An inspiring and revelatory memoir of juggling marriage, motherhood and politics as she worked to become a successful writer and self-fulfilled woman"--Provided by publisher.
With the unique blend of truth and humor that made her first novel, What Looks Like Crazy on an Ordinary Day . . ., a huge bestseller, Pearl Cleage returns with an extraordinary novel that is rich in character, steeped in sisterhood, and bursting with unexpected love . . . and maybe just a little magic. Depending on the time of day, Regina Burns is a woman on the edge of a nervous breakdown or an overdue breakthrough. One shattered heart and six months of rehab have left her wary and shell-shocked—especially with the prospect of taking a temporary consulting job in Atlanta, a move that would allow Regina to rescue the family home that she borrowed against when she was “a stomp down dope fiend.” Her stone-faced banker has grudgingly agreed to give her sixty days to settle her debts or lose the house. Returning to Atlanta is a big risk. Last time Regina was there, she lost track of who she was and what she wanted. There’s a lot of emotional baggage with her new employer, Beth Davis. Can she really forgive Beth for breaking up her wedding plans on New Year’s Eve because she just didn’t think Regina was good enough to marry her son? Meanwhile, Regina’s visionary Aunt Abbie has told her to be on the lookout for a handsome stranger with “the ocean in his eyes” who has a bone to pick and a promise to keep. Then a blue-eyed brother appears on the streets of Afro-Atlanta wearing a black cashmere overcoat, flashing a dazzling smile, and lending a helping hand when Regina needs it most. But between falling for Blue Hamilton and dealing with Beth, secrets will emerge that will threaten to send her life twisting in surprising new directions. Like a conversation with a good friend, Some Things I Never Thought I’d Do shares hope, love, and laugher. As always, it is Pearl Cleage’s unforgettable characters and her gift for dialogue that will earn this provocative new novel a place in the hearts of her growing family of readers.
Catherine Sanderson seems to have it all: a fulfilling career helping immigrant women find jobs, a lovely home, and a beautiful, intelligent daughter on her way to Smith College. What Catherine doesn’t have: a father for her child– and she’s spent many years dodging her daughter’s questions about it. Now Phoebe is old enough to start poking around on her own. It doesn’t help matters that the mystery man, B.J. Johnson–the only man Catherine has ever loved–doesn’t even know about Phoebe. He’s been living in Africa. Now B.J., a renowned newspaper correspondent, is back in town and needs Catherine’s help cracking a story about a female slavery ring operating right on the streets of Atlanta. Catherine is eager to help B.J., despite her heart’s uncertainty over meeting him again after so long, and confessing the truth to him–and their daughter. Meanwhile, Catherine’s hands are more than full since she’s taken on a new client. Atlanta’s legendary Miss Mandeville–a housekeeper turned tycoon–is eager to have Catherine staff her housekeeping business. But why are the steely Miss Mandeville and her all-too-slick sidekick Sam so interested in Catherine’s connection to B.J.? What transpires is an explosive story that takes her world–not to mention the entire city of Atlanta–by storm. From the New York Times bestselling author of What Looks Like Crazy on an Ordinary Day . . . comes another fast-paced and emotionally resonant novel, by turns warm and funny, serious and raw. Pearl Cleage’s ability to create a gripping story centered on strong, spirited black women and the important issues they face remains unrivaled.
