To wander the streets of a bankrupt, often lawless, New York City in the early 1970's wearing a tee shirt with PLEASE KILL ME written on it was an act of arch nihilism, and one often recounted in the first reports of Richard Hell filtering into pre-punkUK. Pete Astor, an archly nihilistic teenager himself at the time, was most impressed. The fact that it emerged (after many years) that Hell himself had not worn the garment but had convinced junior band member Richard Lloyd to do so, actually fitted very well with Astor's older, wiser, and more knowing self. Here was an artist who could not only embody but also frame the punk urge; just what was needed to make one of the defining records of the era.Having seeded and developed the essential look and character of punk since his arrival in New York in the late 1960's, Richard Hell and The Voidoids released Blank Generation in 1977. Pete Astor's portmanteau approach uses objective and subjective perspectives to articulate the meanings of the album, combining academic rigour with the reception-based subjectivities that are key to understanding our relationships to popular culture"--
In this "beautifully written, sharply observed, and heartfelt" guide to his hometown (New York Times), legendary New York City journalist Pete Hamill leads us on an unforgettable journey through the city he loves. Walking the Manhattan streets he loves, from Times Square to the island’s southern tip, Pete Hamill combines a moving memoir of his own days and nights in new York with a lively and revealing history of the city’s most enduring places and people. “Pete Hamill lovingly captures the vibrant sights, sounds, and smells of Manhattan from Battery Park to midtown, the most important, most exciting stretch of real estate in the world.” --New York Daily News
With New York Times bestselling author and Pulitzer Prize finalist Pete Earley, and including chapters by her sister—award-winning actress Glenn Close—Jessie Close shares her story of living with severe bipolar disorder and her tumultuous journey to find the emotional fortitude to bring herself back from the edge. At a young age, Jessie Close struggled with symptoms that would transform into severe bipolar disorder in her early twenties, but she was not properly diagnosed until the age of fifty. Jessie and her three siblings, including actress Glenn Close, spent many years in the Moral Re-Armament cult. Jessie passed her childhood in New York, Switzerland, Connecticut, Zaire (now the Democratic Republic of Congo), and finally Los Angeles, where her life quickly became unmanageable. She was just fifteen years old. Jessie's emerging mental illness led her into a life of addictions, five failed marriages, and to the brink of suicide. She fought to raise her children despite her ever worsening mental conditions and under the strain of damaged romantic relationships. Her sister Glenn and certain members of their family tried to be supportive throughout the ups and downs, and Glenn's vignettes in Resilience provide an alternate perspective on Jessie's life as it began to spiral out of control. Jessie was devastated to discover that mental illness was passed on to her son Calen, but getting him help at long last helped Jessie to heal as well. Eleven years later, Jessie is a productive member of society and a supportive daughter, mother, sister, and grandmother. In Resilience, Jessie dives into the dark and dangerous shadows of mental illness without shying away from its horror and turmoil.
Both a portrait of the modern city and a gripping thriller, Tabloid City is a classic New York novel from the writer who captured the city for decades. In a stately West Village town house, a wealthy socialite and her secretary are murdered. In the 24 hours that follow, a flurry of activity surrounds their shocking deaths. The head of one of the city's last tabloids stops the presses. A cop investigates the killing. A reporter chases the story. A disgraced hedge fund manager flees the country. An Iraq War vet seeks revenge. And an angry young extremist plots a major catastrophe. The city is many things: a proving ground, a decadent carnival, or a palimpsest of memories -- a historic metropolis eclipsed by modern times.
A fascinating account of the greatest road trip in American history. On July 7, 1919, an extraordinary cavalcade of sixty-nine military motor vehicles set off from the White House on an epic journey. Their goal was California, and ahead of them lay 3,250 miles of dirt, mud, rock, and sand. Sixty-two days later they arrived in San Francisco, having averaged just five miles an hour. Known as the First Transcontinental Motor Train, this trip was an adventure, a circus, a public relations coup, and a war game all rolled into one. As road conditions worsened, it also became a daily battle of sweat and labor, of guts and determination. American Road is the story of this incredible journey. Pete Davies takes us from east to west, bringing to life the men on the trip, their trials with uncooperative equipment and weather, and the punishing landscape they encountered. Ironically one of the participants was a young soldier named Dwight Eisenhower, who, four decades later, as President, launched the building of the interstate highway system. Davies also provides a colorful history of transcontinental car travel in this country, including the first cross-country trips and the building of the Lincoln Highway. This richly detailed book offers a slice of Americana, a piece of history unknown to many, and a celebration of our love affair with the road.
