Adventure Classics - including The Wages of Virtue, Cupid in Africa, Stepsons of France, Snake and Sword, Driftwood Spars & Biographical Stories of the French Foreign Legion
Adventure Classics - including The Wages of Virtue, Cupid in Africa, Stepsons of France, Snake and Sword, Driftwood Spars & Biographical Stories of the French Foreign Legion
This carefully crafted ebook: "Collected Works of P. C. WREN: 4 Novels & Stories from the Foreign Legion" is formatted for your eReader with a functional and detailed table of contents. Percival Christopher Wren (1875-1941) was an English writer, mostly of adventure fiction. His novels and short stories mostly deal with colonial soldiering in Africa. While his fictional accounts of life in the pre-1914 Foreign Legion are highly romanticized, his details of Legion uniforms, training, equipment and barrack room layout are generally accurate, which has led to suggestions that Wren himself served with the legion. Table of Contents: The Novels SNAKE AND SWORD THE WAGES OF VIRTUE DRIFTWOOD SPARS CUPID IN AFRICA (The Baking of Bertram in Love and War) Short Stories STEPSONS OF FRANCE Ten little Legionaries À la Ninon de L'Enclos An Officer and—a Liar The Dead Hand The Gift The Deserter Five Minutes "Here are Ladies" The MacSnorrt "Belzébuth" The Quest "Vengeance is Mine..." Sermons in Stones Moonshine The Coward of the Legion Mahdev Rao The Merry Liars
Snake and Sword, The Wages of Virtue, Driftwood Spars, Cupid in Africa, Stepsons of France, Good Gestes, Flawed Blades, Port o' Missing Men and many more adventure tales
Snake and Sword, The Wages of Virtue, Driftwood Spars, Cupid in Africa, Stepsons of France, Good Gestes, Flawed Blades, Port o' Missing Men and many more adventure tales
This carefully crafted ebook: "P. C. WREN Ultimate Collection: The Complete BEAU GESTE TRILOGY + 4 Novels & 42 Short Stories of the Foreign Legion" is formatted for your eReader with a functional and detailed table of contents. Table of Contents: The Beau Geste Trilogy BEAU GESTE BEAU SABREUR BEAU IDEAL Novels: SNAKE AND SWORD THE WAGES OF VIRTUE DRIFTWOOD SPARS CUPID IN AFRICA (The Baking of Bertram in Love and War) Short Stories STEPSONS OF FRANCE: Ten little Legionaries À la Ninon de L'Enclos An Officer and—a Liar The Dead Hand The Gift The Deserter Five Minutes "Here are Ladies" The MacSnorrt "Belzébuth" The Quest "Vengeance is Mine..." Sermons in Stones Moonshine The Coward of the Legion Mahdev Rao The Merry Liars GOOD GESTES: What's in a Name A Gentleman of Colour David and His Incredible Jonathan The McSnorrt Reminiscent Mad Murphy's Miracle Buried Treasure If Wishes were Horses The Devil and Digby Geste The Mule Low Finance Presentiments Dreams Come True FLAWED BLADES: Tales from the Foreign Legion No. 187017 Bombs Mastic--and Drastic The Death Post E Tenebris Nemesis The Hunting of Henri PORT O' MISSING MEN: Strange Tales of the Stranger Regiment The Return of Odo Klemens The Betrayal of Odo Klemens The Life of Odo Klemens Moon-rise Moon-shadows Moon-set Percival Christopher Wren (1875-1941) was an English writer, mostly of adventure fiction. He is remembered best for Beau Geste, a much-filmed book of 1924, involving the French Foreign Legion in North Africa. This was one of 33 novels and short story collections that he wrote, mostly dealing with colonial soldiering in Africa. While his fictional accounts of life in the pre-1914 Foreign Legion are highly romanticized, his details of Legion uniforms, training, equipment and barrack room layout are generally accurate, which has led to unproven suggestions that Wren himself served with the legion.
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Truth is stranger than fiction, and many of the coincidences of real life are truly stranger than the most daring imaginings of the fictionist. Now, I, Major Michael Malet-Marsac, happened at the moment to be thinking of my dear and deeply lamented friend John Ross-Ellison, and to be pondering, for the thousandth time, his extraordinary life and more extraordinary death. Nor had I the very faintest notion that the Subedar-Major had ever heard of such a person, much less that he was actually his own brother, or, to be exact, his half-brother. You see I had known Ross-Ellison intimately as one only can know the man with whom one has worked, soldiered, suffered, and faced death. Not only had I known, admired and respected him—I had loved him. There is no other word for it; I loved him as a brother loves a brother, as a son loves his father, as the fighting-man loves the born leader of fighting-men: I loved him as Jonathan loved David. Indeed it was actually a case of "passing the love of women" for although he killed Cleopatra Dearman, the only woman for whom I ever cared, I fear I have forgiven him and almost forgotten her. But to return to the Subedar-Major. "Peace, fool! Art blind as Ibrahim Mahmud the Weeper," growled that burly Native Officer as the zealous and over-anxious young sentry cried out and pointed to where, in the moonlight, the returning reconnoitring-patrol was to be seen as it emerged from the lye-bushes of the dry river-bed.
In this work, the reader experiences the life of Samuel Pepys and his freinds, great and small, in seventeenth-century London. We see great men of war, business and letters, enhanced by Percival Hunt's comprehensive bibliography.
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Books for All Kinds of Readers. ReadHowYouWant offers the widest selection of on-demand, accessible format editions on the market today. Our 7 different sizes of EasyRead are optimized by increasing the font size and spacing between the words and the letters. We partner with leading publishers around the globe. Our goal is to have accessible editions simultaneously released with publishers' new books so that all readers can have access to the books they want to read. To find more books in your format visit www.readhowyouwant.com
Beau Sabreur is a novel by P.C. Wren. It was the first sequel to Beau Geste and was turned into a novel. It focuses on the adventures of Major De Beaujolais, an officer in the French Foreign legion.
From the text: Too often, it is overlooked or its meaning blurred. It comes between the brightness of the 1300's—Chaucer's time—and the time of Elizabeth I. Looking into it, we may be so dazzled by the two bright centuries which bound it that it is a dim space of time with no exact shape or clear colors in it. Yet the whole century was active, practical, strong, unique, humane, searching and changing, mystical.
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