Craig Suder, third baseman for the Seattle Mariners, is in a terrible slump. He’s batting below .200 at the plate, and even worse in bed with his wife; and he secretly fears he’s inherited his mother’s insanity. Ordered to take a midseason rest, Suder instead takes his record of Charlie Parker’s “Ornithology,” his record player, and his new saxophone and flees, negotiating his way through madcap adventures and flashbacks to childhood (“If you folks believed more strongly in God, maybe you wouldn’t be colored”). Pursued by a raging dope dealer, saddled with a mishandled elephant and an abused little white girl, he manages in the end to fly free, both transcending and inspired by the pull of so much life.
Retired Virginia obstetrician John Livesey, recently widowed and discouraged by the world's crumbling morals, meets a man who has just performed an unnecessary cesarean section on his wife so as to be the one to deliver their child. Though initially appalled by the act, Livesey finds himself recalling it later when he learns a friend is dying of cancer, when his affair with a younger woman ends in disillusionment, and when, during an extended visit to his son and his family in Oregon, he realizes his daughter-in-law's unborn baby does not belong to her husband. Coming to admire the calm directness with which the man took matters of life and death into his own hands, Livesey begins to reconsider what he values and what he will protect.
Craig Suder, third baseman for the Seattle Mariners, is in a terrible slump. He’s batting below .200 at the plate, and even worse in bed with his wife; and he secretly fears he’s inherited his mother’s insanity. Ordered to take a midseason rest, Suder instead takes his record of Charlie Parker’s “Ornithology,” his record player, and his new saxophone and flees, negotiating his way through madcap adventures and flashbacks to childhood (“If you folks believed more strongly in God, maybe you wouldn’t be colored”). Pursued by a raging dope dealer, saddled with a mishandled elephant and an abused little white girl, he manages in the end to fly free, both transcending and inspired by the pull of so much life.
Retired Virginia obstetrician John Livesey, recently widowed and discouraged by the world's crumbling morals, meets a man who has just performed an unnecessary cesarean section on his wife so as to be the one to deliver their child. Though initially appalled by the act, Livesey finds himself recalling it later when he learns a friend is dying of cancer, when his affair with a younger woman ends in disillusionment, and when, during an extended visit to his son and his family in Oregon, he realizes his daughter-in-law's unborn baby does not belong to her husband. Coming to admire the calm directness with which the man took matters of life and death into his own hands, Livesey begins to reconsider what he values and what he will protect.
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