, colonial legacies, women's time, racial and sexual identities in the 1990s, and covers a wide range of contemporary authors, works and issues, some of which are treated for the first time. Among the contemporary works discussed are the prize-winning books Graham Swift's Last Orders, Anne Michaels' Fugitive Pieces, and Jane Smiley's A Thousand Acres. While discussing some of the most significant novels of the 1990s, this collection also offers a diverse yet cohesive critique of the millennial leanings of much `postmodernist' criticism, which it argues should be replaced by more variously nuanced engagements with literature and the contemporary.
This commentary pays close critical attention to Dio's historical sources, methods, and assumptions as it also strives to present him as a figure in his own right. During a long life (ca. 164-after 229), Dio served as a Roman senator under seven emperors from Commodus to Severus Alexander, governed three Roman provinces, and was twice consul."--BOOK JACKET.
#1 New York Times bestselling author Peter Straub's classic tale of horror, secrets, and the dangerous ghosts of the past... What was the worst thing you've ever done? In the sleepy town of Milburn, New York, four old men gather to tell each other stories--some true, some made-up, all of them frightening. A simple pastime to divert themselves from their quiet lives. But one story is coming back to haunt them and their small town. A tale of something they did long ago. A wicked mistake. A horrifying accident. And they are about to learn that no one can bury the past forever...
Expanded and with great new stories, this is the biggest and best anthology of ghostly hauntings ever. Over 40 tales of visitation by the undead - from vengeful and violent spirits, set on causing harm to innocent people tucked up in their homes, to rarer and more kindly ghosts, returning from the grave to reach out across the other side. Yet others entertain desires of a more sinister bent, including the erotic. This new edition includes a selection of favourite haunted house tales chosen by famous screen stars Boris Karloff, Peter Cushing and Christopher Lee. Plus a top ranking list of contributors that includes Stephen King, Bram Stoker, Ruth Rendell, and James Herbert - all brought together by an anthologist who himself lives in a haunted house. Stories include: Something unspeakable lurks in a Connecticut apartment closet, in Stephen King's 'The Boogeyman'; An Irish castle holds something truly horrifying in wait, in 'The Whistling Room' by William Hope Hodgson; The lecherous old ghost of a Georgian country house eyes up his latest tenant, in Norah Lofts' 'Mr Edward'; An ancient mansion on a shelf of rock previously occupied by a doomed castle, in 'In Letters of Fire' by Gaston Le Roux; The hunter is hunted in James Herbert's tale of nineteenth-century country mansion, 'The Ghost Hunter'; Psychic phenomena and poltergeists, avenging spirits and phantom lovers - curl up and read on, but never imagine you are safe from a visit...
Since pre-Incan times, native Andean people had worshipped their ancestors, and the custom continued even after the arrival of the Spaniards in the sixteenth century. Ancestor-worship however, did not exclude members of other cultures: in fact, the Andeans welcomed outsiders as ancestors. Invaders as Ancestors examines how this unique cultural practice first facilitated Spanish colonization and eventually undid the colonial project when the Spanish attacked ancestor worship as idolatry and Andeans adopted Spanish political and religious forms to challenge indigenous rulers. In this work, Peter Gose demonstrates the ways in which Andeans converted conquest confrontations into relations of kinship and obligation and then worshipped Christianized and racially "white" spirits after the Spaniards invaded, though the conquering Spaniards prevented actual kinship bonds with the Andeans by adhering to strict rules of racial separation. Invaders as Ancestors explores an alternative response to colonization beyond the predictable resistance narrative, presenting instead a creative form of transculturation under the agency of the Andeans. Invaders as Ancestors is a fascinating account of one of the most unusual transcultural encounters in the history of colonialism.
From its inception in New York City, radio dramatically changed the city. The five boroughs became, in some ways, more united through the medium, as common concerns were aired and given wider attention. But as radio focused more on entertainment, the city lost the last of its small town origins, as people left the front stoop for the living room. This heavily illustrated history traces the development and influence of AM radio in the New York metropolitan area, as well as providing technical data and program schedules of the stations.
