The Forgotten Gift By: Pedro Mouzinho The Forgotten Gift brings forth the love of life in a total surrender to the love itself. It is an invitation to challenge your relationship with God and reflect on His simple and powerful message His son conveyed. Pedro Mouzinho has always had the love on Christ, although this has never brought him closer to church. The example of love Christ’s journey has given us the stepping stone to live in His too easily forgotten message, “Love one another as I have loved you.”
The Forgotten Gift By: Pedro Mouzinho The Forgotten Gift brings forth the love of life in a total surrender to the love itself. It is an invitation to challenge your relationship with God and reflect on His simple and powerful message His son conveyed. Pedro Mouzinho has always had the love on Christ, although this has never brought him closer to church. The example of love Christ’s journey has given us the stepping stone to live in His too easily forgotten message, “Love one another as I have loved you.”
The Manueline: Portuguese Art during the Great Discoveries reveals the splendours of an era that skilfully brought Portugal into the Modern Age. Alongside the formidable adventures of the Great Maritime Discoveries, King Manuel I (1469–1521) included the related fields of both Church and State in artistic activities that were without precedent. What resulted was a style which was not only historically unique, but which was perfectly emblematic of its country of origin and of the monarch after which it was named. Fourteen itineraries invite you to discover 182 museums, monuments and sites in 60 locations.
Encounters with Jazz on Television in Cold War Era Portugal: 1954–1974 explores the relationship between jazz and television by investigating the experiences of performers and producers in one of the last European colonial states (Portugal) during a period of political and social repression and global isolation. This new model of systemic analysis reveals a paradoxical interrelationship between state-controlled television and international media industries, highlighting the space where these two forces collide and locating television jazz production within an important cultural milieu with a lasting impact on Portuguese society. From the days of the first feasibility studies for a proposed public television service in 1954, to the military coup that overthrew the far-right Estado Novo regime in 1974, this book maps the institutionalization of jazz in Portugal as a social and musical practice, one that played a significant role in fostering cultural diversity. It looks at the musicians, repertoires, production processes, broadcasts, policies and strategies that fuelled the launch of Radiotelevisão Portuguesa (RTP) and the rise of television, an indispensable new medium that granted Portuguese people access to the wider world – a world curated by public television producers with individual cultural, political and aesthetic attitudes to influence the dissemination of jazz. In exploring the connections between these national and international jazz scenes, Encounters with Jazz on Television in Cold War Era Portugal: 1954–1974 addresses opportunities for in-depth comparison of the Portuguese experience with that of other countries, situating Cold War era Portuguese television jazz broadcasting as part of a bigger, still unwritten story.
This book examines the history of what became one of Portugal’s largest banks, the Caixa Geral de Depósitos. The bank was founded in 1876 by the state to run public deposits, and evolved into a savings bank, catering for both public and private deposits. Its history goes beyond the history of banking, as it ties in with the role of the state in the banking sector and financial markets. The book weaves in and out of different political and international contexts, following the many changes of the Portuguese political regime and of its interactions with the national and international economy. The most important lesson from the study is that publicly owned institutions can compete successfully with the private sector when they simultaneously cater for the interests of policy makers as well as those of the public, in this case, the depositors. The history of the Caixa Geral de Depósitos therefore shows how the state of a peripheral economy is capable of successfully managing a large financial institution when the right set of incentives is in place. This work will be a valuable resource for researchers and students of financial and economic history at both the advanced undergraduate and postgraduate levels. It will also provide interesting insights for practitioners in the financial sector.
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