THE STORY: It is the summer of 1930 in Harlem, New York. The creative euphoria of the Harlem Renaissance has given way to the harsher realities of the Great Depression. Young Reverend Adam Clayton Powell, Jr., is feeding the hungry and preaching an
BONUS: This edition contains an excerpt from Pearl Cleage's Just Wanna Testify and a Till You Hear from Me discussion guide. From the acclaimed Pearl Cleage, author of What Looks Like Crazy on an Ordinary Day . . . and Seen It All and Done the Rest, comes an Obama-era romance featuring a cast of unforgettable characters. Just when it appears that all her hard work on Barack Obama’s presidential campaign is about to pay off with a White House job, thirty-five-year-old Ida B. Wells Dunbar finds herself on Washington, D.C.’s post-election sidelines even as her twentysomething counterparts overrun the West Wing. Adding to her woes, her father, the Reverend Horace A. Dunbar, Atlanta civil rights icon and self-described “foot soldier for freedom,” is notoriously featured on an endlessly replayed YouTube clip in which his pronouncements don’t exactly jibe with the new era in American politics. The Rev’s stinging words and myopic views don’t sound anything like the man who raised Ida to make her mark in the world. When friends call to express their concern, Ida realizes it’s time to head home and see for herself what’s going on. Besides, with her job prospects growing dimmer, getting out of D.C. for a while might be the smartest move she could make. Back in her old West End neighborhood, Ida runs into childhood friend and smooth political operator Wes Harper, also in town to pay a visit to the Reverend Dunbar, his mentor. Ida doesn’t trust Wes or his mysterious connections for one second, but she can’t deny her growing attraction to him. While Ida and the Rev try to find the balance between personal loyalties and political realities, they must do some serious soul searching in order to get things back on track before Wes permanently derails their best laid plans.
Blue Hamilton, "godfather" of his Atlanta neighborhood where crime is unknown, becomes pitted against the "Too Fine Five," Amazonian African-American supermodels whose arrival in town spells trouble. Seems that when the vamps are done with their men, themen will be done ... for good.
BONUS: This edition contains an excerpt from Pearl Cleage's Just Wanna Testify and a Till You Hear from Me discussion guide. From the acclaimed Pearl Cleage, author of What Looks Like Crazy on an Ordinary Day . . . and Seen It All and Done the Rest, comes an Obama-era romance featuring a cast of unforgettable characters. Just when it appears that all her hard work on Barack Obama’s presidential campaign is about to pay off with a White House job, thirty-five-year-old Ida B. Wells Dunbar finds herself on Washington, D.C.’s post-election sidelines even as her twentysomething counterparts overrun the West Wing. Adding to her woes, her father, the Reverend Horace A. Dunbar, Atlanta civil rights icon and self-described “foot soldier for freedom,” is notoriously featured on an endlessly replayed YouTube clip in which his pronouncements don’t exactly jibe with the new era in American politics. The Rev’s stinging words and myopic views don’t sound anything like the man who raised Ida to make her mark in the world. When friends call to express their concern, Ida realizes it’s time to head home and see for herself what’s going on. Besides, with her job prospects growing dimmer, getting out of D.C. for a while might be the smartest move she could make. Back in her old West End neighborhood, Ida runs into childhood friend and smooth political operator Wes Harper, also in town to pay a visit to the Reverend Dunbar, his mentor. Ida doesn’t trust Wes or his mysterious connections for one second, but she can’t deny her growing attraction to him. While Ida and the Rev try to find the balance between personal loyalties and political realities, they must do some serious soul searching in order to get things back on track before Wes permanently derails their best laid plans.
Blue Hamilton, "godfather" of his Atlanta neighborhood where crime is unknown, becomes pitted against the "Too Fine Five," Amazonian African-American supermodels whose arrival in town spells trouble. Seems that when the vamps are done with their men, themen will be done ... for good.
Catherine Sanderson seems to have it all: a fulfilling career helping immigrant women find jobs, a lovely home, and a beautiful, intelligent daughter on her way to Smith College. What Catherine doesn’t have: a father for her child– and she’s spent many years dodging her daughter’s questions about it. Now Phoebe is old enough to start poking around on her own. It doesn’t help matters that the mystery man, B.J. Johnson–the only man Catherine has ever loved–doesn’t even know about Phoebe. He’s been living in Africa. Now B.J., a renowned newspaper correspondent, is back in town and needs Catherine’s help cracking a story about a female slavery ring operating right on the streets of Atlanta. Catherine is eager to help B.J., despite her heart’s uncertainty over meeting him again after so long, and confessing the truth to him–and their daughter. Meanwhile, Catherine’s hands are more than full since she’s taken on a new client. Atlanta’s legendary Miss Mandeville–a housekeeper turned tycoon–is eager to have Catherine staff her housekeeping business. But why are the steely Miss Mandeville and her all-too-slick sidekick Sam so interested in Catherine’s connection to B.J.? What transpires is an explosive story that takes her world–not to mention the entire city of Atlanta–by storm. From the New York Times bestselling author of What Looks Like Crazy on an Ordinary Day . . . comes another fast-paced and emotionally resonant novel, by turns warm and funny, serious and raw. Pearl Cleage’s ability to create a gripping story centered on strong, spirited black women and the important issues they face remains unrivaled.
