Pete Wright teaches you how to re-create mysterious, dark, and glamorous cinematic portraits reminiscent of those taken of 1920s’ and 1930s’ stars and starlets. The book contains 60 discrete sections which contain 60 of Wright’s most impressive, nostalgic black & white portraits, along with some alternate poses and lighting diagrams. In each section, the author details the steps taken to create the final portrait. You’ll learn how Wright conceptualized the shot and will gain insight into the location of the shoot, props selected to create the theme, wardrobe selection, and hair and makeup styling. The lighting units used on the set, light modifiers, and lighting setup employed will also be covered, allowing you to readily re-create the classic, dramatic Hollywood look with your own subjects. Wright will also discuss how he posed the subject to give him or her that superstar, larger-than-life look.
Drawing from many years of shared experiences in mathematics teaching and teacher education, the authors of Towards a Socially Just Mathematics Curriculum offer a pedagogical model that incorporates and introduces learners to new cultures, challenges stereotypes, uses mathematics to discuss and act for social justice, and develops a well-rounded and socially just pedagogy. Readers will be encouraged to reflect on their own teaching practice and to identify areas for development, creating a more inclusive and equal mathematics experience for all learners. Split into three distinct parts and filled with practical applications for the classroom, this essential book explores: Translating theory into practice by engaging in education for social justice; Applying this theory to teaching and learning across the Early Years, primary education and secondary education; and Reflecting on professional practice and identifying ways forward to continue providing an inclusive and equitable mathematics learning experience for all students. This is an essential read for those interested in providing an inclusive, socially just mathematics education for their learners, including teachers, teaching assistants, senior leaders and trainees within primary and secondary schools.
Far out in the lonely Pacific Ocean, there is an island of mystery. The stone statues near the rocky shore stare out over the ever-changing and eternal sea. The people who carved them, and left them there, have vanished from the Earth. The secrets of Rapa Nui lie deep and hidden. Over the wind-blown, warm, grass-covered ground, the islanders have a calm and settled life. Now, their peace is threatened. Their fragile world is about to be turned upside-down.
This sweeping work of cultural history explores a time of startling turbulence and change in the South, years that have often been dismissed as placid and dull. In the wake of World War II, southerners anticipated a peaceful and prosperous future, but as Pete Daniel demonstrates, the road into the 1950s took some unexpected turns. Daniel chronicles the myriad forces that turned the world southerners had known upside down in the postwar period. In chapters that explore such subjects as the civil rights movement, segregation, and school integration; the breakdown of traditional agriculture and the ensuing rural-urban migration; gay and lesbian life; and the emergence of rock 'n' roll music and stock car racing, as well as the triumph of working-class culture, he reveals that the 1950s South was a place with the potential for revolutionary change. In the end, however, the chance for significant transformation was squandered, Daniel argues. One can only imagine how different southern history might have been if politicians, the press, the clergy, and local leaders had supported democratic reforms that bestowed full citizenship on African Americans--and how little would have been accomplished if a handful of blacks and whites had not taken risks to bring about the changes that did come.
This book explores the evolution of male writers marked by peculiar traits of childlike immaturity. The ‘Boy-Man’ emerged from the nexus of Rousseau’s counter-Enlightenment cultural primitivism, Sensibility’s ‘Man of Feeling’, the Chattertonian poet maudit, and the Romantic idealisation of childhood. The Romantic era saw the proliferation of boy-men, who congregated around such metropolitan institutions as The London Magazine. These included John Keats, Leigh Hunt, Charles Lamb, Hartley Coleridge, Thomas De Quincey and Thomas Hood. In the period of the French Revolution, terms of childishness were used against such writers as Wordsworth, Keats, Hunt and Lamb as a tool of political satire. Yet boy-men writers conversely used their amphibian child-adult literary personae to critique the masculinist ideologies of their era. However, the growing cultural and political conservatism of the nineteenth century, and the emergence of a canon of serious literature, inculcated the relegation of the boy-men from the republic of letters.