Conscience is the writer's production tool. If he has not got that, he has not got anything. All the artistic fabric crumbles and frays at the first touch.- Iurii Dombrovskii Iurii Dombrovskii (1909-1978) was a Soviet writer of immense courage and integrity, whose life and literary career were repeatedly disrupted by unjust arrests and long periods of imprisonment. Born and educated in Moscow, he was first detained in 1932, and spent a total of twenty-three years in exile in Alma-Alata and in Siberian labour camps. Even after his rehabilitation in 1956 he was never free from surveillance and harassment by Soviet authorities. Only able to publish infrequently, he was forced to eke out a meagre existence yet produced original works of high quality. This book is the first full-length monograph on Iurii Dombrovskii, widely acclaimed in recent years as a writer of major importance and interest, following the publication in Russia and the West of his last novel The Faculty of Unnecessary Things. The book is based on a thorough study of published materials by and about Dombrovskii and on research into unpublished archive sources, to which no previous Western scholar has had access. Iurii Dombrovskii: Freedom under Totalitarianismprovides a detailed overview of the writer, and lays the foundations for further research. Peter Doyle gives the most substantive account of Dombrovkii's biography yet written, along with detailed interpretive studies of his main prose works, an assessment of his little known poetry, and a comprehensive bibliography.The Faculty of Unnecessary Things. The book is based on a thorough study of published materials by and about Dombrovskii and on research into unpublished archive sources, to which no previous Western scholar has had access. Iurii Dombrovskii: Freedom under Totalitarianismprovides a detailed overview of the writer, and lays the foundations for further research. Peter Doyle gives the most substantive account of Dombrovkii's biography yet written, along with detailed interpretive studies of his main prose works, an assessment of his little known poetry, and a comprehensive bibliography.
The "The Dead President's Club" story continues with the ghosts of Andrew Jackson, Theodore Roosevelt and Calvin Coolidge trying to end a 160 year old curse before an assassin kills the president and his family by blowing up the White House. The ghosts have little time to discover the assassin and to stop him. Meanwhile their living friend Brian Stone, the president's son, has problems of his own he must climb the dreaded rope to the ceiling of the school gymnasium or receive a failing grade.
The theatrical world Terence Rattigan built is vital but disturbing and uniquely constructed. His sentences are not impacted or fractured, and his plots usually obey a linear time sequence. Yet his realism isn't all that real. Though sentence by sentence, his dialogue sounds natural, the creative pulse behind it is idiosyncratic and self-lacerating. As a gay man writing at a time when homosexuality was a felony in the UK, Rattigan wrote at a skewed angle to his culture, making his plays at times easy to follow but hard to fathom. Terence Rattigan: The Playwright as Battlefield examines the ways in which Rattigan’s works turn their audiences into participants, encouraging intellectual independence and freeing them to make decisions for themselves as to the deeper meanings of the works. The playwright’s omission of outright explanations deepens the audience’s emotional commitment to the outcomes of the performance, and walks a fine line between restraint and invention. His works convey subtly and deceptively the cold obstinacy that thwarts our everyday actions in a way which that is felt viscerally by the audience. This book engages works from throughout Rattigan’s early and late career to examine the unique methods by which the playwright conveys meaning to various audiences within an ever-changing sociocultural context.
This is the story of humankind’s quest over centuries to learn the true nature of the most dominant object in our Solar System: the Sun. Award-winning science writer Peter Bond describes in detail how our ideas about the Sun have changed over the millennia, starting with the simple observations of classical astronomy and continuing through telescopic observations to the age of nuclear physics. He shows how we discovered the Sun’s basic characteristics – its distance, size, temperature and composition – and then describes how, with evermore sophisticated instruments, we have learned about the Sun’s enormous energy output, its atmosphere and the explosive eruptions that blast clouds of magnetized gas and high-energy particles toward our world. Most of this book focuses on the Space Age, when suborbital rockets and satellites have probed every aspect of our nearby star. Each of these missions is described in detail, with summaries of their objectives, spacecraft designs, scientific payloads and results. The book also looks forward, describing forthcoming missions that will shed new light on remaining solar mysteries, notably the source of the energy that heats the outer corona to millions of degrees. Richly illustrated with mission photos, design diagrams, and infocharts, this book is a fascinating read for anybody interested in the Sun and our attempts to unravel its secrets.
