Richard Anderson’s best friend Melanie vanished when they were six, and while the police never found her, a part of her remained—a living shadow that is now Richard’s closest friend. For years, Richard never questions the shadow ... until a new girl moves to town, claiming to be Melanie.
For Henry Franks, death is everywhere. It claimed his mother a year ago, in an accident that robbed him of his memory and left him covered with horrific scars. And it’s stalking the streets, where a serial killer’s path of destruction reveals the dark truth of Henry’s past.
Richard Anderson’s best friend Melanie vanished when they were six, and while the police never found her, a part of her remained—a living shadow that is now Richard’s closest friend. For years, Richard never questions the shadow ... until a new girl moves to town, claiming to be Melanie.
Bram Stoker nominated author Peter Adam Salomon returns to his examination of the human struggle for salvation in his third poetry collection, PseudoPsalms: Sodom. Exploring the realms of politics, religion, love, and more, this continuing search for light in the darkness discovers only shadows. When all else fails, at the final judgement, poetry is the ultimate sin.
Bram Stoker nominated author Peter Adam Salomon has laid bare the intricate horrors of the human condition in this poetic compilation; PseudoPsalms: Saints v. Sinners. Exploring the eternal human struggle for salvation, where the light and the dark create shadows, shrouding poetry. This is where angels fear to tread, a damned liturgy for the twenty-first century, exposing the sins of the saints, psalms of a false prophet.
With his presentation of Rosario and Antonio in 1951 he widened his horizons still further and began to present seasons of foreign ballet, opera and theatre ... he has brought to England eighty-three companies from overseas [including Moscow Art Theatre, Brecht's Berliner Ensemble, Martha Graham's Dance Company, No Theatre of Japan] and presented a total of two hundred English and foreign productions in London. In 1964 he became Artistic Director of the the World Theatre Season, and, in 1966, a Consultant Director of the Royal Shakespeare Company."--Dustjacket.
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