This bestselling memoir from a seasoned New York City reporter is "a vivid report of a journey to the edge of self-destruction" (New York Times). !--StartFragment-- As a child during the Depression and World War II, Pete Hamill learned early that drinking was an essential part of being a man, inseparable from the rituals of celebration, mourning, friendship, romance, and religion. Only later did he discover its ability to destroy any writer's most valuable tools: clarity, consciousness, memory. In A Drinking Life, Hamill explains how alcohol slowly became a part of his life, and how he ultimately left it behind. Along the way, he summons the mood of an America that is gone forever, with the bittersweet fondness of a lifelong New Yorker. !--EndFragment--"Magnificent. A Drinking Life is about growing up and growing old, working and trying to work, within the culture of drink." --Boston Globe
The Big 50: New York Rangers is a lively, comprehensive look at the 50 men and moments that made the Rangers the Rangers. Experienced sportswriter Steve Zipay recounts the living history of the team, counting down from No. 50 to No. 1. This collection brilliantly brings to life the team's remarkable story, from its Original Six roots to stars like Mark Messier and Henrik Lundqvist, to the team's unforgettable 1994 Stanley Cup win.
This widely acclaimed bestseller is the magical, epic tale of an extraordinary man who arrives in New York in 1740 and remains . . . forever. Through the eyes of Cormac O'Connor -- granted immortality as long as he never leaves the island of Manhattan -- we watch New York grow from a tiny settlement on the tip of an untamed wilderness to the thriving metropolis of today. And through Cormac's remarkable adventures in both love and war, we come to know the city's buried secrets -- the way it has been shaped by greed, race, and waves of immigration, by the unleashing of enormous human energies, and, above all, by hope.
This is the autobiography of a master musician, the King of British blues saxophone. In the 60s and 70s Dick was the cornerstone of such seminal R&B bands as Alexis Korner’s Blues Incorporated, the Graham Bond Organisation, John Mayall’s Bluesbreakers and Colosseum, paving the way for R&B-influenced rock groups like Fleetwood Mac, the Yardbirds, the Animals and the Rolling Stones. With his pithy humour, Dick describes the revolutionary founding years of British R&B - his anecdotes about Ginger Baker, Alexis Korner, Charlie Watts and the unforgettable Graham Bond alone are worth the price. An extraordinarily entertaining book, Dick’s unrelentingly honest account of his musical career also reflects on what it takes to be a full time musician, and grapples with the racism and drug abuse endemic in the music industry. In the back of the book is a CD featuring 25 minutes of previously unreleased tracks by Dick Heckstall-Smith, illustrating the sheer musical diversity of his work.
“As is well known, Pete is an outstanding storyteller, and this book is no exception." —Claire Strom, Journal of Southern History In addition to chronicling significant exhibit work at the Smithsonian National Museum of American History, Curating the American Past, captures the excitement inherent in researching and writing history and Pete Daniel’s efforts to prevent diluted celebratory stories from replacing the red meat of the American past. In Curating the American Past, Pete Daniel reveals how curators collect objects, plan exhibits, and bring alive the country’s complex and exciting history. In vivid detail, Daniel recounts the exhilaration of innovative research, the joys of collaboration, and the rewards of mentoring new generations of historians. In a career distinguished by prize-winning publications and pathbreaking exhibitions, Daniel also confronted the challenges of serving as a public historian tasked with protecting a definitive American museum from the erosion of scholarly standards. Curating the American Past offers a wealth of museum wisdom, illuminating the crucial role that dedicated historians and curators serve within our most important repositories of cultural memory.
A rich and varied collection of Pete Hamill's best journalism that spans decades and covers topics as diverse as Donald Trump, stickball, and Northern Ireland.. Veteran journalist Pete Hamill never covered just politics. Or just sports. Or just the entertainment business, the mob, foreign affairs, social issues, the art world, or New York City. He has in fact written about all these subjects, and many more, in his years as a contributor to such national magazines as Esquire, Vanity Fair, and New York, and as a columnist at the New York Post, the New York Daily News, the Village Voice, and other newspapers. Seasoned by more than thirty years as a New York newspaperman, Hamill wrote on an extraordinarily wide variety of topics in powerful language that is personal, tough-minded, clearheaded, always provocative. Piecework is a rich and varied collection of Hamill's best writing, on such diverse subjects as what television and crack have in common, why winning isn't everything, stickball, Nicaragua, Donald Trump, why American immigration policy toward Mexico is all wrong, Brooklyn's Seventh Avenue, and Frank Sinatra, not to mention Octavio Paz, what it's like to realize you're middle-aged, Northern Ireland, New York City then and now, how Mike Tyson spent his time in prison, and much more. This collection proves him once again to be among the last of a dying breed: the old-school generalist, who writes about anything and everything, guided only by passionate and boundless curiosity. Piecework is Hamill at his very best.
