Much has been written about World War Two and the events leading up to its onset in September, 1939, but the characters featured in The Long Man are so diversified they offer five entirely different aspects of similar events during that time. As well, an intriguing tale is interwoven with historic fact. The fear of detection is a constant companion to Janine Parke, an experienced agent and civilian pilot working for British Intelligence. She is torn between her loyalty to England and her native France when Nazi occupation threatens both countries. Of her clandestine operations, she can tell no one. Claude Simone, a Parisian Jew, has partnered Janine for some years, and poses as an Englishman named Ben Boniface in the village of Long Bottom (fictitious) where they both live--he, renting a room at Mallory Cottage and she, residing with her husband, son, and daughter on their estate named Flint House. Claude is coerced into becoming a double agent by a German named Beatrix Dierick in order to guarantee his parents' safety in Paris. While normally intolerant of children, he nonetheless becomes fond of Kate Hawkins, a ten-year-old who has been evacuated from London to Mallory Cottage and who has an extraordinary talent for drawing. He is extremely concerned when she sketches a good likeness of Dierick. Of his clandestine operations, he can tell no one. Yvonne Parke, Janine's daughter and also an experienced pilot, is ferrying operational aircraft for Air Transport Auxiliary when she is approached by members of the Free French in London to carry out a mission for them in France. Prior to her involvement with the Free French and due to an arrangement made by Ben Boniface, she takes the family's river boat to Dunkirk in order to rescue entrapped British and French soldiers from the beaches there. But of her clandestine operations, she can tell no one. David, Yvonne's brother, is shot down and badly burned during the Battle of Britain. During the long months of treatment, Kate sends him amusing letters and drawings which are greatly instrumental in promoting his recovery. With weakened hands he is unable to return to a fighter squadron but instead joins a Special Operations squadron involved in the delivery and retrieval of British agents in France. Of these duties, he can tell no one. Kate's youthful misconceptions offer innocent humour, yet her unusual involvement with the Parke family creates the link that draws the five characters and the network of the plot together. As well, the reader will experience the often concealed terror of a child suffering through the duration of a dreadful war.
About the Book The celebration of allied victory following the end of World War II has transitioned into the mammoth task of restoration. Three people among the millions in Great Britain look to the future with diverse levels of aspiration. David Parke, a Royal Air Force fighter pilot who was badly burned during the Battle of Britain, faces the dilemma of leading a productive life with disabled hands. His French grandparents who own a vineyard in Aix en Provence are traumatized by the past German occupation of their country and suggest that David learn the intricacies of the wine industry with a view to ultimately assuming ownership of the chateau. To enhance future international business possibilities he visits the vineyards of northern California where he discovers another unsettling reason for being there. His French mother, Janine, who functioned as an agent for British Intelligence in occupied France, acknowledges the dire need to help the thousands of refugees still displaced from their homelands. Her major focus is on the lost children of the war and her investigations coincidentally merge with her sons activities both in France and America. A child at the wars onset, Kate Hawkins is now moving into womanhood and is making good use of her extraordinary artistic talent by depicting the plight of children who have been separated from their parents during wartime conditions. Her unique ability to highlight an expression of anguish or joy with a mere pencil stroke comes to the attention of the United Nations International Childrens Emergency Fund (UNICEF) and she is employed as a representative artist. Meanwhile, the War Crimes Tribunal is in session at Nuremburg and evasive war criminals are being sought to bring to justice. A cabal of dedicated Nazi hunters is working to track down and apprehend these fugitives and these activities are the undercurrent of the story. Surprisingly, the three diverse occupations of David, Janine, and Kate are affected by these grim activities and they unexpectedly become involved. HOME ARE THE HUNTERS is a sequel to the wartime novel by the same author, THE LONG MAN and brings to a conclusion the story of the three appealing characters the reader has come to know and perhaps befriend.
A master film critic is at her witty, exhilarating, and opinionated best in this career-spanning collection featuring pieces on Bonnie and Clyde, The Godfather, and other modern movie classics “Film criticism is exciting just because there is no formula to apply,” Pauline Kael once observed, “just because you must use everything you are and everything you know.” Between 1968 and 1991, as regular film reviewer for The New Yorker, Kael used those formidable tools to shape the tastes of a generation. She had a gift for capturing, with force and fluency, the essence of an actor’s gesture or the full implication of a cinematic image. Kael called movies “the most total and encompassing art form we have,” and her reviews became a platform for considering both film and the worlds it engages, crafting in the process a prose style of extraordinary wit, precision, and improvisatory grace. Her ability to evoke the essence of a great artist—an Orson Welles or a Robert Altman—or to celebrate the way even seeming trash could tap deeply into our emotions was matched by her unwavering eye for the scams and self-deceptions of a corrupt movie industry. Here are her appraisals of era-defining films such as Breathless, Bonnie and Clyde, The Leopard, The Godfather, Last Tango in Paris, Nashville, along with many others, some awaiting rediscovery—all providing the occasion for masterpieces of observation and insight, alive on every page.
Jereth, a former monk, struggles to find meaning in his blighted life and leaves everything to wander the devastated land, searching without direction. When Jereth meets the Lady Trenara and her maidservant, Hwyn, he discovers each has secrets of her own, and both are on a quest to save the world. But they must first save themselves, conquering their demons and rousing their strengths. (July)
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