Though there are a number of well-written works on Chinese divination, there are none that deal with the three sophisticated devices that were employed by the Chinese Astronomical Bureau in the eleventh century and for hundreds of years thereafter. Chinese experts applied the methods associated with these devices to both weather forecasting and to the interpretation of human affairs. Hidden by a veil of secrecy, these methods have always been relatively little known other than by their names. The first work in any language to explore these three methods, known as sanshi (three cosmic boards), this book sheds light on a topic which has been shrouded in mystery for centuries, having been kept secret for many years by the Chinese Astronomical Bureau.
In Modern Chinese Counter-Enlightenment: Affect, Reason, and the Transcultural Lexicon, Peng Hsiao-yen argues that a trend of Counter-Enlightenment had grown from the late Qing to the May Fourth era in the 1910s to the 1920s and continued to the 1940s. She demonstrates how Counter-Enlightenment was manifested with case studies such as Lu Xun’s writings in the late 1900s, the Aesthetic Education movement from the 1910s to 1920s, and the Science and Lifeview debate in the 1920s. During the period, the life philosophy movement, highlighting the epistemic debate on affect and reason, is connected with its counterparts in Germany, France, and Japan. The movement had widespread and long-term impact on Chinese philosophy and literature. Using the transcultural lexicon as methodology, this book traces how the German term Lebensanschauung (lifeview), a key concept in Rudolf Eucken’s life philosophy, constituted a global tide of Counter-Enlightenment that influenced the thought of leading Chinese intellectuals in the Republican era. Peng contends that Chinese intellectuals’ transcultural connections with others in the philosophical pursuit of knowledge triggered China’s self-transformation. She has successfully reconstructed the missing link in the Chinese theater of the worldwide dialectic of Enlightenment and Counter-Enlightenment. “This book can be considered a milestone in modern Chinese and cultural studies. It is also the most ambitious attempt in developing a new kind of interdisciplinary studies—an attempt that bears a philosophic weight and cuts across the disciplines of Sinology, comparative literature, intellectual history, and translation studies. At the same time, it seeks to demonstrate a new theory of ‘Transcultural Lexicon’ which should appeal to all scholars interested in cultural theories.” —Leo Ou-fan Lee, Chinese University of Hong Kong “In the age ruled by the myth of technoscientific triumphalism, this timely and refreshing book unearths a critical strand of thought and sensibility against enlightenment rationality in modern China. Drawing on historical archives and debates, Peng Hsiao-yen stages a compelling critique of industrial modernity and the pursuit of wealth and power at the cost of emotional ties, community, and organic lifeways.” —Ban Wang, Stanford University
Dr Peng He in her book addresses various issues, drawing on Western and Chinese sources for her argument for a ‘communicative’ theory of law making. This book is both timely and important in the Chinese context. Her argument depends upon the insight that what is important in societies is not just representative democracy but ‘voice’ - the opportunity for individuals to be heard and bring their input into official systems. More than that, she argues that this can also take further the idea of living by the rules as something that is not to be seen as narrow Legalism but as something more akin to living ‘righteously’ – a view which is resonant with parts of Chinese legal thought. This book is also important in the present Chinese context in another way. The developing economy necessitates substantial legal reform. But applying Western models to China can often be naïve and not fully fulfil their intended purpose. Peng He’s work addresses this by looking at the process of legislation in connection with legal reform. It is grounded in a sound theoretical reflection of both the process of legal transplantation and the process of law making, and looks both at Western and Chinese sources. Such an approach needs to draw from several intellectual traditions and it is this interdisciplinary, foundational research that is the task Dr He has set herself in her project. Her theory will provide an abstract theoretical framework that is sensitive to local conditions, while at the same time incorporating insights on law reform from a broad range of disciplines. Her research is of direct practical relevance for reforming the legislative process in China. ——Professor Zenon Bańkowski The University of Edinburgh
This comprehensive account of the history of Chinese lexicography is the first book on the subject to be published in English. It traces the development of Chinese lexicography over three millennia, from the Zhou Dynasty (1046 BC-256 BC) to the Qing Dynasty (1616-1911). Revealing how the emergence of lexicographical culture in ancient China was linked to the teaching of ancient characters, it describes the subsequent development of primers, thesauruses, and dictionaries of all major types, including those of dialects and technical terms. These works originated and appeared in ancient China, predating their western counterparts by hundreds of years: and in one form or another most of them remain in use today. Throughout their account the authors show how changes in the organization, content, use and researches of Chinese lexicographical works reflected broader social and political developments. This book not only makes an important and original contribution to the history of Chinese lexicography and the social and cultural history of China but also provides illuminating insights into world lexicography and new forms of comparative researches in lexicography in the global context.