It's an extraordinary tale of yeast-obsessed monks and teetotal prime ministers; of how pale ale fuelled an Empire and weak bitter won a world war; of exploding breweries, a bear in a yellow nylon jacket and a Canadian bloke who changed the dringking habits of a nation. It's also the story of the rise of the pub from humble origins through an epic, thousand-year struggle to survive misunderstanding, bad government and misguided commerce. The history of beer in Britain is a social history of the nation itself, full of catastrophe, heroism and an awful lot of hangovers. 'a pleasant antidote to more po-faced histories of beer' Guardian 'Like a good drinking companion, Brown tells a remarkable story: a stream of fascinating facts, etymologies and pub-related urban phenomena' TLS 'Packed with bar-room bet-winning facts and entertaining digressions, this is a book into which every pub-goer will want to dip.' Express
Away in the hills of an Eastern Kentucky county he has never left, a boy waits to be transportedto where, he does not know. He grits his teeth to keep the tears from his eyes. He refuses to let anyone see him cry. Just as they are leaving, the fine mist that has been falling turns in to a steady rain. A short time later, Cygnet A. DeKeigh is welcomed to his new home: an asylum. Thankfully, Cygs new home is temporary and he is eventually released back into the poverty-stricken world that surrounds the Appalachian Mountains as the only child of unruly and unstable parents. As he continues a coming-of-age journey fraught with trials, tribulations, and triumphs, Cyg must somehow navigate through emotional upheavals, roller coaster relationships, and good and evil. Finally as he completes high school, Cyg has the chance to reflect on his experiences, his lessons, and most importantly, how he will pursue his dreams. Up There at the House shares the provocative account of a boys coming-of-age journey in the Appalachian Mountains of Eastern Kentucky as he learns about life, love, and the value of an education.
The author and his First Class Mate have provided those who may be new to boating with hundreds of tips to help make their cruising experiences safe and pleasurable " -Jennifer Castle Field, President, Chapman School of Seamanship "Prestegaard's writing has style and elegance, and a way of stoking the imagination. If you're one of the old or idle retirees looking for a change in your routine, read Pete's (Not So) Old Men and the Sea." -Ron & Eva Stob, Founders, America's Great Loop Cruisers' Assoc. "A fun read about the joys and memorable experiences of the cruising lifestyle. It should inspire others to venture off on this journey of a lifetime." -Bill Parlatore, Editor in Chief, PassageMaker Magazine "Enjoyed the read. Entertaining and informative." -Rich Wall, Boat US/West Marine "It's simply Cruising 101" -Jim Meier, Sea Ray Boats Inc. (Not So) Old Men and the Sea covers portions of six years of the author's life, a time when he, his wife and sea dog Bingo experienced first-hand lessons as they prepared for, then negotiated, the legendary Great Circle/Loop of Eastern, Canadian, Midwestern and Southern waters aboard their 38' cruiser, The Family Fjord. In all, they transited over 100 locks, 6000 nautical miles and one over-the-road haul across Wisconsin. NSOM can easily be a blueprint for the novice cruiser who dreams of taking extended coastal or river voyages "on his own bottom." It starts with the glories of cruising and rapidly gets specific about boat, power, options, human factors and experiences, coupled with vignettes of what everyday distance cruising is like. The book features an overriding focus on safety, and author Pete Prestegaard also helpfully includes money-saving tips throughout.
For Flushing, Queens natives Lou and Pete Koller, hardcore has become a lifestyle as well as an unlikely career. From the moment these siblings began applying their abilities to punk’s angrier, grimier sub-genre, they quickly became fifty percent of one of the most intense and compelling quartets to ever claim the movement—the legendary New York hardcore band, Sick of it All. Contrary to popular belief, Lou and Pete are proof positive that you don’t need to have lived a street life, or come from a fractured, chaotic home in order to produce world-class hardcore. If Agnostic Front are the godfathers of New York hardcore, then vocalist Lou and guitarist Pete are its grand masters. The Blood and the Sweat is the no-holds-barred autobiography of two brothers who have never wavered, as well as an unrelenting depiction of the American dream, and the drive and determination required to live it—regardless of whatever obstacles appear before you. Featuring commentary from family, friends, bandmates past and present, and their peers, including Gary Holt (Exodus, Slayer), Kurt Brecht (D.R.I.), Barney Greenway (Napalm Death), and more…
(Book). This book is a virtual encyclopedia of great electric guitar players, with 35 chapters examining the major players in each important era of rock. The book begins with rock's birth from the blues, covering masters like Robert Johnson and Muddy Waters. It proceeds to cover rockabilly greats like Chuck Berry, Bo Diddley, Buddy Holly; through the mop tops and matching suits of the British Invasion; to the psychedelia of the Dead and Hendrix; glam rock's dresses and distortion; fusion virtuosos like Metheny, Gambale, and Henderson; metal masters; shred stars; grunge gods; grindcore; and much more. Legends of Rock Guitar is not only a great resource for guitar fans, but an interesting and well-researched chronology of the rock idiom.
