A TIME 100 Best Fantasy Books of All Time A Time Magazine Best Fantasy Book of 2018 L. Penelope's Song of Blood & Stone is a treacherous, thrilling, epic fantasy about an outcast drawn into a war between two powerful rulers. The kingdoms of Elsira and Lagrimar have been separated for centuries by the Mantle, a magical veil that has enforced a tremulous peace between the two lands. But now, the Mantle is cracking and the True Father, ruler of Lagrimar and the most powerful Earthsinger in the world, finally sees a way into Elsira to seize power. All Jasminda ever wanted was to live quietly on her farm, away from the prying eyes of those in the nearby town. Branded an outcast by the color of her skin and her gift of Earthsong, she’s been shunned all her life and has learned to steer clear from the townsfolk...until a group of Lagrimari soldiers wander into her valley with an Elsiran spy, believing they are still in Lagrimar. Through Jack, the spy, Jasminda learns that the Mantle is weakening, allowing people to slip through without notice. And even more troubling: Lagrimar is mobilizing, and if no one finds a way to restore the Mantle, it might be too late for Elsira. Their only hope lies in uncovering the secrets of the Queen Who Sleeps and Jasminda’s Earthsong is the key to unravel them. Thrust into a hostile society and a world she doesn’t know, Jasminda and Jack race to unveil an ancient mystery that might offer salvation.
A classic sweeping tale of intense passion as wide as the open prairie, from the bestselling romance novelist Penelope Williamson. “There’s a bigness about Montana that tends to frighten a lot of people. But it’s not so big you can’t find what you’re looking for, if you know what that something is.” A handsome cowboy with laughing eyes, Gus McQueen sweeps like a Western wind through Boston’s staid streets. His big dreams capture the heart of proper young Clementine Kennicutt, whose zest for life has been stifled by fear of her stern father. When Gus proposes marriage, Clementine impulsively accepts. Montana is all Clementine has dreamed it could be...and far, far more. The harsh realities of frontier life are a shock, but it is Gus’s ne’er-do-well brother Rafferty whose raw masculinity steals her breath away. Gus is the man she married, though, and Clementine is determined that neither the frontier nor her marriage will defeat her. With her adventurous spirit set free at last, she overcomes every challenge...until Rafferty forces her to face him—and herself—and make her choice.
A comprehensive history of the Georgians, comparing past views of these exciting, turbulent, and controversial times with our attitudes today The Georgian era is often seen as a time of innovations. It saw the end of monarchical absolutism, global exploration and settlements overseas, the world’s first industrial revolution, deep transformations in religious and cultural life, and Britain’s role in the international trade in enslaved Africans. But how were these changes perceived by people at the time? And how do their viewpoints compare with attitudes today? In this wide-ranging history, Penelope J. Corfield explores every aspect of Georgian life—politics and empire, culture and society, love and violence, religion and science, industry and towns. People’s responses at the time were often divided. Pessimists saw loss and decline, while optimists saw improvements and light. Out of such tensions came the Georgian culture of both experiment and resistance. Corfield emphasizes those elements of deep continuity that persisted even within major changes, and shows how new developments were challenged if their human consequences proved dire.
A posthumous collection of literary essays explores the "afterlife" of the writing community, defined as a legacy experienced in the minds and hearts of their readers; in a volume that includes introductions to major works of literature, reviews of fellow authors, and explorations of lesser-known writers. From the late novelist and biographer Penelope Fitzgerald, a collection of essays-almost all of them unknown to her countless American admirers-on books, travel, and her own life and work. A good book, wrote John Milton, is the precious life-blood of a master-spirit, embalmed and treasured up on purpose to a life beyond life. In this generous posthumous collection of her literary essays and reviews, Penelope Fitzgerald celebrates the life beyond life of dozens of master-spirits--their afterlife not only in the pages of their works but in the minds of their readers, critics, and biographers. Here are Fitzgerald's brilliant introductions to the classics--Jane Austen's Emma, George Eliot's Middlemarch, the works of Mrs. Oliphant--as well as considerations of recent novels by Barbara Pym, Carol Shields, Roddy Doyle, and Amy Tan. Here too are reviews of several late-twentieth-century literary biographies, including Richard Holmes's Coleridge, A. N. Wilson's C. S. Lewis, and Martin Stannard's Evelyn Waugh-reviews that together form a memorable criticism both of life and the art of life-writing.