This book is edited based on a series of lectures on Chinese cultural history delivered at the Peking University in 2004. It stands out with its distinctive methodology and unique stand, and is popular with readers, with 17 reprints for the Chinese edition since 2006.Before the 1980s, traditional culture was often the target of criticisms and put in a negative light in China. After the 1980s, due to the belief that traditional culture can contribute to modernization, people decided to 'take its essence and discard its dregs'. As of today, most books on this theme have been written in accordance with this principle.However, in this book, the author argues that many problems have emerged from the modernization of the Western society, and thus the need for reflection and re-examining. Traditional Chinese culture is a source for comparison and reflection. As such, when we discuss traditional culture nowadays, not only should we excavate its long-hidden meanings, but we should also develop contrastive resources to facilitate our collaborative development in future.The discussions in this book adopt a vertical structure that begins with how Chinese define a human, followed by topics on the human body, Qi, food, male and female, home and state, the relationship between heaven and human beings, ritual systems, historical consciousness, thinking patterns, the art of expressing sentiments, commitments to the politics of virtues and achievements, and cultural practices. In every chapter, there is also a horizontal method of comparison on Chinese, Western and Indian cultures, to foreground the particularities and advantages of the Chinese culture.Apart from elaborating on the major characteristics of traditional Chinese culture, there is also a discussion on how the modern disdain for and misunderstandings of the traditional culture originated from the West. The author also elaborates on Montesquieu's views of China and the various misconceptions and misunderstandings of the traditional Chinese legal systems. Finally, it ends with the author's thoughts on the revitalization of the Chinese civilization.
This book presents a detailed analysis of the Chinese pivotal constructions (PVCs) and their diachronic developments from a constructionalist perspective, with the focus on the growth of the constructional hierarchies of these constructions and the changes with respect to both the form and meaning properties over time. The most important enabling factor behind the diachronic developments of the PVCs has been the sanction of the new instances conflicting with the constructions’ specifications. Throughout history the PVCs have grown along the two dimensions, i.e., inclusiveness and multileveledness, leading to a steady increase in the sizes of their constructional hierarchies. The two-dimensional expansion of the PVCs’ constructional hierarchies has been accompanied by the gradual relaxation of the conditions constraining the earliest instances, on multiple schematicity levels. This book will be valuable to scholars working on diachronic construction grammar and language change as well as to those interested in the history of Chinese language.
Essential Mandarin Chinese Grammar is a systematic overview of Mandarin grammar, oriented toward self-study, English-speaking students. Through explanations of common mistakes learners make, useful example sentences and exercises with an answer key, this book provides a detailed introduction to the unique grammar structures of the Mandarin language. Ideal for any student who is interested in taking their skills to the next level, this book makes the difficult task of perfecting grammar efficient, interesting and rewarding. Essential Mandarin Chinese Grammar is a perfect tool to help you form correct and natural-sounding sentences, and determine how to best use the grammar you need for reading or writing Mandarin. Each example and exercise is written in both pinyin and Simplified Chinese Characters to accommodate learners with varying levels of character literacy, including those who have learned only to speak but not read.
Bringing a vast amount of material to a Western audience for the first time, this book provides a detailed systematic micro-level analysis of the historical development of the Chinese banking industry, analyzing the key issues in the development of the Bank of China in the period 1905 to 1949.