Tell Them I'm Not Home is a lightly fictionalized memoir of growing up in the Olney section of North Philadelphia in the decade following World War II, a place not unlike Jean Shepherd's Hammond, Indiana of a decade earlier. The close-quarters life in a blue-collar neighborhood of row-house streets provided the author with a cast of characters, many funny, some scary, as well as a near-endless litany of stories. Tell Them I'm Not Home is a ticket back to the Olney of the late 1940s and early 1950s, a place as singular, colorful and as lost to today as Hapsburg Vienna or tenement New York.
Recreating 1930s New York with the vibrancy and rich detail that are his trademarks, Pete Hamill weaves a story of honor, family, and one man's simple courage that no reader will soon forget. It is 1934, and New York City is in the icy grip of the Great Depression. With enormous compassion, Dr. James Delaney tends to his hurt, sick, and poor neighbors, who include gangsters, day laborers, prostitutes, and housewives. If they can't pay, he treats them anyway. But in his own life, Delaney is emotionally numb, haunted by the slaughters of the Great War. His only daughter has left for Mexico, and his wife Molly vanished months before, leaving him to wonder if she is alive or dead. Then, on a snowy New Year's Day, the doctor returns home to find his three-year-old grandson on his doorstep, left by his mother in Delaney's care. Coping with this unexpected arrival, Delaney hires Rose, a tough, decent Sicilian woman with a secret in her past. Slowly, as Rose and the boy begin to care for the good doctor, the numbness in Delaney begins to melt.
In this fast-paced political thriller, Major Brooke Grant joins the president's top-secret CIA team and races around the globe in pursuit of a terrorist known only as the Falcon. On the day of Major Brooke Grant's wedding, an explosive-packed rental truck detonates a deadly bomb, killing hundreds of her friends and family and endangering D.C.'s most powerful politicians. Saved by a last-minute fluke, Brooke seeks revenge against the master terrorist responsible, an international radical Islamist who is determined to murder her, bring America to its knees, and create a modern-day caliphate. With help from an odd duo -- a Saudi intelligence officer and an Israeli Mossad agent -- Brooke goes after her elusive zealot nemesis. But before the team can close in on their target, they discover that America's worst nightmare has come true. Former Speaker of the House Newt Gingrich and Pulitzer Prize finalist Pete Earley deliver fast-paced writing and a frighteningly believable plot in this third installment of the bestselling Brooke Grant series. Set against the backdrop of Washington's political intrigue, Vengeance is a heart-pounding thriller that raises serious questions about our national security, the power of religious faith to inspire good and evil, the consequences of revenge, and the validity of our constitutional safeguards.
Kensley loves to take walks in the woods in the vicinity where she lives. She has done so many times. She has done so many times.She is well acquainted with most of the creatures of the forest. Kensley has a special something when it comes to animals. She knows them, and they know her: She understands them, and they understand her. Taoi ABOUT TALKING WITH THE ANIMALS! This is Kensley's little secret.
Music videos are a necessity if you want to take your musical career to the next level. But how do you create one without breaking the bank? This book delivers the answers. Written by two acclaimed recording artists who've been producing their own award-winning music videos for several years, it shows you step-by-step how to get from an idea to an MTV-worthy result on a shoestring budget -- even if you've never worked with video before. Packed with easy-to-understand instructions, hands-on exercises and fascinating road diaries that illuminate the inspiration behind video concepts and special effects, it's all you need to become a music video star If you are a music lover and have always thought that you could make a music video if only you had the right tools, this book is for you. If you or someone you know is in a band, and you want to make a video for your website, a cable TV channel, or as a promotional tool, this book is all you need. If you have great stacks of pre-video vinyl, and you always wanted to make your own video for your favorite song, youve come to the right place. If you saw a video on TV and said, "I could make a much better video than that," heres your chance. If you want to become a professional music videographer, this book is a great place to start.
To wander the streets of a bankrupt, often lawless, New York City in the early 1970's wearing a tee shirt with PLEASE KILL ME written on it was an act of arch nihilism, and one often recounted in the first reports of Richard Hell filtering into pre-punkUK. Pete Astor, an archly nihilistic teenager himself at the time, was most impressed. The fact that it emerged (after many years) that Hell himself had not worn the garment but had convinced junior band member Richard Lloyd to do so, actually fitted very well with Astor's older, wiser, and more knowing self. Here was an artist who could not only embody but also frame the punk urge; just what was needed to make one of the defining records of the era.Having seeded and developed the essential look and character of punk since his arrival in New York in the late 1960's, Richard Hell and The Voidoids released Blank Generation in 1977. Pete Astor's portmanteau approach uses objective and subjective perspectives to articulate the meanings of the album, combining academic rigour with the reception-based subjectivities that are key to understanding our relationships to popular culture"--
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