With uncanny insight and deadpan humor, the twelve stories in Pete Duval's debut collection feature night shift workers, lapsed Catholics, bullies, and smalltime thieves struggling with their jobs, their religion, and their families. Duval records in a fresh, off-kilter voice the desperate measures, heated confrontations, and moments of grace that occur in working-class communities. Throughout the collection, Duval explores his characters with compassion and candor and an eye for the surprising moment.
An insurance lawyer driving across Iowa engages a wounded, hitchhiking priest in a metaphysical debate. A vacationing air traffic controller with a penchant for Saint Francis of Assisi is bitten by an ancient parrot. The Marxist owner of a Florida curiosity shop confronts a local church community's rising anger over a jarred fetus, while a fasting husband of an evangelical minister holds bloody communion with the leader of a suburban coyote pack and a Catholic cable news cameraman tracks a missing stigmatist through a Caribbean port city. As cosmic struggles play out against the backdrop of forgotten strip malls, suburban cul-de-sacs, and grimy cities, guidance comes from the unlikeliest of sources. In prose both dreamlike and vivid, the characters in Pete Duval's second collection navigate paths through a landscape of vestigial faith and nagging doubt.
With uncanny insight and deadpan humor, the twelve stories in Pete Duval's debut collection feature night shift workers, lapsed Catholics, bullies, and smalltime thieves struggling with their jobs, their religion, and their families. Duval records in a fresh, off-kilter voice the desperate measures, heated confrontations, and moments of grace that occur in working-class communities. Throughout the collection, Duval explores his characters with compassion and candor and an eye for the surprising moment.
Daydreamer By: Pete Daydreamer is something of a mélange of forms (journal, short stories...), mostly autobiographical fiction set in the second half of the 20th century. It also looks at forms/writing in general, including Daydreams.
An obsessed detective on the trail on a murdered young woman finds more than he bargained for in this tale of hard-boiled cosmic horror, an inventive mash-up of the pulp detective story and Lovecraftian terror. Some say the war drove Robert Peaslee mad. Others suggest that given what happened to his father, madness was inevitable. He’s spent years trying to forget the monsters that haunt his dreams, but now has returned to witch-haunted Arkham to do the only job that he’s qualified for, handling the crimes other cops would prefer to never talk about. He’s the hero Arkham doesn’t even know it has. Megan Halsey is dead, her body missing. She might have been one of the richest young women in Arkham, but all that money couldn’t make her happy. Word on the street is that her mother split a long time ago, and Megan had spent a lot of her money trying to find her. Peaslee soon becomes obsessed with the murdered Megan. Retracing the steps of her own investigation, traveling from Arkham to Dunwich, and even to the outskirts of Innsmouth, he will learn more about Megan and Arkham than he should, and discover things about himself that he’d tried to bury. It’s 1928, and in the Miskatonic River Valley, women give birth to monsters and gods walk the hills. Robert Peaslee will soon learn the hard way that some things are better left undead.
You know how they say you can't climb out of a hole till you hit bottom?" "Yeah?" "I'm trying to find the bottom." At seventeen, Denn Doyle isn't old enough to gamble legally, but thanks to his talent for reading tells, he's made a fortune -- and along the way, he's upset some of the most notorious Texas holdem players in Las Vegas, including Artie Kingston, who had already lost his nightclub to Denn. But now Denn's luck has run out and he's just about broke. His only chance is a million-dollar, winner-take-all tournament at Artie's new casino, but Denn can't play unless he comes up with the $10,000 entry fee. Denn's future all comes down to one hand of poker. National Book Award-winning author Pete Hautman introduced Denn Doyle in No Limit, of which School Library Journal said, "Fast paced and powerfully delivered...as taut and suspenseful as a high-stakes game." Here he deals another hand of love, luck, and greed in the high-stakes world of poker.