The publication of the Chinese Union Version (CUV) in 1919 was the culmination of a hundred years of struggle by Western missionaries working closely with Chinese assistants to produce a translation of the Bible fit for the needs of a growing church. Celebrating the CUV's centennial, The Translation of the Bible into Chinese explores the unique challenges faced by its translators in the context of the history of Chinese Bible translation. Ann Cui'an Peng's personal experience of the role played by the CUV in Chinese Christian communities lends the narrative particular weight, while her role as director of the Commission on Bible Publication at the China Christian Council offers a unique insight into the continuing legacy of the CUV for Bible translators today.
Acting Chinese is a year-long course that, together with the companion website, integrates language learning with the acquisition of cultural knowledge, and treats culture as an integral part of human behavior and communication. Using modern day examples of Chinese discourse and behavioral culture, it trains students to perform in culturally appropriate fashion, whilst developing a systematic awareness and knowledge about Chinese philosophy, values and belief systems that will prepare them for further advanced study of Chinese language and culture. Each lesson contains simulated real-life communication scenarios that aim to provide a concrete opportunity to see how native speakers generally communicate or behave in social situations. An essential guide for intermediate to advanced level second language learners, Acting Chinese provides a unique and modern approach to the acquisition of both cultural knowledge and language proficiency.
After several decades of reform and opening up, China has come to a critical period of transformation and development. How to improve the development strategies to effectively promote China's democratic politics has once again attracted the world's attention. This book compares the commons and differences between western and Chinese theories and practices of democracy model, and proposes a new democracy model for China's political reform — "cooperative-harmonious democracy". Absorbing the core values of democracy, this model draws on Chinese traditional "harmony and cooperation" and "people-oriented" thought, as well as modern cooperative game theory. More importantly, it adopts the new model to analyse some present practice cases in China, involving intra-party democracy, electoral democracy, and deliberative democracy. This book is a valuable theoretical innovation and a significant achievement in promoting the interdisciplinary research of political science and public management. It strategically reflects on how to promote the development of cooperative-harmonious democracy from the perspective of high-level design. The policy suggestions it proposed will be a valuable reference for policy-makers.
Challenging the Western view of idols as objects of worship, this book explores the role that male idols play in fashion and cosmetics brand marketing in mainland China, Hong Kong, and Macau; including the role of the female gaze. It examines idols in the more modern, pan-Asian sense of the word - as objects of social devotion, worshipped by the adoring masses and, in China and Korea, as objects of social and moral uplift. The contemporary idol wields great power - the power to influence taste, and to sell - and Male Idols and Branding in Chinese Luxury focuses on their ability to arouse the consumer appetite to buy. In China, popular culture idols play a vital role in the luxury fashion and cosmetics industries as brand ambassadors and this volume fills a critical gap in the English-language literature on this key element of the marketing industry, bringing together authors from the United States and China, and featuring case studies on idols Wang Yibo and Xiao Zhan. Through considering the subtleties of branding and marketing in China, Korea, and Japan, and the relationship of Chinese idols to fans and consumers in other Asian countries, the authors delve into brand-idol collaborations, particularly through lenses of brand image and toxic fan culture.
Over the course of the last four decades as China’s ideological realm has been transformed, it has become significantly more complicated. This is well illustrated in the current discourse concerning China’s constitutional future. Among Chinese intellectuals the liberal constitutionalism paradigm is widely accepted. However, more recently, this perspective has been challenged by mainland New Confucians and Sinicized Marxists alike. The former advocate a constitutionalism that is based upon and loyal to the Confucian tradition; while the latter has sought to theorize the current Chinese constitutional order and reclaim its legitimacy. This book presents a discussion of these three approaches, analyzing their respective strengths and weaknesses, and looking to the likely outcome. The study provides a clear picture of the current ideological debates in China, while developing a platform for the three schools and their respective constituencies to engage in dialogue, pluralize the conceptions of constitutionalism in academia, and shed light on the political path of China in the 21st Century. The consequences of this Chinese contribution to the global constitutionalism debate are significant. Notions of the meaning of democratic organization, of the nature of the division of authority between administrative and political organs, of the nature and role of political citizenship, of the construction of rights are all implicated. It is argued that China’s constitutional system, when fully theorized and embedded within the global discourse might serve, as the German Basic Law did in its time, as a model for states seeking an alternative approach to the legitimate construction of state, political structures and institutions.
