Winding north through Pittsford, Otter Creek has powered the lumber, grain, and marble mills essential to this region since 1770. Chittenden lies east of Pittsford, on the west flank of the Green Mountains, where iron and manganese deposits supplied Pittsfords iron industry. To the south, Pittsford and Proctor share deep marble formations that support the economies of both towns. The first settlers were farmers drawn to the valleys fertile soil and mountain forests. They were joined by lumber barons, lawyers, merchants, and artists. European and French Canadian immigrants soon followed and farmed, built the railroad, or quarried and carved marble. Closely linked by the industries that helped build them, these communities have evolved into todays thriving hometowns of workers in Rutland.
San Timoteo Canyon, known locally as the canyon, has always been a major thoroughfare for the area. Once a favorite passage for desert tribes traveling to the sea to trade their wares, it was also used as the main corridor for wagon teams coming from the San Gabriel Mission en route to the Salton Sea to harvest precious salt. Stagecoach lines later traversed the canyon from Los Angeles to Arizona, requiring the establishment of stagecoach stops in the San Timoteo Canyon and elsewhere. Wyatt Earp was one of the most famous stagecoach drivers to pass through the canyon. Later the Iron Horse became the primary method of travel, and the stage lines were abandoned, although train transportation remained strong. Today the Riverside Land Conservancy and the California Department of Parks and Recreation are working together to create a 10,000-acre state park to protect and preserve this scenic canyon.
This informative guide to the parks of Oregon and Washington is a must for both visitors and residents who want to enjoy the wide range of outdoor recreational opportunities in these states. Follow in the footsteps of Lewis & Clark and early Native Americans as the numerous parks, forests and historic sites are explored in detail. This guide will help you find the perfect place for a weekend getaway, an active family outing, whale watching, a quiet wilderness retreat. Nature trails, scenic drives, historic sites, hiking tips, contact information.
The journals, dating from the 1930s, are studies in spiritual and psychological response to the landscape that informed Church's sensibilities and creative energy. The plateau she loved became both her subject and the basis of her connection to other women writers, particularly Warner, Mary Austin, and May Sarton."--BOOK JACKET.
Answers important questions regarding company benefits and employment opportunities and identifies human resource contacts and other corporate officials. Covering the midwest, this volume tell job seekers who to contact and how to submit applications. Information includes contact data, business description, application procedures, internship availability, benefits, and more. It also features a metropolitan statistical areas table.
Winner of the University of Delaware Press Award for the best manuscript in Shakespearean Studies, this study clarifies and revitalizes Shakespeare's Cymbeline for the modern reader through a rediscovery of the poet's artistic use of Renaissance myths, symbols, and emblematic topoi that give meaning to the play. Although mainly concerned with the rich classical and Christian iconography of Cymbeline, the book also rages widely over Shakespeare's dramatic and nondramatic works and beyond to the work of his contemporaries in Renaissance poetry, drama, art, theology, philosophy, emblems, and myths to show parallels between the mysteries of this tragicomedy and other examples of Renaissance thought and expression. It uncovers actual representations in the visual arts of parallels to the play's descriptive and theatrical moments. These iconographic parallels are lavishly illustrated in the book through photographs of Renaissance plaster work, embroidery, metalwork, oil paintings, and sculpture, but primarily through woodcuts and engravings from English and Continental emblem books of the period. The visual imagery is carefully related to an intellectual explanation of Cymbeline's complex Neoplatonic and Reformation themes." "The author begins with a extended definition of the genre of Renaissance tragicomedy, a form developed for Christian artistic purposes in Italy by Tasso and Guarini. Aside from the obviously similar characteristics of a happy ending and the presence of an oracle, Cymbeline shares nine other artistic aspects with the pioneer Italian tragicomedies Aminta and Il pastor fido, including the celebration of an Orphic ritual of death and resurrection. After a discussion of the Neoplatonic and Ovidian mythology embedded in the play, the book considers in detail the iconography of Imogen's elaborately decorated bedroom as a reconciliation of opposites, the iconography of primitivism and Wild Men versus courtier as a satire of the British court, and the iconography of birds, animals, vegetation, and minerals as evocative of the major themes of doubt, repentance, reformation, reunion, and regeneration in Cymbeline. The final objective of the dramatic conflict is mutual forgiveness and a happy marriage, all of which is achieved through temperance or the attainment of musical concord within the individual, the state, and the world. Although Shakespeare shows the five senses to be an inadequate means for his characters to recognize true virtue in a deceitful world, the sense of hearing is the most important in the play, since it allows participation in the four redemptive functions of sound, which ultimately leads to psychological harmony with the music of the spheres." "Simonds also demonstrates that because Cymbeline is essentially an Orphic tragicomedy designed to liberate the audience from melancholy, the play strives to bring delight through its theatrical reenactment of the initially painful Platonic journey from Eros to Anteros, from blindness to a vision of divinity, from discord to musical harmony, from spiritual confusion to joyful enlightenment."