For Josephine Evans, home was on the stages of the world where she spent thirty years establishing herself as one of the finest actresses of her generation. Josephine was the toast of Europe, and her fabulous apartment in Amsterdam’s theater district was a popular gathering place for an international community of artists, actors, and expatriates who considered themselves true citizens of the world. Josephine lived above and beyond the reach of conventional definitions of who and what an African American diva could be, and her legions of loyal fans loved her for it. She had a perfect life and enough sense to live it to the hilt, but then a war she didn’t fully understand turned everything upside down, thrusting her into a role she never wanted and was not prepared to play. Suddenly the target of angry protests aimed at the country she had never really felt was her own, Josephine is forced to return to America to see if she can create a new definition of home. Camping out with her granddaughter, Zora, who is housesitting in Atlanta’s West End; and trying to avoid the unwanted attentions of Dig It!, the city’s brand-new gossip magazine, Josephine struggles to reclaim her old life even as she scrambles to shape her new one. Hoping her friend Howard Denmond is as good as his word when he promises to engineer her triumphant return to the European stage, Josephine sets out to increase her nest egg by selling the house her mother willed her, only to find the long-neglected property has become home to squatters who have no intention of leaving. But an unexpected reunion with an old friend offers Josephine a chance to set things right. Spurning an offer from unscrupulous land developer Greer Woodruff, Josephine gathers new friends around her, including Victor Causey, a lawyer whose addictions left him homeless but still determined to protect his mother; Louie Baptiste, a displaced New Orleans chef hoping to return to the city he loves; and Aretha Hargrove, recovering from her role in the same scandal that sent Zora running for cover. As Greer gets serious about her plan to tear the community apart, Josephine finds herself playing the most important role of her life, showing her neighbors what courage really is and learning the true meaning of coming home.
“Pearl Cleage is a passionate, challenging playwright whose concerns for the species are unmistakable and profound. As a woman, as an African-American, her artistic objectivity and sensitivity to history combine with, but do not overshadow, her capacity to dig for truth and present it flat out as she sees it – with a finger snap or a shout and sometimes with a wink. Among the most satisfying roles I’ve undertaken on stage is surely Miss Leah in Flyin’ West. She brings the bushel nuggets of drama and humor that capture the ear, the heart and the imagination. She’s devilish, too.” –Academy Award® Nominee Ruby Dee “Ms. Cleage writes with amazing grace and killer instinct.” –Alvin Klein, New York Times “Pearl Cleage is a brilliant storyteller. I am always engrossed in the drama and compassion she brings to her characters. Flyin’ West, Bourbon at the Border, Blues for an Alabama Sky, Late Bus to Mecca and Chain are marvelous examples of a playwright at the top of her form, bravely moving into the new century.” –Woodie King, Jr., Producing Director, New Federal Theatre Pearl Cleage’s body of work for the stage provides us with a remarkable and penetrating look at the African-American experience over the last 100 years. This volume collects her major full-length plays and one-acts, including Flyin’ West, Blues for an Alabama Sky, Bourbon at the Border, Chain and Late Bus to Mecca. PEARL CLEAGE is an Atlanta-based writer whose recent plays have premiered at The Alliance Theatre Company with subsequent productions throughout the country. Her first novel What Looks Like Crazy on an Ordinary Day was a recent Oprah’s Book Club Selection and a national bestseller. She is a former columnist of the Atlanta Tribune and a contributor to Essence Magazine.
