Throughout the 19th century animals were integrated into staged scenarios of confrontation, ranging from lion acts in small cages to large-scale re-enactments of war.
In a world of hate, let’s serve up some love . . . Peta Mathias has encountered many a lovelorn tale on her gastronomic travels around the world. Searching further, she has unearthed more stories — the heart-warming and heart-rending, the passionate and poignant, the macabre and merry — and in these retellings brings them all to life. With her characteristic wit and colour, she also dishes up many of the ingredients of love: * intriguing courtship rituals, such as bundling and the apple slice dance; * poetry penned by those with their own stories to tell; * and, of course, romantic recipes, purported aphrodisiacs and alluring delicacies. Entertaining, hilarious and informative, this book is a smorgasbord of love.
This work is a meditation on the shaping of time and its impact on living with and understanding atrocity in South Africa in the wake of the Truth and Reconciliation Commission (TRC). It is an examination of the ways that the institutionalization of memory has managed perceptions of time and "transition," of events and happenings, of sense and emotion, of violence and recovery, of the "past" and the "new." Through this process a public language of "memory" has been carved into collective modes of meaning. It is a language that seems deprived of the hopes, dreams, and possibilities for the promise of a just and redemptive future it once nurtured. Truth commissions are profoundly implicated in the social politics of memorialization. Memory, as a conceptual, historical, and experiential discourse about "the past," relates to the ways in which cruelty is integrated into societal understandings, which include cognitive and philosophic frameworks and constructions of social meaning. The politics of historical truth, of memory and of justice, play out in unintended ways. There is not only the ongoing struggle for survivors of state terror, but also the ways that the everyday shapings of silences, the emptiness of reconciliation and the fracturing of hope remain embedded in political life.
Examining photographs, illustrations, films and live performances, Peta Tait presents an extraordinary survey of 140 years of trapeze acts and the cultural identities that are presented by bodies in fast, physical aerial movement.
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