DAISY IN A GUN BARREL PEACE AND FREEDOM, LOVE AND WAR, ROCK AND ROLL THE 1960s ~ Penelope Fox If you happen to be an “American Idol” fan, recognize Eric Clapton or Bob Dylan in television commercials, listen to classic rock, or follow the clash of conservatives and liberals in Congress, you know that the 1960s remain with us, even fifty years after the impact of the era. The dilemmas of that decade continue to confound us as we grapple with the ideologies that entered the consciousness of the nation during those years. A cascade of front page news marks the period: the election of youthful, progressive, President John F. Kennedy and the fear-mongering, strangle-hold of the CIA and FBI; peace movements versus military efforts; marijuana-smoking, long haired Hippies in loose fashions clashing with strait-laced, buttoned up, conservative law enforcement; Dr. Martin Luther King Jr. and civil rights, followed by women’s rights, workers’ rights and everyone wondering what was right. More incongruities arose from international oil production and giant factory output clashing with breakthrough biological science and environmental concerns. Satellite communication battled with censorship in broadcasting. Youthful interest in the Third World, especially Asia, was shattered by a horrific, undeclared war that lasted for fifteen years and created a generational divide that has never been breached. A background of iconic music continues to remind us of the colorful history of the 60s. But what about the everyday lives of young people thrust into that psychedelic and political maelstrom? What was it like for the individuals trying to be heard over the roar of questionable politics? One answer lies in the collective voice of music that framed a lyrical diary of their experiences. “Daisy in a Gun Barrel” is the story of Dianna, a teacher, and Randall, a musician, who find romance in college, and shortly thereafter are torn apart by war and circumstances. It is a story of people coming to terms with personal and political beliefs, only to find that society clashes with their viewpoints at every turn. Theirs is a generation determined to change the world into a better, kinder, more democratic place. Little did they know the impact of their ideals, or the real and metaphorical ammunition that would be leveled against the beliefs they viewed as right, moral, and constitutional. Rock and roll with Dianna and Randall through the tumultuous and exciting years of 1962 through 1970, and consider the impact of their generation. Smile at their optimism, weep with their losses, and celebrate the memorable songs that grace the years. Join the characters as they encounter turning points and question authority. This is history, alive and kicking, with a strong appeal to the curious young, who were not there, and to the post flower children who would like to remember. Light the incense, slip into something tie-dyed, and revel in the events that illuminate this carefully researched and truly American story, before time and historians erase the vibrant, human essence of this powerful decade. You must be the change you wish to see in the world. ~ Mahatma Gandhi
Providing an essential foundation for teachers-in-training and veteran educators, Becoming a Multicultural Educator: Developing Awareness, Gaining Skills, and Taking Action focuses on the development and application of research-based curriculum, instruction, and assessment strategies for multicultural education in PK–12 classrooms. Award-winning authors William A. Howe and Penelope L. Lisi bring theory and research to life through numerous exercises, case studies, reflective experiences, and lesson plans designed to heighten readers’ cultural awareness, knowledge base, and skill set. Responding to the growing need to increase academic achievement and to prepare teachers to work with diverse populations of students, the fully updated Third Edition is packed with new activities and exercises to illustrate concepts readers can apply within their future classrooms and school-wide settings. With the support of this practical and highly readable book, students will be prepared to teach in culturally responsive ways, develop a critical understanding of culture and its powerful influence on teaching and learning, and feel empowered to confront and address timely issues. FREE DIGITAL TOOLS INCLUDED WITH THIS TEXT The edge you need to succeed! SAGE edge gives instructors and students the edge they need to succeed with an array of teaching and learning tools in one easy-to-navigate website.
Penelope Lively is one of England's greatest living writers. In City of the Mind, Matthew Halland is an architect intimately involved with the new face of London, while haunted by the destruction and loss in its history. Matthew has a rich and moving relationship with his daughter Jane, and becomes entangled with an array of fascinating characters, from Rutter, a corrupt real estate developer whose Mafia-like ways disgust him, to Sarah, a romantic ray of hope who enters his life. In Lively's most ambitious novel, she has created a wonderfully rich and audacious confrontation with the mystery of London.
