For several decades concern has been expressed about the need for greater integration and contextual significance in the curricular design of theological education. In addition, there has been a growing awareness of the role theological schools should play in strengthening the missional vision and practice of local churches. Drawing on Dr. Perry Shaw’s experience as faculty member, educational engineer, and acting academic dean for Arab Baptist Theological Seminary, Transforming Theological Education provides theoretical foundations and practical principles for purposeful curriculum design, as well as tools for facilitating integrated and contextually significant learning in the classroom. This updated second edition has been reorganized for thematic clarity and expanded to provide a stronger foundation for thinking theologically – rather than just educationally – about theological education. It also contains a wider range of curricular examples from innovative theological programs around the world, along with practical advice for implementing change in change- resistant environments. This handbook continues to be a one-of-a-kind resource for theological educators and all those involved in Christian leadership training.
The growth of the church around the world has led to an increased need for qualified theological educators, both locally and from the global community. Yet teaching cross-culturally is fraught with overlooked challenges, and lack of cultural sensitivity can undermine educators' credibility, distort their message, and threaten the fruit of their ministry. Teaching across Cultures is a deeply practical guidebook for teaching theology beyond one's own cultural context. The first section of the book provides a rich theoretical framework for cross-cultural engagement, exploring the intersections of theology, anthropology, and pedagogy. It is followed by over thirty country-specific reflections as local contributors provide practical guidelines for living, teaching, and ministering within their contexts. The only resource of its kind, this book is straightforward and easy-to-use while providing a powerful reminder that transformative teaching has humility and careful listening at its core. It is a must-read for anyone embarking on the joyful journey of cross-cultural ministry.
The growth of the church around the world has led to an increased need for qualified theological educators, both locally and from the global community. Yet teaching cross-culturally is fraught with overlooked challenges, and lack of cultural sensitivity can undermine educators’ credibility, distort their message, and threaten the fruit of their ministry. Teaching across Cultures is a deeply practical guidebook for teaching theology beyond one’s own cultural context. The first section of the book provides a rich theoretical framework for cross-cultural engagement, exploring the intersections of theology, anthropology, and pedagogy. It is followed by over thirty country-specific reflections as local contributors provide practical guidelines for living, teaching, and ministering within their contexts. The only resource of its kind, this book is straightforward and easy-to-use while providing a powerful reminder that transformative teaching has humility and careful listening at its core. It is a must-read for anyone embarking on the joyful journey of cross-cultural ministry.
Providing foundations and practical principles for purposeful curriculum design, this edition has been expanded to provide a stronger foundation for thinking theologically - rather than just educationally - about theological education.
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Perry Mehrling tells a story of continuity around the crucial question of the role of money in American democracy through the ideas and lives of three prominent institutionalists--Allyn Young, Alvin Hansen, and Edward Shaw.
Clemency Shaw, the wife of a prominent doctor, has died in a tragic fire in the peaceful suburb of Highgate. But the blaze was set by an arsonist, and it is unclear whether she or Dr. Shaw was the intended victim—or did the doctor himself set the blaze in order to inherit his wife’s large fortune? Baffled by the scarcity of clues in this terrible crime, Inspector Thomas Pitt turns to the people who had been closest to the couple—Clemency’s stuffy but distinguished relatives. Meanwhile, Pitt’s wellborn wife, Charlotte, retraces the dangerous path that Clemency walked in the last months of her life, finding herself enmeshed in a sinister web that stretches from the lowest slums to the loftiest centers of power.
The Nephilim, a mystic and ancient order, will go to any length to protect their mysteries and the greatest secret of all-the very knowledge of their existence. Ty Roland, stuck in an unsatisfying and routine job, spends his life avoiding responsibility. Life changes suddenly for Ty when his estranged grandfather dies, leaving him and a forgotten cousin Debbie, an unlikely inheritance-and a mysterious note with a cryptic code they must decipher. As they unravel the mysteries of their grandfather's past, a bazaar world of knowledge, power, and deceit threatens everything they believed to be true while bringing Ty and Debbie dangerously close to the shadowy secrets of the Nephilim.
Das Letzte, was Presley Marks nach ihrer desaströsen, nicht stattgefundenen Hochzeit gebrauchen kann, ist eine Erinnerung an die schrecklichen Vorfälle in Clifton Forge. Noch einmal alle Emotionen zu durchleben, die damit verbunden waren, würde sie wirklich gern vermeiden. Die Hoffnung auf Ruhe und Frieden kann sie jedoch begraben, als ein Hollywood-Filmteam in Clifton Forge auftaucht. Shaw Valance ist nicht nur Hollywoods neuester Megastar und Hauptdarsteller in dem Film über die jüngsten Ereignisse in Clifton Forge, er ist zudem auch der Produzent des Projekts und hat vor, längere Zeit in dem kleinen Städtchen und vor allem mit Presley zu verbringen. Beide schlittern in eine Beziehung, die so viel mehr sein könnte, wenn sie denn die Liebe nur zuließen.