This brief discourse is an introduction to the historical development of medicine in China, whose influence on Korea, Japan and Southeast Asia was profound and even reached far west into the Islamic world. The authors wish to make the interested reader aware of China's rich contribution to the world growth of the medical sciences. Too often the view has been taken that the history of medicine began with the discoveries of the Greeks and those ancient nations from whom they learnt. The authors want to redress this view and acquaint readers with a glimpse of the concepts and history of Chinese medicine and hope that they will feel encouraged to delve deeper.
This book explores how, unlike in the West, the daily religious life of most Chinese people spreads without institutional propagation. Based upon more than a decade of field research in rural China, the book demonstrates the decisive role of rites of passage and yearly festival rituals held in every household in shaping people’s religious dispositions. It focuses on the family, the unit most central to Chinese culture and society, and reveals the repertoire embodied in daily life in a world envisioned as comprising both the “yin” world of ancestors, spirits, and ghosts, and the “yang” world of the living. It discusses especially the concept of bai, which refers to both concrete bodily movements that express respect and awe, such as bowing, kneeling, or holding up ritual offerings, and to people’s religious inclinations and dispositions, which indicate that they are aware of a spiritual realm that is separate from yet close to the world of the living. Overall, the book shows that the daily practices of religion are not a separate sphere, but rather belief and ritual integrated into a way of dwelling in a world envisaged as consisting of both the “yin” and the “yang” worlds that regularly communicate with each other.
In the currency culture of human history, there are two wonderful works that are immortal. One is that of China, an ancient Oriental civilization, which has influenced the currency culture of many Asian countries for more than a thousand years. The other is the monetary culture of ancient Greece, the birthplace of western monetary culture, which later gave rise to the Arab and Indian coin systems. This book presents survey on Chinese ancient currency of all ages, before moving on to elaborate upon the history of currency culture exchange between China and other countries, such as ancient Greece and Rome, East Asia, Southeast Asia, Southern Asia, Western and central Asia. It considers the influence of Chinese currency on the currency development of the neighboring Asian regions and countries, as well as the interaction between ancient Chinese coins and European and American coins in different periods.
By tracing the history of Yudahua from the late nineteenth century to the middle of the twentieth century, this study analyzes a successful inland business model among textile companies in modern China. The steady growth of this enterprise relied primarily on its strategy to focus on low-end markets and to locate new mills in underdeveloped interior regions. This strategy further allowed the enterprise to pioneer industrialization in its host localities, demonstrating a major social and economic impact on the local societies. At the same time, Yudahua’s unique team leadership pattern—five leading families shared its ownership and management—made the business an atypical family firm and allowed relatively easy institutional departure from Chinese social networks and adoption of Western corporate hierarchy. Therefore, by the late 1940s, Yudahua had gradually developed into a fairly integrated business group with a unified management structure and routinized connections between its member mills, which differed noticeably from the loose alliances normally found in other early twentieth-century Chinese business conglomerates.
This book views the Neo-Sensation mode of writing as a traveling genre, or style, that originated in France, moved on to Japan, and then to China. The author contends that modernity is possible only on "the transcultural site"—transcultural in the sense of breaking the divide between past and present, elite and popular, national and regional, male and female, literary and non-literary, inside and outside. To illustrate the concept of transcultural modernity, three icons are highlighted on the transcultural site: the dandy, the flaneur, and the translator. Mere flaneurs and flaneurses simply float with the tide of heterogeneous information on the transcultural site, whereas the dandy/flaneur and the cultural translator, propellers of modernity, manage to bring about transformative creation. Their performance marks the essence of transcultural modernity: the self-consciousness of working on the threshold, always testing the limits of boundaries and tempted to go beyond them. To develop the concept of dandyism—the quintessence of transcultural modernity—the Neo-Sensation gender triad formed by the dandy, the modern girl, and the modern boy is laid out. Writers discussed include Liu Na’ou, a Shanghai dandy par excellence from Taiwan, Paul Morand, who looked upon Coco Chanel the female dandy as his perfect other self, and Yokomitsu Riichi, who developed the theory of Neo-Sensation from Kant’s the-thing-in-itself.