In many ways, the history of domestic humor writing is also a history of domestic life in the twentieth century. For many years, domestic humor was written primarily by females; significant contributions from male writers began as times and family structures changed. It remains timeless because of its basis on the relationships between husbands and wives, parents and children, houses and inhabitants, pets and their owners, chores and their doers, and neighbors. This work is a historical and literary survey of humorists who wrote about home. It begins with a chapter on the social context of and attitudes toward traditional domestic roles and housewives. The following chapters, beginning with the 1920s and continuing through today, cover the different time periods and the foremost American domestic humorists, and the humor written by surrogate parents, grown children about their childhood families, husbands, and Canadian and English writers. Also covered are the differences among various writers toward traditional domestic roles--some, like Erma Bombeck and Judith Viorst, embraced them, while others, like Caryl Kristenson and Marilyn Kentz, resisted them. Common themes, such as the isolation and competitiveness of housework, home as an idealized metaphysical goal and ongoing physical challenge, and the urban, suburban, and rural life, are also explored.
Donald Rodriguez takes readers on a roller-coaster ride as he shares what it means to live with Bipolar 1 Disorder. When manic episodes began to creep into his life, he put his family through hell and risked his own life in the process. Meanwhile, he loaded up on the toughest classes he could take as a premed student at Boston University, joined a fraternity, played for the club hockey team, and took on more than he could handle. His family physician prescribed him Adderall to focus and Trazodone to sleep. Rodriguez also started taking Prozac because his doctor thought he had situational depression because his grandma had died, his longtime girlfriend had dumped him, and his college coursework was stressing him out. Injuries had also forced him to stop playing hockey. In short order, he was abusing prescription drugs and scaring the people that loved him most. When he was finally diagnosed with Bipolar 1, he had to ease his life into a place of balance.
The only comprehensive guide to the plays of one of the world's greatest yet most puzzling contemporary dramatists, The Pinter Ethic penetrates the mystery of Harold Pinter's work with compelling and authoritative insights that locate and disclose the primal power of his drama in his characters' powerplay for dominance. With remarkable clarity, Penelope Prentice's close reading of Pinter's work untangles the multiple ambiguities, complex conflicts and contradictory actions which continue to baffle, bewilder, and confound critics and audiences. She reveals that Pinter's plays reflect not a vision of postmodern hopelessness in a world threatening to self-destruct, but provoke unguessed choice and action that enlarge the concept of love and link it to justice. Offering a definitive analysis of Pinter's work--from his early poetry, fiction, interviews, essays and novel The Dwarfs to his most recent play Celebration --Prentice demonstrates why Pinter's work can only be communicated through drama where attitude and intention may count for little, but where action is all.
This book is a study of the history, role and significance of copying art. Copies have enjoyed a different status from authentic artworks and though often acknowledged, very rarely have they been considered collectively as a genre in their own right. This volume showcases a variety of examples—from copies of famous artworks made and used as props in movies to those made innocently by student artists as part of their training. Examining the motivations for making copies, and reflecting on the reception of copies, is central to this book. Copies have historically filled voids in collections, where some sadly languish, and have become a curatorial burden. In other cases, having a copy assists in conservation projects and fills the place of a lost work. Ultimately by interrogating a copy’s role and intent we might ask ourselves if viewing a copy changes our experience and perception of an artwork.
Drawing upon a range of disciplinary perspectives, Health Law: Frameworks and Context adopts a theoretically informed and principles-based approach to examining health law. Appealing to students and academic scholars alike, the text moves beyond traditional medical law frameworks to provide a broader contextual understanding of the way in which law intersects with health. A clear and accessible style of writing combined with a sophisticated and nuanced approach takes this rich and challenging field to a new level of analysis. Written by respected academics within the field, Health Law: Frameworks and Context is an essential text for scholars and students looking to grasp the fundamental concepts of this rapidly expanding area of law, as well as those who wish to deepen their knowledge and understanding of health law in Australia and internationally.