In Coterie Poetics and the Beginnings of the English Literary Tradition, R. D. Perry reveals how poetic coteries formed and maintained the English literary tradition. Perry shows that, from Geoffrey Chaucer to Edmund Spenser, the poets who bridged the medieval and early modern periods created a profusion of coterie forms as they sought to navigate their relationships with their contemporaries and to the vernacular literary traditions that preceded them. Rather than defining coteries solely as historical communities of individuals sharing work, Perry reframes them as products of authors signaling associations with one another across time and space, in life and on the page. From Geoffrey Chaucer’s associations with both his fellow writers in London and with his geographically distant French contemporaries, to Thomas Hoccleve’s emphatic insistence that he was “aqweyntid” with Chaucer even after Chaucer’s death, to John Lydgate’s formations of “virtual coteries” of a wide range of individuals alive and dead who can only truly come together on the page, the book traces how writers formed the English literary tradition by signaling social connections. By forming coteries, both real and virtual, based on shared appreciation of a literary tradition, these authors redefine what should be valued in that tradition, shaping and reshaping it accordingly. Perry shows how our notion of the English literary tradition came to be and how it could be imagined otherwise.
Love Inspired brings you four new Christmas titles for one great price, available now! Enjoy these uplifting contemporary romances of faith, forgiveness and hope. Look for the bundle 2 of 2 and enjoy more inspirational stories from Love Inspired! HIS MONTANA HOMECOMING by Jenna Mindel Big Sky Centennial Millionaire Dale Massey has come to Jasper Gulch's centennial celebration to honor his family—nothing more. But he quickly sees the joys of small-town life…and a potential future with charming Faith Shaw. AN AMISH FAMILY CHRISTMAS by Marta Perry and Patricia Davids Spend Christmas in Amish country with these two heartwarming tales about the power of family, forgiveness and finding a second chance at love. COWBOY UNDER THE MISTLETOE by Linda Goodnight The Buchanons Cowboy Jake Hamilton returns to Gabriel's Crossing to care for his ill grandmother. Can he gain the town's forgiveness for his tragic past and claim the girl he's never been able to forget? A HIGH COUNTRY HOLIDAY by Glynna Kaye They grew up on opposites sides of the tracks, but when Cody Hawk and Paris Perslow work together on the town's charity Christmas gala, they'll cross the divide and create their own happily-ever-after.
Scholarship has traditionally characterized elegy as a Eurocentric tradition – a genealogy spanning from ancient Greek pastoral poems via the “English elegy” to English and Anglo-American Modernist contemporary poets. Perry examines how these genealogical constructions operate as a means of framing which guides interpretation. This book argues that they reflect a necropoetics – a system of principles, precepts and techniques which serve to establish and maintain ideas about whose lives are worthy of being mourned publicly and whose losses matter. Examining elegies that challenge questions of whose deaths may be grieved; elegies which articulate the various ways in which certain lives are made precarious and disposable; and elegies which interrogate colonial violence, structures of white power, militarized forms of policing, prison-industrial and military-industrial complexes, Perry explores possibilities for radical new ways of understanding elegy beyond established genealogical frames. This study retheorizes some basic terms of analysis of contemporary US poetry and poetics, critical race and ethnic studies, racial capitalism and contemporary theories of comparative and relational racialization.
The controversial, almost mythic Louisiana politician Huey P. Long inspired not just one but six American novels, published between 1934 and 1946. And he continues to resonate in American cultural memory, appearing in a 1995 work of historical fiction. The Kingfish in Fiction offers the first study of all six “Hueys-who-aren’t-Hueys” as they strut and bluster their way across the literary page, each character with his own particular story, each towing a different authorial agenda. Keith Perry carefully dissects the intertwining of documented history and artistic invention in Sinclair Lewis’s It Can’t Happen Here, Hamilton Basso’s Cinnamon Seed and Sun in Capricorn, John Dos Passos’s Number One, Adria Locke Langley’s A Lion Is in the Streets, and Robert Penn Warren’s All the King’s Men. Perry explains that Lewis cast his version of the Kingfish as a totalitarian menace, a sort of homegrown Hitler, in what Lewis later admitted was an unapologetic attempt to sabotage Long’s designs on the White House. Basso, one of Long’s most vocal detractors, created two Long-based characters, each a rabble-rousing affront to what remained of the Old South order. To warn readers of the dangers hidden in the politician-constituent contract, Dos Passos transformed Long into a shameless manipulator of the gullible American masses. Langley’s rendition suffers complete condemnation by its creator for personal as well as public transgressions. Warren’s spellbinding Willie Stark, almost as much philosopher as politician, ironically bears the least resemblance to Long though for almost six decades Stark has been Long’s best-known fictional embodiment. Exploring how and why these five authors—among them, a Nobel laureate, one of America’s most celebrated political novelists, and a two-time Pulitzer Prize winner—turned one politician into six fictional characters leads Perry to conclude that Huey P. Long’s lasting impression may well be a composite of both historical and imaginative interpretation.
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