Jayden's mom is working on a navy ship, so he's staying with his grandparents. But soon he and his mom will move into a new home. Jayden visits several friends to get ideas about where his family could live. From houses with big yards to mobile homes and everything in between, Jayden realizes there are many types of homes to choose from. But what makes a home, a home?
The sun brings light, heat, and energy to Earth! Leela's imagination takes her on a journey to explore the sun. Come aboard her spacecraft as she orbits around the sun and learns what makes it so hot! Find out more about the closest star to our planet.
This book explores the contribution of southern Italy and Sicily to the crusades and crusader states. By adopting the theme of identity as a tool of analysis, it argues that a far more nuanced picture emerges about the relationship than the dismissive portrayal by William of Tyre in his Chronicon, which has largely been accepted by later historians. Building upon previous scholarship in relation to Norman identity, it widens the discussion to evaluate the role of more fluid and evolving Italo-Norman and Italo-Sicilian identities, and how these shaped events. In so doing, this book also argues that the relationship between the territories needs to be considered in different dimensions: direct involvement of leaders and rulers versus indirect engagement through the geography of southern Italy and Sicily. Over time, and as identities change, these two dimensions converge, making the kingdom itself a leading participant in crusading.
Tucked away in a garden on the edge of Paris is a multimedia archive like no other: Albert Kahn's Archives de la Planète (1908-1931). Kahn's vast photo-cinematographic experiment preserved world memory through the privileged lens of everyday life, and Counter-Archive situates this project in its biographic, intellectual, and cinematic contexts. Tracing the archive's key influences, such as the philosopher Henri Bergson, the geographer Jean Brunhes, and the biologist Jean Comandon, Paula Amad maps an alternative landscape of French cultural modernity in which vitalist philosophy cross-pollinated with early film theory, documentary film with the avant-garde, cinematic models of temporality with the early Annales school of history, and film's appropriation of the planet with human geography and colonial ideology. At the heart of the book is an insightful meditation upon the transformed concept of the archive in the age of cinema and an innovative argument about film's counter-archival challenge to history. The first comprehensive study of Kahn's films, Counter-Archive also offers a vital historical perspective on debates involving archives, media, and memory.
This book reveals the transformation of political rallies in France from the last years of the Second Empire until the end of the Third Republic. Originally designed by Republicans as a tool of citizenship learning and formation of political opinion through open debate, rallies gradually became a stage dedicated to the show of force, at the initiative of various emerging political formations. This distortion is marked by the turn of the twentieth century, but is observed even more in the rallies held between the two world wars. Faced with this transformation, the government does not hesitate, in the second half of the 1930s, to invalidate the liberal credo that based the right of assembly since the installation of the Republic. This book, at the crossroads of history and political science, is an important contribution to our understanding of political life of that period. An essential form of collective political participation, the rallies had never been the subject of major research. The author also contributes to the reflection, more relevant than ever, on the status of public debate in representative regimes. Participatory democracy has a history that this book helps to trace.
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