A glimmering collection of new short fiction from the Booker Prize winner. “Lively writes with an astringent blend of sympathy and detachment, emotional wisdom and satiric wit.” —Michiko Kakutani, The New York Times In such acclaimed novels as The Photograph, Family Album, and How It All Began, Penelope Lively has captivated readers with her singular blend of wisdom, elegance, and humor. Now, in her first story collection in decades, Lively takes up themes of history, family, and relationships across varied and vividly rendered settings. In the title story, a Mediterranean purple swamp hen chronicles the secrets and scandals of Quintus Pompeius’s villa, culminating with his narrow escape from the lava and ash of Vesuvius. “Abroad” captures the low point of an artist couple’s tumultuous European road trip, trapped in a remote Spanish farmhouse and forced to paint a family mural and pitch in with chores to pay for repairs to their broken-down car. Other stories reveal friends and lovers in fateful moments of indiscretion, discovery, and even retribution—as in “The Third Wife,” when a woman learns her husband is a serial con artist and turns a house-hunting trip into an elaborately staged revenge trap. Each of these delightful stories is elevated by Lively’s signature graceful prose and eye for the subtle yet powerfully evocative detail. Wry, charming, and keenly insightful, The Purple Swamp Hen and Other Stories is a masterful achievement from one of our most beloved writers.
This book provides a comprehensive analysis of the significant growth of sculpture as an artistic form in Europe and America from 1900-1945. Using a clearly-defined thematic structure it identifies key issues and developments throughout this important period in the history of art. Individualchapters cover: public sculpture, the monument, the object, image-making, the built environment, the figurative ideal, and different materials. These themes broadly reflect the changing cultural and political climate of a turbulent period which included two world wars, each preceded by widespreadrising nationalism. The practice of sculpture is considered within the wider artistic context of painting and architecture and the development of international art markets. Auguste Rodin, whose ground-breaking exhibition opened in Paris in 1900, serves as the book's point of departure, and as arecurrent point of reference.
Penelope Anderson's original study changes our understanding both of the masculine Renaissance friendship tradition and of the private forms of women's friendship of the eighteenth century and after. It uncovers the latent threat of betrayal lurking within politicized classical and humanist friendship, showing its surprising resilience as a model for political obligation undone and remade. Incorporating authors from Cicero to Abraham Cowley and Margaret Cavendish to Mary Astell, the book focuses on two extraordinary women writers, the royalist Katherine Philips and the republican Lucy Hutchinson. And it explores the ways in which they appropriate the friendship tradition in order to address problems of conflicting allegiances in the English Civil Wars and Restoration. As Penelope Anderson suggests, their writings on friendship provide a new account of women's relation to public life, organized through textual exchange rather than bodily reproduction.
Despite the considerable volume of research into various aspects of the social and economic, cultural and political history of eighteenth-century British towns, remarkably little has focused upon, or even reflected upon the distinctive experience of women in the urban context. Much of what research there is has explored the experience of laboring or impoverished women, or women of the social elite; by contrast, the essays in this collection take up the study of the participation of middling women in urban life. This volume brings into sharper focus the relationship between changes consequent upon urban development and shifts in the pattern of gender relations in the 18th century. The contributors address such themes as the extent to which to what extent urban change accelerated a redefinition of gender relations; the connections between urban growth, changing definitions of citizenship, and the emergence of the male gendered political subject; the role of women in a literate, consumer and industrializing society; the place of women's networks in the economic, political and social life of the town and the distinctive role played by women in areas such as philanthropy and business; and how the development of urban society in turn inflected contemporary conceputalizations of gender.
This book explores the untold history of women, art, and crime. It has long been widely accepted that women have not played an active role in the art crime world, or if they have, it has been the part of the victim or peacemaker. Women, Art, and Crime overturns this understanding, as it investigates the female criminals who have destroyed, vandalised, stolen, and forged art, as well as those who have conned clients and committed white-collar crimes in their professional occupations in museums, libraries, and galleries. Whether prompted by a desire for revenge, for money, the instinct to protect a loved one, or simply as an act of quality control, this book delves into the various motivations and circumstances of women art criminals from a wide range of countries, including the UK, the USA, New Zealand, Romania, Germany, and France. Through a consideration of how we have come to perceive art crime and the gendered language associated with its documentation, this pioneering study questions why women have been left out of the discourse to date and how, by looking specifically at women, we can gain a more complete picture of art crime history.