Racing between Sydney, New York, Seville and London, The Burning Time is an intelligent, timely and fast-paced thriller for the twenty-first century. ⭐ A FINANCIAL TIMES Best New Thriller 2023 ⭐ READERS ARE GRIPPED BY THE BURNING TIME: 'A real page-turner. Fast-paced chapters take us around the globe as the story develops' ⭐⭐⭐⭐⭐ 'A gripping story of twists and surprises' ⭐⭐⭐⭐⭐ 'A dazzling blend of plausibility and excitement' ⭐⭐⭐⭐⭐ Australian inventor and geoengineer Clive Winner is the genius who brought the Great Barrier Reef back from the brink, yet his ambition goes well beyond that. He wants to save the planet. For the all-powerful fossil-fuel industry, Winner is their 'get out of jail free card'. If he can engineer a solution to climate change, business can continue as usual. When old-school journalist William Carver is tipped off by a trusted Whitehall source that climate scientists have begun to go missing in suspicious circumstances, his gut instinct tells him to follow the story. It rapidly becomes clear that scientists, green campaigners and well-intentioned politicians are in the firing line; William Carver and his colleagues must move fast to find out who is behind the disappearances. They know the journalist's job is to speak truth to power - but first you must uncover that truth and this time it's buried deeper than ever. H2PRAISE FOR THE BURNING TIME:H2 'Smart and topical' Financial Times 'A compelling, fast-paced thriller' Sun 'Deftly plotted . . . a propulsive read' Straits Times 'This adrenaline-laced adventure packs a mighty punch' Irish Independent 'A brilliant thriller with a timely and essential reminder of what journalism is supposed to be' James O'Brien, LBC
National Trust guides are the most in-depth guides available to the history and architecture of U.S. cities. From famous landmarks to back alleys, they take you on exciting journeys through America's cultural, historical, and architectural treasures. The complete guide to the history and architecture of San Francisco Part history, part travel guide, this unique book introduces you to the colorful past and diverse traditions that have shaped the fascinating city of San Francisco. From the arrival of the Spanish in the late eighteenth century to the growth of today's vibrant metropolis, you'll discover the links between the rich history and architectural heritage of one of America's most beloved cities. Follow the book's outstanding walking tours as you explore the remnants of the Gold Rush era city and the early neighborhoods of Telegraph Hill, Chinatown, and South of Market. You'll also enjoy the beautiful Beaux-Arts mansions of Pacific Heights, the striking Queen Anne residences of Haight-Ashbury, the converted warehouses of the Multi-Media Gulch, and much more. 20 detailed neighborhood walking tours and easy-to-follow maps Colorful stories behind the city's best known landmarks 200 vintage and contemporary photographs
“Absolutely riveting . . . A masterpiece. I defy anyone to foresee the outcome.”—Ruth Rendell The year is 1921. A passionate affair between voracious romance reader Alma Webster and her dentist, Walter Baranov, has led to his wife’s murder. The lovers take flight aboard the Mauretania and the dentist takes the name of Inspector Dew, the detective who arrested the notorious wifekiller Dr. Crippen. But, in a disquieting twist, a murder occurs aboard ship and the captain invites “Inspector Dew” to investigate.
This second edition has been updated and substantially expanded. Starting with the description of our home galaxy, the Milky Way, this cogently written textbook introduces the reader to the astronomy of galaxies, their structure, active galactic nuclei, evolution and large scale distribution in the Universe. After an extensive and thorough introduction to modern observational and theoretical cosmology, the focus turns to the formation of structures and astronomical objects in the early Universe. The basics of classical astronomy and stellar astrophysics needed for extragalactic astronomy are provided in the appendix. While this book has grown out of introductory university courses on astronomy and astrophysics and includes a set of problems and solutions, it will not only benefit undergraduate students and lecturers; thanks to the comprehensive coverage of the field, even graduate students and researchers specializing in related fields will appreciate it as a valuable reference work.
At the turn of the century, New York City's Germans constituted a culturally and politically dynamic community, with a population 600,000 strong. Yet fifty years later, traces of its culture had all but disappeared. What happened? The conventional interpretation has been that, in the face of persecution and repression during World War I, German immigrants quickly gave up their own culture and assimilated into American mainstream life. But in Translating America, Peter Conolly-Smith offers a radically different analysis. He argues that German immigrants became German-Americans not out of fear, but instead through their participation in the emerging forms of pop culture. Drawing from German and English newspapers, editorials, comic strips, silent movies, and popular plays, he reveals that German culture did not disappear overnight, but instead merged with new forms of American popular culture before the outbreak of the war. Vaudeville theaters, D.W. Griffith movies, John Philip Sousa tunes, and even baseball games all contributed to German immigrants' willing transformation into Americans. Translating America tackles one of the thorniest questions in American history: How do immigrants assimilate into, and transform, American culture?