Indiana boasts a rich baseball tradition, with 10 native sons enshrined in Cooperstown. This biographical dictionary provides a close look at the lives of all 364 Hoosier big leaguers, who include New York City's first baseball superstar; the first rookie pitcher to win three games in a World Series; the man who caught most of Cy Young's record 511 career wins; one of the game's first star relievers; the player who held the record for consecutive games played before Lou Gehrig; an obscure infielder mentioned in Charles Schulz's Peanuts comic strip; baseball's only one-legged pitcher; Indiana's first Mr. Basketball, who became one of baseball's greatest pinch-hitters; the first African American to play for the Cincinnati Reds; the only pitcher to throw a perfect game in the World Series; the skipper of the 1969 "Miracle Mets"; the pitcher for whom a ground-breaking surgical procedure is named; and the only two men to have played in both the World Series and the Final Four of the NCAA Basketball Tournament.
An adventure-filled romp through one of aviation’s most notable, dangerous and entertaining pursuits: airshows! In the early days of aviation, all flights were airshows. Spectators gathered whenever a new flying machine attempted to leave the ground—the trick was to get them to pay. Takeoffs and landings did not sell tickets but people lined up, money in hand, to watch a “dip of death,” in which an aviator would dive from as high as he or she dared and pull up at the last second. Risk always sells and flying was man’s riskiest endeavor yet. From the start the “exhibition pilots” stood out. Everything about an aerobatic routine requires a degree of skill and a commitment to practice inconceivable to even most pilots, presenting innumerable risks to life and limb. And with risk, often, comes tragedy. The Crowd Pleasers is a sweeping history of air show accidents beginning in 1910 with the death of Charles Rolls, co-founder of Rolls-Royce, and ending in the present day. It brings to light some of the most notable air show accidents of all time and explores the aviators behind them. Their stories, their motivations. In so doing, it illuminates the role played by choice, social circumstance and fate in these often devastating accidents, and the lives attached to them. A must-read for all aviation buffs.
THE ACCUSED IS ENTITLED TO A DEFENSE. Jerry Giesler believed the accused is entitled to a good defense. What he delivered, consistently, was a brilliant defense. Here are some of the people he defended: Errol Flynn—charged with statutory rape on two counts; Clarence Darrow—charged with attempted bribery of a jury; Lily St. Cyr—charged with indecent exposure; Charles Chaplin—charged with violation of the Mann Act; Robert Mitchum—charged with illegal possession of narcotics. The due processes of law make fascinating reading. When the cases are charged with the legal genius of a Giesler at work, the fascination cannot be denied!
Winner, 2019 Ron Tyler Award for Best Illustrated Book, sponsored by the Texas State Historical Association (TSHA) In this expansive and vigorous survey of the Houston art scene of the 1970s and 1980s, author Pete Gershon describes the city’s emergence as a locus for the arts, fueled by a boom in oil prices and by the arrival of several catalyzing figures, including museum director James Harithas and sculptor James Surls. Harithas was a fierce champion for Texan artists during his tenure as the director of the Contemporary Arts Museum–Houston (CAM). He put Texas artists on the map, but his renegade style proved too confrontational for the museum’s benefactors, and after four years, he wore out his welcome. After Harithas’s departure from the CAM, the chainsaw-wielding Surls established the Lawndale Annex as a largely unsupervised outpost of the University of Houston art department. Inside this dirty, cavernous warehouse, a new generation of Houston artists discovered their identities and began to flourish. Both the CAM and the Lawndale Annex set the scene for the emergence of small, downtown, artist-run spaces, including Studio One, the Center for Art and Performance, Midtown Arts Center, and DiverseWorks. Finally, in 1985, the Museum of Fine Arts presented Fresh Paint: The Houston School, a nationally publicized survey of work by Houston painters. The exhibition capped an era of intensive artistic development and suggested that the city was about to be recognized, along with New York and Los Angeles, as a major center for art-making activity. Drawing upon primary archival materials, contemporary newspaper and magazine accounts, and over sixty interviews with significant figures, Gershon presents a narrative that preserves and interweaves the stories and insights of those who transformed the Houston art scene into the vibrant community that it is today.
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