Our capacity to care about the wellbeing of others, whether they are close family or strangers, can appear to be unimportant in today's competitive societies. However, in this volume Penny Spikins argues that compassion lies at the heart of what makes us human. She takes us on a journey from the earliest stone age societies two million years ago to the lives of Neanderthals in Ice Age Europe, using archaeological evidence to illustrate the central role that emotional connections had in human evolution. Simple acts of kindness left to us from millions of years ago provide evidence for how social emotions and morality evolved, and how our capacity to reach out beyond ourselves into the lives of others allowed us to work together for a common good, and form the basis for human success.
This book explores patina, a micro-crust of interlaminated silica and calcite developed on bottle glass that was partially buried for 70-100 years in dunes at Cossack, Western Australia, and is a world-first in the detailed, holistic study of this phenomenon. It maps out a multifaceted approach involving soil chemistry, granulometry, mineralogy, soil water hydrochemistry, glass chemistry, SEM mapping of patina, and XRD and SEM/EDS analyses, as well as experimental leaching and pellicular water analyses of sand and dust in which the glass was embedded to highlight that, to fully use patina for archaeological, hydrochemical, geochemical, and climate studies, there must be a multidisciplinary approach. The patina on glass from Cossack yielded a wealth of micro-structures providing insights into the processes of its formation. Patination is complex, reflecting wet and dry vadose conditions, alternating acid and alkaline conditions, and requiring many factors to be taken into account to obtain a comprehensive understanding of its development. In practical terms, properly used, patina and its internal structures can date glass for use in archaeology, determine soil and hydrochemical processes of solution, precipitation, and illuviation, and unravel local intra-decadal climate patterns. The weathering metastability of glass also points to potential problems in recycling glass for use in infrastructure, construction materials, and containers for toxic waste and nuclear waste.
A brilliantly funny original short story from Booker Prize winning author Penelope Lively. 'Anyone artistic needed Abroad in the 1950s.' Paul and his girlfriend are artists in need of subject matter. Arresting, evocative subject matter. So they decide to go Abroad, as much as possible, for as long as possible. Because Abroad is full of well furnished scenery. Particularly peasants. Real, earthy, traditional peasants. Except you shouldn't really call them peasants should you? 'Country people'. Abroad is full of country people. In this funny, deftly written short story, Penelope Lively satirises an arty student of the 50s, a precursor of the gap year traveller, who hasn't learnt as much from her time Abroad as she likes to think . . . Penelope Lively is the author of many prize-winning novels and short-story collections for both adults and children. She has twice been shortlisted for the Booker Prize: once in 1977 for her first novel, The Road to Lichfield, and again in 1984 for According to Mark. She later won the 1987 Booker Prize for her highly acclaimed novel Moon Tiger. Her other books include Going Back; Judgement Day; Next to Nature, Art; Perfect Happiness; Passing On; City of the Mind; Cleopatra's Sister; Heat Wave; Beyond the Blue Mountains, a collection of short stories; Oleander, Jacaranda, a memoir of her childhood days in Egypt; Spiderweb; her autobiographical work, A House Unlocked; The Photograph; Making It Up; Consequences; Family Album, which was shortlisted for the 2009 Costa Novel Award, and How It All Began. She is a popular writer for children and has won both the Carnegie Medal and the Whitbread Award. She was appointed CBE in the 2001 New Year's Honours List, and DBE in 2012. Penelope Lively lives in London.