THE STORY: On February 6, 2006, people began lining up at dawn outside of Atlanta's Ebenezer Baptist Church to pay their respects to the late Mrs. Coretta Scott King, widow of Dr. Martin Luther King, Jr., whose body lay in state in the small sanctu
An inspiring and revelatory memoir of juggling marriage, motherhood and politics as she worked to become a successful writer and self-fulfilled woman"--Provided by publisher.
For centuries, African American women have been remaking the world, giving testament to the power of hope, courage, and resilience. But it took the inspired generosity of Oprah Winfrey to honor fully the many gifts of sisterhood. For three amazing days–from May 13 to 15, 2005–a distinguished group of women was invited to celebrate the enduring achievements of twenty-five of their mentors and role models–and in the process pay tribute to the long, glorious tradition of African American accomplishment. The brilliant centerpiece of the weekend was the reading aloud of Pearl Cleage’s poem “We Speak Your Names,” written especially for the occasion and appearing here for the first time in this beautiful keepsake book. As deeply moving in print as it was during that weekend of love and praise, the poem names each of the women honored: Dr. Maya Angelou, Coretta Scott King, Diahann Carroll, Toni Morrison, Nikki Giovanni, Rosa Parks, Katherine Dunham, and other legends of the brightest magnitude. With heartfelt eloquence, Pearl Cleage (herself a luminary of the younger generation) celebrates her distinguished elders’ strength, their magic, their sensuality, their loving kindness, their faith in themselves, and the priceless example of their lives. In her introduction, the poet shares: “My sisters, here, there, and everywhere, this poem is for you. Use it, adapt it, pass it on. . . .” Destined to become a classic, We Speak Your Names is a treasure to keep forever and a precious, inspiring gift for the ones you love.
“Pearl Cleage is a passionate, challenging playwright whose concerns for the species are unmistakable and profound. As a woman, as an African-American, her artistic objectivity and sensitivity to history combine with, but do not overshadow, her capacity to dig for truth and present it flat out as she sees it – with a finger snap or a shout and sometimes with a wink. Among the most satisfying roles I’ve undertaken on stage is surely Miss Leah in Flyin’ West. She brings the bushel nuggets of drama and humor that capture the ear, the heart and the imagination. She’s devilish, too.” –Academy Award® Nominee Ruby Dee “Ms. Cleage writes with amazing grace and killer instinct.” –Alvin Klein, New York Times “Pearl Cleage is a brilliant storyteller. I am always engrossed in the drama and compassion she brings to her characters. Flyin’ West, Bourbon at the Border, Blues for an Alabama Sky, Late Bus to Mecca and Chain are marvelous examples of a playwright at the top of her form, bravely moving into the new century.” –Woodie King, Jr., Producing Director, New Federal Theatre Pearl Cleage’s body of work for the stage provides us with a remarkable and penetrating look at the African-American experience over the last 100 years. This volume collects her major full-length plays and one-acts, including Flyin’ West, Blues for an Alabama Sky, Bourbon at the Border, Chain and Late Bus to Mecca. PEARL CLEAGE is an Atlanta-based writer whose recent plays have premiered at The Alliance Theatre Company with subsequent productions throughout the country. Her first novel What Looks Like Crazy on an Ordinary Day was a recent Oprah’s Book Club Selection and a national bestseller. She is a former columnist of the Atlanta Tribune and a contributor to Essence Magazine.
