This book reveals how the critique of the domination of capitalism inaugurated by the Frankfurt School becomes pluriversal, motivating the historical Critical Theory of Coloniality (CTC) dialogue between the Global South and the Global North. CTC expresses the emergence and historical actuality of a set of intellectual fields aimed at denouncing domination and promoting emancipatory ideas at the borders of colonial capitalism. The book argues that the actuality of the CTC relies on the importance of valuing theoretical and methodological pluralism in the context of the necessary redefinition of the directions of global society. It reveals a plural reflection of scientific, moral, and aesthetic character in different areas of former planetary colonisation such as Asia, Africa, and America but also on the borders of Europe. This book is aimed at researchers and students in the social sciences as well as in interdisciplinary studies. It is attractive to those who are interested in the plural development of theoretical criticism outside the European universe and who seek to understand how capitalist power has metamorphosed with planetary coloniality. Considering this book implies important reflections on topics such as development, modernity, tradition, imperialism, dependency, and democracy, it is interesting to specialists in development issues, international relations, and policymakers.
This book reveals how the critique of the domination of capitalism inaugurated by the Frankfurt School becomes pluriversal, motivating the historical Critical Theory of Coloniality (CTC) dialogue between the Global South and the Global North. CTC expresses the emergence and historical actuality of a set of intellectual fields aimed at denouncing domination and promoting emancipatory ideas at the borders of colonial capitalism. The book argues that the actuality of the CTC relies on the importance of valuing theoretical and methodological pluralism in the context of the necessary redefinition of the directions of global society. It reveals a plural reflection of scientific, moral, and aesthetic character in different areas of former planetary colonisation such as Asia, Africa, and America but also on the borders of Europe. This book is aimed at researchers and students in the social sciences as well as in interdisciplinary studies. It is attractive to those who are interested in the plural development of theoretical criticism outside the European universe and who seek to understand how capitalist power has metamorphosed with planetary coloniality. Considering this book implies important reflections on topics such as development, modernity, tradition, imperialism, dependency, and democracy, it is interesting to specialists in development issues, international relations, and policymakers.
Published in 2008 and winner of the 2011 Thomas E. Skidmore Prize, Paulo Fontes's Migration and the Making of Industrial São Paulo is a detailed social history of São Paulo's extraordinary urban and industrial expansion. Fontes focuses on those migrants who settled in the suburb of São Miguel Paulista, which grew from 7,000 residents in the 1940s to over 140,000 two decades later. Reconstructing these migrants' everyday lives within a broad social context, Fontes examines the economic conditions that prompted their migration, their creation of an integrated identity and community, and their efforts to gain worker rights. Fontes challenges the stereotypes of Northeasterners as culturally backward, uneducated, violent, and unreliable, instead seeing them as a resourceful population with considerable social and political resolve. Fontes's investigations into Northeastern life in São Miguel Paulista yield a fresh understanding of São Paulo's incredible and difficult growth while outlining how a marginalized population exercised its political agency.
Covers performance, reliability, and availability evaluation for computing systems, although the methods may also be applied to other systems Provides a resource for computer performance professionals to support planning, design, configuring, and tuning the performance, reliability, and availability of computing systems Volume 1 includes coverage of fundamental concepts and performance modeling.
Covers performance, reliability, and availability evaluation for computing systems, although the methods may also be applied to other systems Provides a resource for computer performance professionals to support planning, design, configuring, and tuning the performance, reliability, and availability of computing systems Volume 2 includes coverage of reliability and availability modeling and measuring and data analysis
Azenha do Mar is a fishing community on the southwest coast of Portugal. It came into existence around forty years ago, as an outcome of the abandonment of work in the fields and of propitious ecological conditions. This book looks at the migration processes since the founding of the community and how they relate to the social inequalities for property and labour which prevail today. The book also reflects upon the personal experience of the ethnographer in the field balancing the importance of methodology on the one hand and fieldwork as a research process on the other.
This is an extraordinarily imaginative attempt to analyze the relations between literature and technique in Brazil from the 1880s to the 1920s. The author suggests that in these relations we can see more clearly the shape of a period that is otherwise usually defined from a literary perspective as pre- or post- something or other, rather than in terms of its own characteristics. One such characteristic is the intense interaction with the new technologies then arising in Brazil, the beginning of the professionalization of writers, and a revision of the concept of literature, redefined as technique. The authors chief concern is to determine what is distinctive about the literary production of the period. Rather than focusing on literatures relations with visual art, with a rising social class, or with the sociopolitical divisions within the educated classes of Brazilian society, the author examines the crônica (a kind of journalistic essay), poetry, and fiction of these decades in terms of their encounter with a burgeoning technological and industrial landscape. This encounter is examined from two perspectives. The first is explicit representation: the portrayal in Brazilian literature of modern artifacts, new means of transformation and communication, and the newborn industries of advertising and commercial publication. The second perspective examines how these close contacts with the technological world came to shape cultural productionthat is, not how literature represents technique, but how literary technique changed as it incorporated procedures characteristic of photography, film, and poster art. This transformation was consistent and concurrent with significant changes taking place in the perceptions and sensibilities of the population of major Brazilian cities, a population increasingly attuned to images, the instant, and technology as all-powerful mediators of the urban landscape, time, and a subjectivity constantly under the threat of extinction.
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