At the Edge of Reformation springs from Peter Linehan's continuing interest in the history of Spain and Portugal, on this occasion in the first half of the fourteenth century between the recovery of each kingdom from widespread anarchy and civil war and the onset of the Black Death. Focussing on ecclesiastical aspects of the period in that region (Galicia in particular) and secular attitudes to the privatisation of the church, it raises inter alios the question why developments there did not lead to a permanent sundering of the relationship with Rome (or Avignon) two centuries ahead of that outcome elsewhere in the West. In addressing such issues, as well as of neglected archival material in Spanish and Portuguese archives, Linehan makes use of the also unpublished so-called 'secret' registers of the popes of the period. The issues this volume raises ought to be of interest not only to students of Spanish and Portuguese society but also to those interested in the developing relationship further afield of the components of the eternal quadrilateral (pope, king, episcopate, and secular nobility) in late medieval Europe as well as of the activity in that period of the secular-minded sapientes. In this context, attention is given to the hitherto neglected attempt of Afonso IV of Portugal to appropriate the privileges of the primatial church of his kingdom and to the glorification of his Castilian son-in-law as God's vice-gerent in his.
No dogma please. And hold the mustard. For something to be called Christianity, it should be based on the teachings of Jesus Christ. Jesus never said he needed to die for our sins so we could be "saved." Only Paul and John make this claim. Christianity has therefore become a form of Paulism and Johnism that emphasize the Savior aspect of Jesus. But Paul had never met or heard Jesus teach, and John tells a story that's so different from the other disciples that we must seriously question him as a source. Did you also know there are two different biblical stories about how Judas dies? And Mary Magdalene wasn't a prostitute until the Pope made her one in the sixth century. Pope Urban II even made killing non-Christians acceptable in the eleventh century. Other subjects include ancient Buddhist records about Jesus traveling to India and studying Buddhism. Jesus may even have studied and practiced Kabbalah. Subsequently, What Did Jesus Really Say is an easy to read introduction that also reflects on God, Karma, Buddhism, Kabbalah, Reincarnation, Politics, and even Astrophysics.
Sets out to reconstruct and analyze the rationality of Phineas Fletcher's use of figurality in The Purple Island (1633) - a poetic allegory of human anatomy. This book demonstrates that the analogies and metaphors of literary works share coherence and consistency with anatomy textbooks.
This critically analytical filmography examines 45 movies featuring "grande dames" in horror settings. Following a history of women in horror before 1962's What Ever Happened to Baby Jane?, which launched the "Grande Dame Guignol" subgenre of older women featured as morally ambiguous leading ladies, are all such films (mostly U.S.) that came after that landmark release. The filmographic data includes cast, crew, reviews, synopses, and production notes, as well as recurring motifs and each role's effect on the star's career.
The development of jazz and swing in the African-American community in Los Angeles in the years before the second World War received a boost from the arrival of a significant numbers of musicians from Chicago and the southwestern states. In Swingin’ on Central: African-American Jazz in Los Angeles, a new study of that vibrant jazz community, music historian and jazz journalist Peter Vacher traveled between Los Angeles and London over several years in order to track down key figures and interview them for this oral history of one of the most swinging jazz scenes in the United States. Vacher recreates the energy and vibrancy of the Central Avenue scene through first-hand accounts from such West Coast notables as trumpeters Andy Blakeney , George Orendorff, and McLure “Red Mack” Morris; pianists Betty Hall Jones, Chester Lane, and Gideon Honore, saxophonists Chuck Thomas, Jack McVea, and Caughey Roberts Jr; drummers Jesse Sailes, Red Minor Robinson, and Nathaniel “Monk” McFay; and others. Throughout, readers learn the story behind the formative years of these musicians, most of whom have never been interviewed until now. While not exactly headliners—nor heavily recorded—this community of jazz musicians was among the most talented in pre-war America. Arriving in Los Angeles at a time when black Americans faced restrictions on where they could live and work, jazz artists of color commonly found themselves limited to the Central Avenue area. This scene, supplemented by road travel, constituted their daily bread as players—with none of them making it to New York. Through their own words, Vacher tells their story in Los Angeles, offering along the way a close look at the role the black musicians union played in their lives while also taking on jazz historiography’s comparative neglect of these West Coast players. Music historians with a particular interest in pre-bop jazz in California will find much new material here as Vacher paints a world of luxurious white nightclubs with black bands, ghetto clubs and after-hours joints, a world within a world that resulted from the migration of black musicians to the West Coast.
Peter Cowie's book chronicles the life and the 60-year film and stage career of Bergman as he wrestles of themes of love, sex and betrayal with the figure of Death hovering overhead. Blending biographical information with critical comment, Cowie presents a man whose life and work were intimately fused. 'Bergman's films stand alone as beacons in film history.' Wim Wenders
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