The prose fiction of Penelope Aubin, including the two texts included in this edition—The Life of Madam de Beaumount (1721) and The Life of Charlotta Du Pont (1723), offers a delightful and provocative challenge to many of our standard ways of thinking about both the “rise of the novel” in eighteenth-century Britain and about women writers in that era. Aubin’s fast-paced highlights the persistence and vitality of romance as a form of storytelling, and the centrality of teenaged girls to tales that extend far beyond the domestic and amatory modes with which women writers have traditionally been associated. Aubin’s resourceful heroines and the often spectacular violence they engage in in order to defend their lives and bodily integrity against threats allow us a more expansive and exciting view of early eighteenth-century fiction than the current classroom canon often permits. In narratives spanning the globe and featuring pirates, North African corsairs, Jacobites, shipwrecks, and seraglios, Aubin delivers a form of fiction with roots that go back to antiquity and commitments that often feel far more modern than most other texts from the eighteenth century.
The prose fiction of Penelope Aubin, including the two texts included in this edition—The Life of Madam de Beaumount (1721) and The Life of Charlotta Du Pont (1723), offers a delightful and provocative challenge to many of our standard ways of thinking about both the “rise of the novel” in eighteenth-century Britain and about women writers in that era. Aubin’s fast-paced highlights the persistence and vitality of romance as a form of storytelling, and the centrality of teenaged girls to tales that extend far beyond the domestic and amatory modes with which women writers have traditionally been associated. Aubin’s resourceful heroines and the often spectacular violence they engage in in order to defend their lives and bodily integrity against threats allow us a more expansive and exciting view of early eighteenth-century fiction than the current classroom canon often permits. In narratives spanning the globe and featuring pirates, North African corsairs, Jacobites, shipwrecks, and seraglios, Aubin delivers a form of fiction with roots that go back to antiquity and commitments that often feel far more modern than most other texts from the eighteenth century.
This is the first ever critical edition of Penelope Aubin’s The Noble Slaves, a novel that shows women as both moral exemplars and independent adventurers in foreign lands. Its tales of seduction, imprisonment, and escape engage with contemporary debates about arbitrary authority and slavery—particularly in relation to the lives of women. In one brief and fast-paced novel, Aubin brings together the aristocratic romance and the world of trade with the themes of empire and colonialism. Sometimes assessed as a pious conservative or a popular sensationalist, Aubin used fiction as a vehicle for addressing the deepest moral and political concerns of her time, and The Noble Slaves will allow new readers to understand her importance to the history of the novel. The appendices to this Broadview Edition include contemporary fiction and historical documents on slavery, piracy, and Orientalism.
This is the first ever critical edition of Penelope Aubin’s The Noble Slaves, a novel that shows women as both moral exemplars and independent adventurers in foreign lands. Its tales of seduction, imprisonment, and escape engage with contemporary debates about arbitrary authority and slavery—particularly in relation to the lives of women. In one brief and fast-paced novel, Aubin brings together the aristocratic romance and the world of trade with the themes of empire and colonialism. Sometimes assessed as a pious conservative or a popular sensationalist, Aubin used fiction as a vehicle for addressing the deepest moral and political concerns of her time, and The Noble Slaves will allow new readers to understand her importance to the history of the novel. The appendices to this Broadview Edition include contemporary fiction and historical documents on slavery, piracy, and Orientalism.
In this study of the manner in which medieval nuns lived, Penelope Johnson challenges facile stereotypes of nuns living passively under monastic rule, finding instead that collectively they were empowered by their communal privileges and status to think and act without many of the subordinate attitudes of secular women. In the words of one abbess comparing nuns with monks, they were "different as to their sex but equal in their monastic profession." Johnson researched more than two dozen nunneries in northern France from the eleventh century through the thirteenth century, balancing a qualitative reading of medieval monastic documents with a quantitative analysis of a lengthy thirteenth-century visitation record which allows an important comparison of nuns and monks. A fascinating look at the world of medieval spirituality, this work enriches our understanding of women's role in premodern Europe and in church history.
These books are the first full-length, comprehensive study written in English of French children’s literature. They provide both an overview of developments from the seventeenth century to the present day and detailed discussion of texts that are representative, innovative, or influential best-sellers in their own time and beyond. French children’s literature is little known in the English-speaking world and, apart from a small number of writers and texts, has been relatively neglected in scholarly studies, despite the prominence of the study of children’s literature as a discipline. This project is groundbreaking in its coverage of a wide range of genres, tracing the evolution of children’s books in France from early courtesy books, fables and fairy tales, to eighteenth-century moral tales and educational drama, nineteenth-century novels of domestic realism and adventure stories and contemporary detective fiction and fantasy novels. The discussion traces the relationship between children’s literature and social change, revealing the extent to which children’s books were informed by pedagogical, moral, religious and political agenda and explores the implications of the dual imperatives of instruction and amusement which have underpinned writing for young readers throughout the centuries.
Penelope Aubin (c. 1679-c. 1738) was an English novelist and translator. Her works include: The Stuarts: A Pindarique Ode (1707), The Extasy: A Pindarick Ode to Her Majesty The Queen (1708), The Strange Adventures of the Count de Vinevil and His Family (1721), The Life of Madam de Beaumount, A French Lady (1721), The Life and Amorous Adventures of Lucinda (1721), The Noble Slaves; or, The Lives and Adventures of Two Lords and Two Ladies (1722), History of Genghizcan the Great (1722), The Life of Charlotta du Pont, An English Lady (1723) and The Life and Adventures of the Lady Lucy (1726).
An engrossing novel in Aubin's signature style. It introduces us to Lucinda, her reformed rake and the ups and downs of their relationship. Aubin subtly introduces Catholic morality into a gripping plot to stress the importance of conjugal fidelity. Absorbing!
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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