First book-length treatment of a fascinating medieval French romance, underlining its influence in the genre. Partonopeus de Blois is one of the most important works of twelfth-century French fiction; it shaped the development of romance as a genre, gave rise to adaptations in several other medieval languages and even an opera (Massanet's Esclarmonde). However, partly because of its complicated transmission history, and partly due to the fact that it has been overshadowed by the works of Chrétien de Troyes, it has been unjustly neglected. This firstfull-length study of the romance brings together literary, historical and manuscript studies to explore its making as it evolved through seven medieval "editions", the earliest of which probably predated most of Chrétien's romances. The book's thematic analyses show how the Partonopeus poet applied established techniques of rewriting to a wide range of classical, vernacular and Celtic sources, combining this literary fusion with political subtexts to create a new and influential model of romance composition. Detailed studies of the Continuation reveal more ambitious experimentation by the original author, as well as the activities of a series of "editors" who continued to modify the text for over a century. A final discussion of patronage proposes a new reading of the poem's distinct narratorial interventions on women and love, and suggests a link between Partonopeus and a disturbing episode in the history of Blois. Penny Eley is Professor of Medieval French at the University of Sheffield.
Worldly Provincialism introduces readers to German anthropology during the age of empire and illustrates how the initial motives and interests that gave birth to German anthropology were channeled and shaped by contexts as various as romantic voyages in the South Pacific, the Herero wars in Southwest Africa, open-air presentations of exotic peoples in Berlin, and prison camps during World War I. It also shows that Germans' unique intellectual traditions, their emphasis on concepts of culture, and the late arrival of both the German nation-state and the German colonial empire affected their interest in and relationships with non-Europeans. Worldly Provincialism confirms that there is no justification for presupposing that Europeans shared a common cultural code while abroad or for assuming that they would have behaved similarly during their interactions with non-Europeans. Thus, we must rethink the relationships among anthropology, colonialism, and race. It also forces a rethinking of our understanding of race in the nineteenth century, when race science emerged and eclipsed many alternative racial theories. H. Glenn Penny is Assistant Professor of History, University of Missouri-Kansas City. Matti Bunzl is Aaron and Robin Fischer Assistant Professor of Jewish Culture and Society, Department of Anthropology, University of Illinois at Urbana-Champaign.
Master the sonography content and skills you need to prepare for, and succeed in, your specialized career! Introduction to Sonography and Patient Care, 2nd Edition, provides essential information and real-world applicable content, bridging the gap between didactic and clinical training. An easy-to-understand writing style and logically organized format take you step by step through each aspect of this dynamic, rewarding, and continually evolving imaging specialty.
Contesting home defence is a new history of the Home Guard, a novel national defence force of the Second World War composed of civilians who served as part-time soldiers: it questions accounts of the force and the war, which have seen them as symbols of national unity. It scrutinises the Home Guard’s reputation and explores whether this ‘people’s army’ was a site of social cohesion or of dissension by assessing the competing claims made for it at the time. It then examines the way it was represented during the war and has been since, notably in Dad’s Army, and discusses the memories of men and women who served in it. The book makes a significant and original contribution to debates concerning the British home front and introduces fresh ways of understanding the Second World War.
At the height of the ideological antagonism of the Cold War, the U.S. State Department unleashed an unexpected tool in its battle against Communism: jazz. From 1956 through the late 1970s, America dispatched its finest jazz musicians to the far corners of the earth, from Iraq to India, from the Congo to the Soviet Union, in order to win the hearts and minds of the Third World and to counter perceptions of American racism. Penny Von Eschen escorts us across the globe, backstage and onstage, as Dizzy Gillespie, Louis Armstrong, Duke Ellington, and other jazz luminaries spread their music and their ideas further than the State Department anticipated. Both in concert and after hours, through political statements and romantic liaisons, these musicians broke through the government's official narrative and gave their audiences an unprecedented vision of the black American experience. In the process, new collaborations developed between Americans and the formerly colonized peoples of Africa, Asia, and the Middle East--collaborations that fostered greater racial pride and solidarity. Though intended as a color-blind promotion of democracy, this unique Cold War strategy unintentionally demonstrated the essential role of African Americans in U.S. national culture. Through the tales of these tours, Von Eschen captures the fascinating interplay between the efforts of the State Department and the progressive agendas of the artists themselves, as all struggled to redefine a more inclusive and integrated American nation on the world stage.