For Josephine Evans, home was on the stages of the world where she spent thirty years establishing herself as one of the finest actresses of her generation. Josephine was the toast of Europe, and her fabulous apartment in Amsterdam’s theater district was a popular gathering place for an international community of artists, actors, and expatriates who considered themselves true citizens of the world. Josephine lived above and beyond the reach of conventional definitions of who and what an African American diva could be, and her legions of loyal fans loved her for it. She had a perfect life and enough sense to live it to the hilt, but then a war she didn’t fully understand turned everything upside down, thrusting her into a role she never wanted and was not prepared to play. Suddenly the target of angry protests aimed at the country she had never really felt was her own, Josephine is forced to return to America to see if she can create a new definition of home. Camping out with her granddaughter, Zora, who is housesitting in Atlanta’s West End; and trying to avoid the unwanted attentions of Dig It!, the city’s brand-new gossip magazine, Josephine struggles to reclaim her old life even as she scrambles to shape her new one. Hoping her friend Howard Denmond is as good as his word when he promises to engineer her triumphant return to the European stage, Josephine sets out to increase her nest egg by selling the house her mother willed her, only to find the long-neglected property has become home to squatters who have no intention of leaving. But an unexpected reunion with an old friend offers Josephine a chance to set things right. Spurning an offer from unscrupulous land developer Greer Woodruff, Josephine gathers new friends around her, including Victor Causey, a lawyer whose addictions left him homeless but still determined to protect his mother; Louie Baptiste, a displaced New Orleans chef hoping to return to the city he loves; and Aretha Hargrove, recovering from her role in the same scandal that sent Zora running for cover. As Greer gets serious about her plan to tear the community apart, Josephine finds herself playing the most important role of her life, showing her neighbors what courage really is and learning the true meaning of coming home.
For centuries, African American women have been remaking the world, giving testament to the power of hope, courage, and resilience. But it took the inspired generosity of Oprah Winfrey to honor fully the many gifts of sisterhood. For three amazing days–from May 13 to 15, 2005–a distinguished group of women was invited to celebrate the enduring achievements of twenty-five of their mentors and role models–and in the process pay tribute to the long, glorious tradition of African American accomplishment. The brilliant centerpiece of the weekend was the reading aloud of Pearl Cleage’s poem “We Speak Your Names,” written especially for the occasion and appearing here for the first time in this beautiful keepsake book. As deeply moving in print as it was during that weekend of love and praise, the poem names each of the women honored: Dr. Maya Angelou, Coretta Scott King, Diahann Carroll, Toni Morrison, Nikki Giovanni, Rosa Parks, Katherine Dunham, and other legends of the brightest magnitude. With heartfelt eloquence, Pearl Cleage (herself a luminary of the younger generation) celebrates her distinguished elders’ strength, their magic, their sensuality, their loving kindness, their faith in themselves, and the priceless example of their lives. In her introduction, the poet shares: “My sisters, here, there, and everywhere, this poem is for you. Use it, adapt it, pass it on. . . .” Destined to become a classic, We Speak Your Names is a treasure to keep forever and a precious, inspiring gift for the ones you love.
What to read next is every book lover's greatest dilemma. Nancy Pearl comes to the rescue with this wide-ranging and fun guide to the best reading new and old. Pearl, who inspired legions of litterateurs with "What If All (name the city) Read the Same Book," has devised reading lists that cater to every mood, occasion, and personality. These annotated lists cover such topics as mother-daughter relationships, science for nonscientists, mysteries of all stripes, African-American fiction from a female point of view, must-reads for kids, books on bicycling, "chick-lit," and many more. Pearl's enthusiasm and taste shine throughout.