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The 1931 Universal Pictures film adaptation of Frankenstein directed by James Whale and starring Boris Karloff as the now iconic Monster claims in its credits to be 'Adapted from the play by Peggy Webling'. Webling's play sought to humanize the creature, was the first stage adaptation to position Frankenstein and his creation as doppelgängers, and offered a feminist perspective on scientific efforts to create life without women, ideas that suffuse today's perceptions of Frankenstein's monster. The original play script exists in several different versions, only two of which have ever been consulted by scholars; no version has ever been published. Nor have scholars had access to Webling's private papers and correspondence, preserved in a family archive, so that the evolution of Frankenstein from book to stage to screen has never been fully charted. In Peggy Webling and the Story behind Frankenstein, Dorian Gieseler Greenbaum (Webling's great grandniece) and Bruce Graver present the full texts of Webling's unpublished play for the first time. A vital critical edition, this book includes: - the 1927 British Library Frankenstein script used for the first production of the play in Preston, Lancashire - the 1928 Frankenstein script in the Library of Congress, used for productions in UK provincial theatres from autumn 1928 till 1930 - the 1930 Frankenstein Prompt Script for the London production and later provincial performances, held by the Westminster Archive, London - Webling's private correspondence including negotiations with theatre managers and Universal Pictures, family letters about the writing and production process, and selected contracts - Text of the chapter 'Frankenstein' from Webling's unpublished literary memoir, The Story of a Pen for additional context - Biography of Webling that bears directly on the sensibilities and skills she brought to the writing of her play - History of how the play came to be written and produced - The relationship of Webling's play to earlier stage and film adaptations - An exploration of playwright and screenwriter John L. Balderston's changes to Webling's play and Whale's borrowings from it in the 1931 film Offering a new perspective on the genesis of the Frankenstein movie, this critical exploration makes available a unique and necessary 'missing link' in the novel's otherwise well-documented transmedia cultural history.
This book examines how psycho-educational family intervention can be developed in rural areas for families with persons suffering from schizophrenia. Detailed guidelines for effective family interventions, community mental health services, and social welfare and mental health policy are described.
A long-awaited history that promises to dramatically change our understanding of race in America, What Comes Naturally traces the origins, spread, and demise of miscegenation laws in the United States--laws that banned interracial marriage and sex, most often between whites and members of other races. Peggy Pascoe demonstrates how these laws were enacted and applied not just in the South but throughout most of the country, in the West, the North, and the Midwest. Beginning in the Reconstruction era, when the term miscegenation first was coined, she traces the creation of a racial hierarchy that bolstered white supremacy and banned the marriage of Whites to Chinese, Japanese, Filipinos, and American Indians as well as the marriage of Whites to Blacks. She ends not simply with the landmark 1967 case of Loving v. Virginia, in which the Supreme Court finally struck down miscegenation laws throughout the country, but looks at the implications of ideas of colorblindness that replaced them. What Comes Naturally is both accessible to the general reader and informative to the specialist, a rare feat for an original work of history based on archival research.
In line with the recommendations of Project 2000 and the 1982 RMN syllabus this is an important new book which takes a fresh look at the requirements of trainee psychiatric nurses and their teachers. The book is divided into two parts. Part One - Concepts, establishes the nurses approach to psychiatric care as an individual and as a member of a team. Part Two - Care, explores the application of concepts through numerous patient profiles and care plans based on conceptual models. The text is well illustrated and attractively designed throughout. The author, Peggy Martin, is closely involved in nurse training and, as well as being aware of the needs of the practising nurse, has a strong commitment to Peplau's developmental model which she has used in this book.
Easy-care plants suited to the conditions in your garden. Preparation techniques for a garden that practically takes care of itself. All categories of plants, from flowers and trees to houseplants and herbs. Complete descriptions to make plant selection simple.
The journals, dating from the 1930s, are studies in spiritual and psychological response to the landscape that informed Church's sensibilities and creative energy. The plateau she loved became both her subject and the basis of her connection to other women writers, particularly Warner, Mary Austin, and May Sarton."--BOOK JACKET.
Winding north through Pittsford, Otter Creek has powered the lumber, grain, and marble mills essential to this region since 1770. Chittenden lies east of Pittsford, on the west flank of the Green Mountains, where iron and manganese deposits supplied Pittsfords iron industry. To the south, Pittsford and Proctor share deep marble formations that support the economies of both towns. The first settlers were farmers drawn to the valleys fertile soil and mountain forests. They were joined by lumber barons, lawyers, merchants, and artists. European and French Canadian immigrants soon followed and farmed, built the railroad, or quarried and carved marble. Closely linked by the industries that helped build them, these communities have evolved into todays thriving hometowns of workers in Rutland.
Winding north through Pittsford, Otter Creek has powered the lumber, grain, and marble mills essential to this region since 1770. Chittenden lies east of Pittsford, on the west flank of the Green Mountains, where iron and manganese deposits supplied Pittsford's iron industry. To the south, Pittsford and Proctor share deep marble formations that support the economies of both towns. The first settlers were farmers drawn to the valley's fertile soil and mountain forests. They were joined by lumber barons, lawyers, merchants, and artists. European and French Canadian immigrants soon followed and farmed, built the railroad, or quarried and carved marble. Closely linked by the industries that helped build them, these communities have evolved into today's thriving hometowns of workers in Rutland.
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