When Penelope Gordon was headhunted to go and work in Doha, Qatar, her sole experience of the Middle East had been a brief luxury break in Dubai. Her husband Lionel, a much-travelled naval officer, was more blasé about the move, but neither was quite prepared for the experience that followed. Penelope left her NHS job at Queen Alexandra Hospital in Portsmouth to head up medical leadership and education in a state-of-the-art set of hospitals in Qatar - a country, she discovered, where there were no maps, where everyone drove their cars rather like they'd drive camels (fast and wildly), where many of her female staff were completely swathed in black with only their eyes visible, and where no-one expected to have to do something when there was a servant to do it for them, even if it was only pressing the 'start' button on the coffee machine. In this captivating and amusing memoir, Penelope shows how she managed to find the humour in dealing with a culture that was often baffling and opaque - and how she not only survived 800 days in Doha, but turned it into an adventure.
The role of monuments in the Roman imperial cult. “Davies sets out to ask, How did the Romans bury Caesar? And with what monuments did they sing his praises? . . . The architectural elaboration of these structures, their siting in the capital, the lines of vision and approaches that exposed them to view, the paths their complex outworks formed for visitors to walk, are all picked out with skill and presented with care in Death and the Emperor.” Times Literary Supplement “This concise and lucidly written book is a very valuable new contribution to the studies of Roman imperial cult, political propaganda, and topography, and has the added benefit of discussing complex scholarly disputes in a manner that the non-specialist will probably follow with ease. . . . There is material in this volume that will be immensely useful to researchers in many areas: archaeology, history of architecture, iconography, history of religion, and Roman political propaganda, to name just a few. I strongly recommend it to scholars interested in any or all of the above topics.” Bryn Mawr Classical Review “Even though its focus is on only seven specimens of architecture, the book touches upon a broad array of aspects of Roman imperial culture. Elegantly written and generously illustrated . . . this book should be of great interest to the general public as well as to the scholarly community.” American Journal of Archaeology
Besides its roster of Tennessee Revolutionary soldiers, this work includes wills of Washington County, sections on marriages of Blount and Davidson counties, and a final section on Revolutionary grants in Davidson County.
An insightful new look at one of the 20th century's most celebrated artistic visionaries Alexander Calder (1898-1976) is one of modernism's most captivating and influential figures. First trained as a mechanical engineer, Calder relocated from New York to Paris in the mid-twenties where his acceptance into the city's burgeoning avant-garde circles coincided with the development of his characteristic form of kinetic sculpture. His early work Cirque Calder, which was presented throughout Paris to great acclaim, prefigures the performance and theatrical aspects that dominate Calder's pioneering artistic works and are situated as a primary subject of intrigue in this publication. Rather than simply refashion sculpture's traditional forms, Calder envisioned entirely new possibilities for the medium and transformed its static nature into something dynamic and responsive. Alexander Calder: Performing Sculpture provides detailed insight into that pioneering process through reproductions of personal drawings and notes. Also featured is new research from a wide range of renowned scholars, furthering our understanding of the remarkable depth of Calder's beloved mobile sculptures and entrenching his status as an icon of modernism.
This easy-to-read book combines several applications of medicine--such as aromatherapy, herbal medicine, homeopathy, and conventional remedies--to promote good health to people of all ages. Full-color illustrations.
Africare is a US-based non-profit organization specializing in development aid for Africa. It is also the oldest and largest African-American led organization in the development field. Since its founding in 1970, Africare has delivered more than $710 million in assistance through over 2,500 projects to thirty-six African countries. The organization employs over 1,000 people, largely indigenous to the countries affected. This is a study in leadership and competing African and American black interests. Africare has sought to become the leading voice speaking on Africa within the US, a goal more difficult to attain than becoming the premier NGO in Africa. Sources of opinion and channels of expression about American policy in Africa are fragmented. They do not have name recognition or influential sponsors. There is poor coverage of African affairs in the US, except for key, often tragic, events. Africare has a heritage and has filled a niche in American society. Penelope Campbell argues that unless the organization reclaims these unique assets, it may lose the distinctiveness enabling its survival. The challenge for Africare is spreading its story and message. The author raises disturbing fundamental issues. Has foreign aid become such an industry that the patient is not allowed to get well? As the military cannot afford peace, it seems the world cannot afford the cessation of poverty. Campbell argues that success in Africa has been elusive not because of the failures of development organizations, but the magnitude of the issues involved. The author presents a convincing case for aid to Africa, the pitfalls involved, and for Africare's potential as a leader in meeting the continent's needs.
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