THE STORY: It is the summer of 1930 in Harlem, New York. The creative euphoria of the Harlem Renaissance has given way to the harsher realities of the Great Depression. Young Reverend Adam Clayton Powell, Jr., is feeding the hungry and preaching an
With the unique blend of truth and humor that made her first novel, What Looks Like Crazy on an Ordinary Day . . ., a huge bestseller, Pearl Cleage returns with an extraordinary novel that is rich in character, steeped in sisterhood, and bursting with unexpected love . . . and maybe just a little magic. Depending on the time of day, Regina Burns is a woman on the edge of a nervous breakdown or an overdue breakthrough. One shattered heart and six months of rehab have left her wary and shell-shocked—especially with the prospect of taking a temporary consulting job in Atlanta, a move that would allow Regina to rescue the family home that she borrowed against when she was “a stomp down dope fiend.” Her stone-faced banker has grudgingly agreed to give her sixty days to settle her debts or lose the house. Returning to Atlanta is a big risk. Last time Regina was there, she lost track of who she was and what she wanted. There’s a lot of emotional baggage with her new employer, Beth Davis. Can she really forgive Beth for breaking up her wedding plans on New Year’s Eve because she just didn’t think Regina was good enough to marry her son? Meanwhile, Regina’s visionary Aunt Abbie has told her to be on the lookout for a handsome stranger with “the ocean in his eyes” who has a bone to pick and a promise to keep. Then a blue-eyed brother appears on the streets of Afro-Atlanta wearing a black cashmere overcoat, flashing a dazzling smile, and lending a helping hand when Regina needs it most. But between falling for Blue Hamilton and dealing with Beth, secrets will emerge that will threaten to send her life twisting in surprising new directions. Like a conversation with a good friend, Some Things I Never Thought I’d Do shares hope, love, and laugher. As always, it is Pearl Cleage’s unforgettable characters and her gift for dialogue that will earn this provocative new novel a place in the hearts of her growing family of readers.
THE STORY: Facing problems ranging from the inevitability of long, cold winters, to the possibility of domestic violence, to the continuing spectra of racial conflict, the women of FLYIN' WEST include Miss Leah, the old woman whose memories of slav
THE STORY: In the winter of 1964, ten years after the Montgomery bus boycott, Dr. Martin Luther King, Jr., is planning a massive voter registration drive that promises to put the city back at the center of the Civil Rights Movement. Among those wat
THE STORY: Facing problems ranging from the inevitability of long, cold winters, to the possibility of domestic violence, to the continuing spectra of racial conflict, the women of FLYIN' WEST include Miss Leah, the old woman whose memories of slav
A lifetime ago, actress Anna Campbell and manager Betty Samson ignited a major theatrical controversy with a performance of monologues from August Wilson's Fences that came to be known forever as Naked Wilson. After decades of self-imposed exile in Amsterdam to escape the critics, they receive an invitation to perform the show at a women's theatre festival promising to be "angry, raucous, and shamelessly gorgeous." Uncertain of what kind of reception she will get, and unmoved by Betty's assurances, Anna's insecurity grows when she meets Pete Watson, the ambitious young performer who has been chosen to replace Anna in the role but whose theatrical experience is so far limited to the adult entertainment industry. Searching for common ground, Anna and Pete must confront their ideas about themselves and each other as they reconcile two vastly different worldviews. With humor and grace, Pearl Cleage finds a meeting place where both women can not only find each other, but make peace with a few lingering ghosts just in time for opening night."--Back cover.
Artworks from the early 1990s through the present examine the many ways that love is understood, expressed or left unspoken This volume features more than 35 diverse and multigenerational artists, exploring themes that grapple with some of the most firmly rooted concepts of love, including the union of two people and their co-belonging in a shared destiny, the ties that bind family and friends, and loving practice that comes from action, intention and commitment to promote the worth and well-being of community. Artists include: Ghada Amer, Rina Banerjee, Thomas Barger, Patty Chang, Susanna Coffey, James Drake, Keith Edmier and Farrah Fawcett, Alanna Fields, Dara Friedman, Andrea Galvani, General Idea, Jeffrey Gibson, Felix Gonzalez-Torres, Kahlil Robert Irving, Tomashi Jackson, María de los Angeles Rodríguez Jiménez, Rashid Johnson, Gerald Lovell, Rafael Lozano-Hemmer, Kerry James Marshall, Felicita Felli Maynard, Wangechi Mutu, Ebony G. Patterson, Paul Pfeiffer, Magnus Plessen, Gabriel Rico, Dario Robleto, RongRong&inri, Michelle Stuart, Vivian Suter, Jana Vander-Lee, Carrie Mae Weems and Akram Zaatari.
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