The journals, dating from the 1930s, are studies in spiritual and psychological response to the landscape that informed Church's sensibilities and creative energy. The plateau she loved became both her subject and the basis of her connection to other women writers, particularly Warner, Mary Austin, and May Sarton."--BOOK JACKET.
In this, her second volume of poetry, Peggy Pond Church pursues the course indicated in "Foretaste" first published in 1933 and now in a new edition from Sunstone Press. In "Familiar Journey" there is the same dark feminine principle further amplified in this collection of personal lyrics. Both the title poem and the rest of the contents show the author's progress along the road all must travel. Most of the images used in these poems reflect nature; most keen and sharp and freshly worded, signifying an observance of the small things that are individual, accurate and vivid. In the group of poems written about her children, Mrs. Church's phrasing is felicitous, and in these her personal lyric voice becomes universal. Rarely, too, will be found the sheer poetry which is in "Christ's Birthday." The utter simplicity of phrase, coupled with the strength and delicacy of imagery, in this one poem make it the most remarkable of the contents of the volume. Here is pure rightness of word; pure beauty of image. MARGARET HALLETT POND, who became known as PEGGY POND CHURCH, was born on a ranch in the Territory of New Mexico in 1903 at a place called Valmora. She was the daughter of Ashley Pond Jr., son of a wealthy Detroit attorney, and Hazel Hallett Pond, the granddaughter of a former governor of Arkansas who retired from politics to become a rancher in Mora County. As a teenager, Peggy was sent to boarding schools in California and Connecticut, and by the time she entered Smith College, her poetry had already achieved recognition and won awards. Peggy married Fermor Spencer Church in 1924 and they were the parents of three sons. She died October 23, 1986, a date of her "own choosing." In addition to "Familiar Journey," originally published in 1936, she is the author of "Foretaste" and "The Burro of Angelitos" (both in new editions from Sunstone Press), as well as "Ultimatum for Man" and "The House at Otowi Bridge" among others. In 2010, a children's story written by Peggy in the 1930s was published as a bilingual book titled "Shoes for the Santo Nino," and in 2011 the story was adapted to become a children's opera.
Here are pages with delicately-carved poems, fragrant with the sage of high mesas, light as a cirrus cloud, warm as red blood, vibrant as the strings of a violin. The reader catches glimpses, feels touches of the sensitive character of the poet, sensitive not so much to darkness as to light in all its nuances of color, movement, and design. Of acid there is not a trace. There are cloud-shadows, the flight of a fairy, altars, the turn of the earth, lilac roots, turquoise in the wind. "The author has divided her book into two parts, but the poems arrange themselves into four spheres: poems close to the earth, fantasy, sketches of children, glimpses of the native Southwest. New Mexico is symbolized in a new way: placid burros become ancient hills; chili burns with new fever; natives pray in the cool recesses of a church under an anciently carved statue of Joseph; sheep and goats whiten the rock-ribbed hills." (From "The New Mexico Quarterly," February, 1934, Volume IV, Number 1.) MARGARET HALLETT POND, who became known as PEGGY POND CHURCH, was born on a ranch in the Territory of New Mexico in 1903 at a place called Valmora. She was the daughter of Ashley Pond Jr., son of a wealthy Detroit attorney, and Hazel Hallett Pond, the granddaughter of a former governor of Arkansas who retired from politics to become a rancher in Mora County. As a teenager, Peggy was sent to boarding schools in California and Connecticut, and by the time she entered Smith College, her poetry had already achieved recognition and won awards. Peggy married Fermor Spencer Church in 1924 and they were the parents of three sons. She died October 23, 1986, a date of her "own choosing." In addition to "Foretaste," originally published in 1933, she is the author of "Familiar Journey" and "The Burro of Angelitos" (both in new editions from Sunstone Press), as well as "Ultimatum for Man" and "The House at Otowi Bridge" among others. In 2010, a children's story written by Peggy in the 1930s was published as a bilingual book titled "Shoes for the Santo Nino," and in 2011 the story was adapted to become a children's opera.
Children and their parents and grandparents will love these stories of family life, entitled The Pancake Stories because they begin with Timothy Taylor’s adventure in making breakfast for his parents. Peggy Pond Church, one of the great New Mexico authors of the twentieth century, wrote these stories for her own sons in the 1930s, and her daughter-in-law Elizabeth Church created the illustrations in the 1950s. Now at last they are published, both in the original English and in Noël Chilton’s Spanish translation. All the Pancake Stories are about Timothy Taylor and his family: his mother, his father, and his eccentric aunties. A horse who goes to the movies, a cat who has too many kittens, and a dog who makes everyone laugh are all part of Timothy’s world. Read these stories aloud. They will remind you how much fun it is to be a child.
The story of Julianita and the Santo Nino is an expression of the fabric of northern New Mexico, its culture and its traditions. Stories like this have been told literally thousands of times in homes all across the Southwest. Venerated since the eighth century, the Santo Nino is an important part of both the Native American and the Hispanic traditions. People pray to the Santo Nino for healing, mainly of children, and devoted pilgrims frequently leave children's shoes at his shrines. Many believe that he wears the shoes out at night when he goes walking secretly visiting children while they are asleep in order to heal them. The most famous shrines to the Santo Nino are in Fresnillo, Zacatecas, Mexico and Chimayo, New Mexico. This story was written in the 1930s by famed New Mexico author Peggy Pond Church and lost for almost seven decades. Re-discovered, it is now brought back to life with full-color illustrations by award-winning Santa Fe artist Charlie Carrillo. The book won the Best Children's Picture Book Award in the 2010 New Mexico Book Awards.
The journals, dating from the 1930s, are studies in spiritual and psychological response to the landscape that informed Church's sensibilities and creative energy. The plateau she loved became both her subject and the basis of her connection to other women writers, particularly Warner, Mary Austin, and May Sarton."--BOOK JACKET.
Children and their parents and grandparents will love these stories of family life, entitled The Pancake Stories because they begin with Timothy Taylor's adventure in making breakfast for his parents. Peggy Pond Church, one of the great New Mexico authors of the twentieth century, wrote these stories for her own sons in the 1930s, and her daughter-in-law Elizabeth Church created the illustrations in the 1950s. Now at last they are published, both in the original English and in Noël Chilton's Spanish translation. All the Pancake Stories are about Timothy Taylor and his family: his mother, his father, and his eccentric aunties. A horse who goes to the movies, a cat who has too many kittens, and a dog who makes everyone laugh are all part of Timothy's world. Read these stories aloud. They will remind you how much fun it is to be a child.
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