A story of love and adventure in China, this gripping account tells of the dramatic return to China of a top rocket scientist and a young woman educated in America on the eve of the Cultural Revolution.
This book presents a detailed analysis of the Chinese pivotal constructions (PVCs) and their diachronic developments from a constructionalist perspective, with the focus on the growth of the constructional hierarchies of these constructions and the changes with respect to both the form and meaning properties over time. The most important enabling factor behind the diachronic developments of the PVCs has been the sanction of the new instances conflicting with the constructions’ specifications. Throughout history the PVCs have grown along the two dimensions, i.e., inclusiveness and multileveledness, leading to a steady increase in the sizes of their constructional hierarchies. The two-dimensional expansion of the PVCs’ constructional hierarchies has been accompanied by the gradual relaxation of the conditions constraining the earliest instances, on multiple schematicity levels. This book will be valuable to scholars working on diachronic construction grammar and language change as well as to those interested in the history of Chinese language.
In Modern Chinese Counter-Enlightenment: Affect, Reason, and the Transcultural Lexicon, Peng Hsiao-yen argues that a trend of Counter-Enlightenment had grown from the late Qing to the May Fourth era in the 1910s to the 1920s and continued to the 1940s. She demonstrates how Counter-Enlightenment was manifested with case studies such as Lu Xun’s writings in the late 1900s, the Aesthetic Education movement from the 1910s to 1920s, and the Science and Lifeview debate in the 1920s. During the period, the life philosophy movement, highlighting the epistemic debate on affect and reason, is connected with its counterparts in Germany, France, and Japan. The movement had widespread and long-term impact on Chinese philosophy and literature. Using the transcultural lexicon as methodology, this book traces how the German term Lebensanschauung (lifeview), a key concept in Rudolf Eucken’s life philosophy, constituted a global tide of Counter-Enlightenment that influenced the thought of leading Chinese intellectuals in the Republican era. Peng contends that Chinese intellectuals’ transcultural connections with others in the philosophical pursuit of knowledge triggered China’s self-transformation. She has successfully reconstructed the missing link in the Chinese theater of the worldwide dialectic of Enlightenment and Counter-Enlightenment. “This book can be considered a milestone in modern Chinese and cultural studies. It is also the most ambitious attempt in developing a new kind of interdisciplinary studies—an attempt that bears a philosophic weight and cuts across the disciplines of Sinology, comparative literature, intellectual history, and translation studies. At the same time, it seeks to demonstrate a new theory of ‘Transcultural Lexicon’ which should appeal to all scholars interested in cultural theories.” —Leo Ou-fan Lee, Chinese University of Hong Kong “In the age ruled by the myth of technoscientific triumphalism, this timely and refreshing book unearths a critical strand of thought and sensibility against enlightenment rationality in modern China. Drawing on historical archives and debates, Peng Hsiao-yen stages a compelling critique of industrial modernity and the pursuit of wealth and power at the cost of emotional ties, community, and organic lifeways.” —Ban Wang, Stanford University
Fun with Chinese Characters (in three volumes) makes learning Chinese characters entertaining and memorable! Every page contains all the information you need to learn a Chinese character: the origin (etymology) of a character, its description and an entertaining illustration by cartoonist Tan Huay Peng. Knowing the origin greatly simplify the recognition the characters. The cartoons which accompany each character are often comical and clever. Examples of how the character is used in compound phrases are offered. First volume contains an in-depth introduction on the genesis of the characters. The third volume contains index of all 480 characters and their location. The series does not have to be used in sequence. Volume 1 has 176 characters. The characters are written in traditional and simplified characters and has romanized pinyin pronunciation. Stroke orders, definition and example sentence make this book a valuable resource. Learning Chinese characters has never been so much fun!
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