Healing Stings is an astonishing collection of poems that depict a society battling social, global and postcolonial challenges. Through a combination of terse and elegantly composed verse, this collection provides viable tools with which to overcome the hassles and possibly check the erosion of time-honoured moral values. Using the linguistic channels of distinction, perception and representation, the discourses of moods, subjectivity, atmosphere, generic hybridity amongst others, Healing Stings demonstrates that social ills like corruption, greed, intolerance, delinquency, chauvinism, gender-sensitive biases, and religious and cultural prejudices can be curbed and society made a better place. This is premised on the assumption that the right tools such as social dialogue, patriotism, love, tolerance, honesty, good governance, personal and communal creative initiatives, and the change of mentality should be harnessed for improvement, educating, mending, and governing. By changing our attitudes within the context of unity in diversity, we are guaranteed a set of resources that will bring about development, security, national unity and peace building.
The Lock on My Lips foregrounds gender, narrative and identity in its representations. It tells the story of a woman who defies traditional patriarchal boundaries that deny women their rights, most especially the right to landed property and buys land in her name. Discursive constructions, 'travelling concepts', metaphors, multiple perspectives, narrative, imagery, folklore, anthropological objects, and mixed-genre plot structure (narrative-(poetic)-drama), combine to tell the story of gendered beings and thus pave the way for exploring the interdisciplinary potentials of the play-text. Land and genre are gender markers. Land is definable through power and authority, constitutes the material with which masculinities are constructed, and thus becomes a space where women are excluded. The play equates land with patriarchal ideology of male virility and supremacy, but creates a mixed-genre fragmentary structure to disrupt the very patriarchal power erected through the metaphor of land.
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