In the late nineteenth century, Germans spearheaded a worldwide effort to preserve the material traces of humanity, designing major ethnographic museums and building extensive networks of communication and exchange across the globe. In this groundbreaking study, Glenn Penny explores the appeal of ethnology in Imperial Germany and analyzes the motivations of the scientists who created the ethnographic museums. Penny shows that German ethnologists were not driven by imperialist desires or an interest in legitimating putative biological or racial hierarchies. Overwhelmingly antiracist, they aspired to generate theories about the essential nature of human beings through their museums' collections. They gained support in their efforts from boosters who were enticed by participating in this international science and who used it to promote the cosmopolitan character of their cities and themselves. But these cosmopolitan ideals were eventually overshadowed by the scientists' more modern, professional, and materialist concerns, which dramatically altered the science and its goals. By clarifying German ethnologists' aspirations and focusing on the market and conflicting interest groups, Penny makes important contributions to German history, the history of science, and museum studies.
Surveying court life and urban life, warfare, religion, and peace, this book provides a comprehensive history of how gender was experienced in early modern Europe. Gender, Power and Privilege in Early Modern Europe shows how definitions of sexuality and gender roles operated and more particularly, how such definitions--and the activities they generated and reflected--articulated concerns inside a given culture. This means that the volume embodies an interdisciplinary approach: literature as well as history, religious studies, economics, and gender studies form the basis of this cultural history of early modern Europe. There are new approaches to understanding famous figures, such as Elizabeth I, James VI and I and his wife Anna of Denmark; Francis I; St. Teresa of Avila. Other chapters investigate topics such as militarism and court culture, and wider groups, such as urban citizens and noble families. The collection also studies ways in which gender and sexual orientation were represented in literature, as well as examinations of the theoretical issues involved in studying history from the angle of gender.
In Sustainable Commercial Interiors, coauthors Penny Bonda, a noted expert on interior design and sustainability, and Katie Sosnowchik, an interior design editor and innovator, share their passion for environmental advocacy while offering designers and architects the technical knowledge important for success in this evolving discipline. The authors apply the concept of environmental responsibility to the design of interiors, and employ the organization of the LEED Green Building Rating System to sort the design process into five categories: sustainable sites, water efficiency, energy issues, materials, and indoor environmental quality."--BOOK JACKET.
First book-length treatment of a fascinating medieval French romance, underlining its influence in the genre. Partonopeus de Blois is one of the most important works of twelfth-century French fiction; it shaped the development of romance as a genre, gave rise to adaptations in several other medieval languages and even an opera (Massanet's Esclarmonde). However, partly because of its complicated transmission history, and partly due to the fact that it has been overshadowed by the works of Chrétien de Troyes, it has been unjustly neglected. This firstfull-length study of the romance brings together literary, historical and manuscript studies to explore its making as it evolved through seven medieval "editions", the earliest of which probably predated most of Chrétien's romances. The book's thematic analyses show how the Partonopeus poet applied established techniques of rewriting to a wide range of classical, vernacular and Celtic sources, combining this literary fusion with political subtexts to create a new and influential model of romance composition. Detailed studies of the Continuation reveal more ambitious experimentation by the original author, as well as the activities of a series of "editors" who continued to modify the text for over a century. A final discussion of patronage proposes a new reading of the poem's distinct narratorial interventions on women and love, and suggests a link between Partonopeus and a disturbing episode in the history of Blois. Penny Eley is Professor of Medieval French at the University of Sheffield.
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