The classic guide to creative ideas, strategies, and campaigns in advertising, now in a revised and updated third edition In creative advertising, no amount of glossy presentation will improve a bad idea. That’s why this book is dedicated to the first and most important lesson: concept. Structured to provide both a complete course on advertising and a quick reference on specific industry topics, it covers every aspect of the business, from how to write copy and learn the creative process to how agencies work and the different strategies used for all types of media. This edition has been updated to include expanded chapters on interactive advertising and integrative advertising, a new chapter on branded social media, and fifty specially drawn new roughs of key campaigns. Pete Barry outlines simple but fundamental rules about how to “push” an ad to turn it into something exceptional, while exercises throughout help readers assess their own work and that of others. Fifty years’ worth of international, award-winning ad campaigns—in the form of over 450 “roughs” specially produced by the author, fifty of which are new to this edition—also reinforce the book’s core lesson: that a great idea will last forever.
The definitive biography of British dance band leader and theatrical impresario Jack Hylton, tracing his life from the industrial North of England to London's glittering West End.
Essex scribe and literary Hammer Pete May writes with humour and eloquence about the most turbulent year of change at the Boleyn since Ken's Café got a tub of Flora." Phill Jupitus West Ham's final season at the Boleyn Ground was always going to be memorable. It featured a new manager in Slaven Bilic, the arrival of a French magician called Dimitri Payet and away wins at Arsenal, Liverpool and Man City - not to mention an unexpected tilt at the top four and an epic last game at the Boleyn against Man United. But a new beginning is around the corner and, as he and his fellow Hammers prepare to swap the gritty East End streets of E13 for the shiny shopping centres of Stratford, lifelong supporter Pete May reflects on the special place the Boleyn Ground has occupied in the hearts of generations of Irons fans. Whether it's the infamous chants of the Bobby Moore Stand, the pre-match fry-ups at Ken's Café or the joys of sticky carpets, rubbish ale and blokes singing on pool tables in the pubs around Upton Park, Pete's memories are sure to resonate with legions of the claret-and-blue army as they say farewell to the Boleyn and enter a new era at the London Stadium.
Winner, 2019 Ron Tyler Award for Best Illustrated Book, sponsored by the Texas State Historical Association (TSHA) In this expansive and vigorous survey of the Houston art scene of the 1970s and 1980s, author Pete Gershon describes the city’s emergence as a locus for the arts, fueled by a boom in oil prices and by the arrival of several catalyzing figures, including museum director James Harithas and sculptor James Surls. Harithas was a fierce champion for Texan artists during his tenure as the director of the Contemporary Arts Museum–Houston (CAM). He put Texas artists on the map, but his renegade style proved too confrontational for the museum’s benefactors, and after four years, he wore out his welcome. After Harithas’s departure from the CAM, the chainsaw-wielding Surls established the Lawndale Annex as a largely unsupervised outpost of the University of Houston art department. Inside this dirty, cavernous warehouse, a new generation of Houston artists discovered their identities and began to flourish. Both the CAM and the Lawndale Annex set the scene for the emergence of small, downtown, artist-run spaces, including Studio One, the Center for Art and Performance, Midtown Arts Center, and DiverseWorks. Finally, in 1985, the Museum of Fine Arts presented Fresh Paint: The Houston School, a nationally publicized survey of work by Houston painters. The exhibition capped an era of intensive artistic development and suggested that the city was about to be recognized, along with New York and Los Angeles, as a major center for art-making activity. Drawing upon primary archival materials, contemporary newspaper and magazine accounts, and over sixty interviews with significant figures, Gershon presents a narrative that preserves and interweaves the stories and insights of those who transformed the Houston art scene into the vibrant community that it is today.
The author of "Immoral Tales" now brings readers into the exotic, erotic, and eccentric international film scene. Fully illustrated, this book includes an Indian song-and-dance version of "Dracula"; Turkish version of "Star Trek" and "Superman"; China's "hopping vampire" films, and much more. 332 illustrations. of color photos.
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